The Harvest

[Transcript of "Buffy The Vampire Slayer" episode The Harvest at buffyology.com.]

Prologue

NARRATOR

(v.o.)
In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer.

INT. SUNNYDALE CEMETERY-- MAUSOLEUM-- NIGHT

LUKE pins BUFFY in the crypt and extends his fangs, inches from sinking them into her neck. Suddenly he jerks back in pain and surprise as he burns himself on the cross hanging around her neck. Buffy seizes the opportunity, drawing her legs between them and catapulting him out of the crypt. She quickly climbs out and races outside.

EXT. SUNNYDALE CEMETERY-- NIGHT

Buffy runs to catch up with Willow, Xander and Jesse. She hears a vampire roar and a girl screaming and runs toward the sound.

CUT TO:

WILLOW on the ground, about to be bitten.

WILLOW

No! Get off!

BUFFY

Hey!

The vampire looks up in time to take a vicious kick to the head from Buffy. He gets up, staggers and runs away. Willow stares at Buffy, shocked. Buffy wastes no time with explanations and quickly moves away to help the others. Willow gets up and runs after her.

CUT TO:

XANDER being dragged away by two vampires. Willow appears between two gravestones.

WILLOW

Xander!

The vampires are distracted and Buffy takes advantage of the opening, punching and kicking with phenomenal force. She notices a dry branch on a tree and breaks

it off. As one of the vampires gets up, she slams the tree limb into him and he vaporizes instantaneously. Willow rushes over to Xander who's still on the ground.

WILLOW

Xander, are you okay?

XANDER

Man, something hit me.

BUFFY

Where's Jesse?

WILLOW

I don't know! They surrounded us.

XANDER

That girl grabbed him and took off.

BUFFY

Which way?

XANDER

I don't know.

She stands up straight and slowly scans the cemetery.

BUFFY

(whispers)
Jesse!

Opening credit sequence.

ACT I

INT. SUNNYDALE HIGH-- LIBRARY-- NIGHT

The globe is spinning. GILES stops it while he lectures and makes his way down to where Buffy, Willow and Xander are sitting at the reading table.

GILES

This world is older than any of you know. Contrary to popular mythology, it did not begin as a paradise. For untold eons demons walked the Earth. They made it their home, their... their Hell. But in time they lost their purchase on this reality. The

way was made for mortal animals, for man. All that remains of the Old Ones are vestiges, certain magicks, certain creatures...

BUFFY

And vampires.

XANDER

Okay, this is where I have a problem. See, because we're talking about vampires. We're having a talk with vampires in it.

WILLOW

Isn't that what we saw last night?

BUFFY

No. No, those weren't vampires, those were just guys in thundering need of a facial. Or maybe they had rabies. It could have been rabies. And that guy turning to dust? Just a trick of light. (off Xander's look) That's exactly what I said the first time I saw a vampire. Well, after I was done with the screaming part.

WILLOW

Oh, I need to sit down.

BUFFY

You are sitting down.

WILLOW

Oh. Good for me.

XANDER

So vampires are demons?

GILES

The books tell the last demon to leave this reality fed off a human, mixed their blood. He was a human form possessed, infected by the demon's soul. He bit another, and another, and so they walk the Earth, feeding. Killing some, mixing their blood with others to make more of their kind. Waiting for the animals to die out, and the Old Ones to return.
CUT TO:

INT. SUNNYDALE-- SEWERS-- NIGHT

DARLA and Luke are forcing JESSE along toward the Master's lair.

LUKE

Move!

INT. THE MASTER'S LAIR-- NIGHT

Luke forces Jesse down the slope to the floor below. The MASTER approaches.

MASTER

Is this for me?

LUKE

An offering, Master.

DARLA

He's a good one. His blood is pure.

MASTER

You've tasted it.

Darla looks down in shame.

MASTER

I'm your... faithful dog. You bring me scraps.

DARLA

I didn't mean it...

MASTER

I have waited. For three score years I have waited. While you come and go I am stuck here, here in this house of... (contempt) worship! My ascension is almost at hand. Pray that when it comes, (takes Darla by the neck) I'm in a better mood.

DARLA

Master, forgive me! We had more offerings, but there was trouble. A girl!

LUKE

There was a girl, Master. She fought well and she knew of our breed. It is possible that she may be--

MASTER

A Slayer!
CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- DAY

XANDER

And that would be a what?

GILES

For as long as there have been vampires, there's been the Slayer. One girl in all the world, a Chosen One.

BUFFY

He loves doing this part.

GILES

All right. The Slayer hunts vampires. Buffy is a Slayer. Don't tell anyone. Well, I think that's all the vampire information you need.

XANDER

Except for one thing. How do you kill them?

BUFFY

You don't. I do.

XANDER

Well, Jesse's my--

BUFFY

(interrupts)
Jesse is my responsibility. I let him get taken.

XANDER

That's not true.

WILLOW

If you hadn't shown up they would have taken us, too. Does anybody mind if I pass out?

BUFFY

Breathe.

WILLOW

Breathe.

BUFFY

Breathe. (to Giles) This big guy, Luke. He talked about an offering to the Master. Now, I don't know what or who, but if they weren't just feeding then Jesse may still be alive. I'm gonna find him.

WILLOW

This may be the dumb question, but shouldn't we call the police?

GILES

And they'd believe us, of course.

WILLOW

Well, we don't have to say vampires. We could just say that there's a bad man.

BUFFY

They couldn't handle it even of they did show up. They'd only come with guns.

GILES

You have no idea where they took Jesse?

BUFFY

I looked around, but soon as they got clear of the graveyard, they could have just, voom!

XANDER

They can fly?

BUFFY

They can drive.

XANDER

Oh.

WILLOW

I don't remember hearing a car.

GILES

Let's take an enormous intuitive leap, shall we, and say they went underground.

BUFFY

Vampires really jam on sewer systems. You can get anywhere in the entire town without catching any rays. But I didn't see any access around there.

XANDER

Well, there's an electrical tunnel that runs under the whole town.

GILES

If we had a diagnostic of the tunnel system it might indicate a meeting place, it would-- I suppose we could go to the Building Commission.

BUFFY

We so don't have time.

WILLOW

Uh, guys? There may be another way.
CUT TO:

INT. THE MASTER'S LAIR-- DAY

MASTER

A Slayer! Have you any proof?

LUKE

Only that she fought me and yet lives.

MASTER

Hmm, very nearly proof enough. I can't remember the last time that happened.

LUKE

1843, Madrid. He caught me sleeping.

MASTER

She mustn't be allowed to interfere with the Harvest.

LUKE

I would never let that happen.

MASTER

Don't worry about it. I believe she'll come to us. We have something she wants.

Luke smiles at Jesse.

MASTER

If she is a Slayer, and this boy lives, she'll try to save him.

LUKE

I thought you nothing more than a meal, boy.

He moves behind Jesse and seizes his neck.

LUKE

Congratulations. You've just been upgraded. To bait.
CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- DAY

Willow has the city plans up on the computer monitor.

BUFFY

There it is.

WILLOW

That runs under the graveyard.

XANDER

I don't see any access.

GILES

So, all the city plans are just open to the public?

WILLOW

Well, in a way. I sort of stumbled onto them when I accidentally decrypted the city council's security system.

XANDER

Someone's been naughty.

BUFFY

There's nothing here, this is useless!

GILES

I think you're being a bit hard on yourself.

BUFFY

You're the one that told me that I wasn't prepared enough. Understatement! I thought I was on top of everything, and then that monster Luke came out of nowhere...

Beat as she flashes back to the fight in the mausoleum.

XANDER

What?

BUFFY

He didn't come out of nowhere. He came from behind me. I was facing the entrance. He came from behind me and he didn't follow me out. The access to the tunnels is in the mausoleum! The girl must have doubled back with Jesse after I got out. God, I am so mentally challenged!

XANDER

So, what's the plan? We saddle up, right?

BUFFY

There's no 'we', okay? I'm the Slayer and you're not.

XANDER

I knew you'd throw that back in my face.

BUFFY

Xander, this is deeply dangerous.

XANDER

I'm inadequate. That's fine. I'm less than a man.

WILLOW

Buffy, I'm not anxious to go into a dark place full of monsters. But I do want to help. I need to.

GILES

Well, then help me. I've been researching this Harvest affair. It seems to be some sort of pre-ordained massacre. Rivers of blood, Hell on Earth, quite charmless. I'm a bit fuzzy, however, on the details. It may be that you can wrest some information from that dread machine.

Everyone stares at him. He looks back at them all.

GILES

That was a bit, um, British, wasn't it?

BUFFY

Welcome to the New World.

GILES

(to Willow)
I want you to go on the Net.

WILLOW

Oh, sure, I can do that.

BUFFY

Then I'm outta here. If Jesse's alive, I'll bring him back.

GILES

Do I have to tell you to be careful?

Buffy gives Giles a withering look and exits.

CUT TO:

INT. SUNNYDALE HIGH-- DAY

Buffy is headings for a side gate to the school grounds. Principal FLUTIE stops her.

FLUTIE

And where do we think we're going?

BUFFY

We? I... Me...

FLUTIE

We're not leaving school grounds, are we?

BUFFY

No! No, I'm... just admiring the fence. You know, this is quality fence work.

FLUTIE

Because if we were leaving schools grounds on our second day at a new school, after getting kicked out of our old school for delinquent behavior... Do you see where I'm going with this?

BUFFY

Mr. Giles...

FLUTIE

What?

BUFFY

He asked me to get a book for him. Uh, from the store, 'cause I have a free period, and I'm a big reader. Did it mention that in my transcripts?

FLUTIE

Mr. Giles?

BUFFY

Ask him.

FLUTIE

(swinging the gate closed)
Well, maybe that's how they do things in Britain. They've got that royal family and all kinds of problems, but here at Sunnydale nobody leaves campus while school's in session. Are we clear?

BUFFY

We're clear.

FLUTIE

That's the Buffy Summers I want in my school. Sensible girl with her feet on the ground!

He turns and leaves. Buffy watches him go. After he's gone, she squats down and effortlessly leaps the 12-foot fence.

CUT TO:

INT. SUNNYDALE HIGH-- CORRIDOR-- DAY

Willow and Xander walking down a hall.

WILLOW

Murder, death, disaster. What else?

XANDER

Paranormal, unexplained, did you get natural disasters?

WILLOW

Earthquake, flood.

XANDER

Rain of toads.

WILLOW

Right.

XANDER

Rain of toads! Do you think they'd have anything like that in the paper?

WILLOW

I'll put it on the computer search. If it's in there, it'll turn up. Anything that'll lead us to vampires.

XANDER

And I, in the meantime, will help by standing around like an idiot.

WILLOW

Not like an idiot, just... standing. Buffy doesn't want you getting hurt.

They stop in front of their next class.

WILLOW

I don't want you getting hurt.

XANDER

This is just too much. I mean, yesterday my life's like, 'Uh-oh, pop quiz'. Today it's 'Rain of toads'.

WILLOW

I know. And everyone else thinks it's just a normal day.

XANDER

Nobody knows. It's like we've got this big secret.

WILLOW

We do. That's what a secret is, when you know something other guys don't.

XANDER

Right. Look, maybe you should get to class.

WILLOW

You mean 'we'. We should get to class.

XANDER

Yeah.

WILLOW

Buffy'll be okay. Whatever's down there, I think she can handle it.

XANDER

Yeah, I do too.

WILLOW

So do I!
CUT TO:

INT. SUNNYDALE CEMETERY-- MAUSOLEUM-- DAY

Buffy slowly enters, looking and listening. Satisfied that she's alone, she walks down the steps to the floor. She starts at a rustling behind her, then continues her search for the tunnel access. She finds it, near the rear of the tomb, a camouflaged door, locked with a chain. She examines the lock. Angel enters behind her.

BUFFY

I don't suppose you've got a key on you?

ANGEL

They really don't like me dropping in.

BUFFY

Why not?

ANGEL

They really don't like me.

BUFFY

How could that possibly be?

ANGEL

I knew you'd figure out this entryway sooner or later. Actually, I thought it was gonna be a little sooner.

BUFFY

Sorry you had to wait. Okay. Look, if you're gonna be popping up with this cryptic wise man act on a regular basis can you at least tell me your name?

ANGEL

Angel.

BUFFY

Angel. It's a pretty name.

She turns to the tunnel entrance.

ANGEL

Don't... go down there.

BUFFY

Deal with my going.

ANGEL

You shouldn't be putting yourself at risk. Tonight is the Harvest. Unless you can prevent it, the Master walks.

BUFFY

Well, if this Harvest thing is such a suckfest why don't you stop it?

ANGEL

Because I'm afraid.

She looks at him for a moment and then spins around quickly, kicking the door to the tunnel and shattering it.

ANGEL

They'll be expecting you.

BUFFY

I've got a friend down there. Or at least a potential friend. Do you know what it's like to have a friend?

He lowers his eyes and looks away.

BUFFY

That wasn't supposed to be a stumper.

Beat while they stare at each other.

ANGEL

When you hit the tunnels head east toward the school. That's where you're likely to find them.

BUFFY

You gonna wish me luck?

Angel says nothing. They look at each other for another moment, then Buffy turns and heads into the tunnels. He watches her go.

ANGEL

(whispers)
Good luck.
FADE OUT

ACT II

INT. UNDERGROUND TUNNELS-- DAY

Buffy descends a flight of stairs and looks around. She hears rats and one crawls across her feet. She slowly starts down the tunnel in the direction Angel indicated. There are lights at regular intervals, indicating these tunnels are, indeed used regularly by someone-- or something. She reaches an intersection just as Xander surprises her from behind.

XANDER

Did you see anything?

BUFFY

(startled)
Xander, what are you doing here?!

XANDER

Something stupid. I followed you.

BUFFY

Well, you--

XANDER

I couldn't just sit at home and do nothing.

BUFFY

I understand. Now, go away!

XANDER

No!

BUFFY

Xander, you're gonna have to.

XANDER

Look, Jesse's my bud, okay? If I can help him out, that's what I gotta do.

Buffy considers, then concedes and indicates for him to follow. She starts down the tunnel again.

XANDER

Besides, it's this or chem class.
TIME CUT

The duo is climbing an ancient set of stone steps.

XANDER

Okay, so crosses, garlic, stake through the heart.

BUFFY

That'll get it done.

XANDER

Cool! Of course, I don't actually have any of those things.

BUFFY

(handing him a cross)
Good thinking.

XANDER

Well, the part of my brain that would tell me to bring that stuff is still busy telling me not to come down here. I have this, though.

Xander turns on a flashlight.

BUFFY

Turn that off!

XANDER

Okay! Okay! So, what else?

BUFFY

What else what?

XANDER

For vampire slayage.

BUFFY

Oh, fire, beheading, sunlight, holy water, the usual.

XANDER

You've done some beheading in your time?

BUFFY

Oh, yeah. There was this time I was pinned down by this guy that played left tackle for varsity... well, at least he used to before he was a vampire. Anyway, he had this really, really thick neck, and all I had was a little, little Exact-O knife...

Xander laughs nervously.

BUFFY

You're not loving this story.

XANDER

No, actually, I find it oddly comforting.
CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- DAY

Giles is reading from an ancient volume.

GILES

'For they will gather and be gathered. From the Vessel pours life.' Pours life...

He turns the page back to the picture of Satan feeding power to a man.

GILES

'On the night of the crescent moon, the first past the solstice it will come...' Of course. That's tonight!
CUT TO:

INT. SUNNYDALE HIGH-- COMPUTER LAB-- DAY

Cordelia and HARMONY are struggling with their class assignment. Harmony is a vapid, but attractive blonde, one of the many "popular girls" who constantly surround Cordelia and do her bidding as if she is their queen-- which, in a way, she is.

CORDELIA

No! It's supposed to find the syntax and match it. Or wait...

HARMONY

Are we going to the Bronze tonight?

CORDELIA

No, we're going to the other cool place in Sunnydale.

Harmony looks confused.

CORDELIA

Of course we're going to the Bronze. Friday night? No cover? But you should have been there last night. 'Cause I ran into Buffy...

Willow, sitting nearby, overhears the conversation.

CORDELIA

...and can she be any weirder? She attacked me! Do you believe it?

HARMONY

I think we did this part wrong.

CORDELIA

Why do we have to devise these programs? Isn't that what nerds are for? (whispers, indicating Willow's work) What'd she do?

HARMONY

(glances at Willow's screen)
She's doing something else.

CORDELIA

Okay, and then pattern run, right? Or GO TO end? That's it!

HARMONY

Maybe!

CORDELIA

So anyway, I come out of the bathroom, and she comes running at me. Screaming, with a stick! 'I'm gonna kill you! I'm gonna kill you!' I swear!

BOY

Who?

CORDELIA

Buffy!

HARMONY

The new girl?

BOY

What's her deal?

CORDELIA

Well, she's crazed.

HARMONY

Did you hear about her old school?

Cordelia and the boy both shake their heads.

HARMONY

Booted.

CORDELIA

Well, I exhibit no surprise.

BOY

Why was she kicked out?

CORDELIA

Because she's a psycho loony?

WILLOW

(interrupting)
No, she's not.

CORDELIA

What?

WILLOW

She's not a psycho. You don't even know her.

CORDELIA

Excuse me? Who gave you permission to exist?

Willow turns away, ashamed.

CORDELIA

Do I horn in on your private discussions? No. Why? Because you're boring.

Willow gets up and heads to the printer.

HARMONY

Okay, I think the program's done.

CORDELIA

Finally the nightmare ends! Okay, so how do we save it?

WILLOW

Deliver.

CORDELIA

Deliver? Where's that? (searching the keyboard) Oh, this must be it.

She hits the 'Del' key and her program disappears.

CUT TO:

INT. UNDERGROUND TUNNELS-- DAY

Buffy motions for Xander to slow down.

BUFFY

They're close.

XANDER

How can you tell?

BUFFY

No more rats.

They round a corner and as Buffy peers into the gloom, Xander turns on his flashlight and sees Jesse lying on the ground in the center of a natural chamber.

XANDER

Jesse!

BUFFY

Oh, no!

Jesse responds and jumps up, happy to see them.

XANDER

Jesse!

JESSE

Xander!

The two boys embrace.

XANDER

Jesse, man, are you okay?

JESSE

I am not okay, on an epic scale.

Buffy shines the light on the shackles around Jesse's ankle.

JESSE

We gotta get outta here!

XANDER

It's cool, Buffy's a superhero.

BUFFY

Hold on...

She takes the shackle chain in her hands, twists it, and snaps it in two.

XANDER

Do you think anyone heard that?

As if in response, shadows move along the walls, coming down the tunnel toward them. Vampires come around the corner-- and find the chamber empty.

CUT TO:

Xander, Buffy and Jesse further along the tunnel.

JESSE

They knew you were gonna come. They said that I... I was the bait.

XANDER

Oh, great. Now you tell us.

They round a corner and are met by a group of vampires who snarl and lunge at them.

BUFFY

Oops!

JESSE

Oh, no, no, no, no!

BUFFY

Do you know another way out?

JESSE

I don't know. Maybe. C'mon!

They turn down a side tunnel. As they enter yet another intersection, they see glowing yellow eyes coming at them through the darkness.

JESSE

Wait, wait. They brought me through here. There should be a way up. I hope!

Jesse leads them into a chamber.

BUFFY

I don't think this is the way out!

XANDER

We can't fight our way back through those things. What do we do?

JESSE

I got an idea.

His face morphs, revealing him to be a vampire.

JESSE

You can die!
FADE OUT

ACT III

INT. UNDERGROUND CHAMBER-- DAY

Xander looks in horror at Jesse's demonic features.

XANDER

Jesse, man. I'm sorry.

JESSE

Sorry? I feel good, Xander! I feel strong. I'm connected, man, to everything.

JESSE

I can hear the worms in the earth.

XANDER

That's a plus.

JESSE

I know what the Master wants. I'll serve his purpose. That means you die. And I feed.

BUFFY

Xander, the cross!

He holds the cross up to Jesse's face. Jesse steps back and hisses.

XANDER

Jesse, man. We're buds, don't you remember?

JESSE

You're like a shadow to me now.

XANDER

Then get outta my face.

Jesse knocks Xander's arm to the side, sending him into the wall. Buffy grabs Jesse from behind and throws him out of the chamber into the advancing vampires, sending them sprawling. She struggles with the steel door, trying to close it.

BUFFY

Help me!

Xander jumps up to help and together they get it to move. It closes on a vampire's arm. The vampire jerks its arm back and Buffy slams the door shut and sets the latch. Muffled pounding as the vampires try and batter the door.

BUFFY

We need to get out of here.

XANDER

There is no out of here.

Xander shines his flashlight around and spots a grate in the ceiling.

XANDER

Up there!

Buffy leaps on top of a barrel and begins prying the grate open.

The door is beginning to buckle under the vampires' onslaught.

Buffy succeeds in forcing the grate open.

BUFFY

Go!

She boosts Xander up into a ventilation duct.

A vampire struggles through the twisted door. It reaches in and pulls the latch open as Xander slips through the grate.

Buffy follows him quickly as the first vampire enters the chamber. He follows them through the grate into the duct.

Xander and Buffy crawl like mad. Xander finds a ladder leading up to a manhole and starts climbing with Buffy close behind.

The vampire is right on their heels.

Xander pushes open the manhole cover and climbs out into daylight. He turns to help Buffy out. Just as Buffy is nearly clear, the vampire seizes her ankle and tries to pull her back down.

BUFFY

Xander, pull!

Xander pulls harder and the vampire's arm is exposed to the sunlight and instantly begins charring. The vampire lets go, and they tumble backward to the ground.

CUT TO:

INT. THE MASTER'S LAIR-- DAY

The Master is enraged at Buffy's escape.

MASTER

She escaped? She walks free when I should be drinking her heart's blood right now? Careless...

COLIN

Master, we had her trapped!

MASTER

Oh, are you going to make excuses?

Colin remains silent.

MASTER

You are all weak. It has been too long since you have faced the Slayer. It is no matter to me. She will not stop the Harvest. It just means there'll be someone worth killing when I reach the surface. Is Luke ready?

COLIN

He waits.

MASTER

It's time. Bring him to me.

Colin turns to exit.

MASTER

Ah, Colin... you failed me. Tell me you're sorry.

Colin stops and turns back.

COLIN

I'm sorry.

MASTER

There. That wasn't so bad, was it? Hold on...

He stabs his talon into Colin's face, impaling his eyeball.

MASTER

You've got something in your eye.
CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- DAY

Giles is still researching. He pauses as he hears someone enter.

GILES

Buffy?

WILLOW

It's just me. So there's no word?

GILES

Not as yet, no.

WILLOW

Well, I'm sure they're... great.

GILES

Did you find anything of interest?

WILLOW

I think, maybe... I surfed through the old newspapers around the time of that big earthquake back in '37. And for several months before there were a rash of murders.

GILES

Great! I mean, well not 'great' in a good way. Go on.

WILLOW

Well, they sound like the kind you were looking for. (flipping through the printouts) Throats, blood...

GILES

It's all coming together. I rather wish it weren't.
CUT TO:

INT. THE MASTER'S LAIR-- DAY

Luke approaches the Master and kneels before him and the Master offers his hand. Luke takes it and kisses it. The Master turns it over to offer the underside of his wrist. Darla is watching and smiles. Luke opens the cuff of the Master's sleeve and pulls it back. Luke takes the Master's hand again, sinking his fangs into the wrist and drinking deeply.

MASTER

My blood is your blood. My soul is your soul.

LUKE

My body is your instrument.

The Master steps down to Luke and, with the blood still flowing from his wrist, draws a Satanic symbol on Luke's forehead.

MASTER

On this most hallowed night... we are as one. Luke is the Vessel!

Darla smiles even wider.

MASTER

Every soul he takes will feed me. And their souls will grant me the strength to free myself. Tonight I shall walk the Earth, and the stars themselves will hide!
CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- DAY

Willow is looking through one of Giles' volumes. She hears the door open and looks up to see Xander and Buffy enter.

WILLOW

Did you find Jesse?

XANDER

Yeah.

WILLOW

Was he dead?

BUFFY

Worse. I'm sorry, Willow. We were too late. And they were waiting for us.

WILLOW

At least you two are okay.

Xander kicks a trash can violently.

XANDER

I don't like vampires. I'm gonna take a stand and say they're not good.

BUFFY

(to Giles)
So Giles! Got anything that can make this day any worse?

He goes over to the whiteboard and puts down his pen.

GILES

How about the end of the world?

BUFFY

Knew I could count on you.

GILES

This is what we know. Some sixty years ago, a very old, very powerful vampire came to this shore, not just to feed.

BUFFY

He came 'cause this town's a mystical who's it.

GILES

Yes. The Spanish who first settled here called it Boca del Infierno. Roughly translated: 'Hellmouth'. It's a sort of a portal between this reality and the next. This vampire hopes to open it.

BUFFY

Bring the demons back.

XANDER

End of the world.

WILLOW

But he blew it! Or, I mean, there was an earthquake that swallowed half the town, and him too.

GILES

You see, opening dimensional portals is a tricky business. Odds are he got himself stuck, rather like a cork in a bottle.

XANDER

And this Harvest thing is to get him out.

GILES

It comes once in a century, on this night. The Master can draw power from one of his minions while it feeds. Enough power to break free and open the portal. The minion is called the Vessel and he bears this symbol.

He draws the same Satanic symbol on the whiteboard.

BUFFY

So, I dust anyone sporting that symbol and no Harvest.

GILES

Simply put, yes.

BUFFY

Any idea where this little get-together is being held?

GILES

There are a number of possibilities.

XANDER

They're going to the Bronze.

WILLOW

Are you sure?

XANDER

Come on. All those tasty young morsels all over the place? Anyway, that's where Jesse's gonna be, trust me.

Giles grabs his coat and starts out of the library. The follow.

GILES

Then we should get there. The sun will be down before long.

BUFFY

I gotta make a stop. Won't take long.

GILES

What for?

BUFFY

Supplies.
CUT TO:

INT. SUMMERS HOME-- BUFFY'S ROOM-- DUSK

Buffy opens her closet and pulls out a heavy black jacket. Her mother walks into the room.

JOYCE

Buffy?

BUFFY

Mom!

JOYCE

You're going out?

BUFFY

I have to.

JOYCE

I didn't hear you come in last night.

BUFFY

I was really quiet.

JOYCE

It's happening again, isn't it? I got a call from your new principal. Says you missed some classes today.

BUFFY

I was running an errand.

JOYCE

We haven't finished unpacking and I'm getting calls from the principal.

BUFFY

Mom, I promise it is not gonna be like before. But I have to go.

JOYCE

No.

BUFFY

Mom?

JOYCE

The tapes all say I should get used to saying it. No.

BUFFY

This is really, really important.

JOYCE

I know. If you don't go out it'll be the end of the world. Everything is life or death when you're a sixteen-year-old girl.

BUFFY

Look, I don't have time to talk about this.

JOYCE

Buffy, you've got all the time in the world, you're not going anywhere. Now, if you want to stay up here and sulk, I won't hold it against you. But if you want to come down, I'll make us some dinner.

She leaves the room, pulling the door closed behind her. Buffy can't believe what's just happened. She leans against the closet door, takes a deep breath and exhales.

Then she turns and opens the closet again and pulls out a chest. It has a large box in it full of her stuff. She pulls out the box to reveal what's underneath. Stakes, crosses, garlic, bottles of holy water. She loads many of these items into her sports bag and conceals a particularly sharp stake in her jacket sleeve.

She closes the chest, zips the bag and moves to the door to make sure her mother isn't nearby. Then she grabs the bag, slides it out of the window onto the roof and climbs out after it.

CUT TO:

EXT. THE BRONZE-- DUSK

Establishing. The DOORMAN is checking ID's.

CUT TO:

INT. THE BRONZE-- NIGHT

Cordelia and her entourage find a table. Cordelia is holding court, the center of attention, just the way she likes it.

CORDELIA

Senior boys are the only way to go. Guys from our grade, forget about it. They're children, y'know? Like Jesse. Did you see him last night, following me around like a little puppy dog? You just want to put him to sleep. But senior boys, hmm, they have mystery. They have... what's the word I'm searching for? (short beat) Cars! I just am not the type to settle, y'know? It's like when I go shopping. I have to have the most expensive thing. Not because it's expensive, but because it costs more.

GIRL

You know, I--

CORDELIA

Hello! Miss Motormouth, can I get a sentence finished? Oh, I love this song! Come on!

Cordelia and her gang make their way to the dance floor and start to dance.

Off to the side, Jesse watches Cordelia. He walks onto the dance floor. The song is over and Cordelia stops dancing. She starts to leave, but Jesse is standing in front of her, fingers on his lips.

CORDELIA

What do you want?

Another song starts. Jesse lowers his hand, takes hers and leads her back onto the dance floor.

CORDELIA

Hey! Hello! Caveman brain! What are you doing?

JESSE

Shut up.

He begins to dance with her, sensuously.

CORDELIA

Well, just one dance.

In spite of herself, Cordelia is intrigued with the "new" Jesse and they dance close, bodies pressed together.

CUT TO:

EXT. THE BRONZE-- NIGHT

The doorman is counting money. Darla appears out of the shadows with a bouncy walk. Other vampires emerge into the light behind her. She approaches the doorman, fangs glistening, yellow eyes blazing.

FADE OUT

ACT IV

EXT. THE BRONZE-- NIGHT

The vampires head into the club.

DOORMAN

Need ID. (looks up) Hey! Nobody gets inside until I get some sorta--

LUKE

(snarling)
Get inside.
CUT TO:

INT. THE BRONZE-- NIGHT

The vampires enter, pushing the doorman in with them. The last one shuts the door and stands guard.

One of the vampires makes his way to the upper level. Another one finds the main power switch and shuts it off. The patrons start complaining and muttering. Luke moves to the stage.

LUKE

Ladies and gentlemen! There is no cause for alarm. Actually, there is cause for alarm. It just won't do any good.

There are screams from the crowd as they notice Luke's face. He laughs.

CORDELIA

I thought there wasn't any band tonight.

She looks at Jesse next to her. He's now showing the demon within and she inhales in fright.

LUKE

This is a glorious night! It is also the last one any of you shall ever see. Bring me the first.

A vampire brings the doorman to Luke.

DOORMAN

What do you guys want, man, huh? You want money? Man, what's wrong with your faces?

Luke grabs him by the throat. He wraps his other arm around the doorman's head.

LUKE

Watch me, people. Fear is like an elixir. It's almost like blood.

He sinks his fangs into the doorman and feeds on him. The doorman screams.

CUT TO:

INT. THE MASTER'S LAIR-- NIGHT

He raises his gaze to the ceiling in ecstasy as he feels the first of the souls that will be taken for him.

CUT TO:

INT. THE BRONZE-- NIGHT

Luke drops the doorman's body to the floor.

LUKE

Next!
CUT TO:

EXT. THE BRONZE-- NIGHT

The team arrives, running. Buffy tries the door.

BUFFY

It's locked!

GILES

We're too late.

BUFFY

I didn't know I was gonna get grounded!

XANDER

Can you break it down?

BUFFY

No, not that thing. You guys try the back entrance and I'll find my own way.

GILES

Right. Come on.

BUFFY

Uh, wait! Guys, here! (hands Willow her bag) You get the exit cleared and the people out. That's all! Don't go Wild Bunch on me.

GILES

See you inside, then.

Follow Giles, Xander and Willow as they run around to the back. Willow tries the door. It's locked, too.

WILLOW

No joy!

XANDER

We've gotta get in there before Jesse does something stupider that usual.

GILES

You listen to me! Jesse is dead. You have to remember that when you see him, you're not looking at your friend. You're looking at the thing that killed him.
CUT TO:

INT. THE MASTER'S LAIR-- NIGHT

The Master is testing his confines.

CUT TO:

INT. THE BRONZE-- NIGHT

Luke is feeding on a girl.

CUT TO:

INT. THE MASTER'S LAIR-- NIGHT

MASTER

Almost free!
CUT TO:

INT. THE BRONZE-- NIGHT

Luke is still feeding on the girl.

CUT TO:

INT. THE MASTER'S LAIR-- NIGHT

MASTER

Give me more!
CUT TO:

INT. THE BRONZE-- NIGHT

Luke is finished with the girl and drops her body. Darla and Jesse are holding Cordelia; Darla shoves her forward toward Luke.

JESSE

This one's mine!

DARLA

They're all for the Master.

JESSE

I don't get one?
CUT TO:

Buffy breaking an upper window and crawling in.

LUKE

I feel the Master's strength growing!

Buffy assesses the situation: the vampires subduing the patrons, Luke on stage, surrounded by dead bodies.

LUKE

I feel him rising. Every soul brings him closer. I need another!

BUFFY

(to herself)
The Vessel.

A vampire on the upper level sees Buffy and snarls.

LUKE

Tonight is his ascension. Tonight will be history at its end. Yours is a glorious sacrifice. Degradation most holy. What? No volunteers?

DARLA

(re: Cordelia)
Here's a pretty one.

Cordelia screams as she takes in Luke's horrifying visage. He caresses her face. He's about to bite into her when the vampire from the upper level crashes down onto the stage in front of Luke.

BUFFY

Oh, I'm sorry, were you in the middle of something?

LUKE

You!

BUFFY

You didn't think I'd miss this. Did you?

LUKE

I hoped you'd come.

BUFFY

Be right down!

Buffy leaps from the balcony and somersaults onto a pool table. A vampire attacks from her right. Buffy grabs a pool cue, executes a backflip and slams it through the chest of her attacker who explodes to dust.

BUFFY

Okay, Vessel boy. You want blood?

LUKE

I want yours! (releasing Cordelia) Only yours!

BUFFY

Works for me.

She runs with superhuman speed toward the stage, jumping and slamming her foot into Luke's face with phenomenal force. Luke staggers into a pile of chairs. Buffy assumes a fighting stance as Luke rises, snarling. She removes the stake from her coat and lunges at him. He blocks, knocking the stake from her grip. He lifts her up and throws her into a pile of boxes.

CUT TO:

The rear of the stage. Giles, Willow and Xander break in.

GILES

Hurry!

Xander scans the crowd as Giles begins ushering them backstage.

XANDER

(low)
C'mon! Let's go! C'mon! C'mon! C'mon! C'mon!

Giles guides the patrons to the back door.

GILES

(whispers)
Hurry up! Come on! Through this door! Come on! This way!
CUT TO:

Buffy spins around and lands a backhand punch to Luke's jaw, knocking him backward into a wall. He's dazed. Buffy turns in time to see a vampire grab Xander. She lifts a cymbal from the drum set and arrows it at the vampire like a Frisbee. Xander sees it coming and ducks. The cymbal decapitates the vampire who disintegrates.

XANDER

Head's up!

Luke grabs Buffy from behind. Cordelia is on the floor with Jesse above her. She struggles as he grabs her arms.

JESSE

Hold still. You're not making this easy.

Xander comes up behind Jesse, stake in hand.

XANDER

Jesse, man! Don't make me do it.

Jesse looks up at Xander.

JESSE

Buddy!
CUT TO:

Buffy being squeezed in a bear-hug by Luke.

LUKE

I always wanted to kill a Slayer.
CUT TO:

The rear where Giles and Willow are still guiding people out.

GILES

One at a time! Quickly! Quickly!

He crosses to the other side of the room in front of some stairs. Darla is standing on the steps above him.

GILES

We're going to have to open the front as well.

Darla leaps onto him from behind, knocking him to the floor.

CUT TO:

Xander and Jesse.

XANDER

Jesse! I know there's still a part of you in there.

JESSE

Okay...let's deal with this. Jesse was an excruciating loser who couldn't get a date with anyone in the sighted community. Look at me. I'm a new man!
CUT TO:

Buffy and Luke.

LUKE

Master! Taste of this... and be free!

Luke roars and lowers his fangs to Buffy's neck. She snaps her head back, landing a headbutt to his face, knocking him off of her and back to the wall. She turns to him, winded.

BUFFY

How'd it taste?
CUT TO:

Giles and Darla struggling on the floor. Willow approaches them, taking out a vial of holy water.

WILLOW

Get off of him!

Darla, distracted, looks up. Willow throws the holy water on her. It burns her face and steams. She flees from the club, screaming.

CUT TO:

Jesse and Xander. Jesse grabs Xander by the jacket and slams him against a wall. Xander has the stake pointed at Jesse's chest.

JESSE

All right. Put me out of my misery. You don't have the guts.

A fleeing patron bumps into Jesse, forcing him forward onto Xander's stake. Xander lets go of the stake as Jesse begins to fall. Jesse is ash before he hits the floor. Two new vampires grab Xander.

CUT TO:

Buffy. She grabs the microphone stand and holds it like a javelin.

LUKE

You forget, metal can't hurt me.

BUFFY

There's something you forgot about, too. Sunrise!

She throws the stand through the window behind Luke, shattering it. Light streams into the Bronze. Buffy sees the stake she dropped on the stage and seizes it. Luke rises, shielding his face with his hands, expecting to be burned. When nothing happens, he realizes it was only a bright lamp behind the window. Too late, he realizes Buffy has used the distraction to rush him from behind and with dawning horror he comprehends his time is at an end. She slams the stake home.

BUFFY

It's in about nine hours, moron!

Luke staggers off of the stage and explodes into dust.

CUT TO:

INT. THE MASTER'S LAIR-- NIGHT

The Master is testing the strength of his confines. Suddenly he feels Luke's death and falls to his knees, screaming with frustration and rage.

CUT TO:

INT. THE BRONZE-- NIGHT

Buffy stares at Luke's ashes. Two vampires still have Xander. She lifts her gaze to meet theirs. Seeing what has just happened to Luke and the cold steel in Buffy's eyes, they panic and run.

CUT TO:

EXT. THE BRONZE-- NIGHT

The vampires run past Angel who is standing behind some boxes stacked against a wall. He watches them run, then looks back the other way.

ANGEL

She did it. I'll be damned!

He turns and walks off.

CUT TO:

INT. THE BRONZE-- NIGHT

Buffy hops down to the floor. Giles and Willow meet her.

GILES

I take it it's over.

WILLOW

Did we win?

BUFFY

Well, we averted the apocalypse. I give us points for that.

XANDER

One thing's for sure, nothing's ever gonna be the same.
CUT TO:

EXT. SUNNYDALE HIGH-- DAY

Everything appears normal. Buffy, walking along, overhears Cordelia holding forth to her social minions.

CORDELIA

Well, I heard it was rival gangs. You know, fighting for turf? But all I can tell you is they were an ugly way of looking. And Buffy like knew them! Which is just too weird. I mean, I don't even remember that much but I'm telling you, it was a freak show!

HARMONY

Oh, I wish I'd been there!

CORDELIA

You should have been there. It was so creepy...

She and her friend walk off. Xander approaches, looking around confused at the normalcy of it all.

BUFFY

What exactly were you expecting?

XANDER

I don't know, something. I mean, the dead rose. We should at least have an assembly.

They run into Giles and Willow and the four continue to walk.

GILES

People have a tendency to rationalize what they can and forget what they can't.

BUFFY

Believe me, I've seen it happen.

WILLOW

Well, I'll never forget it. None of it.

GILES

Good! Next time you'll be prepared.

XANDER

Next time?

WILLOW

Next time is why?

GILES

We've prevented the Master from freeing himself and opening the mouth of Hell. That's not to say he's going to stop trying. I'd say the fun is just beginning.

WILLOW

More vampires?

They stop walking.

GILES

Not just vampires. The next threat we face may be something quite different.

BUFFY

I can hardly wait!

GILES

We're at the center of a mystical convergence here. We may, in fact, stand between the Earth and its total destruction.

BUFFY

Well, I gotta look on the bright side. Maybe I can still get kicked out of school.

The three students continue to class while Giles stays behind and watches them go.

XANDER

Oh, yeah, that's a plan. 'Cause lots of schools aren't on Hellmouths.

WILLOW

Maybe you could blow something up. They're really strict about that.

BUFFY

I was thinking of a more subtle approach, y'know, like excessive not studying.

Shaking his head, Giles turns to go back to his library.

GILES

The Earth is doomed!
FADE TO BLACK
END