What's My Line? (part 2)

[Transcript of "Buffy The Vampire Slayer" episode What's My Line? (part 2) at buffyology.com.]

Prologue

NARRATOR

(v.o.)
In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer.

INT. ANGEL'S APARTMENT-- DAY

BUFFY and KENDRA are faced off, ready to continue their fight.

BUFFY

(panting)
Okay, one more time. You're the who?

KENDRA

I'm de Slayer.

BUFFY

Nice cover story. But here's a tip: you might want to try it on someone who's not the real Slayer.

KENDRA

Ya can't stop me! Even if ya kill me, anodder Slayer will be sent to take me place.

BUFFY

Could you stop with the Slayer thing? I'm the damn Slayer!

KENDRA

Nonsense! Dere is but one and I am she.

BUFFY

Okay, a scenario. You back off, I'll back off, but you promise not to go all wiggy until we can go to my Watcher and figure this out.

KENDRA

Wiggy?

BUFFY

You know. No kick-o, no fight-o?

Kendra considers the offer a moment, then relaxes her stance and crosses her arms.

KENDRA

I accept your scenario.

BUFFY

So. You were sent here?

KENDRA

Yes, by my Watcher.

BUFFY

To do what, exactly?

KENDRA

To do my duty. I am here to kill vampires.
CUT TO:

INT. THE ALIBI TAVERN-- BACK ROOM-- DAY

Pan from the window over to the cage. The sunlight has advanced past the cage door and is only about three feet from the far wall. ANGEL is crouched in the far corner, cowering and afraid. He looks up with fear at the light streaming through the window.

Opening credit sequence.

ACT I

INT. SUNNYDALE HIGH-- LIBRARY-- DAY

Kendra stands at attention as GILES paces. Buffy leans casually on a chair.

GILES

And your Watcher is Sam Zabuto, you say?

KENDRA

Yes, sir.

GILES

We've never met, but he's very well-respected.

BUFFY

What, so he's a real guy? As in non-fictional?

GILES

And you are called...?

KENDRA

I am de Vampire Slayer.

BUFFY

We got that part, hon. He means your name.

KENDRA

Oh. Dey call me Kendra. I have no last name, sir.

BUFFY

Can you say 'stuck in the 80's'?

GILES

Buffy, please. There's obviously some misunderstanding here.

WILLOW comes bouncing into the library with a smile on her face. Kendra marches around Buffy to intercept her.

WILLOW

Hey!

KENDRA

Identify yourself!

Willow is taken aback and her smile fades to a frown.

BUFFY

Back off, Pink Ranger! This is my friend.

KENDRA

Friend?

BUFFY

Yeah. As in "person you hang with"? "Amigo"?

KENDRA

I don't understand.

BUFFY

(to Giles)
You try. I'm tapped.

GILES

Kendra, there are a few people, civilians if you like, who know Buffy's identity. Willow is one of them and they also spend time together... socially.

KENDRA

And you allow dis, sir?

GILES

Well...

KENDRA

But de Slayer must work in secret for security.

GILES

Of course, but with Buffy, however, it's... some flexibility is required.

Buffy shoots Giles a look.

KENDRA

Why?

WILLOW

(confused)
Hi, guys. What's goin' on?

BUFFY

Apparently there's been a really big mix-up.

GILES

It seems somehow that another Slayer has been sent to Sunnydale.

WILLOW

Is that even possible? I mean, two Slayers at the same time?

GILES

Not to my knowledge. The new Slayer is only called after the previous Slayer has died. (realizes) Oh, good lord! You were dead, Buffy.

BUFFY

I was only gone for a minute.

GILES

Clearly it doesn't matter how long you were gone. You were physically dead! Thus causing the activation of the next Slayer.

He indicates Kendra.

KENDRA

She died?

BUFFY

Just a little.

GILES

She drowned but she was revived.

WILLOW

So there really are two of them!

GILES

It would seem so. This is completely unprecedented! I'm quite flummoxed.

BUFFY

What's the flum? It's a mistake. She isn't supposed to be here, she goes home! (to Kendra) Look, no offense, I really don't mean this personally, but I'm not dead and frankly having you around creeps me out just a little bit.

KENDRA

I cannot just leave. I was sent here for a reason. Mr. Zabuto said all de signs indicate dat a very dark power is about to rise in Sunnydale.

BUFFY

And what's your great plan for finding this dark power? You just gonna attack people randomly till you find a bad one?

KENDRA

Of course not.

BUFFY

Then why the hell did you attack me?

KENDRA

I tought you were a vampire.

BUFFY

Oh, a swing and a miss for the rookie.

KENDRA

I had good reason to tink you were. Did I not see you kissing a vampire?

Willow reacts with anger at the attack on her friend.

WILLOW

Buffy would never do that! (realizes) Oh. (to Buffy) Except for that sometimes you do that. (to Kendra) But only with Angel. (to Buffy) Right?

BUFFY

Yes! Right. (to Kendra) Look, you saw me with Angel and he is a vampire but he's good.

KENDRA

Angel? You mean Angelus? I've read about him. He is a monster.

GILES

No, no, no, he's good now.

WILLOW

Really!

BUFFY

He had a gypsy curse.

KENDRA

He has a what?

BUFFY

Y'know what, just trust me on this one, okay? He's on the home team now.

KENDRA

I cannot believe you. He looked to me just like anodder animal when I--

BUFFY

When you what? (confronts her) What did you do to him?

KENDRA

I--

BUFFY

(screams)
What did you do?
CUT TO:

INT. THE ALIBI TAVERN-- BACK ROOM-- DAY

Angel leans against the back wall, weakened by the ambient light. WILLY enters and looks at him. He opens the cage door and walks in. He uses his body to shade Angel from the direct sunlight and drags him out of the cage and into another storage room. There he opens a hatch in the floor to the sewers below and drops Angel down into the shallow water. Angel is too weak to get up on his own. Willy lowers himself through the hatch and drops to the water, too. SPIKE walks into the light from the shadows.

WILLY

There you go, friend. He'll be as good as new in a day or so.

Two of Spike's thugs arrive and lift Angel to his feet. Willy holds up his hands to stop them.

WILLY

Hey, wait. We had a deal, right?

Spike pulls out a wad of cash.

SPIKE

What's the matter, Willy? Don't you trust me?

WILLY

Oh, yeah. Like a brother.

Spike slaps him across the cheek.

SPIKE

Talk and I'll have your guts for garters.

WILLY

Wild horses couldn't drag it.

Spike holds up the last bill, crumbles it and drops it into the water.

SPIKE

Oops! Sorry, friend.

Willy bends over to pick it up as the two thugs grab Angel and drag him off.

WILLY

What are you gonna do with him anyway?

SPIKE

I'm thinkin' maybe dinner and a movie. I don't want to rush into anything. I've been hurt, you know.

He follows his goons down the sewer as Willy counts his money again.

CUT TO:

INT. SUMMERS HOME-- FOYER-- DAY

NORMAN's case is open and CORDELIA is going through the samples.

CORDELIA

Do you have anything in raisin? I know you wouldn't think so but I'm both a winter and a summer.

NORMAN

Nine ninety-nine, tax included.

CORDELIA

You said that already. Do you have anything in the berry family?

NORMAN

Are there more ladies in the house?

CORDELIA

Oh, no, they're not home. You know, nothing personal, but maybe you should look into selling dictionaries or... some...

She falters as a mealworm crawls out of his sleeve and onto his hand. XANDER comes back down the stairs and notices Norman as Cordelia slowly backs away from him.

XANDER

Hey, what's up?

CORDELIA

He's a salesman and he was just leaving, right? Okay! Buh-bye! Thank you!

XANDER

Okay, Mary Kay, time to--

Another mealworm crawls across Norman's cheek and into his right ear. Horrified, Xander backs away.

XANDER

Time to run!

He breaks into a run, pulling Cordelia with him as Norman transforms into a mass of mealworms. They crawl across the floor like quicksilver as Xander and Cordelia head for the back door. But Norman is already there, reassembled and waiting for them. Cordelia screams and Xander grabs her hand and pulls her back into the hall. They open the door to the basement and hurry in, closing the door behind them.

INT. SUMMERS HOME-- BASEMENT-- DAY

They stomp and crush the mealworms as they try to slither under the door.

XANDER

Find something to cover the crack under the door!

He grabs a broom and sweeps the mealworms back under the door. Cordelia finds a roll of duct tape and hands it to him.

CORDELIA

Here! I don't do worms.

He gives her an exasperated look, grabs the roll from her and shoves the broom into her hands.

XANDER

Cover me!

She sweeps at the mealworms while he pulls a length of tape off of the roll and sticks it to the bottom of the door.

CUT TO:

INT. THE ALIBI TAVERN-- BACK ROOM-- DAY

Buffy slams through the door.

BUFFY

Angel?!

Kendra walks into the cage where she left him and looks around.

KENDRA

No ashes.

BUFFY

What?

KENDRA

When a vampire combusts, he leaves ashes.

BUFFY

Yeah, I know the drill.

KENDRA

So I did not kill him.

BUFFY

And I don't need to kill you.

Willy shows up at the door.

WILLY

Whoa! There's a lotta tension in this room.

Kendra attacks him and pushes him out of the back room and onto the floor.

BUFFY

Doesn't anyone just say 'hello' where you come from?

Kendra turns Willy over on the floor and grabs him by the shirt, ready to punch.

KENDRA

Dis one is dirty! I can feel it!

Buffy hauls Willy to his feet.

BUFFY

That's really good for you, Percepto Girl, but we're not going to get anything out of him if he's, oh say, (slams him into the bar) unconscious. (to Willy) Where's Angel?

WILLY

My buddy Angel? You think I'd let him fry? I saved him in the nick! He was about five minutes away from being a crispy critter.

BUFFY

Where'd he go?

WILLY

He said he was going to stay underground. You know, recuperate.

BUFFY

Are you telling me the truth?

WILLY

I swear on my mother's grave! Should something fatal happen to her, god forbid.

KENDRA

Den he is all right. We can return to your Watcher for our orders.

Buffy lets go of Willy.

BUFFY

I don't take orders. I do things my way.

KENDRA

No wonder you died.

Buffy ignores the comment.

BUFFY

Let's go.

They start to leave when Willy steps away from the bar.

WILLY

I have to ask. Has either of you girls considered modeling? I have a friend with a camera? Strictly high-class nude work. You know, art photographs. But naked.

Buffy and Kendra turn and leave without a word.

WILLY

You don't have to answer right away.
CUT TO:

INT. WAREHOUSE LAIR-- DRUSILLA'S CHAMBER-- DAY

Spike bends over DRUSILLA's sleeping form and strokes her hair. She wakes.

DRUSILLA

I was dreaming.

SPIKE

Of what, pet?

DRUSILLA

We were in Paris. You had a branding iron.

SPIKE

I brought you something.

He goes over to the stairs and hauls Angel up from the landing.

DRUSILLA

And there were worms in my baguette.

He dumps Angel on the floor.

SPIKE

Your sire, my sweet.

DRUSILLA

My Angel?

SPIKE

The one and only. Now all we need's the full moon tonight and he will die and you will be fully restored. My black goddess. My ripe, wicked plum. It's been...

DRUSILLA

Forever.

They kiss passionately. Angel watches from the floor tied up and gagged. He strains against his bonds and they break off their kiss.

DRUSILLA

Spike, let me have him. Hmm? Until the moon.

SPIKE

(smiles)
All right, you can play, but don't kill him. He mustn't die till the ritual.

DRUSILLA

Bring him to me.

Spike picks Angel up from the floor and forces him over to Drusilla. She seizes him by the chin and looks him in the eye.

DRUSILLA

You've been a very bad daddy.

She slaps him across the face but Angel is powerless to do anything.

FADE OUT

ACT II

INT. SUNNYDALE HIGH-- CORRIDOR-- DAY

Giles, Kendra, Willow and Buffy come down the outside stairs and head into the halls.

GILES

Kendra, I've conferred with your Watcher, Mr. Zabuto, and we both agree that until this matter with Spike and Drusilla has been resolved that you two should work together.

BUFFY

Oh, that'll be a treat.

KENDRA

So you believe dat Spike is attempting to revive dis Drusilla to health?

GILES

Yes well, I think that's the dark power that your Watcher referred to. You see Drusilla's not only evil, she's... well, she's also quite mad and if she's restored to her full health, then... well, there's absolutely no telling what she might do.

KENDRA

Den we will stop Spike.

BUFFY

Oh, good plan. Let's go, charge!

GILES

Buffy...

BUFFY

It's a little more complicated than that, John Wayne.

GILES

Yes, I'm afraid it is. You see, Spike has also called out the Order of Taraka to keep Buffy out of the way.

KENDRA

De assassins? I read of dem in de writings of Dramius.

GILES

Oh, really? Which volume?

KENDRA

I believe it was six, sir.

BUFFY

How do you know all this?

KENDRA

From me studies.

BUFFY

So obviously you have a lot of free time.

KENDRA

I study because it is required. (Giles smiles) The Slayer handbook insists on it.

WILLOW

There's a Slayer handbook?

BUFFY

Wait. Handbook? What handbook? How come I don't have a handbook?

WILLOW

Is there a t-shirt, too? (off Buffy's look) 'Cause that would be cool.

GILES

After meeting you, Buffy, I realized that the handbook would be of no use in your case.

BUFFY

Well, what do you mean it would be of no use in my case? What's wrong with my case?

GILES

Kendra, perhaps you'd like to show me the part in Dramius Six where it refers to the Order of Taraka. Really, I seem to have never been able to get through that book. It was a bit stodgy.

KENDRA

It was difficult. All dose footnotes.

Giles and Kendra laugh out loud.

BUFFY

(to Willow)
Hello and welcome to Planet Pocket Protector.

GILES

Oh, well. Buffy, Principal Snyder was snooping round after you.

BUFFY

Career fair.

GILES

Best make an appearance, I think.

BUFFY

Right.

KENDRA

Buffy's a student here?

GILES

Yes.

KENDRA

Right, of course. And I imagine she's a cheerleader as well.

GILES

Oh, no. Well, actually she had to give up her cheerleading. (off Kendra's look) It was quite an amusing story, actually. Let's go and find the book, shall we?

The two of them head off to the library while Buffy and Willow continue their walk.

BUFFY

Get a load of the She-Giles.

WILLOW

Creepy.

BUFFY

Ew. I'll bet Giles wishes I was more of a book geek.

WILLOW

Giles is enough of a book geek for the both of you.

BUFFY

Yeah, but did you see how they were vibing? (mocks them) Volume Six, ha, ha, ha!

WILLOW

Buffy, no one could replace you. You'll always be Giles' favorite.

BUFFY

I wonder.

WILLOW

Of course, you will. You're his Slayer. The real Slayer.

BUFFY

No. I wonder if it would be so bad, being replaced.

WILLOW

You mean like letting Kendra take over?

BUFFY

Maybe. I mean, maybe after this thing with Spike and the assassins is over, I could say, 'Kendra, you slay, I'm going to Disneyland.'

WILLOW

But not forever, right?

BUFFY

No, Disneyland would get boring after a few months. But I could do other stuff. Career Day stuff. Maybe I could even have a normal life.
CUT TO:

INT. SUMMERS HOME-- BASEMENT-- DAY

Cordelia is pacing.

XANDER

Could you sit down, or change your pattern or something? You're making me queasy.

CORDELIA

Because you're just sitting there. You should be thinking up a plan.

XANDER

I have a plan. We wait. Buffy saves us.

CORDELIA

How will she even know where to find us?

XANDER

Cordelia, this is Buffy's house. Odds are she'll find us.

CORDELIA

Well, what if she doesn't? What am I supposed to do? Just waste away down here with you? Haw, haw, no thank you!

She heads for the stairs.

XANDER

What are you doing?

CORDELIA

Going to see if he's gone!

XANDER

That's brilliant! What if he isn't?

CORDELIA

Oh, right! You think we should just slack here and hope that somebody else decides to be a hero? Sorry, forgot I was stranded with a loser!

XANDER

And yet I never forgot that I'm stuck with the numb-brain that let Mr. Mutant in the house in the first place!

CORDELIA

He looked normal!

XANDER

What, is he supposed to have an arrow with the word 'assassin' over his head? All it took was the prospect of a free makeover and you licked his hand like a big, dumb dog!

CORDELIA

You know what? I'm going.

She heads for the stairs and Xander makes no move to stop her. She hesitates at the foot of the stairs, then faces him again.

CORDELIA

I'd rather be worm food than look at your pathetic face!

XANDER

Then go! I'm not stopping ya!

CORDELIA

I bet you wouldn't! I bet you'd let a girl go off to her doom all by herself!

XANDER

Not just any girl. You're special.

CORDELIA

I can't believe that I'm stuck spending what will probably be my last few moments on Earth here with you!

Xander steps closer to her.

XANDER

I hope these are my last few moments! Three more seconds with you and I'm gonna...

She moves to him too, right in his face.

CORDELIA

"I'm gonna" what? Coward!

XANDER

Moron!

CORDELIA

I hate you!

XANDER

I hate you!

They stare at each other thoroughly worked up, then suddenly grab each other and engage in a passionate kiss.

They release and regard each other with surprise.

XANDER

We so need to get outta here.

CORDELIA

Yes!

She rushes up the stairs with Xander right behind. They stop at the top, crouch down and Xander tears one end of the tape off. There aren't any worms on the other side. Xander moves the broom aside and opens the door slowly. They both look out into the hall for any sign of the mealworms.

CORDELIA

He's gone.

Xander steps out and peeks around the corner down the hall to the dining room. The coast looks clear so Xander makes a dash for the front door.

INT. SUMMERS HOME-- DINING ROOM-- DAY

Cordelia follows Xander a moment later but as she comes through the dining room door mealworms begin falling onto her from the ceiling. She screams as they fall on her en masse and runs for the door.

CUT TO:

EXT. SUMMERS HOME-- DAY

Xander throws the door open and dashes into the front yard. Cordelia follows him out, screaming.

CORDELIA

Xander! Oh, my god! Get them off of me! Get 'em off!

He runs to the side of the house and gets the garden hose.

CORDELIA

(terrified)
Get 'em off of me! Oh, my god, get 'em off me!

Xander turns on the water and starts spraying the mealworms off of her. She turns her back to him, then her front again.

CORDELIA

Okay, okay, let's get outta here! Xander, let's go!

He keeps spraying her in spite of her protests, clearly enjoying soaking her with water.

CORDELIA

Okay! Let's go!

She runs for her car. Xander follows her with the hose for another instant, then drops it and follows her.

CU of Cordelia's license plate: QUEEN C. She floors the gas and they burn rubber into the street, screeching around the corner.

CUT TO:

INT. SUNNYDALE HIGH-- CORRIDOR-- DAY

Buffy and Willow stroll along past the Career Fair displays.

BUFFY

My tests say that I should look into law enforcement-- duh!-- and environmental design.

WILLOW

Environmental design. That's landscaping, right?

BUFFY

I checked the 'shrub' box. But landscaping was yesterday, so law enforcement it is.

They stop near the steps to the couches in the lounge. Buffy notices OZ noticing Willow.

BUFFY

(to Willow)
Hey, Will, don't look, okay, but... (Willow looks) No, don't look! (smiles) That guy over there is totally checking you out.

Willow shifts her eyes over without moving her head. She recognizes him from the software company interview the day before.

WILLOW

Oh, that's Oz. He's expressing computer nerd solidarity.

Oz gets up and walks over.

BUFFY

Really? Then why is he on his way over here right now? Told you!

Buffy makes a discreet exit as Oz arrives.

OZ

Hey.

WILLOW

(smiles)
Hey! Your hair! Is brown!

OZ

Oh, yeah, sometimes. So did you decide? Are you going to be a Corporate Computer Suit Guy?

WILLOW

Oh. Well, I think I'm going to finish high school first. What about you?

OZ

I'm not really a computer person, you know. Or a work of any kind person.

WILLOW

They why'd they select you?

OZ

Oh, I sort of test well, y'know, which is cool. Except that it leads to jobs.

WILLOW

Well, don't you have some ambition?

OZ

Oh, yeah! Yeah. E-flat, diminished ninth.

WILLOW

Huh?

OZ

Well, the E-flat, it's doable, but that diminished ninth, y'know, it's a man's chord. Now, you could lose a finger.

Willow nods, pretending to understand.

CUT TO:

Buffy signing up at the law enforcement table. She joins the group already assembled. PATRICE, the Sunnydale Police recruitment officer, picks up the clipboard and looks it over.

PATRICE

All right, listen up and answer when I call your name. Buffy Summers.

Buffy raises her hand and Patrice calmly puts the clipboard back down. She draws her gun and aims it at Buffy. Buffy reacts in a flash and pushes the recruiter's hands and weapon up into the air as the first round goes off.

Panic reigns throughout the hall as people start to run and duck for cover. As Buffy struggles with the cop, another round goes into the ceiling. Buffy knees the cop in the gut and she drops the gun and falls to the floor. Buffy starts to run as Patrice gets to her knees and pulls another gun and takes aim. Another bullet zings past Buffy as she dives over a table. She stands up again and looks around at everyone.

BUFFY

Get down!

She starts to run again, right past Oz and Willow. Patrice follows Buffy with her front sight.

OZ

Look out!

As he lunges for Willow and pulls her to the floor with him, he takes a bullet meant for Buffy in the arm. Patrice continues to follow Buffy with her gun and shoots off the cranium of a skeleton. Buffy disappears down the hall and the police recruiter carefully moves after her. Patrice stops at the wall to peek around it and down the hall. She doesn't see her, but senses that she's there, and decides to go to the other end of the wall in order to come around from the other side. Pan to the other side where Buffy is leaning against the wall, breathing hard and waiting for Patrice to make her next move. Just as she is about to round the corner, Buffy leaps over a table and tackles her to the floor. She drops her backup gun and it slides away. Buffy gets to her feet and adopts a fighting stance. Patrice gets to her knees and pulls out a small throwaway gun from an ankle holster and aims it at Buffy. Before she can get off a round, Kendra kicks the gun out of her hands. She follows it up with a kick to Patrice's face, sending her flat on her back. She makes her stand next to Buffy.

Patrice pulls out a short blade and grabs JONATHAN, holding him as a hostage. The two girls watch her slowly back toward the door at the end of the hall with the boy in tow. Halfway there she drops Jonathan and makes a dash for the door. Kendra doesn't hesitate to give chase. Buffy rushes over to Oz and Willow and kneels down next to them. Oz is holding his arm.

BUFFY

How is he?

WILLOW

He's shot! (to Oz) Are you okay?

OZ

I... I'm shot! Y'know, wow! It's odd! And painful.

Kendra comes back and Buffy runs over to her.

KENDRA

She's gone.

JONATHAN

Was that a demonstration?
CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- DAY

Giles has the First-Aid kit out and Willow is wrapping Buffy's knee.

BUFFY

She was definitely one of the Taraka gang, Giles, and way gun happy.

GILES

This Oz chap, he's all right?

WILLOW

The paramedic said it was only a scrape. Thank goodness.

Cordelia and Xander walk into the library. Kendra moves to head them off.

BUFFY

Down, girl!

XANDER

Who sponsored career day today? The British Soccer Fan Association?

GILES

We had a rather violent visit from the Order of Taraka.

XANDER

You want to talk Order of Taraka? We just met the king freak of the... (to Kendra) Hello.

Kendra drops her eyes to the floor in deference to Xander.

GILES

Oh, forgive me. Xander, Cordelia, this is Kendra. It's rather complicated but she's also a Slayer.

CORDELIA

Hi. Nice to meet you.

XANDER

A Slayer, huh? (to Buffy) I knew this 'I'm the only one, I'm the only one' thing was just an attention-getter.

BUFFY

Just say hello, Xander.

XANDER

Welcome. So! You're a Slayer, huh? I like that in a woman.

KENDRA

(nervous)
I hope... I tank you... I mean, sir... I will be of service.

XANDER

Great! Good. It's good to be a giver.

GILES

Xander, this assassin you encountered, what did he look like?

Cordelia finds a mealworm in her hair and begins freaking out all over again. She drops it onto the table and gets up.

CORDELIA

Ugh! Agh! Ohmigod, I'm showering!

Without another word, she runs from the library.

XANDER

(re: mealworm)
Like that.

BUFFY

You and bug people, Xander. What's up with that?

XANDER

No, but this dude was completely different than Praying Mantis Lady. He was a man of bugs, not a man who was a bug.

He slams the biology book shut on the mealworm and sits down.

GILES

The important thing is everybody's all right. Still, it's quite apparent that we're under serious attack.

BUFFY

These Taraka are definitely serious. Fortunately for me, so is Kendra.

GILES

And I fear the worst is still to come. I've discovered the remaining keys to Drusilla's cure. The ritual requires the presence of her sire and it must take place in a church on the night of the new moon.

Buffy suddenly looks very concerned.

KENDRA

The new moon. But that is tonight.

GILES

Exactly. And I'm sure the assassins were here to kill Buffy before she could put a stop to things.

BUFFY

They need Drusilla's sire. You mean the vamp that made her?

GILES

Yes.

WILLOW

Buffy, what is it?

BUFFY

Angel. He's Drusilla's sire.

XANDER

Man, that guy got major neck in his day!

Willow smacks him hard on the shoulder.

BUFFY

Will this ritual kill him?

GILES

Yes, I'm afraid it will.

BUFFY

We need to find this church. We need to find where this ritual is going to take place!

GILES

Agreed and we must work quickly. (checks his watch) We have five hours before sundown.

Willow opens her laptop.

WILLOW

Don't worry, Buffy. We'll save Angel.

KENDRA

Angel? But our priority is to stop Drusilla!

XANDER

Angel's our friend! Except I don't like him.

BUFFY

Look, you've got your priorities and I've got mine. Right now they mesh. So are you going to help me or are you going to get out of my way?

KENDRA

(considers)
I'm wit you.

BUFFY

Good. 'Cause I've had it. Spike is going down. You can attack me, you can send assassins after me, that's fine. But nobody messes with my boyfriend!
FADE OUT

ACT III

INT. WAREHOUSE LAIR-- DRUSILLA'S CHAMBER-- DAY

Drusilla runs her hand across the lid of an elegant wooden box labeled 'Holy Water'. She sings quietly as she lifts the lid and takes out a small crystal pitcher.

DRUSILLA

The lamb is caught in the blackberry patch. (approaches Angel) My mummy ate lemons. Raw.

She kneels next to him. Angel is tied to the posts of her canopy bed by both wrists high above his head. Drusilla runs her hand across his chest.

DRUSILLA

She said she loved the way they made her mouth... tingle. Little Anne.

She lets some of the holy water trickle onto his chest. It steams and burns like acid. Angel jerks his head back in pain and stifles a scream.

DRUSILLA

Her favorite was custard... brandied pears.

ANGEL

Dru...

DRUSILLA

(stern)
Shhh! And pomegranates. They used to make her face and fingers all red.

She climbs onto the bed behind Angel and reaches over his shoulder letting more holy water dribble onto his chest. Again Angel grits his teeth in pain, but won't let himself scream aloud.

DRUSILLA

Remember? Hmm? Little fingers. Little hands. Do you?

ANGEL

(shivering in pain)
If I could--

DRUSILLA

Bite your tongue! They used to eat cake and eggs and honey. (sweetly) Until you came and ripped their throats out.

She lets the rest of the holy water cascade onto his chest and Angel screams in agony.

CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- DAY

Giles walks out of the stacks and heads toward the stairs with a large volume full of pictures. Willow is sitting on the steps websurfing on her laptop. He looks down at her screen and sits down next to her.

GILES

There are forty-three churches in Sunnydale? That seems a little excessive.

WILLOW

It's the extra evil vibe from the Hellmouth. Makes people pray harder.

Giles offers her a mint and she smiles and takes one. He gets back up and continues over to Xander and Cordelia at the table.

GILES

Well, check and see if any of them are closed or abandoned.

XANDER

Yeah, yeah, we got monsters, we got demons but no bug dude or police lady.

Giles sets the volume down in front of them and opens it.

GILES

Well, you should have better luck with this one. There's a whole section devoted to the Order of Taraka.
CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- GILES' OFFICE-- DAY

Kendra looks through the window at them doing their research. Buffy is sharpening a knife.

KENDRA

And dose two, dey also know you are de Slayer?

BUFFY

Yep.

KENDRA

Did anyone explain to you what 'secret identity' means?

Kendra picks up a crossbow.

BUFFY

Nope. Must be in the handbook, right after the chapter on personality removal. Be careful with that thing!

KENDRA

Please. I'm an expert in all weapons.

The bolt flies off the crossbow and breaks a lamp.

GILES

(o.s.)
Is everything all right?

BUFFY

Yeah, it's okay. Kendra killed the bad lamp.

She sets the bow down carefully.

KENDRA

Sorry! Dis trigger mechanism is different. Perhaps when dis is over you can... show me how to work it.

BUFFY

When this is over I'm thinking pineapple pizza and teen video movie-fest. Possibly something from the Ringwald oeuvre.
CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- DAY

Xander turns the page and finds a drawing of the bug dude.

XANDER

Oh, here we go! I am the bug man, coo coo ka choo. Okay. He can only be killed when he's in his disassembled state. (to Cordelia) Disassembled. That means when he's broken down into his little buggy parts.

CORDELIA

I know what it means, dorkhead.

XANDER

Dorkhead! You slash me with your words!

Giles rubs his eyes in frustration.

CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- GILES' OFFICE-- DAY

Kendra holds one of Buffy's carved stakes.

KENDRA

Your life is very different dan mine.

BUFFY

You mean the part where I occasionally have one? Yeah, I guess it is.

KENDRA

De tings you do and have, I was taught, distract from my calling. Friends, school... even family.

BUFFY

Even family?

KENDRA

My parents, dey sent me to my Watcher when I was very young.

BUFFY

How young?

KENDRA

I don't remember dem, actually. I've seen pictures. But dat's how seriously de calling is taken by my people. My modder and fadder gave me to my Watcher because dey believed dat dey were doing de right ting for me and for de world. (off Buffy's look) Please, I don't feel sorry for meself. Why should you?

BUFFY

I don't know, I... I guess it just sounds very lonely.

KENDRA

Emotions are weakness, Buffy. You shouldn't entertain dem.

BUFFY

Kendra, my emotions give me power. They're total assets!

KENDRA

Maybe. For you. But I prefer to keep an even mind.

BUFFY

I guess that explains it.

KENDRA

Explains what?

BUFFY

(awkward)
Oh, well, when we were fighting... you're amazing! Your technique, it's flawless, it's... better than mine.

KENDRA

I know.

BUFFY

Still, I would have kicked your butt in the end. And you know why? No imagination.

KENDRA

Really? Ya tink so?

BUFFY

Oh, I know so. You're good but power alone isn't enough. A good fighter needs to know how to improvise, to go with the flow. Seriously, don't get me wrong, you really do have potential.

Kendra holds her knife at the ready.

KENDRA

Potential? I could wipe de floor wit you right now!

Buffy looks Kendra in the eye.

BUFFY

That would be anger you're feeling.

KENDRA

What?

BUFFY

You feel it, right? How the anger gives you fire? A Slayer needs that.

They both look over at Xander as he walks into the office.

XANDER

Excuse me, ladies.

Kendra looks down at the floor while he grabs a book from the desk. Xander notices her knife before he goes back out to Giles.

XANDER

Nice knife.

BUFFY

I'm guessing dating isn't big with your Watcher either.

KENDRA

I'm not permitted to speak with boys.

BUFFY

Unless you're pummeling them. (realization) Wait a minute.

KENDRA

What?

BUFFY

That guy! The sleazoid you nearly decked in the bar.

KENDRA

You tink he might help us?

BUFFY

I tink we might make him!
CUT TO:

INT. WAREHOUSE LAIR-- DRUSILLA'S CHAMBER-- NIGHT

Drusilla kneels between Angel's spread legs and holds the little pitcher of holy water above him.

DRUSILLA

Say 'Uncle'. Oh, that's right, you killed my uncle.

She is about to pour the water onto his chest again when Spike walks in.

SPIKE

That's it, then. Off to church.

DRUSILLA

It makes pretty colors.

SPIKE

I'll see him die soon enough. I've never been much for the pre- show.

He reaches up to untie one of Angel's bonds while Drusilla puts away the holy water and gets Miss Edith.

ANGEL

Too bad. That's what Drusilla likes best, as I recall.

SPIKE

What's that supposed to mean?

ANGEL

Ask her. She knows what I mean.

SPIKE

(to Drusilla)
Well?

DRUSILLA

(to Angel)
Shhh! Grrrruff! Bad dog.

ANGEL

You should have let me talk to him, Dru. Sounds like your boy could use some pointers. (to Spike) She likes to be teased.

SPIKE

Keep your hole shut!

ANGEL

Take care of her, Spike. The way she touched me just now? I can tell when she's not satisfied.

SPIKE

I said SHUT UP!

He grabs Angel by the throat, lifts him to his feet and holds him against the bedpost.

ANGEL

Or maybe you two just don't have the fire we had.

SPIKE

That's enough.

He smashes his other hand into the wooden railing of Drusilla's bed, grabs the piece that broke off and holds it up to stake Angel.

DRUSILLA

Spike, no!

Spike holds back but Angel tries to goad him with a stare. Drusilla steps over to Spike and gently puts her arm on his shoulder and snuggles up to him.

DRUSILLA

Shhh.

SPIKE

Oh! Right. Right, you almost got me! Aren't you a 'throw himself to the lions' sort of sap these days. Well, the lions are on to you, baby. See, if I kill you now you go quick and Dru hasn't got a chance. And if Dru dies your little Rebecca of Sunnyhell Farm and all her mates are spared her coming-out party.

DRUSILLA

Spike, the moon is rising. It's time.

SPIKE

Too bad, Angelus. Looks like you go the hard way. Along with the rest of this miserable town.

He pins Angel against the bedpost as he and Drusilla engage in a passionate kiss.

CUT TO:

INT. THE ALIBI TAVERN-- BACK ROOM-- NIGHT

Buffy shoves Willy up against the shelves of liquor bottles.

WILLY

Honest! I don't know where Angel is!

BUFFY

What about this ritual? What have you heard?

WILLY

Nothing! It's all hush-hush!

KENDRA

Just hit him, Buffy!

BUFFY

(to Willy)
She likes to hit.

WILLY

You know, maybe I did hear something about this ritual. Yeah, it's coming back to me. But I'd have to take you there.

BUFFY

Let's go.

She starts to drag him out of the bar.

KENDRA

First we must return to de Watcher.

BUFFY

Excuse me? While we run to Giles, this whole thing could go down!

KENDRA

But it is procedure.

BUFFY

It's brainless, you mean! If we don't go now, Angel could die.

KENDRA

Is dat all you're worried about? Your boyfriend?

BUFFY

No, it's not all but it's enough.

KENDRA

It's as I feared. He clouds your judgment. We can't stop dis ritual alone!

BUFFY

Are you listening to me? He could die!

KENDRA

He's a vampire. He should die. Why am I de only person who sees it?

Buffy shoots her a hard look, then turns around and heads for the door with Willy in tow.

KENDRA

Are you dat big a fool?

Buffy shoves Willy out ahead of her and leaves Kendra behind in the bar.

KENDRA

Good riddance, den.
CUT TO:

INT. SUNNYDALE CHURCH-- CORRIDOR-- NIGHT

Willy leads Buffy down an arched hallway.

WILLY

(to Buffy)
Here ya go. Don't ever say your friend Willy don't come through in a pinch.

They round a corner and find Patrice and a vampire waiting for them.

WILLY

(to Patrice)
Here ya go. Don't ever say your friend Willy don't come through in a pinch.

Norman and another vampire block her escape from behind.

FADE OUT

ACT IV

INT. SUNNYDALE CHURCH-- MAIN SANCTUARY-- NIGHT

The nave of the church. Spike walks up the main aisle from the altar with a censer of burning incense.

SPIKE

Eligor. I name thee. Bringer of war, poisoners, pariahs, grand obscenity.

He turns back to the altar. Angel and Drusilla are both strapped together, hanging from a chain. Angel's right hand is tied to the chain above his head.

SPIKE

Eligor, wretched master of decay, bring your black medicine.

DRUSILLA

Black medicine.

Spike sets the censer down on the altar and picks up the Du Lac Cross with his gloved hand. According to Satanic tradition, he holds it upside down.

SPIKE

Come. Restore your most impious, murderous child.

DRUSILLA

Murderous child.

He slides a dagger out of the head of the cross.

SPIKE

From the blood of the sire she is risen.

He takes Drusilla's left hand and raises it to Angel's and she clasps it.

SPIKE

From the blood of the sire, she shall rise again.

With one swift stroke Spike stabs the blade through both their hands, pinning them together. Angel screams in agony as a blinding bright pink light emanates from their wounds.

A pulse of energy spreads out and then the light dies back down to a faint glimmer as Angel's strength begins to ebb from him into Drusilla. She slumps as Angel's life energy flows into her.

SPIKE

Right, then! Now we just let them come to a simmering boil and remove to a low flame.

Willy barges through the door and strides into the nave with the vampires and assassins escorting Buffy close behind.

WILLY

It's payday, pal. I got your Slayer.

Spike strides up the aisle to meet him.

SPIKE

(angry)

Are you tripping? You bring her here? Now?

WILLY

You said you wanted her.

Buffy sees Angel and Drusilla tied together at the altar.

SPIKE

In the ground, pinhead! I wanted her dead.

WILLY

Now that's not what I heard. Word was there was a bounty on her dead or alive.

SPIKE

You heard wrong, Willy.

BUFFY

(whispers)
Angel...

SPIKE

(to Buffy)
Yeah. It bugs me, too, seeing him like that. Another five minutes, though, and Angel will be dead so... I forebear. Don't feel too bad for Angel... though he's got something you don't have.

BUFFY

(angry)
What's that?

SPIKE

Five minutes. Patrice!

She lets go of Buffy and draws her gun. Buffy struggles with the vampire holding her. The far door suddenly bursts open and Kendra enters with a dazzling series of backflips, ending in a flying double kick, one foot to the back of each of the vampire's heads. They fall to the floor, pushing Buffy into Spike and knocking him down. Kendra lands on her feet, ready to fight. She wastes no time confronting Spike as he gets up, squaring off with Buffy to fight him.

SPIKE

Who the hell is this?

Kendra grabs him by the shirt.

BUFFY

It's your lucky day, Spike.

KENDRA

Two Slayers!

Kendra pounds him in the head.

BUFFY

No waiting!

Buffy jabs him in the gut.

Spike falls but quickly gets up. Buffy breaks off to fight Patrice, leaving Kendra to take care of Spike.

Buffy faces off with Patrice as she extends her arms down and a gleaming silver blade slides out of each sleeve.

One of the vampires pulls himself up from the floor next to them and starts to reach for Buffy when a bolt impales him. He explodes into ash and we see Giles at the door, holding the crossbow.

Buffy and Patrice begin to fight hand-to-hand. Patrice thrusts one blade then the other at Buffy, but Buffy catches her arms in mid-swing and knees Patrice in the gut. She follows up with a kick to Patrice's face and sends her reeling backward into the wall.

Spike pounds Kendra, knocking her down and she scrambles to avoid his follow- through.

Giles realizes the other vampire has recovered as well runs to engage him. He swings the crossbow at him, but the vampire grabs it and wrests it from his grasp. Giles swings at the vampire and hits him in the face as a newly-arrived Willow jumps up onto his back and starts choking him.

Xander sees Norman and begins taunting him.

XANDER

Hey, larvae boy! Yeah, that's right, I'm talkin' to you, ya big cootie!

With an evil smile, Norman starts after him. Xander scrambles for the doors and carefully steps through as he closes them behind him to avoid stepping into the puddle of liquid adhesive Cordelia has poured there. She still has the bucket in her hand.

XANDER

Welcome, my little pretties!

Norman shoots under the door as a mass of mealworms while back inside Giles punches the vampire twice. Willow gamely holds on from behind.

Kendra jumps over Spike when he tries to knock her legs out from under her. They continue to trade blows, alternately gaining and losing ground.

Patrice staggers back up and comes for Buffy. She ducks a kick from Buffy and lunges at her with her blades but Buffy handily blocks her. Buffy ducks a follow- up slash to her face.

INT. SUNNYDALE CHURCH-- CORRIDOR-- NIGHT

Out in the hall, the mealworms are stuck in the adhesive and Xander and Cordelia begin to stomp them to death.

INT. SUNNYDALE CHURCH-- MAIN SANCTUARY-- NIGHT

Buffy punches Patrice in the face and sends her staggering back into the wall again.

Spike kicks Kendra, sending her crashing to the floor. As she gets to her feet, Buffy notices her getting knocked around.

BUFFY

Switch!

She bends over and Kendra rolls over her back to face Patrice, immediately landing a punch and knocking her into the wall for a third time. Buffy faces Spike.

SPIKE

I'd rather be fightin' you anyway.

BUFFY

Mutual.

She blocks his jab, then kicks him in the face and chest. He doubles over and falls to the floor.

INT. SUNNYDALE CHURCH-- CORRIDOR-- NIGHT

Cordelia and Xander continue stomping away.

CORDELIA

Die! Die, die, die! Die!

Xander puts his hand on her lower back to calm her.

XANDER

I think he did, Cordy.

She quickly drops the bucket and they run off.

INT. SUNNYDALE CHURCH-- MAIN SANCTUARY-- NIGHT

Buffy and Spike trade blows until, in a fit of anger, Buffy seizes him by the coat and throws him over several pews and into the wall. Willy gets up and starts to

back toward the exit. Spike growls as he stands up and sees Willy trying to sneak out of the church. He runs over and yanks him by the back of the neck.

SPIKE

Where are you going?

Buffy seizes the opportunity to run to the altar and pull the dagger out of Angel and Drusilla's hands.

WILLY

Now there's a way in which this isn't my fault!

SPIKE

They tricked you.

WILLY

Mmm-hmm! They were duplicitous!

SPIKE

Well, then I'll only kill you just this once.

His fangs descend toward Willy's neck.

DRUSILLA

(weak)
Spike!

Spike stops in mid-bite and looks over at her. He sees Buffy trying to untie them, drops Willy and rushes over to the altar, throwing Buffy to the floor. He backhands her as she gets back up, knocking her down again.

Willy wastes no time running out of the church past Willow and Giles, who are still fighting the other vampire. Giles has him held by both arms and Willow has a stake raised to kill him.

WILLOW

Hold him steady!

She plunges the stake into the vampire's heart and he bursts into ashes, covering Giles in grit. Xander and Cordelia run into the back of the nave as Willow brushes the dust off of Giles.

Patrice throws Kendra over a pew and climbs over after her. She swings at Kendra twice but misses both times when Kendra ducks. She swings again and this time slashes Kendra's arm.

KENDRA

Dat's me favrit shirt! Dat's me only shirt!

Enraged, Kendra kicks the back of Patrice's knee then swings her by the arm into an armoire, smashing it and Patrice to pieces. She collapses, unconscious. Kendra runs over to join the others as Spike takes a torch from its wall hanger and throws it into a pile of old drapes, setting them ablaze.

XANDER

Look out!

Spike unstraps Drusilla from Angel.

SPIKE

Sorry, baby. Gotta go.

He lifts her into his arms and starts down the aisle.

SPIKE

Hope that was enough.

With nothing holding him up anymore Angel falls to the floor. Buffy crawls over to him and notices Spike making his escape. She stands up and grabs the censer from the altar. She swings it around her head by its chain a few times and launches it at Spike. It hits him in the back of the head, and he stumbles into the church organ. The keyboard console collapses under his weight.

BUFFY

I'm good!

A moment later the organ superstructure collapses onto Spike and Drusilla, its huge brass pipes clanging and rolling to the floor. Buffy turns her attention back to Angel and helps him sit up. She cradles his head in her arms.

BUFFY

(softly)
Hi.

Kendra watches the way they look at each other. Buffy brushes Angel's cheek. Giles and the others watch them through the spreading flames. Kendra runs over and crouches down next to Buffy and Angel.

KENDRA

Let's get him out!

Angel moans and they begin to help him up.

BUFFY

Careful!

KENDRA

C'mon.

With their help he gets to his feet. Kendra gets under his arm to support him. The others run out of the church as the three of them make their way up the aisle and out the other door.

By now, the wreckage of the organ has caught fire now as well.

CUT TO:

INT. SUNNYDALE HIGH-- STUDENT LOUNGE-- DAY

Oz is getting a box of animal crackers from the vending machine. His arm is in a sling. He turns to find Willow there.

OZ

Oh, hey! Animal cracker?

WILLOW

(smiles)
No, thank you. How's your arm?

OZ

Suddenly painless.

WILLOW

You can still play the guitar okay?

OZ

Oh, not well, but not worse.

They start to walk down the hall. Willow takes the box from him and opens it.

WILLOW

You know, I never really thanked you.

OZ

Oh, yeah. Please don't. I don't do thanks. I get all red, have to bail. It's not pretty.

WILLOW

(smiles)
Well, then forget that thing. Especially with the part where I kind of owe you my life.

Oz regards his cookie.

OZ

Oh, look! Monkey! And he has a little hat. And little pants.

WILLOW

(smiles)
Yeah, I see!

OZ

The monkey's the only cookie animal that gets to wear clothes, you know that?

Willow smiles brightly.

OZ

You have the sweetest smile I've ever seen.

Willow is surprised by the compliment.

OZ

So I'm wondering, do the other cookie animals feel sorta ripped? Like is the hippo going, 'Hey, man, where are my pants? I have my hippo dignity!'

Willow laughs.

OZ

And you know the monkey's just, (French accent) 'I mock you with my monkey pants!' And there's a big coup in the zoo.

WILLOW

The monkey is French?

OZ

All monkeys are French. You didn't know that?

WILLOW

(giggles)
No.
CUT TO:

INT. SUNNYDALE HIGH-- CORRIDOR-- DAY

Cordelia comes across Xander and immediately turns and walks the other way. Xander runs around her and stops her.

XANDER

We need to talk.

Cordelia rolls her eyes and crosses her arms as she goes into an empty classroom. Xander looks back and forth down the hall to make sure no one sees them going in together before following her. He stands a distance away from her. They both fidget with their hands.

XANDER

Okay... here's the deal. We don't have to run every time we see each other in the hall.

CORDELIA

Right. Okay. Why shouldn't we run?

XANDER

What happened, there's a total explanation for it.

CORDELIA

You're a pervert?

XANDER

Me?

CORDELIA

Yeah!

XANDER

No-no-no-no! (takes a step closer) I seem to recall I was the jumpee, my friend!

CORDELIA

As if! (takes a step closer) You've probably been planning this for months!

XANDER

Right, I hired a Latvian bug man to kill Buffy so I could kiss you. I hate to burst your bubble but you don't inspire me to spring for a dinner over at Bucky's Fondue Hut.

CORDELIA

Fine! Whatever.

She starts to leave, but steps back, closer.

CORDELIA

You know, the point is: don't try it again!

XANDER

I didn't try it! (calmer) Forget about the bugs, okay? The memory of your lips on mine makes my blood run cold.

CORDELIA

(steps closer)
If you dare breathe a word of this...

XANDER

Like I want anyone to know!

CORDELIA

Then it's erased!

XANDER

Never happened!

CORDELIA

Good!

XANDER

Good!

CORDELIA

Good!

They stare into each other's eyes for a moment and then embrace in another mad, passionate kiss. This time they don't break off.

CUT TO:

EXT. SUNNYDALE HIGH-- DAY

Buffy walks Kendra to her taxi.

KENDRA

Tank you for de shirt, it was very generous of you.

BUFFY

Hey, it looks better on... well, me but no worries. Now, when you get to the airport...

KENDRA

I get on de plane with me ticket and sit in a seat. Not de cargo hold.

BUFFY

Very good.

KENDRA

Dat is not traveling under cover.

BUFFY

Exactly. Relax! You earned it. Sit in your seat, you eat your peanuts, you watch the movie... well, unless it's about a dog or Chevy Chase.

KENDRA

I'll remember.

BUFFY

I... I just wanted to thank you... for helping me save Angel.

KENDRA

Am not tellin' me Watcher about dat. It is too strange dat a Slayer loves a vampire.

BUFFY

Tell me about it.

KENDRA

Still, he is pretty cute.

BUFFY

Well, maybe they won't fire me for dating him.

KENDRA

You always do dat.

BUFFY

Do what?

KENDRA

You talk about slaying like it's a job. It's not. It's who you are.

BUFFY

Did you get that from your handbook?

KENDRA

From you.

BUFFY

I guess it's something I really can't fight. (smiles) I'm a freak.

KENDRA

Not de only freak.

BUFFY

Not anymore.

They look at each other for a moment, then Buffy makes a move to hug Kendra, but she backs away.

KENDRA

I don't hug.

BUFFY

Right. No. Good. Hate hugs.

Kendra smiles at her and gets into the cab. Buffy holds up her hand and watches as the taxi pulls away.

CUT TO:

INT. SUNNYDALE CHURCH-- MAIN SANCTUARY-- DAY

The fire has burned itself out. Pan over the scorched rubble of the pipe organ to Spike, unconscious but breathing. Drusilla, her demon ascendant, takes his arm.

DRUSILLA

Don't worry, dear heart.

She pulls him up off the floor and holds him by his arm. His head droops down.

DRUSILLA

I'll see that you get strong again.

She scoops up his legs in her other arm.

DRUSILLA

Like me!

Slowly she carries him from the charred remains of the church.

FADE TO BLACK
END