Phases

[Transcript of "Buffy The Vampire Slayer" episode Phases at buffyology.com.]

Prologue

NARRATOR

(v.o.)
In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer.

INT. SUNNYDALE HIGH-- CORRIDOR-- TROPHY CASE-- DAY

OZ is hunched over, inspecting Catherine Madison's cheerleading trophy. He stares at its eyes as he moves his head from one side to the other. WILLOW walks in from outside and comes up to him.

WILLOW

(smiles)
Hi.

OZ

(straightens up)
Oh, that's what I was going to say.

WILLOW

What ya looking at?

OZ

This cheerleading trophy. It's like its eyes follow you wherever you go. I like it.

He turns his attention back to Willow and they start down the hall together.

WILLOW

So did you like the movie last night?

OZ

I don't know. Today's movies are kind of like popcorn. You know, you forget about them as soon as they're done. I do remember I liked the popcorn, though.

WILLOW

(smiles)
Yeah, it was good. And I had a really fun time with the rest. (beat) I mean, the part with you.

OZ

Oh, that's great. My time was also of the good.

WILLOW

Mine, too. (beat; awkward) Well, then...

Oz raises his eyebrows expectantly. Willow looks past him and sees BUFFY down the hall.

WILLOW

Oh, there. (points) I have my friend. So I will go to her.

OZ

I'll see you then. Later.

LARRY and some other jocks walk the other direction and stare hard at Willow and Buffy's backsides as they move off. Larry bites his fist and turns to Oz.

LARRY

Man! Oz, I would love to get me some of that Buffy and Willow action, if you know what I mean.

OZ

That's great, Larry. You've really mastered the single entendre.

Larry notices a pretty girl coming down the hall and ignores the insult in favor of her. As she walks by he taps her books and they fall out of her hands.

GIRL

Hey!

LARRY

Oops!

She bends down to pick up her books, and Larry and the other jocks stare at her legs.

LARRY

Oh! Oh, thank you, Thighmaster!

The girl gives them a dirty look and stalks off.

LARRY

So Oz, man, what's up with that? Dating a junior? Let me guess. That little innocent schoolgirl thing is just an act, right?

OZ

Yeah. Yeah, she's actually an evil mastermind. It's fun.

LARRY

I mean, she's gotta be putting out or what's the point? What are you going to do, talk? (laughs) Come on, fess up. How far have you gotten?
CUT TO:

EXT. SUNNYDALE HIGH-- COLONNADE-- DAY

Buffy and Willow are walking and talking about Willow's impending boyfriend.

WILLOW

Nowhere. I mean, he said he was going to wait until I was ready, but I'm ready. Honest. I'm good to go here.

BUFFY

Well, I think it's nice that he's not just being an animal.

WILLOW

It is nice. He's great. We have a lot of fun. But I want smoochies!

BUFFY

Have you dropped any hints?

WILLOW

I've dropped anvils.

BUFFY

Ah, he'll come around. What guy could resist your wily Willow charms?

WILLOW

At last count? All of them. Maybe more.

BUFFY

Well, none of them know a thing. They all get an 'F' in Willow.

WILLOW

But I want Oz to get an 'A', and... oh! one of those gold stars.

They sit on a bench.

BUFFY

He will.

WILLOW

Well, he better hurry. I don't want to be the only girl in school without a real boyfriend.

Buffy looks away. Willow realizes her insensitivity.

WILLOW

Oh, I'm such an idiot. I'm sorry. I shouldn't even be talking about... do you want me to go away?

BUFFY

I wish you wouldn't.

WILLOW

How are you holding up anyway?

BUFFY

I'm holding. I was going on two minutes there without thinking about Angel.

WILLOW

(false cheer)
Well, there you go.

BUFFY

But I would do a lot better if you and Xander and I could do that 'sharing our misery' thing tonight.

WILLOW

Great. I'll give Xander a call. What's his number? (rolls her eyes) Oh, yeah, 1-800-I'm-Dating-A-Skanky-Ho.

BUFFY

(surprised)
Meow!

WILLOW

(smiles)
Really? Thanks. I've never gotten a 'meow' before.

BUFFY

Well-deserved.

WILLOW

Darn tootin'. I'm just saying, Xander and Cordelia? I mean, what does he see in her anyway?
CUT TO:

INT. SUNNYDALE PARK-- CORDELIA'S CAR‚ NIGHT

CORDELIA and XANDER are making out in big way. Suddenly Xander breaks off.

XANDER

But what could she possibly see in him?

CORDELIA

Excuse me? We didn't come here to talk about Willow. We came here to do things I can never tell my father about because he still thinks I'm a good girl.

XANDER

I just don't trust Oz with her. I mean, he's a senior, he's attractive-- okay, maybe not to me-- and he's in a band. And we know what kind of element that attracts.

CORDELIA

I've dated lots of guys in bands.

XANDER

Thank you.

CORDELIA

Do you even want to be here?

XANDER

I'm not running away.

CORDELIA

Because when you're not babbling about poor, defenseless Willow, you are raving about the all-powerful Buffy.

XANDER

I do not babble. I occasionally run-on, every now and then I yammer--

CORDELIA

Xander?

XANDER

Yeah?

CORDELIA

Look around. We're in my daddy's car, it's just the two of us, there is a beautiful, big full moon outside tonight. It doesn't get more romantic than this. (insistent) So shut up!

He yields to reason and they start making out again.

CUT TO:

Outside. Pull away from the car into the bushes revealing a large, hairy beast watching and growling menacingly.

Opening credit sequence.

ACT I

INT. SUNNYDALE PARK-- CORDELIA'S CAR‚ NIGHT

Cordelia and Xander are still kissing passionately. Xander hears some rustling outside and breaks off.

XANDER

Did you hear that?

CORDELIA

What is it now?

XANDER

I thought I heard something.

CORDELIA

Is Willow sending out some sort of distress signal that only you can hear?

He waits a moment and hears nothing.

XANDER

Huh.

He smiles at her sheepishly, and they go back to it. An instant later Xander hears more rustling, louder this time and pulls back again.

XANDER

Okay, now I know I heard something.

CORDELIA

All right, that's it. You know, your mind hasn't been here all night. How about I just drop you off--

A hairy arm ending in wicked claws punches through the convertible top. Cordelia screams and makes a grab for the keys.

XANDER

Get us out of here!

The creature on the roof of the car snarls as it paws at them. The keys aren't in the ignition and Cordelia frantically searches for them on the floor.

CORDELIA

(screams)
Where are the keys?

XANDER

We should be moving! Let's go!

CORDELIA

(finds the keys)
Oh, I got 'em! Got 'em!

She fumbles with the keys but manages to get them into the ignition and starts the car, slamming it into reverse and gunning the engine. Then she slams on the brakes, sending the creature tumbling into a nearby tree. Cordelia shifts the car into drive and speeds away, a gaping hole in the ragtop flapping in the wind.

XANDER

Told you I heard something.
CUT TO:

EXT. SUNNYDALE HIGH-- PARKING LOT-- DAY

Buffy inspects the hole in the car's roof.

BUFFY

And you're sure it was a werewolf?

XANDER

Well, let's see... six feet tall, claws, a big old snout in the middle of his face like a wolf. Yeah, I'm sticking with my first guess.

OZ

Seems wise.

XANDER

Oh, and then there was that little thing where it tried to bite us.

CORDELIA

It was so awful.

She rests her head on Xander's shoulder. He wraps his arm around her waist.

XANDER

I know.

CORDELIA

Daddy just had this car detailed.

GILES walks up behind Buffy with a newspaper.

BUFFY

So what's the word?

GILES

Well, it seems there were a, a number of other attacks by a wild dog around town. (re: paper) Several animal carcasses were found mutilated.

WILLOW

You mean, like bunnies and stuff? (upset) No, don't tell me.

OZ

Oh, don't worry. I mean, they might not look it but bunnies can really take care of themselves.

WILLOW

(smiles)
Yeah?

OZ

Yeah.

GILES

Yes, fortunately no people were injured.

BUFFY

That falls into the 'that's a switch' column.

GILES

Well, for now. But my guess is that this werewolf will be back at next month's full moon.

WILLOW

What about tonight's full moon?

GILES

(confused)
Pardon?

WILLOW

Well, last night was the night before the full moon, traditionally known as... 'the night before the full moon.'

GILES

Meaning the accepted legend that werewolves only prowl during a full moon might be erroneous.

CORDELIA

Or it could be a crock.

XANDER

Unless the werewolf was using last year's almanac.

BUFFY

Looks like Giles has some schooling to do.

GILES

Yes, I must admit I am intrigued. Werewolves, it's... it's one of the classics. I'm sure my books and I are in for a fascinating afternoon.

Giles heads off mumbling to himself.

BUFFY

He needs to get a pet.
CUT TO:

EXT. SUNNYDALE HIGH-- GYMNASIUM-- DAY

The class is seated on the bleachers listening to the female self-defense coach.

GYM TEACHER

Sunnydale is becoming more dangerous all the time, and a full moon like tonight tends to bring out the crazies, but with some simple basics of self-defense each of you can learn how to protect yourself.

BUFFY

(sotto, to Willow)
Here's a suggestion: move away from the Hellmouth.

GYM TEACHER

What you want to do is gain advantage of the situation as quickly as possible.

Willow smiles at Buffy's suggestion. Behind her Oz reaches up and turns the tag sticking out of her sweatshirt back inside. She looks back at him curiously. He pats her on the back.

OZ

Tag.

Willow smiles at Buffy.

CUT TO:

Xander and Cordelia.

GYM TEACHER

Your attacker may have the benefit of surprise.

XANDER

Would you look at that? He's all over her.

Cordelia looks over at Buffy, Oz and Willow.

GYM TEACHER

But if you plan ahead,...

XANDER

Psst! Hey, buddy, this is a public forum here.

GYM TEACHER

...then you can turn that advantage to yourself.

CORDELIA

I think you splashed on just a little too much Obsession For Dorks.

GYM TEACHER

By being prepared, you have the power. Okay, everyone get into your assigned groups.

The students all get up from the bleachers and go down to the floor. Larry takes off his sweat jacket and goes to the table to check which group he's in. Xander sees his arm all wrapped up in a bandage just above the elbow.

XANDER

What happened?

LARRY

Oh, last week some huge dog jumped out of the bushes and bit me. Thirty-nine stitches. They ought to shoot those strays.

OZ

I've been there, man. (holds up his finger) My cousin Jordy just got his grownup teeth in? Does not like to be tickled.

Xander laughs. Larry just shakes his head and then goes over to THERESA KLUSMEYER, who is doing stretching exercises.

LARRY

(into her ear)
Theresa! Be still my shorts. We're in the same group. I may have to attack you.

THERESA

No, actually, I think in our group there are a few of us.

BUFFY

(joins Theresa)
And I'm one of the few.

Willow comes up behind her quickly, takes her arm and pulls her aside. Buffy keeps her eye on Larry another moment, then turns to Willow.

WILLOW

Don't forget, you're supposed to be a meek little girlie-girl like the rest of us.

BUFFY

Spoil my fun.
CUT TO:

Later. Everyone is lined up and paired off, girls in front, boys in back. The teacher is using Buffy as an example for the rest of the students.

GYM TEACHER

Okay, everyone, listen up. I want to show you what to do should you be attacked from behind. In this situation, bend forward, using your back and shoulders to flip the assailant over to the ground.

The other girls all bend over, too. The boys follow Larry's lead and put their arms around the girls' necks. Buffy grabs Larry's arm and feigns a few attempts to flip him over. Willow gives her a smile and nod.

LARRY

Oh, Summers, you are turning me on.

He grabs her butt cheek hard with his other hand. That's it for Buffy: she immediately flips him over hard onto the mat. Larry groans in pain as he lies there. Willow shoots Buffy a look as she and Oz stand back up. The teacher notices also.

OZ

That works, too.
CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- DAY

Giles is demonstrating the phases of the moon to Buffy and Xander and Willow using a large earth globe with a smaller moon globe attached by a bar.

GILES

And while there's absolutely no scientific explanation for lunar effect on the human psyche, the phases of the moon do seem to exert a great deal of psychological influence. And the full moon seems to bring out our darkest qualities.

XANDER

And yet ironically led to the invention of the moon pie.

GILES

Oh... (chuckles) yes, the moon pie. You see, the werewolf is such a potent extreme representation of our inborn animalistic traits that it emerges for three full consecutive nights: the full moon and the two nights surrounding it.

XANDER

Quite the party animal.

GILES

Quite. And it acts on pure instinct. No conscience; predatory and aggressive.

BUFFY

In other words, your typical male.

XANDER

On behalf of my gender, hey!

GILES

Yes, let's not jump to any conclusions.

BUFFY

I didn't jump. I took a tiny step and there conclusions were.

GILES

The point is that our wolf-man could also be a wolf-woman or anyone who was bitten by a werewolf.

XANDER

So then I'm guessing your standard silver bullets are in order here?

GILES

No. No bullets. No matter who this werewolf is, it's still a human being who may be completely unaware of his or her condition.

BUFFY

So tonight we bring 'em back alive.
CUT TO:

EXT. SUNNYDALE PARK-- NIGHT

The moon is full and several cars are parked there with couples making out. Giles walks by some cars holding his flashlight out in front of him. Buffy meets up with him.

GILES

(sotto)
Anything yet?

BUFFY

(sotto)
Yes. And you won't believe what I saw. Brittany Podell was making out with Owen Stadeel, but she goes with Barrett Williams. If she ever found... (off Giles' look) No, no sign of the werewolf. How about you?

GILES

The same. I thought we might... I thought we might knock on a few windows, ask if anyone has seen anything yet.

BUFFY

Giles, no one's seen anything.

GILES

Oh, yes. No, of course not, no. Yes.

He sets off to continue looking. She waits a moment and then heads off into the bushes herself. Buffy scans around with her flashlight as she walks into a small clearing. Suddenly she hears a noise like a latch releasing and yelps as her feet are swept out from under and she's enveloped in a net. Below her CAIN, dressed in safari gear points his scoped, double-barreled rifle up at her and pulls back the hammer.

CAIN

Gotcha!
FADE OUT

ACT II

EXT. SUNNYDALE PARK-- NIGHT

Cain takes a closer look at what he's caught.

CAIN

What the hell?

BUFFY

(yells)
Giles! Giles!

Giles runs into the clearing.

GILES

Hey! (sees the gun) Whoa!

CAIN

Hands are good right about there.

GILES

Who are you? What are you doing?

CAIN

The name's Cain. I'm the one with the gun, which means I'm the one who gets to do the interviewing.

BUFFY

Ahem. Hey, before we get all chummy here, how about we do something about me being in this net thing?

Cain sighs, lowers the flintlock and leans it against a boulder. He pulls out his buck-knife and cuts the rope holding the net. It falls and Buffy hits the ground fairly hard. Giles reaches down to untangle the net.

GILES

You all right?

BUFFY

Yeah.

CAIN

(to Giles)
Gotta say, I'm impressed.

GILES

Excuse me?

CAIN

Well, it's good to get the fruit while it's fresh.

GILES

You'd be wise to take that back.

CAIN

Hey, what a man and a girl do in lovers' lane at night is nobody's busi--

Giles makes a move toward Cain but Buffy holds him back.

BUFFY

Oh, okay, hey, enough, repulsive brain. It's not what you think. (beat) We're hunting werewolves.

Cain laughs.

BUFFY

Okay, it's funny if you don't believe in werewolves.

CAIN

No, it's funny thinking about you two catching one. I mean, this guy looks like he's auditioning to be a librarian and you... well, you're a girl.

GILES

I assure you she's quite capable.

CAIN

Uh-huh. Let me ask you something, sweetheart. Exactly how many of these animals have you taken out?

BUFFY

As of today?

CAIN

I tore a tooth from the mouth of every werewolf that I killed. (indicates his necklace) This next one will bring the total to an even dozen.

BUFFY

So you're just going to kill it?

CAIN

Well see, that's the thing. Their pelts fetch a pretty penny in Sri Lanka and it's a little hard to skin 'em when they're alive.

GILES

You hunt werewolves for sport?

CAIN

No. I'm in it purely for the money.

BUFFY

And it doesn't bother you that a werewolf is a person twenty- eight days out of the month?

CAIN

That's why I only hunt 'em the other three. I'd really love to stay and chat but I'm on a tight schedule. Any idea where else the boys and girls like to get together around here?

BUFFY

You're looking for a party?

CAIN

No, but the werewolf is. They're suckers for that whole sexual heat thing. Sense it miles away. Since this little doggie ain't here, I guess he found another place.

BUFFY

Sorry. Wish I could help you.

CAIN

But you don't know squat? (shakes his head) Gee, what a surprise.

He gathers up his net and leaves. Buffy turns and heads back to the car.

GILES

Where are we going?

BUFFY

I think I know where to look. We just have to make it there before mein furrier.
CUT TO:

EXT. SUNNYDALE STREET-- NIGHT

Theresa is walking home, alone. As she passes a house with a fenced in front yard overgrown with weeds, she hears rustling and stops to look around. Seeing nothing, she continues.

POV: Through the weeds and fencing, we watch Theresa walking along the sidewalk.

POV: Back to scene as she stops again, searching the night for the source of the rustling noise. When she hears a low growl, she decides it's time to run, keeping her attention riveted behind her. With her attention elsewhere, she fails to see ANGELUS and barrels into him, screaming in fright.

ANGELUS

(twirls a daisy)
Everything okay?

THERESA

Yeah, I just-- I thought I heard something... behind me.

He walks around to have a look, then turns back to her.

ANGELUS

No one there.

THERESA

Oh. I guess I was wrong. I could have sworn that--

ANGELUS

It's okay. It can get pretty scary out here, all alone at night.

THERESA

Yeah.

ANGELUS

Hey, don't I know you from somewhere? Don't you go to school with Buffy?

THERESA

(smiles)
Oh, you know Buffy?

ANGELUS

(chuckles)
Yes, I do. Very well. Come on, I'll get you home.

As they walk off together, she steals another quick look behind her, still not entirely convinced there is no danger.

CUT TO:

INT. THE BRONZE-- NIGHT

The band of the night is in mid-song as we pan to Cordelia and Willow sitting on opposite sides of a couch by a low table.

CORDELIA

I mean, with Xander it's always, 'Buffy did this', 'Willow said that'. Buffy, Buffy. Willow, Willow. It's like I don't even exist.

WILLOW

I sometimes feel like that.

CORDELIA

And then when I call him on it, he acts all confused, like I'm the one with the problem.

WILLOW

(nods)
His 'do I smell something?' look.

CORDELIA

All a part of his little guy games. It's like he's there but then he's not there and he wants it but then he doesn't want it.

WILLOW

He's so busy looking around at everything he doesn't have, he doesn't even realize what he does have.

CORDELIA

Well, he should at least realize that you have Oz.

WILLOW

I'm not sure I do. (confused) Oz and I are in some sort of holding pattern, except without the holding or... anything else.

CORDELIA

What's he waiting for? What's his problem? (rolls her eyes) Oh, that's right, he's a guy.

WILLOW

(disgusted)
Yeah, him and Xander. Guys.

CORDELIA

Who do they think they are?

WILLOW

A couple of guys.

Suddenly the werewolf crashes down onto the table in front of them from above. The girls scream and run in opposite directions as panic sets in around them. The werewolf crouches, confused by all the noise.

CUT TO:

EXT. THE BRONZE-- ALLEY-- NIGHT

Giles and Buffy roll up in his Citr–en as patrons flee for their lives.

GILES

Looks as though your hunch was right.

BUFFY

Who could resist Sunnydale's own house of hormones?

She opens the door and gets out just as Willow runs by.

WILLOW

The werewolf, it's in there.

Buffy makes a dash for the door before the bouncer can close it.

BUFFY

Coming through!

She rushes through the door.

CUT TO:

INT. THE BRONZE-- NIGHT

The bouncer slams the door shut with a thud, leaving her alone in the club. As she looks around, we see the place has been trashed by the panicked crowd. Tables and chairs are lying everywhere, spilled drinks are splattered on the floor. Buffy sees a shadow behind a bead curtain and makes for it. As she walks she takes off her backpack and pulls out a heavy-duty chain.

INT. THE BRONZE-- RESTROOM/BACK STAGE-- NIGHT

The bead curtain that leads to the stage office is swinging gently. She climbs the few steps to the office and goes in. She ducks through another door to the stage, the chain wrapped around her forearm, ready for use. She cautiously steps out onto the stage.

Suddenly, the werewolf leaps out from behind the stage curtains, snarling. Buffy spins around to face it and drops her backpack. She quickly unravels a length of chain from her arms and gets ready. She whips the chain out and it wraps itself perfectly around the werewolf's neck. It begins to struggle and yanks at the chain, pulling Buffy into and over the drums. The chain falls from the werewolf's neck and it makes a dash for a window.

CUT TO:

EXT. THE BRONZE-- ALLEY-- NIGHT

The werewolf comes crashing through the window and lands in the alley, bolting quickly out of sight.

CUT TO:

INT. THE BRONZE-- NIGHT

Later. The Bronze employees are back and begin to straighten things up. Buffy stuffs her chain back into her backpack as Cain looks on.

CAIN

You let it get away.

BUFFY

I didn't let it do anything. I had the chain around its neck.

CAIN

Chain? What were you going to do, take it for a walk?

BUFFY

I was going to lock it up.

CAIN

That's beautiful. This is what happens when a woman tries to do a man's job.

Buffy ignores him and puts on the backpack as Giles comes up behind Cain.

GILES

Now, you look here, Mr. Cain. This girl risked her life trying to capture a beast that you haven't as yet been able to find.

CAIN

Uh-huh. And Daddy's doing a great job carrying her bag of milk bones.

Giles throws down his bag, but restrains himself. Cain steps closer to Buffy.

CAIN

You know, sis, if that thing out there harms anyone, it's going to be on your pretty little head. I hope you can live with that.

BUFFY

(stares him down)
I live with that every day.

Cain is disgusted.

CAIN

First they tell me I can't hunt an elephant for its ivory... now I've gotta deal with People for the Ethical Treatment of Werewolves.

GILES

Pillock! Right, let's move out.

He grabs his bag and goes, Buffy following behind.

CUT TO:

EXT. SUNNYDALE INDUSTRIAL DISTRICT-- LOADING DOCK-- NIGHT

The werewolf pads into a pool of light next to a trailer and stops to sniff the air. It looks down and sees a large splotch of blood in the gutter. Curious, it continues along the side of the trailer and is startled when Theresa falls to the ground from behind the trailer with a vampire bite clearly visible on her neck. The werewolf looks down at her, but makes no move to eat her.

As the werewolf sniffs her corpse, Angelus steps out of the shadows, his fangs dripping blood. He snarls at the werewolf. The werewolf bares its fangs at Angelus and the two square off over Theresa's body. Finally, Angelus slowly backs away, leaving the werewolf alone with the dead girl.

CUT TO:

EXT. SUNNYDALE PARK‚ NIGHT

Buffy approaches Giles' car.

BUFFY

Giles?

When she doesn't see anyone in it she runs up to the car.

BUFFY

Giles!

She reaches the open window and looks in. Giles starts awake and sits up.

BUFFY

I didn't see you there. I thought something had happened.

GILES

Oh, no, I'm...

Buffy opens the passenger door and gets into the car. A newscast is playing on the radio.

GILES

(yawns)
I'm okay. I'm just fine... any sign of the werewolf?

BUFFY

No. I'm guessing you didn't see anything either from that vantage point of having your eyes closed.

GILES

It's going to be light soon, so we'd better--

BUFFY

Wait.

RADIO NEWSCASTER

Police say that the incident was apparently connected to the animal mutilation which occurred two nights ago. The coroner's office has identified the body as that of Sunnydale High School student Theresa Klusmeyer, age seventeen. The authorities ask that anyone with further information...

GILES

Buffy, we're going to get this thing. We have another whole night. There's nothing more we can do now. It's nearly sunrise. That werewolf won't be a werewolf much longer.

Buffy looks down, defeated.

CUT TO:

EXT. HILL/FOREST OVERLOOKING SUNNYDALE-- DAWN

Looking down on the city of Sunnydale from atop a hill. The sun is coming up in the distance.

The werewolf lies asleep on the ground in the woods. Pan from its rear paws over to its head. When the sunlight hits the werewolf, it morphs back into human form: Oz. He wakes up, opens his eyes and looks around confused. He sits up and stares around at the forest, then looks down at himself and realizes he's naked.

OZ

(confused)
Huh.
FADE OUT

ACT III

INT. OSBOURNE HOME-- DINING ROOM-- DAY

Oz is on the phone with his aunt.

OZ

Aunt Maureen. Hey, it's me. What? Oh! It's... actually it's healing okay. That's pretty much the reason I called. I wanted to ask you something. Is Jordy a werewolf? Uh-huh. And how long has that been going on? Uh-huh. What? No, no reason. Thanks. Yeah, love to Uncle Ken.

He sets the receiver down and turns it off. The realization that he's a werewolf starts to sink in.

CUT TO:

INT. SUNNYDALE HIGH-- CORRIDOR-- DAY

Oz walks slowly among the other students as he makes his way to the library. He looks down and around at everyone, still trying to deal with his recent revelation. When he reaches the library, he stares at the door for a long moment.

CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- DAY

Buffy paces. Willow is sitting at the table with Giles behind her and Xander is leaning against the counter.

BUFFY

I can't believe I let that thing get away. Cain was right. I should have killed it when I had the chance.

Oz comes in and overhears her comment.

OZ

Killed what?

BUFFY

The... the werewolf. It was out last night.

OZ

Is everybody okay? Did anyone get bitten or scratched?

WILLOW

No, we're fine.

OZ

Gladness.

BUFFY

Yeah, but he got someone. Theresa.

OZ

'Got', as in...

Buffy just looks at him and briefly raises her eyebrows.

OZ

Oh, I'm sorry.

BUFFY

And I could have stopped it.

GILES

Well, we have one more night.

OZ

Another night?

BUFFY

Oh, yeah. Believe me, I'm going to give that wolfie something to howl about.

XANDER

But while we hang here doing nothing, there's a human werewolf walking around out there, probably making fun of us.

WILLOW

(sarcastic)

The way werewolves always do.

OZ

But there's really no way to tell who it is.

XANDER

Oh, sure there is. Giles knows stuff and I'm practically an expert on the subject.

WILLOW

On account of once you were a hyena?

XANDER

I know what it's like to crave the taste of freshly killed meat, to be taken over by those uncontrollable urges.

BUFFY

You said you didn't remember anything about that.

XANDER

(chuckles)
I said I didn't remember anything about that. Look, the point is I have an affinity with this thing. I can get inside of its head.

He closes his eyes and starts to "be" the werewolf.

XANDER

I'm a big, bad wolf. I'm on the prowl. (sniffs) I'm sniffing, I'm snarling, I'm a slobbering predator, I'm... (opens his eyes) Wait a second! It's right in front of us.

Oz's eyes go wide with fear.

XANDER

It's obvious who I am. I'm Larry! The guy's practically got wolf-boy stamped on his forehead. You got the dog bite, you got the aggression, not to mention the excessive back hair.

Oz is relieved.

BUFFY

And he was awfully gleeful about tormenting Theresa.

GILES

Still, that doesn't necessarily mean that--

XANDER

I'm going to go talk to him. Going to force a confession out of him.

With that Xander stands up and leaves the room.

GILES

Good. Go. In the meantime, we need to cover our bases. Willow, check the student files. See if anybody else fits the profile. Buffy?

BUFFY

Where are we going?

GILES

If none of that works, I think I may have an alternative.

BUFFY

Yeah, me and the werewolf alone in a cage for three minutes. That's all I ask.

She follows Giles into his office.

WILLOW

(to Oz)
Are you okay?

Oz comes back to earth.

OZ

What?

WILLOW

You kind of knew Theresa.

OZ

Oh yeah, I'm trying not to think about it. It's... it's a lot.

WILLOW

It is. But we can do stuff to help. Sometimes it feels good to help.

OZ

Uh-huh.

Buffy comes back to the office door, but holds back, not wanting to interrupt Willow and Oz.

WILLOW

Well, like... looking up stuff. I'm going to be doing that most of the night. You could help me, help together?

OZ

(unsure)
I can't. I'm busy.

WILLOW

Oh. So...

OZ

I... I gotta go.

He jogs out of the library. Willow watches him go, dejected. Buffy looks sadly at her friend from the office doorway.

CUT TO:

INT. SUNNYDALE HIGH-- BOY'S LOCKER ROOM-- DAY

Larry is at the sink, splashing water onto his face. He grabs a towel and dries off as he heads for his gym locker. Xander is there waiting for him and kicks his locker closed to get his attention. Larry takes the towel from his face and looks at Xander, startled.

LARRY

Harris. Sheesh. Next time wear a bell.

XANDER

Why so jumpy, Larry?

LARRY

Geeks make me nervous.

XANDER

Is that really it or is there something you're hiding?

LARRY

I could hide my fist in your face.

XANDER

I know your secret, big guy. I know what you've been doing at night.

LARRY

You know, Harris, that nosey little nose of yours is going to get you into trouble someday... like today.

He grabs Xander by the shirt and lifts him up.

XANDER

Hurting me isn't going to make this go away. People are still going to find out.

LARRY

All right. What do you want? Hush money? Is that what you're after?

XANDER I don't want anything! I just want to help!

LARRY

What, you think you have a cure?

XANDER

No, it's just... I know what you're going through because I've been there. That's why I know you should talk about it.

LARRY

Yeah, that's easy for you to say. I mean, you're nobody. I've got a reputation here.

XANDER

Larry, please, before someone else gets hurt.

LARRY

Look, if this gets out, it's over for me. I mean, forget about playing football. They'll run me outta this town. I mean, come on! How are people going to look at me after they find out I'm gay.

Xander looks at him, completely floored by Larry's admission. However, Larry looks like a heavy burden has just been lifted and smiles.

LARRY

Oh, wow. I said it. And it felt... okay. (whispers) I'm gay. (louder) I am gay.

XANDER

I heard you the first time.

LARRY

I can't believe it. It was almost easy. I never felt I could tell anyone. And then you, you of all people, you bring it out of me.

XANDER

It probably would have slipped out even if I wasn't here.

LARRY

No, because knowing you went through the same thing, made it easier for me to admit it.

XANDER

(wide-eyed)
The same thing...

Larry puts his arm around Xander.

LARRY

It's ironic. I mean, all those times I beat the crap out of you, it must have been because I recognized something in you that I didn't want to believe about myself.

XANDER

(nervous laughs)
Larry, no, I am not--

LARRY

Of course, of course not. Don't worry. I wouldn't do that to you. Your secret's safe with me.

He gives Xander a thumbs-up and smiles.

LARRY

(to himself)
Wow.

He drapes the towel around his neck, closes his gym locker and walks off. Xander stares after him in disbelief.

CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- DAY

Willow is net-surfing on her laptop. Buffy comes out of Giles' office and goes over to her.

BUFFY

So what's the scuttlebutt? Anybody besides Larry fit our werewolf profile?

WILLOW

There is one name that keeps getting spit out. Aggressive behavior, run-ins with authorities-- about a screen-full of violent incidents.

BUFFY

Okay, most of those were not my fault. Somebody else started 'em. I was just standing up for myself.

WILLOW

They say it's a good idea to count to ten when you're angry.

BUFFY

One... two... three...

WILLOW

(mock fear)
I'll keep looking!

BUFFY

I, um... noticed you were looking solo.

WILLOW

Yeah. Oz wanted to be someplace that was away... from me.

BUFFY

I'm sorry.

WILLOW

I can't figure him out. I mean, he's so hot and cold. Or lukewarm and cold.

BUFFY

Welcome to the mystery that is men. I think it goes something like: they grow body hair, they lose all ability to tell you what they really want.

WILLOW

It doesn't seem like a fair trade.

She stands up and puts her laptop in its case.

BUFFY

Well, if you want to up the speed quotient with Oz, maybe you need to do something daring. Maybe you need to make the first move.

She slides off of the table and Willow follows her as she gets her stuff for class.

WILLOW

Well, that won't make me a slut?

BUFFY

I think your reputation will remain intact.
CUT TO:

INT. SUNNYDALE HIGH-- CORRIDOR-- DAY

Willow and Buffy come out of the library.

WILLOW

It used to be so much easier to tell if a boy liked you. He'd punch you on the arm and then run back to his friends.

BUFFY

Those were the days.

XANDER

Hey.

They stop. He taps Buffy on the arm. She looks up at him.

WILLOW

I'll see you guys later. (off Buffy's look) Cordelia asked me to look over her history homework before class. I think that means I might have to do it.

XANDER

Wow, those two gals are hanging out a lot together. This would be a good time to panic.

Buffy lets out a laugh and they start down the hall.

BUFFY

So how'd it go with Larry?

XANDER

What's that supposed to mean?

BUFFY

I think it's supposed to mean, 'so how'd it go with Larry'?

She stops at her locker and reaches for the combination lock.

XANDER

He's not the werewolf. Can't we just leave it at that? Must you continue to push and push?

BUFFY

I'm sorry. I was just wondering.

XANDER

Well, he's not.

BUFFY

Okay.

XANDER

Okay.

BUFFY

But there goes our lead suspect. Which then puts us right back at square boned.

XANDER

You're not boned, you're Buffy. Eradicator of Evil. Defender of... things that need defending.

BUFFY

Tell that to Theresa. She could have used my defending before she was ripped apart by that...

XANDER

Werewolf?

BUFFY

Nowhere in any of the reports did it say anything about her being mauled. I mean, they were linked to the animal attacks from the other night, so we just assumed werewolf.

XANDER

What else should we have assumed?
CUT TO:

INT. SUNNYDALE FUNERAL HOME-- VIEWING AREA-- DAY

Theresa is laid out in her coffin with a scarf around her neck. Buffy pulls it back and sees the ragged bite.

BUFFY

Vampire.

XANDER

So that's good, right? I mean in the sense of the werewolf didn't get her and... (off Buffy's look) No. There is no good here.

BUFFY

No good. Instead of not protecting Theresa from the werewolf, I was able to not protect her from something just as bad.

She pages through the guest register, then picks up the pen to add her own name.

BUFFY

She had a lot of friends...

XANDER

Buffy, you can't blame yourself for every death that happens in Sunnydale. If it weren't for you people would be lined up five deep waiting to get themselves buried. Willow would be Robbie the Robot's love slave, I wouldn't even have a head... (matter of fact) and Theresa's a vampire.

Theresa opens her eyes, sits up, looks over at them and snarls. Buffy turns around and sees her hop out of the coffin. She lunges at Theresa, grabs her and

tries to wrestle her to the floor, but Theresa throws her down instead. She dives after Buffy and tries to pin her but Buffy rolls her over and gets on top. She makes a quick grab for a wooden easel holding a flower wreath and breaks off a leg. She's about to thrust it into Theresa's chest when she speaks.

THERESA

Angel sends his love.

Buffy is caught off guard and hesitates a moment. Theresa kicks Buffy's arm and sends the stake skittering away. She seizes Buffy by the shoulders, wrestles her onto her back and pins her. Buffy struggles as Xander takes the easel and jams one of its legs through Theresa's back. She bursts into ashes and Buffy stares up at Xander, horrified.

He tosses the easel aside and helps Buffy up.

BUFFY

(to herself)
Angel.

XANDER

Are you okay?

She hugs Xander for comfort.

BUFFY

This isn't happening. He's going to keep coming after me.

XANDER

(rubs her back)
Don't let him get to you. He's not the same guy you knew.

They hold each other for a moment, sharing a warm look between them, then she breaks and heads out the door.

XANDER

Oh, no, my life's not too complicated.

He shakes his head and follows her out.

CUT TO:

EXT. SUNNYDALE FOREST-- NIGHT

Cain's van is parked with the curtains drawn.

CUT TO:

INT. SUNNYDALE FOREST-- CAIN'S VAN-- NIGHT

The van is set up like a small hunter's lodge with hunting equipment and traps hanging from the walls and a lab bench full of reloading equipment. He reaches down, picks up a small iron pan and sets it on the bench. He has a Bunsen burner going and he takes a small long-handled melting cup and holds it over the flame. When the silver in the cup becomes molten he takes it over to a mold and pours the silver into it. He sets the melting cup aside and breaks open the mold. Inside is

a perfectly formed bullet. He holds the gleaming object up to inspect it in the dim light.

CUT TO:

EXT. FULL MOON RISING OVER SUNNYDALE

Establishing.

CUT TO:

INT. OSBOURNE HOME-- DINING ROOM-- NIGHT

Oz dumps a box full of shackles and locks out onto the table. He looks at them and considers a moment, then with a strengthened resolve starts to put one on. He's about to lock it when there's a knocking at the door. He ignores it but the knocking is insistent. He looks at the door in frustration and sets the lock and shackles down. When he opens it, he finds an irate Willow standing there, flushed.

OZ

Willow! What are you doing?

She pushes her way inside.

WILLOW

I had this whole thing worked out. And I had it written down but then it didn't make any sense when I was reading it back.

OZ

Willow, this is not a very good time.

WILLOW

I mean, what am I supposed to think? First, you buy me popcorn and then you're all glad that I didn't get bit. (soft) And you put the tag back in my shirt. (harsh) But I guess none of that means anything because instead of looking up names with me, here you are all alone in your house doing nothing by yourself.

OZ

Willow, we'll talk about this tomorrow. I promise.

He tries to lead her out but she shakes him off.

WILLOW

No, damn it! We'll talk about this now! Buffy told me that sometimes what a girl makes has to be the first move and now that I'm saying this, I'm starting to think that the written version sounded pretty good, but you know what I mean.

OZ

I know, I know, it's me. I'm going through some... changes.

WILLOW

Well, welcome to the world! Things happen. Don't you think I'm going through a lot?

OZ

Not like me.

WILLOW

Oh what, so now you're special? You're special boy... (re: shackles) with chains and stuff. Why do you have chains and stuff?

Oz doubles over in pain and hugs his chest.

OZ

Willow, please! Get outta here!

She stares at him confused. He falls behind the couch out of her view. There he begins to rapidly grow hair and mutate into a werewolf.

WILLOW

Oz? Oz, what is it?

She slowly approaches the couch. Oz's fingers grow longer and hairier.

WILLOW

What's wrong?

She hears Oz moaning in pain, then looks carefully over the edge of the couch. Oz the werewolf leaps to his feet and snarls at her. She screams and jumps backward away from him.

FADE OUT

ACT IV

INT. OSBOURNE HOME-- DINING ROOM-- NIGHT

Willow screams and bolts through the dining room. Oz gives chase as she runs down the hall and out the back door.

CUT TO:

EXT. SUNNYDALE STREET-- OSBOURNE HOME-- NIGHT

Willow runs. The werewolf races around the corner chasing after her. She leaps a wooden fence and drops to the other side just as Oz reaches the fence behind her. She grabs a metal trashcan and smashes it into the werewolf's face as it tries to climb over after her.

CUT TO:

EXT. SUNNYDALE STREET-- NIGHT

Cain's van rolls slowly along. He looks up and sees the werewolf trying to leap over the fence.

CAIN

There you are.

He pulls the van over to the side of the road.

CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- NIGHT

Giles opens a guncase, undoes the straps and pulls out the stock. He takes the barrel and scope assembly and clicks them into place. Buffy walks up behind him.

BUFFY

Sorry I'm late. I had to do some unscheduled slayage in the form of Theresa.

GILES

She's a vampire?

BUFFY

Was. Angel sent her to me. A little token of his affection.

GILES

Buffy, I'm so sorry.

She holds up her hand to cut him off.

BUFFY

Not now, Giles. We can all have ourselves a good cry after we bag us a werewolf.

He plugs in the laser sight and holds the tranquilizer gun up to check the scope.

CUT TO:

EXT. SUNNYDALE FOREST-- NIGHT

Willow dashes through the trees with the werewolf not far behind. She hops over a log, but then trips and falls to the ground. She rolls to face the werewolf in terror. It doesn't attack, but instead sniffs the air. It picks up the direction of the scent and rushes off. Willow quickly gets to her feet and runs the other way.

CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- NIGHT

Giles checks the trigger mechanism of the gun.

GILES

All set. Let's go find this thing.

BUFFY

One question: how exactly do we find this thing?

Willow comes racing into the library.

WILLOW

It's Oz! It's Oz!

BUFFY

What's Oz?

WILLOW

The werewolf.

GILES

Are you certain?

WILLOW

(frantic)
Can't you just trust me on this? He said he was going through all these changes. Then he went through all these... changes.

BUFFY

Where is he now?

WILLOW

In the woods.

GILES

Let's go.

WILLOW

Go where? You're not going to kill Oz! Yeah, he's a werewolf, but he doesn't mean to be.

BUFFY

Don't worry, Willow. We're not going to hurt him.

They all start out of the library.

GILES

I put enough Phenobarbital in this thing to sink a small elephant. It should be enough for a large werewolf.

He grabs his coat from the counter and holds the door open for the girls.

CUT TO:

EXT. SUNNYDALE FOREST-- NIGHT

The werewolf has found what it's looking for. So has Cain and he cocks the hammer on his rifle and lifts it to his shoulder. The werewolf sniffs the pile of meat Cain has left out for him.

CAIN

That's it. Let me see you. Come on... suppertime.

The werewolf is on top of the bait now and Cain takes aim.

CAIN

Good, doggy. Now play dead.

He is about to pull he trigger when he receives a paralyzing kick to his side. He falls to the ground and the gun fires wild; the werewolf looks up from its meal at

the commotion. Buffy grabs Cain's gun and wrestles him for it. She flips the rifle over and he follows, landing on his back and letting go of the gun in the process. As he tries to get up Buffy swings the butt of the rifle around and knocks him down and out.

The werewolf comes at her and she ducks the lunge. Giles and Willow arrive to see the werewolf lift Buffy off her feet. She pushes him back using Cain's gun to keep the wolf's fangs from her throat. Giles tries to get a clear shot but the werewolf turns and holds Buffy up between them.

WILLOW

Careful!

GILES

Damn it!

He continues to try for an opening, but is frustrated. Buffy raises the rifle high and smashes it down on the werewolf's head. It drops her and falls back stunned. It quickly gets up and swipes at her, knocking the gun from her hands. Then the werewolf shoves Buffy away and into Giles and Willow, bowling them over.

As it comes for them, Willow scrambles for the tranquilizer gun and brings it to bear. The werewolf charges and Willow pulls the trigger. The dart hits the creature square in the chest and it staggers backward before dropping to the ground, unconscious.

WILLOW

(to Giles)
I shot Oz.

GILES

You saved us.

Giles takes the gun from Willow as Buffy retrieves Cain's gun. Cain is coming around, holding his aching ribs.

CAIN

No wonder this town's overrun with monsters. No one here's man enough to kill 'em.

BUFFY

Oh, I wouldn't be too sure of that.

Cain turns to see her with his rifle. She takes the barrel in her hands and bends it into a nice arc before his eyes. She hands the rifle back to him as he looks at her in astonishment.

BUFFY

How about you let the door hit you in the ass on the way out of town?

Cain makes a move to go but stops to give her another appraising look. She stares back at him, hard and cold, and he thinks better of making an issue of it and leaves.

Buffy turns her attention to Willow who is crouched down next to Oz.

WILLOW

You think it'll be okay?

They both look up at Giles.

GILES

He'll be a little sore in the morning, but... he'll be Oz.
CUT TO:

INT. SUNNYDALE HIGH-- STUDENT LOUNGE-- DAY

Xander and Buffy walk past the trophy case and into the lounge.

XANDER

This is all so weird. I mean, how are we supposed to act when we see him?

BUFFY

Well, it's gotta be weird for him, too. Now that we know so much.

XANDER

All I know is I'll never be able to look at him the same again.

BUFFY

He's still a human being. Most of the time.

XANDER

Who are we talking about?

BUFFY

Oz. Who are you talking about?

XANDER

No one.

He sees Larry's jock friends by the stairs knocking a girl's books out of her hands and laughing. Larry comes down the stairs behind her and quickly reaches down to help her pick up her books.

LARRY

Hey, let me get those.

GIRL

Thanks.

His friends seem surprised and so is Buffy. Larry comes over to them.

LARRY

Hey! Xander. Look, about what you did. I owe you.

BUFFY

What'd you do?

XANDER

It's really nothing we should be talking about. (to Larry) Ever.

LARRY

I know, I know. It's just, well, thanks.

Larry walks off, leaving Buffy puzzled.

BUFFY

That was weird.

XANDER

What, it's not okay for one guy to like another guy just because he happened to be in the locker room with him when absolutely nothing happened and I thought I told you not to push.

BUFFY

All I meant is that he didn't try to look up my skirt.

XANDER

(nervous)
Oh, oh, yeah, that's the weirdness.

BUFFY

Weirdness abounds lately. Maybe it's the moon. That does stuff to people.

XANDER

I've heard that.

Willow walks through the lounge.

BUFFY

Certainly going to put a strain on Willow and Oz's relationship.

XANDER

What relationship? I mean, what life could they possibly have together? We're talking obedience school, paper training... Oz is always in back burying their things and that kind of breed can turn on its owner.

BUFFY

I don't know. I kind of see Oz as the loyal type.

XANDER

All I'm saying is she's not safe with him. If it were up to me--

BUFFY

(interrupts)
Xander... it's not up to you.
CUT TO:

EXT. SUNNYDALE HIGH-- DAY

Willow approaches Oz who is sitting on a table.

WILLOW

Hey.

OZ

Hey.

WILLOW

Did you want to go first?

OZ

I spoke to Giles. He said I'll be okay. I just have to lock myself up around the full moon. Only he used more words than that. And a globe.

WILLOW

I'm sorry about how all this ended up. With me shooting you and all.

OZ

It's okay. I'm sorry I almost ate you.

WILLOW

It's okay. I kind of thought you would have told me.

OZ

I didn't know what to say. I mean, it's not everyday you find out you're a werewolf. That's fairly freaksome. It may take a couple days getting used to.

WILLOW

Yeah. It's a complication.

OZ

So... maybe it'd be best if I just... sorta...

WILLOW

What?

OZ

Well, you know, like, stayed out of your way for awhile.

WILLOW

I don't know. I'm kind of okay with you being in my way.

OZ

You mean, you'd still...

WILLOW

Well, I like you. You're nice and you're funny. And you don't smoke. Yeah okay, werewolf... but that's not all the time. I mean, three days out of the month I'm not much fun to be around either.

OZ

You are quite the human.

WILLOW

(smiles)
So I'd still if you'd still.

OZ

I'd still. I'd very still.

Willow breaks out into a huge smile.

WILLOW

Okay. (beat) No biting, though.

OZ

Agreed.

Willow walks off, happy as a lark. Oz is watching her go, when she suddenly turns back and plants a kiss right on his lips. As she once again heads off to class, he chuckles to himself.

OZ

A werewolf in love.
FADE TO BLACK
END