Lie To Me

[Transcript of "Buffy The Vampire Slayer" episode Lie To Me at buffyology.com.]

Prologue

NARRATOR

(v.o.)
In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer.

EXT. SUNNYDALE-- PARK-- PLAYGROUND-- DUSK

The playground is deserted. The carousel slowly turns and the swings move in the light evening breeze. The only person there is a boy, JAMES, sitting on the jungle gym, waiting for his ride home.

JAMES

C'mon, Mom. She's always late.

Pan around him to DRUSILLA, slowly approaching him from behind.

DRUSILLA

Are you lost?

JAMES

(looks back at her)
No. My mom's just supposed to pick me up is all.

DRUSILLA

Do you want me to walk you home?

JAMES

No, thank you.

DRUSILLA

My mummy used to sing me to sleep at night. (sings) "Run and catch / The lamb is caught in the blackberry patch." She had the sweetest voice. What will your mummy sing when they find your body?

JAMES

(nervous)
I'm not supposed to talk to people.

DRUSILLA

Oh. Well, I'm not a person, see, so that's just--

ANGEL suddenly appears between Drusilla and the boy.

ANGEL

(to the boy, sternly)
Run home.

The boy only hesitates for a moment before running off. Drusilla watches him run away in dismay. Angel turns to face her.

DRUSILLA

My Angel!

ANGEL

Hello, Drusilla.

DRUSILLA

Do you remember the song mummy used to sing me? Pretty.

ANGEL

I remember.

DRUSILLA

(senses)
Yes, you do.

ANGEL

Drusilla, leave here. I'm offering you that chance. Take Spike and get out.

DRUSILLA

Or you'll hurt me?

Angel looks down at the ground but says nothing.

DRUSILLA

(senses)
No. No, you can't. Not anymore.

ANGEL

If you don't leave it'll go badly. For all of us.

DRUSILLA

My dear boy's gone all away, hasn't he? To her.
CUT TO:

EXT. SUNNYDALE-- OFFICE BUILDING-- ROOF-- NIGHT

BUFFY walks along the roof, watching and listening, on patrol.

CUT TO:

EXT. SUNNYDALE-- PARK-- PLAYGROUND-- NIGHT

ANGEL

Who?

DRUSILLA

The girl. The Slayer.
CUT TO:

EXT. SUNNYDALE-- OFFICE BUILDING-- ROOF-- NIGHT

Buffy senses something and heads for the edge of the roof.

CUT TO:

EXT. SUNNYDALE-- PARK-- PLAYGROUND-- NIGHT

Drusilla places her hand on Angel's chest.

DRUSILLA

Your heart stinks of her. Poor little thing. She has no idea what's in store.
CUT TO:

EXT. SUNNYDALE-- OFFICE BUILDING-- ROOF-- NIGHT

Buffy looks over the edge and sees Angel and Drusilla standing close together. She can overhear.

ANGEL

This can't go on, Drusilla. It's gotta end.

Drusilla tilts her head and reaches up for a kiss.

DRUSILLA

Oh, no, my pet. This is just the beginning.

She pulls away without kissing him and walks away with an evil smile. Not understanding the situation, Buffy is heartbroken at what she's just seen. Angel watches Drusilla go for another moment, then turns to leave also. Buffy steps away from the edge of the roof and runs off.

Opening credit sequence.

ACT I

EXT. SUNNYDALE HIGH-- MORNING

Establishing.

INT. SUNNYDALE HIGH-- CORRIDOR-- MORNING

JENNY CALENDAR and GILES are walking down the hallway, talking animatedly.

JENNY

It's a secret!

GILES

What kind of a secret?

JENNY

The kind that's secret. You know, where I don't actually tell you what it is.

GILES

I think it's customary that when two people are going out on an evening that they both have an idea of where they're going.

JENNY

Oh, come on! Where is your sense of adventure?

GILES

Well, I... how will I know what to wear?

JENNY

(re: his tweed suit)
Do you own anything else?

GILES

Well, not as such, no...

JENNY

(laughs)

Rupert, you're gonna have to trust me.

GILES

All right, all right, I put myself in your hands.

JENNY

That sounds like fun. Okay, tomorrow night, 7:30, right?

GILES

Yes.

Buffy walks up to him as Jenny leaves and they start toward the library.

BUFFY

Hey.

GILES

Hello. Did we hunt last night?

BUFFY

I did a couple quick sweeps downtown.

GILES

Any encounters?

BUFFY

Nothing vampirey.

GILES

I've been researching your friend Spike. The profile is fairly unappetizing. But I still haven't got a bead on why he's here.

BUFFY

You'll figure it out.

GILES

You all right? You seem a little glum.

BUFFY

I'm fine.

They stop outside the library.

GILES

Why don't you take the night off?

BUFFY

Okay. That'd be nice.

GILES

Yes. You could spend some time with Angel.

BUFFY

I don't know. He might have other plans.

She walks off to class and Giles looks after her, concerned.

CUT TO:

INT. SUNNYDALE HIGH-- HISTORY CLASS-- DAY

The TEACHER is conducting a question and answer session. Buffy opens a note from WILLOW:

Do you know who she was?

BOY

Well, it seems like Louis XVI was just sort of a weak king.

Buffy and Willow glance at each other. Buffy starts to write an answer to the note.

TEACHER

That's fair enough. Any other impressions?

Pan forward to CORDELIA sitting in front of Buffy. XANDER, sitting across from her in front of Willow, looks over at Cordelia with his head propped up on his fist.

CORDELIA

I just don't see why everyone's always picking on Marie Antoinette. I can so relate to her. She worked really hard to look that good and people just don't appreciate that kind of effort.

Buffy has finished her answer to Willow's note:

No. Dark hair. Old dress. Pretty.

CORDELIA

And I know the peasants were all depressed--

XANDER

I think you mean 'oppressed'.

CORDELIA

Whatever. They were cranky.

Buffy folds the note and hands it back to Willow.

CORDELIA

So they're, like, 'Let's lose some heads'. Uhhh! That's fair? And Marie Antoinette cared about them. She was gonna let them have cake!

Willow finishes another note and hands it to Buffy.

TEACHER

Yes, well, that's a very interesting perspective. Would anyone else like to comment?

Buffy opens the note:

Vampire?

The bell rings.

CUT TO:

INT. SUNNYDALE HIGH-- CORRIDOR-- DAY

Buffy, Willow and Xander come out of class.

BUFFY

I don't know. I don't think so. They seemed pretty friendly.

XANDER

Who's friendly?

BUFFY

No one.

WILLOW

Angel and a girl.

BUFFY

Willow, do we have to be in total share mode?

XANDER

Hey, it's me. If Angel's doing somethin' wrong, I wanna know. 'Cause it gives me a happy!

They head into the lounge.

INT. SUNNYDALE HIGH-- STUDENT LOUNGE-- DAY

BUFFY

Mm, I'm glad someone has a happy.

XANDER

Aw, you just need cheering up. And I know just the thing. Crazed dance party at the Bronze!

BUFFY

I don't know...

XANDER

Very calm dance party at the Bronze? (off Buffy's glum look) Moping at the Bronze...?

He sits on a couch next to Willow. FORD walks up the steps behind Buffy.

FORD

I'd suggest a box of Oreos dunked in apple juice, but maybe she's over that phase.

Buffy spins around.

BUFFY

Ford?

FORD

Hey, Summers!

They embrace.

FORD

How ya been?

BUFFY

Oh, my god! What are you doing here?

They let go and hold hands.

FORD

Matriculating.

BUFFY

Huh?

FORD

I'm finishing out my senior year at Sunnydale High. Dad got transferred.

BUFFY

This is great!

FORD

I'm glad you think so.

Xander is not pleased.

FORD

I didn't think you'd remember me.

BUFFY

Remember you? Duh! We only went to school together for seven years. You were my giant fifth grade crush.

XANDER

So! You two know each other.

BUFFY

Oh! (turns to Xander and Willow) I'm sorry. This is Ford! Billy Fordham, this is Xander and Willow.

Buffy and Ford sit on the couch.

XANDER

Hi.

FORD

Hey.

WILLOW

Nice to meet you!

BUFFY

Ford and I went to Hemery together in L.A. (to Ford) And now you're here. For real?

FORD

Dad got the transfer and boom, he just dragged me out of Hemery and put me down here.

BUFFY

This is great! Well, I mean, it's hard, sudden move, all your friends, delicate time, very emotional, but let's talk about me! This is great!

WILLOW

(smiles)
So, you two were sweeties in fifth grade?

BUFFY

Not even. Ford wouldn't give me the time of day.

FORD

Well, I was a manly sixth-grader. I couldn't bother with someone that young.

BUFFY

It was terrible. I moped over you for months. Sitting in my room listening to that Divinyls song I Touch Myself.

Realizing she's just shared a little to much info, she casts a nervous glance at Xander and Willow.

BUFFY

Of course, I had no idea what it was about. (to Ford) Hey, are you busy tonight? We're going to the Bronze, it's the local club, and you have to come.

FORD

I'd love to! But if you guys already had plans... would I be imposing?

XANDER

No, only in the literal sense.

FORD

Okay, then! I gotta find the admissions office, get my papers in order.

BUFFY

Well, you know what? I'll take you there and I'll see you guys in French.

She takes Ford's arm and starts to lead him off.

FORD

It was good to meet you.

Xander smiles at them until they've gone. Willow has a thoughtful look on her face.

XANDER

(sarcastic)
This is Ford, my bestest friend of all my friends! Jeez, doesn't she know any fat guys?

WILLOW

(realizes)
Oh, that's what that song is about?!
CUT TO:

INT. THE BRONZE-- NIGHT

Xander, Willow and Ford are playing pool. Ford sinks his shot and sets up for another as Buffy arrives at the table.

BUFFY

Ford! You made it.

FORD

Wasn't hard to find.

WILLOW

Buffy, Ford was just telling us about the ninth grade beauty contest, and the... swimsuit competition.

BUFFY

Oh, my god, Ford, stop that! The more people you tell, the more people I have to kill.

FORD

You can't touch me, Summers. I know all your darkest secrets.

XANDER

Care to make a small wager on that?

BUFFY

I'm gonna go get a drink. Ford, try not to talk.

She heads for the bar and finds Angel there.

BUFFY

Hi.

ANGEL

Hey! I was hoping you'd show.

BUFFY

(re: Angel's drink)
You drink! I mean, drinks. Non-blood things.

ANGEL

There's a lot about me you don't know.

BUFFY

I believe that.
CUT TO:

The pool table. They're racking them up. Ford notices Buffy with Angel.

WILLOW

That's Angel.

XANDER

He's Buffy's beau. (sarcastic) Her special friend.

FORD

He's not in school, right? He looks older than her.

XANDER

You're not wrong.
CUT TO:

The bar.

BUFFY

So. What'd you do last night?

ANGEL

Nothin'.

BUFFY

Nothing at all. You ceased to exist?

ANGEL

No, I mean I stayed in, read.

BUFFY

Oh.

She goes back to the pool table without another word. Angel stands there confused for a moment, then follows her.

FORD

Didn't want that soda after all?

BUFFY

Not thirsty.

WILLOW

Hey, Angel.

FORD

Hi.

BUFFY

(to Angel)
This is Ford. We went to school together in L.A.

Angel shakes Ford's hand.

ANGEL

Nice to meet you.

FORD

Whoa! Cold hands!

XANDER

You're not wrong.

Buffy gives Xander a harsh look.

ANGEL

So, you're here visiting Buffy?

FORD

No, I'm actually here to stay. Just moved down.

WILLOW

Hey, Angel? Do you wanna play?

BUFFY

Y'know, it's getting really crowded in here tonight. I'm a little hot. (to Ford) You wanna take a walk?

FORD

Sure! That'd be nice.

BUFFY

Okay, then, (to the others) I'll see ya tomorrow.

She leads Ford out past Angel.

ANGEL

Good night.

FORD

Take care.

XANDER

Okay, once more with tension.

ANGEL

He just moved here?

XANDER

Yeah, and boy does he move fast.

WILLOW

Well, Angel, we could still play.

She moves the rack into position but when she looks back up, Angel is gone.

WILLOW

See, you made him do that thing where he's gone.
CUT TO:

EXT. SUNNYDALE CITY STREETS-- ALLEY-- NIGHT

Buffy and Ford stroll slowly along.

FORD

So, that was your boyfriend?

BUFFY

No. Uh, yeah. Maybe. Could we lay off the tough questions for a while?

FORD

Sorry. So! What else do you do for fun around here?

She hears noises coming from around the corner and suspects a vampire.

BUFFY

My purse! I left my purse at the Bronze. Could you get it for me?

FORD

Okay.

He turns and heads back.

BUFFY

Good. Run! Thanks!

He starts to jog away but stops when he looks back and sees Buffy has disappeared. The sound of a woman sobbing reaches him followed quickly by a girl running past him in tears. Curious about what exactly is going on, he continues down the alley.

Suddenly a trash can comes flying out of a side alley and smashes into the wall in front of him accompanied by the distinct sounds of fighting. Then a vampire crashes into view, falling to the ground. Ford peeks around the corner in time to see the vampire swing at Buffy who ducks and retaliates, slamming a stake through his chest. The vampire staggers back into the wall and explodes into ashes.

FORD

What's going on?

Surprised, Buffy spins around to face him.

BUFFY

Um... there was a cat. A cat here and, um, then there was another cat... and they fought. The cats. And... then they left.

FORD

Oh. I thought you were just slaying a vampire.

BUFFY

What? Whating a what?

FORD

I know, Buffy. You don't have to lie. I've been trying to figure out the right time to tell you. I know you're the Slayer.

Buffy is shocked speechless.

CUT TO:

INT. ROSENBERG HOME-- WILLOW'S ROOM-- NIGHT

Willow is on the phone with Buffy.

WILLOW

Just like that he told you?
INTERCUT:

INT. SUMMERS HOME-- BUFFY'S ROOM-- NIGHT

BUFFY

Just like that. Said he found out right before I got booted from Hemery.

WILLOW

Wow! It's neat! Is it neat?

BUFFY

Yeah, I guess it is. I don't have to constantly worry that he's gonna find out my dark secret. It just makes everything easier.
END INTERCUT

EXT. SUNNYDALE STREETS-- ALLEY-- NIGHT

Ford arrives at the Sunset Club. He knocks on a non-descript heavy metal door and a viewport opens. It quickly closes and the door opens to admit him.

CUT TO:

INT. THE SUNSET CLUB-- NIGHT

A welder is cutting the knob off of the inside of the door. Ford goes down the stairs to the main area. Dark gothic music sets the mood and everyone is dressed in black and pale makeup. DIEGO meets Ford at the base of the stairs.

DIEGO

Ford? Hi, Ford?

FORD

Hey!

DIEGO

Well, how'd it go?

FORD

It went good.

DIEGO

Good? That's it? That's all we know? Well, when are we--

FORD

Soon.

DIEGO

Oh, soon, okay. Y'know, you could gimme a little more information here. I'm trusting you. I'm out on a limb here. Not to mention the lease is almost up on this place. Who's gonna cover that?

FORD

Marvin...

DIEGO

Diego! C'mon, man, it's Diego now.

FORD

Diego. (takes out a pill) Ritalin. Everything's gonna be fine.

He pops the pill as CHANTERELLE comes over and hands him a drink.

FORD

Just make sure you're ready when I say. True believers only.

CHANTERELLE

(smiles)
I can't wait!

DIEGO

Right, whatever, I still think I should be in on the plan.

FORD

Diego, you gotta trust me.

A scene from a Jack Palance vampire movie playing on the TV catches Ford's attention.

FORD

A couple more days and we'll get to do the two things every American teen should have the chance to do: die young, and stay pretty.

He looks spaced out as he mouths the words of Jack Palance in the movie.

FORD

So... you play your wits against mine. Me, who commanded armies hundreds of years before you were born. Fools!
FADE OUT

ACT II

INT. ROSENBERG HOME-- WILLOW'S ROOM-- NIGHT

Willow's room is neat and clean and everything is in place just so, except for some clothes on her bed. She's in her nightshirt brushing her hair. She is startled by a knocking on her balcony door. She drops her brush on the bed, goes to the door and pushes the blinds apart to see who it is.

WILLOW

Oh! Angel! What are you doing here?

ANGEL

I wanted to talk to you.

WILLOW

Oh, well...

She gestures for him to come in but he just stands there.

WILLOW

Well?

ANGEL

I can't. Unless you invite me, I can't come in.

WILLOW

Oh! (nervous) Well, okay, I invite you. To come in.

She turns around as he comes in and a look of horror crosses on her face when she sees her bra just lying there on her bed out in the open. She quickly rushes over, grabs it and stashes it.

ANGEL

If this is a bad time, I--

WILLOW

No! I just... I'm not supposed to have boys in my room.

ANGEL

I promise to behave myself.

WILLOW

Okay. Good.

ANGEL

I guess I need help.

WILLOW

Help? You mean like on homework? No, 'cause you're old and you already know stuff.

ANGEL

I want you to track someone down. (re: her laptop) On the Net.

WILLOW

(smiles)
Oh, great! I'm so the Net Girl.

ANGEL

I just want to find everything I can. Records, affiliates, I'm not even sure what I'm looking for yet.

WILLOW

Good. What's the name?

ANGEL

Billy Fordham.

WILLOW

Angel? If I say something you really don't want to hear, do you promise not to bite me?

ANGEL

Are you going to tell me that I'm jealous?

WILLOW

Well, you do sometimes get that way.

ANGEL

You know, I never used to. Things used to be pretty simple. A hundred years, just hanging out, feeling guilty... I really honed my brooding skills. Then she comes along. Yeah, I get jealous. But I know people. And my gut tells me this is a wrong guy.

WILLOW

(nods)
Okay. But if there isn't anything weird... hey, that's weird.

ANGEL

What?

WILLOW

I just checked the school records and he's not in them. I mean, usually they transfer your grades and stuff, but he's not even registered.

ANGEL

He said he was in school with you guys, right?

WILLOW

Let me just see if I can...

SHEILA ROSENBERG

(o.s.)
Willow? Are you still up?

WILLOW

Ack! Go! (to her mom) I'm just going to bed now, mom!

Angel goes back out onto the balcony. Willow holds the door.

WILLOW

Come by tomorrow at sunset. I'll keep looking.

ANGEL

Don't tell Buffy what we're doing, all right?

WILLOW

You want me to lie to her? It's Buffy!

ANGEL

Just don't bring it up until we know what's what.

WILLOW

Okay. It's probably nothing.

ANGEL

That'd be nice.

She closes the door and frets a bit, nervous about what she has to do.

CUT TO:

INT. SUNNYDALE HIGH-- CORRIDOR-- DAY

Buffy and Ford enter from outside. Willow goes to the fountain for a drink.

BUFFY

Willow!

Willow spins around, fidgeting nervously.

BUFFY

What's up?

WILLOW

Nothing.

BUFFY

Do you wanna hang? We're cafeteria-bound.

WILLOW

I'm gonna do work in the computer lab on school work that I have, so I cannot hang just now. Hi, Ford.

FORD

Morning.

BUFFY

Okay, Will, fess up.

WILLOW

What?

BUFFY

Are you drinking coffee again? 'Cause we've talked about this.

Willow seizes on coffee as an excuse.

WILLOW

It makes me jumpy. I have to go. Away.

Buffy is taken aback.

FORD

Nice girl!

BUFFY

There aren't two of those in the world.

Giles meets them in he hall.

GILES

Buffy! Yes... Ms. Calendar and I are going... somewhere tonight, and she's given me the number of her beeper thingy in case you need me for study help... suddenly.

BUFFY

He knows, Giles.

GILES

What?

BUFFY

Ford knows I'm the Slayer.

FORD

I know.

GILES

Oh! Very good, yes. (pulls her to the side) Buffy... (to Ford) Excuse me. (to Buffy) You are not, by any chance, betraying your secret identity just to impress cute boys, are you?

BUFFY

(smiles)
I didn't tell him. He knew.

GILES

Oh! Right then. Well, just remember, if you--

BUFFY

Go! Experience this thing called fun. I'll try not to have a crisis.

Giles concedes and heads back to the library.

CUT TO:

EXT. SUNNYDALE HIGH-- NIGHT

Buffy and Ford are strolling and talking.

BUFFY

And on your right, once again, the beautiful campus. I think you've now seen everything there is to see in Sunnydale.

FORD

Well, it's... really...

BUFFY

Feel free to say dull.

FORD

Okay. Dull's good.

Ford attention is diverted by two vampires running in the distance.

FORD

Or maybe not so dull. Is that more vampires?

BUFFY

Must be the weather.

She pulls out a stake and a cross, and hands the cross to Ford. He takes it and reaches into his back pocket to pull out a stake of his own. He smiles and waves it about.

BUFFY

Stay close to me.

She runs up the steps after the vampires and cautiously looks around. Ford is close behind, cross and stake held ready. She looks around a corner and sees nothing.

FORD

Maybe they were just passing through.

BUFFY

I don't think so.

A blonde female vampire grabs Buffy from behind and tries to bite. Ford takes a startled step back as Buffy snaps a high kick into her face, then grabs her by the arm and flips her over onto her back. A male vampire rushes her and grabs her, pulling her over a railing with him. She lands in a crouch on the grass below and gets up while the vampire rolls to his feet. She kicks him in the jaw, sending him reeling backward. Ford looks down at his stake and cross and then glances at the fight a moment before quickly approaching the other vampire and holding the cross in her face and the stake up and ready. She hisses at him.

FORD

You've got one chance to live. Tell me what I want to know and I'll let you go.

Below, Buffy knocks the vampire out with a punch to the face and stakes him. He explodes to dust as she runs back up the stairs to Ford, who's crouched where the vampire was.

BUFFY

Where's the other one?

FORD

I killed her. (coughs) I killed her and she just turned to dust. It was... amazing!

Buffy reacts with surprise.

CUT TO:

EXT. SUNNYDALE STREETS-- ALLEY-- NIGHT

Xander, Willow and Angel walking down the alley to the Sunset Club.

WILLOW

The only thing I could track down was this address. The Sunset Club. Still didn't find anything incriminating.

ANGEL

He leaves no paper trail, no records... that's incriminating enough.

XANDER

Yeah, I'm gonna have to go with Dead Boy on this one.

ANGEL

Could you not call me that?

He knocks on the door. The viewport opens and the doorman looks out.

ANGEL

We're friends of Ford's.

The doorman nods and the viewport slips shut.

CUT TO:

INT. THE SUNSET CLUB-- NIGHT

They walk in and look around. It's gloomy in the extreme.

WILLOW

Boy, we blend right in.

XANDER

In no way do we stick out like sore thumbs.

ANGEL

Let's look around. You guys check out downstairs.

XANDER

Sure thing, Bossy the Cow!

WILLOW

Okay, but do they really stick out?

XANDER

What?

WILLOW

Sore thumbs. Do they stick out? I mean, have you ever seen a thumb and gone, 'Wow! That baby is sore!'

XANDER

You have too many thoughts.

Angel looks down from the balcony and continues on around. Willow and Xander walk past a man standing in a coffin dressed as a movie vampire.

MAN

(waves)
Hi!

Xander waves back and looks around more.

XANDER

Are you probably noticing a theme here?

WILLOW

As in 'Vampires: Yay!'?

XANDER

That's the one.

Chanterelle gets up and moves behind them.

CHANTERELLE

You guys are newbies. I can tell.

WILLOW

Oh, no. We come here all the time.

CHANTERELLE

Don't be ashamed! It's cool that you're open to it. We welcome anyone who's interested in the Lonely Ones.

Angel comes down the stairs behind them.

WILLOW

The Lonely Ones?

ANGEL

Vampires.

XANDER

Oh! We usually call them the nasty, pointy, bitey ones.

CHANTERELLE

So many people have that misconception. But they who walk with the night are not interested in harming anyone. They are creatures above us. Exalted!

ANGEL

You're a fool.

Xander gives him a warning look.

CHANTERELLE

You don't have to be so confrontational about it. Other viewpoints than yours may be valid, you know.

Chanterelle moves off.

WILLOW

Nice meeting you.

They turn to Angel.

XANDER

You really are a people person.

WILLOW

Now nobody's gonna talk to us.

ANGEL

I've seen enough. I've seen this type before. I mean, they're children making up bedtime stories of friendly vampires to comfort themselves in the dark.

WILLOW

Is that so bad? I mean, the dark can get pretty dark. Sometimes you need a story.

ANGEL

These people don't know anything about vampires. What they are, how they live, how they dress...

A young man dressed exactly like Angel comes down the stairs behind him and looks him up and down before continuing on. Angel clears his throat and they start up the stairs toward the exit.

XANDER

You know, I love a good diatribe. But I'm still curious why Ford, the bestest friend of the Slayer, is hanging with a bunch of vampire wannabes.

WILLOW

Something's up with him, you're right about that.

Diego overhears them and eyes them suspiciously. The girl talking to him is confused by his reaction.

GIRL

Are you okay?
CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- NIGHT

Buffy walks in followed by Jenny and Giles.

BUFFY

Sorry to beep you guys in the middle of... stuff, but it seemed really weird.

GILES

No, you did the right thing. Absolutely.

Jenny stops in her tracks.

JENNY

You hated it that much?

GILES

No! But vampires on campus is-- could have implications. Very, very grave--

JENNY

You could have just said something.

GILES

Honestly, I've always been interested in monster trucks.

BUFFY

You took him to monster trucks?

JENNY

I thought it would be a change!

GILES

It was a change.

JENNY

Look, we could've just left.

GILES

What and miss the nitro-burning funny cars? No, couldn't have that.

BUFFY

Okay, can we get back on the vampire tip here? These guys were here with a purpose.

GILES

Yes, yes, and we must ascertain what that purpose is.

JENNY

Where's your friend?

BUFFY

I sent him home.

GILES

Oh, good. Yes, the less he's involved in all this, the safer he'll be.

BUFFY

He did bag a vamp his first time out.

Giles takes an open book from the top of a stack and reveals an old picture of Drusilla.

BUFFY

Gotta give him credit for... (notices the picture) that.

JENNY

Something wrong?

BUFFY

Who's this?

GILES

She's called Drusilla, a sometime paramour of Spike's. She was killed by an angry mob in Prague.

BUFFY

Well, they don't make angry mobs like they used to, 'cause this girl's alive. I saw her with Angel.

GILES

(taken aback)
With Angel?

JENNY

Isn't he supposed to be a good guy?

BUFFY

Yeah. He is.

JENNY

I think maybe we need to read up on this nice lady.

GILES

Well, some of my new volumes may be more helpful. My own research is--

Suddenly, the blonde vampire bursts from his office and collides with Giles. Jenny draws a startled breath and Buffy runs to Giles' aid, but is knocked to the floor underneath him when the vampire gives him a hard shove. The creature jumps up onto the table and leaps over the mezzanine railing, making her escape through the stacks. Jenny helps Giles and Buffy up.

JENNY

Are you guys okay?

GILES

A book! It took one of my books!

JENNY

Well, at least someone in this school is reading.

BUFFY

He said he killed it. That's the vampire Ford said he killed.
CUT TO:

INT. WAREHOUSE LAIR-- DAY

Drusilla is talking to her bird.

DRUSILLA

You sing the sweetest little song. Won't you sing for me, hmm? Don't you love me anymore?

The bird is lying dead at the bottom of the cage. SPIKE comes into the room behind Drusilla.

SPIKE

Darling! I heard a funny thing just now. Lucius tells me that you went out on a hunt the other night.

DRUSILLA

My tummy was growly and you were out. (to the bird) Come on. (whistles) I'll pout if you don't sing.

Spike wraps his arms around her.

SPIKE

You meet anyone? Anyone interesting? Like Angel?

DRUSILLA

Angel.

SPIKE

Yeah. So... what might you guys have talked about, then? Old times? Childhood pranks? It's a little off, you two so friendly, him being the enemy and all that.

DRUSILLA

(to the bird)
I'll give you a seed if you sing.

SPIKE

(annoyed)
The bird's dead, Dru. You left it in a cage and you didn't feed it and now it's all dead, just like the last one.

Drusilla cowers and whines.

SPIKE

Oh, I'm sorry baby. I'm a bad, rude man. I just don't like you goin' out, that's all. You are weak. Would you like a new bird? One that's not dead?

FORD

This is so cool!

Spike looks up to see Ford standing across the room.

FORD

I would totally live here.

SPIKE

(loudly)
Do I have anyone on watch here? It's called security, people. Are you all asleep? Or did we finally find a restaurant that delivers?

FORD

I know who you are.

SPIKE

Yeah, I know who I am, too. So what?

FORD

I came looking for you, Spike. You are Spike, right? William the Bloody?

SPIKE

You've got a real death wish. It's almost interesting.

The blonde vampire comes in, walks up to Spike and hands him the book she stole. Spike begins to leaf through it.

SPIKE

Oh, this is great. This'll be very useful. (to Ford) So, how did you find me?

FORD

That doesn't matter. I've got something to offer you. I'm pretty sure this is the part where you take out a watch and say I've got thirty seconds to convince you not to kill me? (smiles) It's traditional.

Spike slams the book shut and strides over to Ford.

SPIKE

Well, I don't go much for tradition.

He grabs Ford by the ear and lifts him.

DRUSILLA

Wait, love.

Ford is in obvious pain, but doesn't scream. Drusilla puts her hand on Spike's shoulder and he lets go.

SPIKE

Well?

FORD

Oh, c'mon! Say it! It's no fun if you don't say it.

SPIKE

What? Oh. You've got thirty seconds to convince me not to kill you.

FORD

Yes! See, this is the best! I want to be like you. A vampire.

SPIKE

I've known you for two minutes and I can't stand you. I don't really feature you livin' forever. (to Drusilla) Can I eat him now, love?

Drusilla shakes her head.

FORD

Well, feature this: I'm offering you a trade. You make me a vampire and I give you the Slayer.

Ford now has their undivided attention. Spike smiles.

FADE OUT

ACT III

INT. SUMMERS HOME-- KITCHEN-- NIGHT

Buffy is nursing a cup of coffee. Angel slowly pushes the door open.

ANGEL

Buffy. May I come in?

BUFFY

Sure. I thought once you were invited you could always just walk in.

ANGEL

I can. I was just being polite. We need to talk.

BUFFY

Do we?

ANGEL

It's about your friend Ford. He's not what he seems.

BUFFY

Who is these days?

ANGEL

Willow ran him down on the computer.

BUFFY

Willow?

ANGEL

We found this address, we checked it out with Xander, and it turned out--

BUFFY

(disbelieving)
And Xander? Wow. Everybody's in. It's like a great big exciting conspiracy.

ANGEL

What are you talking about?

BUFFY

I'm talking about the people I trust. Who's Drusilla?

Angel lowers his eyes, caught in a lie.

BUFFY

And don't lie to me. I'm tired of it.

ANGEL

Some lies are necessary.

BUFFY

For what?

ANGEL

Sometimes the truth is worse. You live long enough, you find that out.

BUFFY

I can take it. I can take the truth.

ANGEL

Do you love me?

BUFFY

What?

ANGEL

Do you?

She takes a moment to consider her answer.

BUFFY

I love you. I don't know if I trust you.

ANGEL

Maybe you shouldn't do either.

BUFFY

Maybe I'm the one who should decide!

ANGEL

I did a lot of unconscionable things when I became a vampire. Drusilla was the worst. She was... an obsession of mine. She was pure and sweet and chaste...

BUFFY

And you made her a vampire.

ANGEL

First I made her insane. Killed everybody she loved. Visited every mental torture on her I could devise. She eventually fled to a convent and on the day she took her Holy Orders, I turned her into a demon.

BUFFY

Well. I asked for the truth.

ANGEL

Ford's part of some society that reveres vampires. Practically worships them. I don't know what he wants from you but you can't trust him.
CUT TO:

EXT. SUNNYDALE HIGH-- DAY

Buffy walks up the stairs to the quad. Ford meets her there. Circle pan as they talk.

FORD

Buffy!

BUFFY

Ford.

FORD

I had a great time last night. Well, an interesting time.

BUFFY

I'm glad.

FORD

Do you want to go out again tonight?

BUFFY

Not busy.

FORD

I sort of had an idea. It's a... it's a secret. Kinda want to surprise you.

BUFFY

I like surprises.

FORD

Can you meet me here?

BUFFY

Sure.

FORD

At nine?

BUFFY

At nine.

FORD

(smiles)
It's gonna be fun!

He walks off and Buffy just stands there for a moment before continuing on her way.

CUT TO:

INT. SUNNYDALE HIGH-- CORRIDOR-- DAY

Xander and Willow are sitting on the steps. Buffy comes down behind them.

WILLOW

Buffy!

Buffy doesn't really want to face her, but does.

WILLOW

Did, uh, Angel--

BUFFY

He told me everything.

WILLOW

I'm sorry we kept stuff from you.

BUFFY

It's okay.

WILLOW

When Angel came to my room he was just really concerned for you and we didn't wanna say anything in case we were wrong.

XANDER

Did you find out what Ford is up to?

BUFFY

I will.

She walks off and Willow and Xander sadly watch her go. After a moment something clicks in Xander's head.

XANDER

Angel was in your bedroom?

WILLOW

(nods)
Ours is a forbidden love.
CUT TO:

INT. THE SUNSET CLUB-- NIGHT

Chanterelle is sitting and nervously drumming her fingers. Diego paces anxiously. Pan up to Ford coming down the stairs.

FORD

(ignoring Diego)
Chanterelle. Is everything ready?

DIEGO

Of course. It's ready. I took care of it. I always take care of it.

CHANTERELLE

Is it time? Tonight?

Ford pours some wine.

FORD

You nervous?

CHANTERELLE

Yes. No. I'm ready for the change. Do you really think they'll bless us?

FORD

(hand her a glass)
I know they will.

He smiles at Chanterelle. She smiles back.

FORD

Everything's falling into place.

DIEGO

What about your friends? Are they coming?

FORD

What are you talking about?

DIEGO

Your friends. They came. Last night. Two guys and a girl.

CHANTERELLE

One was mean.

FORD

Oh, Christ! Why didn't you tell me about this?

DIEGO

I have to do everything around here. Sorry, Mr. Flawless Plan Guy, it slipped my mind.

CHANTERELLE

It's gonna be all right, isn't it?

Ford winces in pain and puts his fingertips to his forehead.

CHANTERELLE

They're not going to let us down?

FORD

It's going to be fine.

CHANTERELLE

I need them to bless me.

FORD

It's gonna be fine!

BUFFY

No.

All heads turn to Buffy at the top of the stairs.

BUFFY

It's really not.

FORD

(to Diego)
It's kinda drafty in here.

BUFFY

(starts down the stairs)
I'm sorry, Ford. I just couldn't wait till tonight. I'm rash and impulsive. It's a flaw.

FORD

We all have flaws.

BUFFY

I'm still a little fuzzy on exactly what yours is. I think it has to do with being a lying scumbag.

FORD

Everybody lies.

BUFFY

What do you want, Ford? What's this all about?

FORD

I really don't think you'd understand.

BUFFY

I don't need to understand. I just need to know.

FORD

I'm going to be one of them.

BUFFY

You want to be a vampire?

FORD

I'm going to.

BUFFY

You know, vampires are a little picky about who they change ov-- (figures it out) You were going to offer them a trade!

FORD

I don't think I want to talk anymore.

She grabs him by the throat and shoves him up against a pillar.

BUFFY

Yeah, well, I still feel awfully chatty. You were going to give them me! Tonight!

FORD

Yes.

BUFFY

You had to know I'd figure it out.

FORD

(smiles)
Actually, I was counting on it.

She lets go of his throat and backs away. He coughs a bit and then laughs.

BUFFY

What's supposed to happen tonight?

FORD

This is so cool! It's just like it played in my head. You know that part where you ask me what's supposed to happen? (snickers) It's already happening.

Diego swings the inner door shut with a loud clang. She runs back up the stairs and pounds on it.

FORD

Rigged up special. Once it's closed, it can only be opened from the outside. As soon as the sun sets, they'll be coming.

BUFFY

Ford, if these people are still around when they get here--

DIEGO

(interrupts)
We'll be changed. All of us.

CHANTERELLE

We're going to ascend to a new level of consciousness! Become like them. Like the Lonely Ones.

FORD

This is the end, Buffy. No one gets out of here alive.
FADE OUT

ACT IV

INT. THE SUNSET CLUB-- DAY

Buffy hurries back down the stairs.

BUFFY

There's gotta be another way out of here!

FORD

This is a bomb shelter, Buffy. I knew I wasn't going to be able to overpower you. But this is three feet of solid concrete. Trust me when I say we're in for the long haul.

BUFFY

At least let the other people go.

CHANTERELLE

Why are you fighting this? It's what we want!

DIEGO

It's our chance for immortality.

CHANTERELLE

This is a beautiful day. Can't you see that?

BUFFY

What I see is that right after the sun goes down, Spike and all of his friends are going to be pigging out at the all-you-can-eat moron bar.

DIEGO

Okay, that's it. I think we should gag her.

BUFFY

I think you should try.

DIEGO

She's an unbeliever. She taints us.

BUFFY

I am trying to save you! You are playing in some serious traffic here. Do you understand that? You're going to die! And the only hope you have of surviving this is to get out of this pit right now, and my god, could you have a dorkier outfit?

Diego steams but Chanterelle just smiles.

FORD

I gotta back her up, D. You look like a big ninny. (alarm goes off) 6:27, sunset.

They all walk away from her as she desperately looks around for what to do next.

CUT TO:

INT. WAREHOUSE LAIR-- NIGHT

Spike comes marching out with his troops.

SPIKE

When we get there, everybody spread out. Two men on the door, first priority's the Slayer, everything else is fair game and let's remember to share, people. (to Drusilla ) Are you sure you're up for this?

DRUSILLA

I want a treat. I need a treat.

SPIKE

And a special one you'll have. Lucius! Bring the car around.
CUT TO:

INT. THE SUNSET CLUB-- NIGHT

Buffy runs back up the stairs to the door. Ford follows her.

FORD

Hey, you never give up, do you?

BUFFY

No, I don't.

FORD

That's a good quality in a person. Too many people, they just lay back and take it, but us...

BUFFY

Us? We have something in common now?

FORD

More than you think.

BUFFY

Yeah, well, let me explain something to you. You're what we call the bad guy.

FORD

I guess I am!

BUFFY

These people aren't going to get changed, are they? The rest of them, they're just fodder.

FORD

Technically, yes. But I'm in. I will become immortal.

BUFFY

Well, I've got a news flash for you, brain trust: that's not how it works. You die and a demon sets up shop in your old house and it walks and it talks and it remembers your life, but it's not you.

FORD

It's better than nothing.

BUFFY

And your life is nothing?

Ford snickers.

BUFFY

Ford, these people don't deserve to die!

FORD

Well, neither do I! But apparently no one took that into consideration, 'cause I'm still dying.

Buffy begins to realize what he's up to now.

FORD

I look good, don't I? Well, let me tell you something. (angry) I've got maybe six months left and by then what they bury won't even look like me. It'll be bald and shriveled and it'll smell bad. No, I'm not going out that way.

Buffy turns away.

FORD

I'm sorry, Summers. Did I screw up your righteous anger riff? Does the nest of tumors liquefying my brain kinda spoil the fun?

BUFFY

I'm sorry. I had no idea. But what you're doing is still very wrong.

FORD

Okay, well, you try vomiting for twenty-four hours straight because the pain in your head is so intense and then we'll discuss the concept of right and wrong. (points down) These people are sheep. They want to be vampires because they're lonely, miserable or bored. I don't have a choice.

BUFFY

You have a choice. You don't have a good choice but you have a choice! You're opting for mass murder here and nothing you say is going to make that okay!

FORD

You think I need to justify myself to you?

BUFFY

I think this is all part of your little fantasy drama! Isn't this exactly how you imagined it? You tell me how you've suffered and I feel sorry for you. Well, I do feel sorry for you and if those vampires come in here and start feeding, I'll kill you myself!

FORD

You know what, Summers? I really did miss you.

Buffy can only look at him as a car comes screeching to a halt outside.

BUFFY

Ford, help me stop this. (silence) Please!

Ford remains silent. Buffy runs around to the stairs again.

BUFFY

People, listen to me! This is not the mothership, people! This is ugly death come to play!

Ford backhands her across the face and she goes tumbling to the bottom of the steps. He comes down after her and punches her in the back as she tries to get up, sending her to the floor again. They hear the outside door open and look up.

Chanterelle starts up the stairs to meet them. Ford checks to see that Buffy is still out cold on the floor. Chanterelle reaches the top of the steps as the inner door opens. Spike walks up to her his vampire visage leering at her. He roars and she

flinches a bit but doesn't back down. He tears the choker off her neck. She starts to cry in fear.

SPIKE

Take them all. Save the Slayer for me.

The vampires run and jump down the stairs to the people below and begin feeding. Spike grabs Chanterelle by the neck and bites her violently.

Buffy wakes and stands up as Ford tries to hit her with a crowbar. She grabs his arm in mid-swing and pulls him around, sending him headfirst into a concrete pillar. He falls unconscious to the floor. She looks at the mayhem going on around her and spots Drusilla standing by herself on the balcony. She takes a running leap off of a couch and springs up to the balcony railing, quickly climbing over. She seizes Drusilla from behind and holds a stake to her chest.

BUFFY

Spike!

Spike stops feeding on Chanterelle and looks over at them. Drusilla stares in fear at the stake poised in front of her.

SPIKE

Everybody stop!

They all stop feeding.

BUFFY

Good idea. Now you let everyone out or your girlfriend fits in an ashtray.

DRUSILLA

(frightened)
Spike?

SPIKE

It's gonna be all right, baby. (to the others) Let them go!

The vampires let go of their victims and the stunned vampire wanna-bes hurry up the stairs and out of the club.

BUFFY

Down the stairs.

Spike slowly backs down the stairs. Buffy forces Drusilla ahead of her, still holding the stake ready. When Buffy reaches the top of the stairs, she stares at Spike for a moment. She looks at Drusilla and shoves her down the stairs at Spike.

He catches and steadies her as Buffy turns and rushes out the door. He starts to give chase as Buffy swings the door shut behind her. Spike slams up against it and looks for a way to open it.

SPIKE

Where's the doorknob?
CUT TO:

EXT. SUNSET CLUB-- ALLEY-- NIGHT

Buffy walks out of the building among the shaken club goers. Angel walks up to her and Willow and Xander are close behind.

BUFFY

You guys are just in time.

WILLOW

Are there vampires?

BUFFY

They're contained. They'll get out eventually, though. We should probably go. We can come back when they're gone.

XANDER

Come back for what?

Buffy looks back at the entrance.

BUFFY

For the body.
CUT TO:

INT. THE SUNSET CLUB-- NIGHT

The vampires are banging on the doors. Ford stirs and stands up, holding his head. Spike is comforting Drusilla.

FORD

What happened?

SPIKE

We're stuck in a basement.

FORD

Buffy?

SPIKE

She's not stuck in the basement.

FORD

Hey, well, I delivered. I handed her to you.

SPIKE

Yes, I suppose you did.

FORD

So? What about my reward?

Spike and Ford stare at each other.

DISSOLVE TO:

INT. THE SUNSET CLUB-- DAY

Buffy enters and finds the door broken and twisted. She looks down below and sees Ford lying face down. She descends the stairs and tenderly touches his dead body.

DISSOLVE TO:

EXT. SUNNYDALE CEMETERY-- NIGHT

Buffy has tears in her eyes as she lays a bouquet of red roses on Ford's grave. She stands up again and walks back to Giles.

BUFFY

I don't know what I'm supposed to say.

GILES

You needn't say anything.

BUFFY

It'd be simpler if I could just hate him. I think he wanted me to. I think it made it easier for him to be the villain of the piece. Really he was just scared.

GILES

Yes, I suppose he was.

BUFFY

Nothing's ever simple anymore. I'm constantly trying to work it out. Who to love or hate. Who to trust. It's just like, the more I know, the more confused I get.

GILES

I believe that's called growing up.

BUFFY

I'd like to stop then, okay?

GILES

I know the feeling.

BUFFY

Does it ever get easy?

Ford rises from his grave, a snarling vampire just as he desired, and attacks Buffy. She plunges a stake into his heart with no more effort than swatting a fly. He steps back and looks at the stake protruding from his chest, then looks back up at her as he bursts into ashes.

GILES

You mean life?

BUFFY

Yeah. Does it get easy?

GILES

What do you want me to say?

BUFFY

Lie to me.

GILES

(beat)
Yes, it's terribly simple. The good guys are always stalwart and true, the bad guys are easily distinguished by their pointy horns or black hats, and we always defeat them and save the day. No one ever dies and everybody lives happily ever after.

BUFFY

Liar.
FADE TO BLACK
END