Some Assembly Required

[Transcript of "Buffy The Vampire Slayer" episode Some Assembly Required at buffyology.com.]

Prologue

NARRATOR

(v.o.)
In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer.

EXT. SUNNYDALE-- CEMETERY-- NIGHT

BUFFY sits atop the gravestone of Stephan Korshak, playing with her yo-yo.

BUFFY

C'mon, Stephan, rise and shine. Some of us have a ton of trig homework waiting.

ANGEL

Hey.

Buffy inhales a quick startled breath and turns around to face ANGEL.

ANGEL

Is this a bad time?

BUFFY

Are you crazy? You don't just sneak up on people in a graveyard. You make noise when you walk. You stomp or... yodel.

ANGEL

I heard you were on the hunt.

BUFFY

I'm supposed to be, but... lazy bones here doesn't wanna come out and play.

ANGEL

When you first wake up it's a little disorienting. He'll show.

BUFFY

It's weird to think of you going through that.

ANGEL

It's weird to go through. So... you're here alone?

BUFFY

Yeah. Why?

ANGEL

I just thought you'd have somebody with you. Xander or someone.

BUFFY

Xander.

ANGEL

Or someone.

She hops down off the gravestone.

BUFFY

Nope. Why? Are you jealous?

ANGEL

(chuckles)
Of Xander? Please, he's just a kid.

BUFFY

Is it 'cause I danced with him?

ANGEL

'Danced with' is a pretty loose term. 'Mated with' might be a little closer.

BUFFY

Don't you think you're being a little unfair? It was one little dance, which I only did to make you crazy, by the way. Behold my success.

ANGEL

I am not jealous.

BUFFY

You're not jealous? What, vampires don't get jealous?

Stephan pulls himself out of the ground and peers at them from behind his gravestone.

ANGEL

See? Whenever we fight you always bring up the vampire thing.

BUFFY

Well, I didn't come here to fight.

The vampire lunges at her and knocks her into Angel. They fall to the ground, but Buffy quickly gets up.

BUFFY

Oh, right, I did.

Stephan throws a few punches which Buffy easily blocks. She punches him in the face several times and kicks him in the jaw, sending him stumbling into a large adjacent gravestone. She looks around frantically.

BUFFY

Where's my stake? I know I had a stake!

ANGEL

I didn't see a stake!

The vampire grabs a nearby shovel and comes at them again. Angel attacks, but Stephan brings the shovel up and hits him in the side of the face, knocking him onto his back. He leaves Angel lying there and steps toward Buffy. She meets him and jumps over the shovel as Stephan swings it at her legs. He swings it at her again, but she catches it, hits him again and breaks the handle. She spins around with her half and jams the broken handle into his chest. He falls over backward and bursts into ashes as he hits the ground. Angel gets up holding the side of his head.

BUFFY

(out of breath)
What do you mean "He's just a kid"? Does that mean I'm just a kid, too?

ANGEL

Look, obviously I made a mistake coming here tonight.

He turns to leave.

BUFFY

Oh, no you don't. You can't just turn and walk away from me like that. It takes more than that to get rid of me.

With a yelp, she walks right into an open grave with an open and empty coffin at the bottom and hits the bottom with a thud. Angel walks over and bends down to look.

ANGEL

You okay?

BUFFY

I'm fine. Gee, I wish people wouldn't leave open graves laying around like this.

ANGEL

So another vampire has risen tonight.

She pokes her head out of the grave and looks across the grass.

BUFFY

I don't think so. Look at those tracks. Whoever was buried here didn't rise from this grave.

She climbs out of the grave and picks up a girl's shoe.

BUFFY

She was dragged from it.

Opening credit sequence.

ACT I

EXT. SUNNYDALE HIGH-- DAY

Establishing.

CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- DAY

Buffy and XANDER walk in and see GILES sitting in a chair and talking to another empty chair across from him. The chair seems to be making him nervous because he stutters through his entire conversation with it.

GILES

What I'm proposing is... and I don't mean to appear indecorous, is a social engagement, a date, if you're amenable.

Buffy and Xander stop and listen to him. Giles is displeased with himself.

GILES

You idiot!

BUFFY

Boy, I guess we never realized how much you like that chair.

Giles is startled and quickly gets up and faces them, embarrassed.

GILES

I was just working on--

BUFFY

Your pickup lines?

GILES

In a manner of speaking, yes.

BUFFY

Then if you wouldn't mind a little Gene and Roger, you might wanna leave off the 'idiot' part. Being called an idiot tends to take people out of the dating mood.

XANDER

Hmm, it actually kinda turns me on.

BUFFY

(to Xander)
I fear you. (to Giles) You also might want to avoid words like 'amenable' and 'indecorous', y'know. Speak English, not whatever they speak in--

GILES

England?

BUFFY

Yeah. You just say, 'Hey, I got a thing, you maybe have a thing, maybe we could have a thing.'

GILES

Oh, thank you, Cyrano.

BUFFY

I'm not finished. Then you say, 'How do you feel about Mexican?'

GILES

About Mexicans?

BUFFY

Mexican. Food. You take her for food, for which you then pay.

GILES

Oh. Right.

XANDER

So this chair-woman. We are talking Ms. Calendar, right?

GILES

What makes you think that?

XANDER

Simple deduction. Ms. Calendar is reasonably dollsome, especially for someone in your age bracket. She already knows that you're a school librarian, so you don't have to worry about how to break that embarrassing news to her.

BUFFY

And she's the only woman we've actually ever seen speak to you. Add it all up and it all spells 'duh'.

XANDER

Now, is it time to have a talk about the facts of life?

GILES

You know, I'm suddenly deciding this is none of your business.

XANDER

Y'know, because that whole stork thing is a smoke screen.

Giles stops and looks back at him, flabbergasted. Buffy laughs to herself.

GILES

So how did things go last night? Did Mr. Korshak show up on schedule?

BUFFY

More or less. Angel and I took care of him.

XANDER

Angel.

Buffy shoots Xander a look.

BUFFY

There's something else, though. We found an empty grave.

GILES

Another vampire?

BUFFY

No. No, this one was dug up and the body was taken out.

GILES

Grave robbing? That's new. Interesting.

BUFFY

I know you meant to say gross and disturbing.

GILES

Yes, yes, of course. Terrible thing. Must put a stop to it. Damn it.

XANDER

So... why does someone want to dig up graves?

GILES

Well, I'll collect some theories. It would help if we knew who the body belonged to.

BUFFY

Meredith Todd. Ring a bell?

XANDER

No.

BUFFY

She died recently. She was our age.

XANDER

Drawin' a blank.

Giles points to the computer.

GILES

Why don't we ask Willow to fire this thing up and track Meredith down?
CUT TO:

INT. SUNNYDALE HIGH-- CORRIDOR-- DAY

Sign-ups for the Science Fair are going on. WILLOW is writing in her entry. ERIC walks up and points a camera at her.

ERIC

Smile!

WILLOW

Hey!

He turns around and sees another girl.

ERIC

Oh, look at those legs!

WILLOW

No, thank you.

CHRIS walks up behind Willow.

CHRIS

Eric, will you knock it off?

Eric looks at him, upset to have his fun spoiled.

WILLOW

(smiles)
Hey, Chris!

CHRIS

Hey.

He picks up an application. Willow peers over at him while he writes and he catches her looking.

WILLOW

Oh, I, was just wondering what you were gonna do this year.

CHRIS

Why?

WILLOW

'Cause every year you win and I place second, so I just thought I'd see what I'm up against.

CHRIS

You know what the key is? If Dr. Clark doesn't understand your experiment he gives you higher marks so it looks like he understands your experiment. (reads Willow's entry) 'The Effects of Sub-Violet Light Spectrum Deprivation on the Development of Fruit Flies'? That should do the trick.

CORDELIA arrives with her typical fanfare. She picks up an application form as well.

CORDELIA

Okay, I'm doing this under protest. It is not fair that they're making participation in this year's Science Fair mandatory. I don't think anyone should have to do anything educational in school if they don't want to.

WILLOW

(reads)
'The Tomato: Fruit or Vegetable'?

CORDELIA

I wanted to do something I could finish in a weekend, all right?

Eric snaps a picture of Cordelia.

CORDELIA

(horrified)
Stop it! What are you doing? (Eric takes another picture) We are under fluorescent light, for God's sake.

ERIC

The camera loves you!

CORDELIA

I didn't think yearbook nerds came out of hibernation till spring.

ERIC

It's for my private collection.

CHRIS

Eric! Will you quit it?

BUFFY

Comin' through. Sorry. (Eric takes her picture) Sorry to interrupt, Willow, but it's the Bat Signal.

WILLOW

Okay, sure. See you later, Chris. Thanks for the tip.

CHRIS

Okay.

Eric raises his eyebrows at Cordelia suggestively. Disgusted, she turns and leaves as well.

ERIC

Cordelia's so fine. Y'know, she'd be just perfect for us.

CHRIS

Don't be an idiot. She's alive.
CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- DAY

Willow sits down in front of the PC as Cordelia walks in.

WILLOW

This shouldn't take long. I'm probably the only girl in school who has the coroner's office bookmarked as a favorite place.

CORDELIA

Hi. Sorry to interrupt your little undead playgroup, but I need to ask Willow if she'll help me with my Science Fair project.

WILLOW

It's a fruit.

CORDELIA

I would've asked Chris to help me, but then that would've brought back too many memories of Daryl.

WILLOW

I found it! Meredith Todd died in a car accident last week.

CORDELIA

Of course I have learned to deal with my pain.

BUFFY

How was her neck?

WILLOW

Fine, except for being broken.

Giles comes out of his office.

CORDELIA

Hello! Can we deal with my pain, please?

GILES

There, there.

He pats her on the shoulder and continues up into the stacks.

WILLOW

It says that Meredith and two other girls in the car were killed instantly. They were all on the Fondren High Pep Squad, on the way to a game.

BUFFY

You know what this means.

XANDER

That Fondren might actually beat Sunnydale in the cross-town body count competition this year?

BUFFY

She wasn't killed by vampires. Somebody did dig up her corpse.

CORDELIA

Eww! Why is it that every conversation you people have has the word 'corpse' in it?

XANDER

Okay, so we got a body snatcher. What does that mean?

GILES

Here's what I've come up with. Demons who eat the flesh of the dead to absorb their souls. Or, it could obviously be a voodoo practitioner.

WILLOW

You mean making a zombie?

GILES

Zombies, more likely. For most traditional purposes a voodoo priest would require more than one.

BUFFY

So we should see if the other girls from the accident are AWOL, too. Maybe we can figure out what this creep has in mind if we know whether or not he's dealing in volume.

XANDER

So we dig up some graves tonight?

WILLOW

Oh, boy... a field trip! Are you gonna call Angel?

BUFFY

I don't think so.

XANDER

Yeah, why bother him, huh?

BUFFY

Angel and I have been... never mind. As far as Angel's concerned, I'm taking the night off, okay?

XANDER

So, we're set then. Say, nine-ish? BYO shovel?

WILLOW

And I'll pack some food. Who else likes those little powdered doughnuts?

XANDER

Me.

WILLOW

Cordelia?

CORDELIA

Darn, I have cheerleader practice tonight. Boy, I wish I knew we were gonna be digging up dead people sooner. I would've canceled.

XANDER

All right, but if you come across the army of zombies, can you page us before they eat your flesh?

Cordelia sneers at him and leaves the library.

GILES

Xander?

XANDER

Huh?

GILES

Zombies don't eat the flesh of the living.

XANDER

Yeah, I knew that. But did you see the look on her face?
CUT TO:

EXT. SUNNYDALE-- CEMETERY-- NIGHT

Giles and Xander are digging while Buffy and Willow relax and watch.

BUFFY

I couldn't believe Angel. He was acting all jealous and he wouldn't even admit it.

WILLOW

Jealous of what?

BUFFY

Of Xander.

WILLOW

Because you did that sexy dance with him?

BUFFY

Am I ever gonna live that down?

WILLOW

No.

BUFFY

Anyway, he was being totally irrational.

WILLOW

Love makes you do the wacky.

BUFFY

That's the truth.

XANDER

Y'know, this might go a lot faster if you femmes actually picked up a shovel, too.

GILES

Here, here.

BUFFY

Sorry, but I'm an old-fashioned gal. I was raised to believe that men dig up the corpses and the women have the babies. (to Willow) So, speaking of the wacky, what was Cordelia's whole riff about painful memories? Who's Daryl?

WILLOW

Daryl Epps. Chris' older brother. He was a big football star. All- State two years ago. He was a running... he was a running... someone who runs and catches.

BUFFY

Was he a studly?

WILLOW

Big time. All of the girls were crazy for him.

BUFFY

And he broke Cordy's heart? Thus possibly proving its existence.

WILLOW

He died. Rock climbing or something. He fell.

BUFFY

Man, that's lousy. Poor Chris.

WILLOW

Ever since then Chris has been real quiet. Kind of in his own world. I heard their mother doesn't even leave the house anymore.

GILES

I think we're there.

Buffy and Willow get up and go over to the grave.

WILLOW

By the way, are we hoping to find a body or no body?

XANDER

Call me an optimist, but I'm hoping to find a fortune in gold doubloons.

GILES

Body would mean flesh-eating demon, no body would point toward the... army of zombies thing. Take your pick, really. Right, then...(to Xander) Go on.

XANDER

You're closer.

BUFFY

Pathetic much? (climbs down) Move over.

She opens the casket.

CUT TO:

EXT. SUNNYDALE HIGH-- NIGHT

Cheerleading practice is over and the everyone is heading home.

CORDELIA

Guys, if we don't get this down by tomorrow, no one's gonna be led by our cheers. Practice.

CHEERLEADER

Okay. See ya later.

Cordelia continues on to her own car parked across the lot. Soon she is alone. She hears a furtive sound and stops to look around.

CORDELIA

Hello?

She continues to her car and starts to dig in her pack for her keys. She gets them out and breaks into a run toward her car. She nervously fumbles with the lock.

CORDELIA

Xander Harris, if this is some kind of joke...

She drops her keys and they roll under the car. She kneels down and frantically reaches for them.

On the other side of her car she can see someone in black shoes approaching. She quickly gets up and starts to run. The man follows her and we see him walk past a garbage dumpster. When he's gone the lid opens, and Cordelia checks to see if the coast is clear. She pushes the lid up all the way, then turns around again to hop out, but is startled by Angel.

ANGEL

Cordelia. This is the last place I expected you to hang out.

CORDELIA

(quietly)
Oh, God! God, it's you. Why were you following me?

ANGEL

I wasn't sure it was you at first. I'm looking for Buffy.

CORDELIA

Buffy? Well, she's... big shock, she's at the graveyard.

ANGEL

She said she'd be home.

CORDELIA

Well, she lied. Isn't she a rascal? Well, you're in luck. It just so happens that my night is free. Hold on, my skirt is caught.

She reaches behind her and works her skirt loose.

CORDELIA

There.

She pulls out the source of the problem and realizes it's a severed human hand. She drops it and screams.

FADE OUT

ACT II

INT. SUNNYDALE HIGH-- LIBRARY-- NIGHT

Xander can be heard outside in the hall.

XANDER

(o.s.)
So both coffins are empty. That makes three girls signed up for the army of zombies.

They come in through the doors.

WILLOW

Is it an army if you just have three?

Angel gets up from the table and faces them. Cordelia clings to his arm, still traumatized by her brush with dismemberment.

BUFFY

Zombie drill team then.

ANGEL

You're back.

BUFFY

Angel!

ANGEL

Xander.

XANDER

Angel.

ANGEL

(to Buffy)
I thought you were taking the night off.

BUFFY

I was, um, but something came up.

ANGEL

Cordelia told me the truth.

XANDER

(chuckles)
That's gotta be a first.

GILES

As long as you're here, perhaps you could be of some help. Hmm? (to Buffy) Hmm?

BUFFY

We were investigating. Somebody's been digging up the bodies of dead girls.

ANGEL

I know. We found some of them.

BUFFY

You mean, like, two of the three?

ANGEL

I mean, like, some of them. Like parts.

CORDELIA

It was horrible. Angel saved me from an arm. God, there were so many parts, they were everywhere. Why are these terrible things always happening to me?

Feigns a cough.

XANDER

Karma!

WILLOW

So much for our zombie theory.

GILES

So much for all our theories.

BUFFY

I don't get it. Why go to all the trouble to dig up three girls only to chop them up and throw them away? It doesn't make any sense. Especially from a time-management standpoint.

ANGEL

Well, what I saw didn't add up to three whole girls. I think they kept some parts.

BUFFY

Could this get yuckier?

WILLOW

They probably kept the other parts to eat.

BUFFY

Question answered.

GILES

Why dispose of the remains five miles from the cemetery... at a school, of all places?

BUFFY

Maybe because whoever did it had some business in the neighborhood. Like, say, classes?

ANGEL

This was no hatchet job. Whoever made those incisions really knew what they were doing.

GILES

(disbelieving)
Yes, really. What student here is going to be that well-versed in physiology?

WILLOW

Well, I can think of five or six guys in the science club. And me.

XANDER

So Will, come clean. Promise to never do it again and we'll call it a night. (no response) He joked!

BUFFY

Willow, why don't you get these guys' locker numbers so we can do some checking?

CORDELIA

No. I have to go home now. I have to take a bath and burn my clothes.

XANDER

(mock disappointment)
You have to go? Aw, too bad. Keep in touch. Buh-bye.

CORDELIA

I don't want to go alone. I'm still fragile. (to Angel) Can you take me?

Angel is in open-mouthed shock and looks at Buffy. She gives him a glare of disapproval.

CORDELIA

Great! I'll drive?

Taking Angel by the hand, she leads the way out of the library as Angel gives Buffy another helpless look.

XANDER

How about that? I always pegged him as a one-woman vampire.
CUT TO:

INT. EPPS' HOME-- LIVING ROOM-- NIGHT

MRS. EPPS is chain-smoking and watching videos of DARYL's games. His trophy sits on top of the TV. Chris comes out of the basement.

CHRIS

I'm going out, Mom.

She doesn't even look up. She just blows out another lungful of cigarette smoke. Chris walks over to the front door.

CHRIS

I'll be back later, okay? Mom?

Still no response. She takes another drag from her cigarette. Chris lets out a sigh of frustration and leaves the house. On the video, Daryl scores a touchdown and the team is holding him up high as the cheerleaders jump and wave their pompoms.

STUDENTS

Dar-yl! Dar-yl! Dar-yl! Dar-yl! Dar-yl!

Daryl takes his helmet off and holds his fists up in the air, laughing and enjoying the moment.

CUT TO:

INT. SUNNYDALE HIGH-- CORRIDOR-- NIGHT

Xander is working a locker combination from a list. Giles comes down the other hall toward them.

GILES

You understand, in my capacity as school official, this search is completely unauthorized, and I cannot condone it.

BUFFY

Fine, your butt's covered. Wanna grab a locker?

She hands him a sheet.

GILES

Yes, yes, of course.

BUFFY

(approaches a locker)
Okay, Eric. Let's see what's on your annoying little mind.

Willow pipes up from the locker she's searching.

WILLOW

Nothing in here but back issues of Scientific American. Oh, I haven't read this one!

GILES

Nothing remarkable here.

XANDER

Guys!

They look into the locker Xander has opened.

XANDER

Your friend Chris Epps' locker.

WILLOW

(reads off book titles)
Grey's Anatomy, Mortician's Desk Reference, Robicheaux's Guide to Muscles and Tendons.

Giles reaches in and pulls out a newspaper folded open to a picture of the three cheerleaders. The title above the picture reads 'Tragic Accident Kills Three'.

GILES

I think it's fair to say Chris is involved.

XANDER

He's into corpses all right, but we still don't know why.

BUFFY

Yes, we do.

She opens Eric's locker door and shows them a collage of a woman made from parts of various pictures.

CUT TO:

INT. EPPS' HOME-- BASEMENT-- NIGHT

Eric sings while Chris works on a body.

ERIC

I guess you'll say What can make me feel this way My girl. Talkin' 'bout my girl. My girl.

How's my baby?

CHRIS

She's not your baby.

ERIC

She's not gonna be anybody's baby if we don't finish her soon.

CHRIS

I'm working on it.

ERIC

So am I, friend. So am I.

He hangs up freshly developed pictures of Buffy, Willow and Cordelia to dry.

CUT TO:

EXT. SUNNYDALE HIGH-- BALCONY-- DAY

Willow and Xander are sitting on the railing as Buffy walks up.

XANDER

Any sign of our suspects?

BUFFY

Not yet. I don't get it. Why would anybody wanna make a girl?

XANDER

You mean when there's so many pre-made ones just laying around? The things we do for love.

BUFFY

Love has nothing to do with this.

XANDER

Maybe not, but I'll tell you this: people don't fall in love with what's right in front of them.

Willow gives Buffy a sad, knowing look.

XANDER

People want the dream. What they can't have.

Willow looks over at Xander longingly. Buffy understands only too well.

XANDER

The more unattainable, the more attractive.

Willow hops down from her perch.

WILLOW

And for Eric the unattainable would include everyone... that's alive.

She starts to head down the stairs. Buffy and Xander join her.

BUFFY

Eric's sick enough to do something like this, but what about Chris? He seems like a human person.

WILLOW

I don't know. That thing with his brother was really hard on him. And he talked about death a lot. Maybe he just wanted to get one up on it.

BUFFY

But it's not doable. I mean, making someone from scraps, actually making them live.

WILLOW

If it is, my science project's definitely coming in second this year.

XANDER

(spots Giles)
And speaking of love...

WILLOW

We were talking about the re-animation of dead tissue.

XANDER

Do I deconstruct your segues?

BUFFY

(to Giles)
Hey.

GILES

(distracted)
Oh! Yes. Hello.

BUFFY

Still no sign of our mad doctors?

GILES

What? Oh! Corpses, yes. Evil. Very good.

They see Jenny stop and talk to a student.

JENNY

Did you bring it? (the student shakes his head) Tomorrow.

STUDENT

I forgot it.

GILES

Very, very good.

BUFFY

Okay, Giles, just remember, 'I feel a thing, you feel a thing...' But personalize it.

GILES

Personalize it?

BUFFY

She's a technopagan, right? Ask her to bless your laptop. Have fun.

Willow and Xander smile at Giles' reaction. Willow pats him on the shoulder and follows Buffy.

GILES

What? Oh! Don't...

XANDER

Best of luck.

GILES

...leave?

JENNY

Good morning, Rupert.

She continues on without stopping. Giles hurries to keep up with her.

GILES

Ms. Calendar?

JENNY

Oh, no, please call me Jenny. Ms. Calendar's my mother.

GILES

Jenny, then.
CUT TO:

INT. SUNNYDALE HIGH-- CORRIDOR-- DAY

They walk together.

GILES

You know, uh, Jenny, um...

JENNY

Hmm?

GILES

Would it appear indecorous... no, not indecorous, um--

JENNY

Yeah?

GILES

Well, um...

JENNY

Rupert, look, I've gotta get inside and set up the lab.

GILES

What I'm proposing is...

The bell rings.

JENNY

Ah! I gotta go! Sorry!

She disappears into her classroom.

GILES

(to himself)
You idiot!

Suddenly, she sticks her head back out.

JENNY

Hey! Listen, if it's important, why don't you just tell me at the game?

GILES

Game? Oh, you're going to the football game?

JENNY

Yeah, you seem surprised.

GILES

No! No, I just assumed that you spent your evenings downloading incantations and casting bones.

JENNY

On game night? Are you nuts? You're going, too, right?

GILES

Oh, of course. Always do.

JENNY

So we should just go together! Look, I could pick you up after school and we'll grab a bite to eat on the way if you like. How do you feel about Mexican?

Giles nods.

JENNY

Good! Okay! And whatever it is you wanna tell me, you can just tell me then. Okay?

GILES

Okay! Tonight, then.

Jenny smiles and goes back into her classroom.

GILES

(to himself)
That went well. I think.
CUT TO:

INT. SUNNYDALE HIGH-- SCIENCE CLASS-- DAY

Willow is paging through a book.

WILLOW

I still don't get how Chris could do it. I mean, arresting the cell deterioration is one thing, but...

XANDER

Hello! (holds up a Visible Head) I wanna get ahead.

WILLOW

Maybe an electrical current combined with an adrenaline boost.

XANDER

For the love of God, can somebody scratch my nose?

BUFFY

(enters)
Well, it's official. Chris and Eric didn't come to school today.

XANDER

That's no coincidence.

WILLOW

Maybe they finished their project.

BUFFY

God! What if it worked? What if that poor girl is walking around?

XANDER

Poor girls, technically.

BUFFY

What could she be thinking?

WILLOW

And what are they gonna do with her?

Giles enters.

GILES

I don't think we need to worry about that just yet. I spoke to a press person this morning about the remains. The police have finished sorting through them, and apparently they found three heads in the dumpster.

BUFFY

They only had three girls.

GILES

Precisely.

WILLOW

So, they don't have the whole... package?

XANDER

Heads must be no good. Huh. I found 'em attractive enough. (off their look) Well, obviously I'm not as sick as Chris and Eric.

GILES

Based on what the police have put together, I would say they're one step short of completing their masterpiece.

WILLOW

One step.
CUT TO:

INT. EPPS' HOME-- BASEMENT-- DAY

The boys are hard at work on their grisly project.

ERIC

We're running out of time. If we wait too long, the onset of atrophy in the limbs will be irreversible.

CHRIS

We can turn up the current. That'll buy us a day, at least.

ERIC

We will lose the entire body if we don't attach a head soon.

CHRIS

We have time.

ERIC

We don't! The crash with the girls was lucky. But we can't just keep waiting around for another lucky accident to drop a head in our laps. You know what we have to do. Hell, it's just one lousy girl.

CHRIS

I won't do it. I... I can't... kill anyone. (turns to the shadows) Please! Understand. I... I can't do that! Please don't make me.

DARYL

But you gave me your word. You promised me, little brother. (moves into the light) That I wouldn't be alone.

DARYL's face is discolored and criss-crossed with stitches.

FADE OUT

ACT III

INT. EPPS' HOME-- BASEMENT-- DAY

Chris is being pressured to take that final step to complete the project.

ERIC

The body is perfect. And if we harvest a head tonight, she'll be ready by sunrise.

DARYL

When you brought me back you promised you'd take care of me. I need this, Chris. I need someone.

CHRIS

Please don't ask me to do this. Don't ask me to take a life.

ERIC

I tried to tell him. If you take a life in order to make a life, the whole thing is a wash. No harm, no foul.

CHRIS

Maybe you could... you could go out...

DARYL

No!

CHRIS

Let people know.

DARYL

They can't see me. Chris, you've always been smarter than me. You were always the brains. You're the only one who can help me now. Third and long, seconds to go. Where do you throw? Where do you throw?

CHRIS

Number five. Daryl's gonna drive.

DARYL

Help me, brother.

Chris nods. Daryl hugs him.

DARYL

Thank you. (to Eric) Show me!

Eric shows Daryl the pictures.

DARYL

(points)
This one.

ERIC

Ha, ha. A man of taste.

He grabs a pair of scissors and cuts Cordelia out of the photo.

ERIC

(sings)
My girl. Talkin' 'bout my girl. My girl

He snips her head off.

CUT TO:

INT. SUNNYDALE HIGH-- SCIENCE CLASS-- DAY

Willow is at the computer and the rest of the gang are waiting for her search results.

WILLOW

I checked the obits. Nothing that would make for a likely candidate.

XANDER

They seem kinda picky for guys who had three heads to begin with.

WILLOW

Formaldehyde.

GILES

Formaldehyde. Yes, of course, it accelerates neural decay in the brain cells.

WILLOW

After a couple days they're useless. They're gonna need something really fresh.

BUFFY

How fresh?

WILLOW

As fresh as possible. Buffy, you don't think that they would...

BUFFY

I think anybody who cuts dead girls into little pieces does not get the benefit of any doubt. I want to end this thing now.

GILES

I second that.

BUFFY

Okay, fine. You guys go to Eric's. We can go to Chris' and meet up.

GILES

(remembering)
Oh! I'm supposed to be at the big game, I believe it's called.

BUFFY

Fine. Go ahead. We'll take care of this.

GILES

Well, yes, but shouldn't I--

BUFFY

Okay, then why don't we all meet there?

GILES

Fine. Yes.

WILLOW

Buffy? Don't be too hard on Chris. I mean, he's not a vampire.

BUFFY

No. He's just a ghoul.

They all leave the library.

CUT TO:

INT. EPPS' HOME-- LIVING ROOM-- DAY

Mrs. Epps answers the door for Buffy.

BUFFY

Hi. I'm a friend of Chris'. I kinda need to talk to him. Do you know if he's home?

Mrs. Epps goes back inside and sits down again without saying a word. Buffy comes in and closes the door.

BUFFY

So is he home?

MRS. EPPS

Westbury game. November 17, '95. Daryl rushed 185 yards that night. Four TD's. He was MVP and he made All-City that season.

BUFFY

Yeah, that was a great one, but is Chris home?

MRS. EPPS

I don't know. Is today a school day? Oh, watch! Watch this move! Daryl takes a kickoff, he sheds one, two, three defenders and he breaks into the open field for a 95-yard touchdown!

Buffy realizes Chris' mother is lost in her own world and looks around the house for some clues. She sees the basement door with its 'Keep Out' and 'No Admittance' signs.

MRS. EPPS

He would have been nineteen next week.

Buffy goes over to the basement door and opens it. She quietly makes her way down the stairs and looks around a bit, then goes over to the table. There she finds the pictures of herself and Willow. She also finds the plans for the body with Cordelia's face pasted on top.

BUFFY

(whispers)
Cordelia!

We see Daryl quietly move up behind Buffy, but suddenly the door opens and they both look up. Buffy quickly hops over to the open basement window and climbs out, having never seen Daryl.

CUT TO:

INT. SUNNYDALE HIGH-- GIRLS' LOCKER ROOM-- DAY

Cordelia is putting on her lip-gloss. JOY, the cheerleading squad leader, walks by with Lisa.

JOY

Cordelia, you coming?

CORDELIA

Yeah, I'll be right out.

She finishes putting on her lip-gloss and sees Chris appear behind her in the mirror. She's startled and turns to face him.

CORDELIA

Oh, god! Chris, you scared me. What are you doing in here?

He looks down and away from her.

CORDELIA

Is something wrong?

She screams as Eric pulls a bag over her head and drags her off. Chris just looks away.

CUT TO:

INT. SUNNYDALE HIGH-- CORRIDOR-- DAY

Buffy rounds a corner and sees Joy and Lisa coming down the stairs.

BUFFY

Joy! Lisa! Where's Cordelia?

JOY

Cordelia has a game to think about. She doesn't need losers like you.

BUFFY

(blocks her way)
I'm sorry, what did you say?
CUT TO:

INT. SUNNYDALE HIGH-- GIRLS' LOCKER ROOM-- DAY

Eric has Cordelia on the floor, trying to tie her hands. Buffy comes running down the adjoining hall and stops to look into the locker room. Eric sees her and gets up to defend himself. Buffy comes running in and jump kicks him, sending him sprawling. She leans down and pulls the bag off of Cordelia's head.

BUFFY

Are you okay?

CORDELIA

Oh, my god, Buffy!

Eric gets up and runs away.

BUFFY

Don't worry, he's gone.

CORDELIA

I was on my way down to the field when Chris came in and all of a sudden someone jumped me.

BUFFY

Shh! Quiet down. Relax. Take it easy.

Cordelia hears the band music from outside.

CORDELIA

That's the fight song. Oh my God, it's time for the cheerleader pyramid at mid-field. I've gotta go.

BUFFY

Well, are you sure you're okay to go out there?

CORDELIA

Yeah, you don't understand, I have to go. I'm the apex!

As Cordelia runs out, Buffy hears a noise and looks around.

BUFFY

Chris? I know what you're trying to do. You and Eric. I know about the bodies from the cemetery. But you haven't hurt anyone yet.

Chris steps out into the open.

BUFFY

Look, I know what it's like to lose someone that you're close to. But that's no excuse. What you're doing is wrong.

CHRIS

I have to do this for him. He needs someone.

BUFFY

Who, Eric? He needs industrial strength therapy!

CHRIS

He always looked out for me. Stood up for me. He's all alone. Everybody loved him. And now he's all alone.

BUFFY

Who are you talking-- (realizes) Oh, my god!
CUT TO:

INT. EPPS' HOME-- BASEMENT-- DAY

Daryl is trashing the place.

DARYL

(yelling)

You promised me! You promised I wouldn't have to be alone!

ERIC

It's not too late.

Daryl comes over to him and lifts Eric off his feet by his shirt.

ERIC

Nothing's changed! We can still do this! You and me. Your brother's not the only one who can create life. Whadaya say?

Daryl sets him down. Eric takes a few deep breaths.

ERIC

Let's go scare you up a date.
FADE OUT

ACT IV

INT. EPPS' HOME-- BASEMENT-- DAY

Buffy and Chris descend the stairs looking for Daryl.

BUFFY

Daryl! Daryl? Daryl!

She takes a quick look around.

BUFFY

He's not here. Where else could he be?

CHRIS

But he would never go out. Unless...

BUFFY

He's gonna pick up where you left off.

She races up the stairs and out of the house. After a moment's hesitation, Chris follows her.

CUT TO:

EXT. SUNNYDALE HIGH-- FOOTBALL FIELD-- DUSK

Cordelia is performing a cheer with the squad.

SQUAD

Go, Razorbacks, go! Go, team, go! Go, Razorbacks, go! Go, team, go!

On the field, the ball is snapped, thrown, caught and run in for a touchdown. The crowd goes wild.

CUT TO:

Jenny and Giles coming from the refreshment stand. His arms are full of snacks and drinks.

JENNY

I don't know what it is about football that does it for me. I mean, it lacks the grace of basketball, the poetry of baseball. At its best, it's unadorned aggression. It's such a rugged contest.

GILES

(laughs)
Rugged. American football?

They find their seats in the stands.

JENNY

And that's funny because?

GILES

No! I just think it's rather odd that a nation that prides itself on its virility should feel compelled to strap on forty pounds of protective gear just in order to play rugby.

JENNY

Is this your normal strategy for a first date? Dissing my country's national pastime?

GILES

Did you just say 'date'?

JENNY

You noticed that, huh?

WILLOW

Hi, Ms. Calendar! Hi, Giles.

JENNY

Hey, guys. What's up?

WILLOW

Eric's was a bust. Nothing there.

XANDER

Yeah, nothing but a bunch of computer equipment and a pornography collection so prodigious it even scared me.

WILLOW

Did Buffy get back yet?

GILES

No. Perhaps you should circulate nearer the field, see what you can find.

Ignoring him, Willow and Xander slip under the railing and sit in front of Giles and Jenny. Xander reaches back and takes Giles' popcorn.

XANDER

So, what's the score?

Giles and Jenny would clearly rather they had picked somewhere else to sit.

CUT TO:

A view of the field from behind the spectators.

The teams are lining up for the next play. The ball is snapped.

CUT TO:

Under the stands. Daryl is crawling along, looking for Cordelia. He sees the action on the field and stops a moment to watch and remember. A player on the field gets tackled, but has gained several yards and gets high-fives from his teammates. Daryl lowers his eyes a moment, then notices Cordelia. She takes a break from cheerleading and walks over to the coolers next to the bleachers for a drink. Daryl

comes up behind her as she drinks and grabs her. She screams, but her yell is drowned out by the crowd cheering another touchdown. The other cheerleaders jump and wave their pompoms. On the field the players help the scoring team- member up and pat him on the back.

Buffy and Chris arrive by the bleachers.

BUFFY

I don't see her. Do you?

CHRIS

No.

Buffy curses under her breath.

CUT TO:

INT. SUNNYDALE HIGH-- OLD SCIENCE LAB-- NIGHT

Cordelia has been blindfolded and tied to a gurney.

CORDELIA

Please, what's going on? Just take off the blindfold. I promise I won't scream! I promise!

Daryl lifts the sheet from the headless body they've constructed.

DARYL

She's beautiful!

ERIC

No! It's bad luck for the groom to see the bride before the wedding.

Daryl puts the sheet down and goes over to Cordelia.

CORDELIA

Please? Just take off the blindfold. I promise I won't scream. I promise!

DARYL

Cordelia?

He takes off her blindfold. She takes one look at him and screams at the top of her lungs.

ERIC

You can scream all you want. We're in an abandoned building.

Cordelia screams for help at an even higher pitch. Eric holds up a pan and threatens to hit her with it.

ERIC

Okay, that's enough.

Cordelia stops her screaming, and Eric puts the pan back down.

DARYL

You were always good to me. Always noticed me. But I ignored you. I'm sorry. I'm glad I have a second chance to tell you that.

CORDELIA

Daryl?

DARYL

I was thoughtless. I see that now. But I've changed. I've learned to appreciate how much it meant that you wanted to be with me.

ERIC

We're ready.

CORDELIA

Ready? Ready for what?

ERIC

You're gonna feel a little pinch, maybe some discomfort around the neck area. But don't worry. When you wake up, you'll have the body of a seventeen-year-old. In fact, you'll have the body of several.

He lifts the sheet, and Cordelia lets out her most intense scream yet when she sees the body.

CUT TO:

EXT. SUNNYDALE HIGH-- FOOTBALL FIELD-- NIGHT

Buffy walks over to the cooler and finds Cordelia's pompoms.

BUFFY

He was here, Chris. Where did he take her?

CHRIS

To the rest of the body. To the lab.

BUFFY

Where is that?

CHRIS

I promised him that I...

BUFFY

Look, he'll kill Cordelia! You can't just give and take lives like that. It's not your job.

CHRIS

He's in the old science lab. Everything's set up there.

BUFFY

Thank you. Now find Xander and Willow and tell them what's going on.

She leaves quickly for the lab. Chris goes to find the others.

CUT TO:

INT. SUNNYDALE HIGH-- OLD SCIENCE LAB-- NIGHT

Eric is pouring gasoline into a sink.

CORDELIA

(frightened)
Daryl, please. You don't have to do this.

DARYL

We have to. So we can be together.

CORDELIA

We'll be together anyway! I'll be with you, I promise!

DARYL

Is that right?

CORDELIA

Mm hm!

DARYL

You see anything you like?

He goes over to the body and lifts the sheet.

DARYL

And when you're finished you won't go out. You won't run away. But we can hide together.

CORDELIA

(very frightened)
Please! Please!

Eric holds a knife over a flame for a moment and then moves over to Cordelia.

ERIC

Sterile enough for government work.

He bends over Cordelia to begin the procedure.

CORDELIA

No! No, please!

There is a loud pounding on the door. It splinters and Buffy runs in. Eric turns around, sees her and throws the knife at her. She catches it in midair.

CORDELIA

Buffy, help me!

Stunned by Buffy's catch, Eric runs away.

BUFFY

Daryl, listen. I know what you're doing, okay? Your brother sent me to stop you.

DARYL

He wouldn't do that. My brother loves me.

CORDELIA

Buffy, they're crazy!

BUFFY

It's okay, Cordelia. I'm gonna get you out of here.

DARYL

No, I'm not done with her yet!

He turns to the instrument tray and grabs a cleaver.

DARYL

I'm not finished!

He takes the cleaver back to Cordelia and raises it, about to bring it down on her neck. But Buffy rushes over, grabs Daryl's arm, knocks the cleaver away and punches him in the face. She scrambles around the table to continue the fight, but Daryl punches her hard in the head. He grabs her, slams her head into the instrument tray and throws her over Cordelia and onto the floor.

DARYL

I won't live alone!

He pushes Cordelia's gurney aside and it knocks over the can of gasoline. The gas starts pouring out onto the floor.

ERIC

I'm getting out of here!

Daryl grabs Eric by the shirt.

DARYL

You have to help me!

ERIC

Let go!

Daryl throws Eric aside and faces Buffy again. Eric slams into a barrel with his head and gets knocked out. Daryl comes at Buffy. She kicks him in the knee, and he collapses to the floor. She kicks him again in the gut as he tries to get up. He tries to get up again, and she kicks him in the face. He's not fazed, gets up and tries to swing at her. She ducks it. He tries again, and she ducks again and kicks him in the chest, sending him staggering backward and knocking the Bunsen burner to the floor, igniting the gasoline. Xander shows up.

XANDER

Buffy!

BUFFY

Get Cordelia!

CORDELIA

Xander!

Xander runs over to Cordelia and starts untying her.

CORDELIA

Get me out of here!

Daryl seizes Buffy and flips her over onto the floor. As she gets back up, he grabs a canister and throws it at her. She ducks it.

The flames around Cordelia and Xander are starting to rise higher. Buffy kicks Daryl twice in the side.

CORDELIA

(to Xander)
C'mon! C'mon! Get it off!

Daryl grabs Buffy again, lifts her and holds on to her while she struggles to free herself.

Xander is getting nowhere with Cordelia's bindings and tries to find a knife.

CORDELIA

Get it off! Get me outta here! C'mon!

Buffy continues to struggle in Daryl's grip as Giles and Willow arrive.

Xander gives up looking and decides to just wheel Cordelia out.

Willow and Giles spot Eric, pick him up and get him out.

Xander gives the gurney a good shove, hops on and they roll through the flames while Cordelia screams. He rolls off and Jenny helps him stop the gurney and between the two of them, they manage to get Cordelia loose.

Buffy hits Daryl in the neck and he lets go of her. She tries to kick him again, but he grabs her leg, lifts her up and throws her to the floor. Buffy is stunned and lies there motionless while Daryl grabs a desk and raises it over his head.

CHRIS

Daryl!

Daryl looks behind him and sees his brother there.

CHRIS

Don't!

Daryl looks back at Buffy and then notices the headless body surrounded by flames. He tosses the desk aside and rushes over to it.

DARYL

She's mine!

CHRIS

Daryl!

Buffy gets up and stops Chris from running into the flames after Daryl.

CHRIS

Daryl!

Jenny and Giles watch, stunned as the flames engulf Daryl and his bride-to-be..

DARYL

No. We'll be together always. No! Mine!
CUT TO:

EXT. SUNNYDALE HIGH-- OLD SCIENCE LAB-- NIGHT

There are fire engines and police everywhere. Pan down from above to Chris and Buffy.

CHRIS

The first time he woke up after... he said I shouldn't have brought him back. I was just... tryin' to look out for him. Like... he would have done for me.

Angel walks up, worried.

ANGEL

I saw the fire. I figured you'd be here. Is everyone okay?

BUFFY

Yeah. We're okay.

Giles hands Jenny a cup of coffee.

GILES

Sorry about all this.

JENNY

It's okay. Although a good rule of thumb for a first date is don't do anything so exciting that it'll be hard to top on the second date.

GILES

Believe it or not, since I've moved here to live on top of the Hellmouth, the events of this evening actually qualify as a slow night. (pauses and considers) Did you just say 'second date'?

JENNY

(smiles)

You noticed that, huh?

Giles smiles back and takes a sip of his coffee.

XANDER

Well, I guess that makes it official. Everybody's paired off. Vampires get dates. Hell, even the school librarian sees more action than me. You ever think that the world is a giant game of musical chairs and the music's stopped and we're the only ones who don't have a chair?

WILLOW

All the time.

CORDELIA

Xander? I just wanted to thank you for saving my life. What you did in there was really brave and heroic and I just wanted to tell you if there was anything that I could ever do to--

XANDER

Do you mind? We're talking here.

Cordelia is taken aback, rolls her eyes and leaves.

XANDER

So where were we?

WILLOW

Wondering why we never get dates.

XANDER

Yeah, so why do you think that is?
CUT TO:

EXT. SUNNYDALE-- CEMETERY-- NIGHT

Angel and Buffy are strolling through.

BUFFY

God, the whole thing was so creepy. Well, at the same time, I mean... he did do it all for his brother.

ANGEL

Sounds like he took it a little over the edge.

BUFFY

Love makes you do the wacky.

ANGEL

What?

BUFFY

Crazy stuff.

ANGEL

Oh. Crazy, like a two-hundred-and-forty-one-year-old being jealous of a high school junior?

BUFFY

Are you fessing up?

ANGEL

I've thought about it. Maybe it bothers me a little.

BUFFY

I don't love Xander.

ANGEL

Yeah, but he's in your life. He gets to be there when I can't. Take your classes, eat your meals, hear your jokes and complaints. He gets to see you in the sunlight.

BUFFY

I don't look that good in direct light.

ANGEL

It'll be morning soon.

BUFFY

I should probably go. I could walk you home.

They look at each other for a long moment. Finally Angel begins to walk and Buffy accompanies him, her hand in his.

Pan down to Daryl Epps' gravestone: 1978 - 1996.

FADE TO BLACK
END