The Harsh Light Of Day

[Transcript of "Buffy The Vampire Slayer" episode The Harsh Light Of Day at buffyology.com.]

Prologue

INT. THE BRONZE-- NIGHT

OZ is onstage performing with his band, Dingoes Ate My Baby. Pan over to BUFFY and WILLOW sitting at a table chatting. Willow looks over Buffy's shoulder and sees PARKER ABRAMS shooting pool with his buddies.

WILLOW

Hey, look. Parker's here. (beat) You're not looking? He looks really cute in green.

BUFFY

Teal. (off her look) He's reflected in the mirror.

She points to a security mirror.

WILLOW

You know when you spend all week with a boy, you are allowed to look at him directly.

BUFFY

Not all week. We hung out. Moderately incessantly. But we're not here together tonight. You know, I don't want to crowd him.

Willow nods knowingly.

CUT TO:

Oz takes off his guitar and leaves the stage to enthusiastic applause. He walks over to Buffy and Willow's table.

OZ

Hey. You guys ready to load up and go?

WILLOW

Almost. Buffy's looking at Parker. Who, it turns out, has a reflection, so big plus there. Buffy's having lusty wrong feelings.

BUFFY

No I'm not.

WILLOW

No, you're not.

BUFFY

Oh, I so am.

WILLOW

No, they're not wrong feelings 'cause you're free. You're both grown-ups. You are free, right?

Parker walks over and puts his hand on Buffy's shoulder.

PARKER

Hi.

BUFFY

Hi.

PARKER

I just wanted to let you know I'm headed out. And it's not real safe here, so if you want to walk back to your dorm...

BUFFY

How silly of me not to have planned ahead.

Willow smiles as Buffy gets her jacket and stands up to leave with Parker.

WILLOW

Bye.

PARKER

See you guys.

Buffy and Parker head out, leaving Willow and Oz alone the table. Buffy turns back and smiles at Willow who nods, happy for her friend.

CUT TO:

EXT. THE BRONZE-- LOADING DOCK-- NIGHT

Willow, Oz and DEVON load their equipment into Oz's van.

DEVON

That was like the best set ever. We'll do great in L.A. We're gonna have them glued to their seats.

WILLOW

Um, Devon. Aren't they supposed to dance?

OZ

Well, we can glue them to the dance floor.

Oz and Devon head back into the Bronze, leaving Willow outside.

DEVON

(to Oz)
I didn't mean with real glue. You got that right?

OZ

Yeah.

Willow is sliding a guitar case into the van when she hears a voice and turns.

HARMONY

Willow. Hi.

It's HARMONY KENDALL, one of Cordelia Chase's fawning followers and member of the high school "in" crowd.

WILLOW

Harmony, hey! I haven't seen you since--

HARMONY

Since graduation. Big snake, huh?

WILLOW

Yeah. So how was your summer vacation?

HARMONY

Well, I was going to go to France. But I didn't. I was dying to see the stores.

WILLOW

Yeah, and the museums.

HARMONY

Museums?

WILLOW

Yeah, I heard they have them. You know, just a rumor you pick up on the streets.

HARMONY

You were always so funny, Willow. You haven't changed a bit.

WILLOW

No, you neither.

HARMONY

Oh, maybe a little.

Harmony's face suddenly shifts, her eyes turning a sickly yellow and teeth lengthening into fangs. She's a vampire. She seizes Willow and sinks her teeth into the young witch's neck.

Opening credit sequence.

ACT I

EXT. THE BRONZE-- LOADING DOCK-- NIGHT

Resume. Willow screams as Harmony drains her blood.

Suddenly Oz is there. He wedges a mike stand between Harmony and Willow, shoving the vampire away, then brandishes a cross.

WILLOW

Back off, Harmony.

Harmony flinches from the cross, then slowly backs away.

HARMONY

Okay, fine. Hide behind your boyfriend. But I have a boyfriend too. And he's going to be mad that you were mean to me.

She turns and runs off.

CUT TO:

EXT. SUNNYDALE BUSINESS DISTRICT-- NIGHT

Parker and Buffy walki along the street, enjoying the night and each other's company.

PARKER

Hobbies? Interests? I feel like there's so much I don't know about you. What do you like to do?

BUFFY

Mostly I hang out. And do... stuff.

PARKER

Yeah, I was into that for a while. Hey, what's that?

BUFFY

What's what?

Parker pushes aside the collar of her jacket to reveal the ugly scar left by Angel's fangs.

PARKER

You have a scar.

BUFFY

Yeah... right... angry puppy. (beat) So I get to see any of your scars?

PARKER

Oh, mine are all psychological.

BUFFY

Please! Those are the best kind.

PARKER

Well, my father died last year.

Buffy is shocked and mortified at her own insensitivity.

BUFFY

Oh, god. Parker, I'm sorry. I didn't mean to bring it up... that stuff. Oh, bad, bad Buffy.

PARKER

No, I'm okay to talk about it now. And I'm not doing the deep, get sympathy routine. I mean don't you just hate guys that are all 'I'm dark and brooding so give me love?'

BUFFY

I don't think I've ever met that type.

They sit close to each other on a nearby bench.

PARKER

I just wanted to say that it was so sad because there was, well, a lot of stuff that he didn't finish. It made me think about, you know, living for now.

BUFFY

I think about that sometimes. I sort of drowned a couple years ago. But I came back. Obviously. But I don't... put stuff off anymore. Like you were saying.

PARKER

That's great. I mean, everybody says they get it. 'Oh, man. Me too. Live for today.' But what they really want is a reason to goof off. Not study for finals.

BUFFY

Also a valid life choice.

PARKER

It's cool to find someone else who understands.

BUFFY

So, Parker Abrams. When you go to sleep tonight, what are you going to regret not doing today?

PARKER

I'm going to regret... being too nervous to ask you to go to the party at Wolf House tomorrow night. (beat) Do you want to--

BUFFY

Yes.
CUT TO:

INT. GILES' APARTMENT-- NIGHT

XANDER attempts to shelve GILES' books.

XANDER

I am not enjoying this.

GILES

Well shelve them correctly and we can finish.

XANDER

I don't get your crazy system.

GILES

System? It's called the alphabet.

Giles puts a book in its correct place.

XANDER

Huh. Would you look at that!

Without knocking, ANYA walks into Giles' apartment.

ANYA

You should lock your door.

GILES

Believe me, I'm kicking myself.

Anya gives him a withering look, then turns to Xander who walks over, surprised.

XANDER

Anya? Last time I saw you, you were fleeing in terror. So how'd that work out for you?

ANYA

(to Giles)
I need to talk to Xander. (off Giles' look) Go away. (Giles doesn't move) Xander, come with me.

She takes his arm and leads him out the door.

CUT TO:

INT. GILES' APARTMENT-- COURTYARD-- NIGHT

Xander tosses a confused look back at Giles, then follows Anya into the courtyard, shutting the door behind him.

ANYA

Your mother said you were working here.

XANDER

Yeah, I need some money.

ANYA

(abrupt)
Where is our relationship going?

Xander is speechless. He really has no idea how to respond.

XANDER

Our what? Our who?

ANYA

Relationship. What kind do we have? And what is it progressing toward?

XANDER

I... uh... we have a relationship?

ANYA

Yeah. We went to the prom.

XANDER

Yeah, on our one and only date. Second date called on account of snake, remember? And the whole, "you used to be a man-killing demon thing"-- which to be fair, is as much my issue as it is yours.

She steps toward him, flirtatiously.

ANYA

I can't stop thinking about you. Sometimes, in my dreams, you're all naked.

XANDER

Really? You know, if I'm in the checkout line at the Wal-Mart, I've had the same one.

ANYA

So I can assume a standing Friday night date and a mutual recognition as Prom Night as our dating anniversary?

XANDER

Anya. Slow down there. In fact, come to a screeching halt. See, these things kind of have to develop on their own.

ANYA

Okay. How?

XANDER

I don't know. It just... happens.
CUT TO:

INT. UC SUNNYDALE-- STEVENSON HALL-- CORRIDOR-- NIGHT

Buffy and Parker stand at her dorm room door.

BUFFY

This is it. The door. Wood. (knocks on it) Maybe some kind of wood veneer.

PARKER

It's nice.

He leans in to kiss her and just before their lips touch, Oz and Willow dash around the corner toward them.

OZ

Hey. Hi. Remember Harmony?

WILLOW

She's back from her summer vacation. And she's a little bit different.

BUFFY

Different?

WILLOW

Paler.

Parker notices Willow holding her hand over the wound in her neck.

PARKER

Is your neck okay?

BUFFY

Neck. Paler. (realizes) The puppy! The angry puppy.

OZ

Yeah, we came to warn you about the... angry puppy.

BUFFY

(to Parker)
I should really take care of this now.

PARKER

I'll pick you up tomorrow night for the party.

BUFFY

I can't wait.

He heads off and Willow looks at Buffy desperately.

WILLOW

(re: dorm room)
Get in now?

Buffy quickly unlocks the door and lets Oz and Willow into the room.

CUT TO:

INT. UC SUNNYDALE-- STEVENSON HALL-- BUFFY'S ROOM-- NIGHT

Oz cleans Willow's wound while relating the story to an amazed Buffy.

BUFFY

Harmony? A vampire? She must be dying without a reflection.

WILLOW

She just made me so mad. (mocking) 'My boyfriend's going to beat you up.'

BUFFY

'My boyfriend'?

WILLOW

Well, if you believe her. She always lied about stuff like that. (mocking) 'Oh, he goes to another school. You wouldn't know him.'

OZ

Well, Devon dated her for a while but she was too flaky for him. Which, stop and marvel at the concept.

Buffy smiles and shakes her head.

BUFFY

Guy dating Harmony dead. He must be like the most tolerant guy in the world.
CUT TO:

INT. UNDERGROUND CAVERN-- NIGHT

Harmony descends into the depths of a dank underground chamber where an excavation and tunneling project is clearly underway. She heads to the far wall where a man is drilling into the wall with a jackhammer. His face is obscured by a safety mask. Harmony hugs him from behind.

HARMONY

Hi, baby. I'm back.

SPIKE stops drilling, removes his mask and smiles at her.

FADE OUT

ACT II

INT. UNDERGROUND CAVERN-- DAY

Spike and BRYAN, a vampire engineer, discuss the project over blueprints and schematics strewn over a table.

SPIKE

It's definitely the crypt, right? I'm not keen on tunneling into someone's septic tank.

BRYAN

It's the crypt. The radar soundings are clear. The walls are thinnest here at the bottom. We'll have to tunnel underneath. More work, but I'm sure--

Spike slams Bryan's head into the table and holds it there.

SPIKE

You'd better be more than sure. 'Cause I'd hate to have to hurt you.

BRYAN

I swear, I swear!

Harmony walks up and snuggles against Spike.

HARMONY

How's my little blondie bear?

Spike sighs, annoyed at the interruption.

SPIKE

Harm, does this look like a good time?

HARMONY

Are you going to kill Willow tonight? 'Cause I want you to say, 'This is for messing with my sweet girl.' And then, you know.

She gives his shoulder a nip. Spike throws Bryan aside then takes Harmony by the waist.

SPIKE

Nobody knows I'm here. And I'm not killing the Slayer's best friend because that would tend to announce my presence. (off Harmony's pout) And we're too bloody close.

HARMONY

But you almost killed her last year! Suddenly it's a big deal?

SPIKE

Sod off! Now go eat something. I've got work to do.

Spike and Bryan return to the blueprints as Harmony walks over to a boy is chained against the wall. He's barely conscious and bears the scars of multiple vampire bites.

HARMONY

This one tastes funny. Take me out to eat.

SPIKE

He's perfectly fresh.

HARMONY

I think I had a math class with him last year and I didn't like him that much then either.

SPIKE

(frustrated)
Harm!

HARMONY

I want to go to a party.

Spike slams his fists onto the table, then rushes her. He seizes her and slams her into the wall. She smiles coyly at him, clearly getting off on the violence.

HARMONY

Oh, right here, baby. In front of Bryan.

SPIKE

You'd like that wouldn't you?

HARMONY

Maybe I would. After a party.

Spike considers a moment, then smiles.

SPIKE

Tonight. I'll take you somewhere nice.
CUT TO:

INT. UC SUNNYDALE-- HOUSE-- NIGHT

The frat party is in full swing. Students pack the place, drinking, dancing, partying and pairing off. Bif Naked is performing a soulful ballad. Buffy and Parker walk through the undulating throng.

PARKER

Some party, huh? Last day in Rome.

BUFFY

Better. No old Romans.

PARKER

You want to dance?

BUFFY

(playful, sarcastic)
No, let's have a meaningful talk instead.

Buffy turns and nearly runs into Harmony and Spike, supporting a semi- conscious frat guy between them. Buffy's eyes widen with surprise as she takes in the couple, then she smiles ironically.

BUFFY

Spike... and Harmony.

HARMONY

Buffy... hi. What a cute outfit. Last year.

SPIKE

Well this is interesting. Sort of a double date.

PARKER

Looks like your friend started the party a little early, huh?

SPIKE

(re: Parker)
So, let's have a look at the new boy.

Parker extends his hand to Spike.

PARKER

Hi, I'm Parker.

Spike stares at him like he's a particularly interesting type of fungus and Parker drops his hand, disconcerted.

SPIKE

He's got-- what's the word?-- vulnerability.

BUFFY

And you with Harmony. What'd you do? Loose a bet?

HARMONY

Hey!

SPIKE

Actually, how we met? It's a funny story.

He throws the frat boy at Buffy and Parker, then leaps over a nearby couch and bolts for the door. Harmony follows, trying to keep up.

BUFFY

(to Parker)
Stay here.

Buffy chases him outside.

CUT TO:

EXT. UC SUNNYDALE-- HOUSE-- NIGHT

Buffy runs out of the house, looking around, but sees no sign of Spike. She takes out her stake and rounds the corner of the house. As she passes a stand of shrubbery, Spike's hand shoots out, knocking the stake from her hand. Buffy recovers and squares off with Spike, ready for battle.

BUFFY

What's the matter, Spike? Dru dump you again?

She throws a series of punches, ending with a powerful blow to his head.

SPIKE

Maybe I left her.

As Buffy and Spike fight, Harmony appears behind them.

HARMONY

She left him for a fungus demon. That's all he talks about most days.

Spike breaks off and grabs Harmony by the arm.

SPIKE

Harm! (to Buffy) We are going. It isn't time yet.

HARMONY

(to Buffy)
Yeah, but as soon as we have the Gem of Amarra, you're going to be sor--

Spike can't believe she's so stupid. With a frustrated snarl, he takes off, yanking Harmony after him.

HARMONY

What? Ow!

Buffy finally lowers her guard, considering Harmony's revelation.

CUT TO:

INT. HARRIS HOME-- BASEMENT-- NIGHT

Xander is busy decorating his parent's basement as his new bedroom. As he hangs a disco mirrorball from the ceiling, a knock sounds at the door.

XANDER

Come in.

Anya cautiously enters.

XANDER

Anya. Hi again.

ANYA

You're mother sent me around from the front of the house. She said to ask you to add fabric softener when the timer goes off. Can we talk some more?

XANDER

Yeah, I suppose. Would you like something? I have cranapple?

ANYA

Yeah, all right.

He heads over to the fridge to get her drink.

Low angle on Anya's feet, Xander in background. While Xander's back is turned, Anya's dress drops to the floor.

XANDER

You know, it is customary to call before you show up. Not that--

Xander turns around to find Anya standing before him completely naked. In his open-mouthed shock, he reflexively squeezes the packet of cranapple juice and it squirts across the room.

CUT TO:

EXT. UC SUNNYDALE-- CAMPUS COMMONS-- NIGHT

INTERCUT WITH:

INT. GILES' APARTMENT-- NIGHT

Buffy stands at a pay phone, talking with Giles.

BUFFY

Yeah, Spike with Harmony, if you can believe it. I couldn't figure out why he ran away but Harmony said something... why they were here. They were looking for the gem of something... Amarra.

GILES

The Gem of Amarra? Are you sure?

BUFFY

Yeah, what's up?

GILES

Oh, it's just... it's not real.

He starts rummaging through his books while he talks to her.

GILES

It's the vampire equivalent of the Holy Grail-- the source of some enormous power-- was conveniently vague. Oh, here it is, yes. There was a great deal of vampiric interest in locating it during the 10th Century. Questing vampires combed the earth but no one ever found anything. It was concluded that it never existed.

BUFFY

Well, Spike seems to think it exists. And he's looking in Sunnydale.

GILES

Yes, well I'll research it as best I can. You've done all you can for tonight. Why don't you go to bed?

Buffy feigns exhaustion.

BUFFY

Uh, huh. Sleepy. Yawn. Bye.
CUT TO:

INT. UNDERGROUND CAVERN-- SPIKE'S BEDROOM-- NIGHT

Spike tries to read while Harmony lies on the bed in lingerie, pestering him.

HARMONY

Is Antonio Banderas a vampire?

SPIKE

No.

HARMONY

Can I make him a vampire?

SPIKE

No. (beat) On second thought, yes. Go do that. Take your time. Do Melanie and the kids as well.

HARMONY

Hey, I don't have a pulse! Cool. Can we eat a doctor so we can get a stethoscope and hear my heart not beating?

SPIKE

Harm. (shouts) Will you shut the hell up?

HARMONY

And if my heart's not beating, what are these blue veins for? (flirting) I'm simply covered in these blue veins.

She runs her fingers over her chest drawing attention to her cleavage.

HARMONY

See...

Spike takes a look and abandons his book. He climbs into bed with her.

SPIKE

I've got an extra set of chains.

HARMONY

Just because Dorkus went in for that--

Spike jerks her head back by the hair.

SPIKE

Dru-silla. Say her name.

HARMONY

Dorkus.

SPIKE

Bite your tongue.

HARMONY

Do it for me.

He lowers his mouth to hers and she hungrily meets him. They roll across the bed, passion mounting.

CUT TO:

INT. HARRIS HOME-- BASEMENT-- NIGHT

Anya is still naked, calmly arguing her case for sex. Xander desperately tries to cope with this bizarre turn of events.

ANYA

At which point, the matter is brought to a conclusion with both parties satisfied and able to move on with their separate lives and interests. To sum up, I think it's a workable plan.

XANDER

So the crux of this plan is--

ANYA

Sexual intercourse. I've said it like a dozen times.

XANDER

Uh, huh. Just working through a little hysterical deafness here.

ANYA

I think it's the secret to getting you out of my mind, putting you behind me. Behind me figuratively. I'm thinking face to face for the actual event itself.

XANDER

Ah, right. It's just we hardly know each other. I mean, I like you and you have a certain directness that I admire. But sexual interc-- what you're talking about... well-- and I'm actually turning into a woman as I say this-- but it's about expressing something. And accepting consequences.

ANYA

Oh, I have condoms. Some are black.

XANDER

That's... that's very considerate.

ANYA

I like you. You're funny and you're nicely shaped and frankly it's ludicrous to have these interlocking bodies and not... interlock. Please remove your clothing now.

XANDER

And the amazing thing? Still more romantic than Faith.

Anya moves toward him and they kiss just as the buzzer for the dryer goes off.

ANYA

Fabric softener.
CUT TO:

INT. UC SUNNYDALE-- HOUSE-- NIGHT

Buffy rushes in, looking for Parker. She finds him right where she left him.

BUFFY

Parker. I was afraid I wouldn't be able to find you.

PARKER

I was getting a little worried.

BUFFY

I'm so sorry. It's just that... the English guy is an old friend. And he's not supposed to drink. And I saw him here in the land of the beer--

PARKER

It's okay. You did a good thing for your friend. Did you and he used to go out?

A short burst of hysterical laughter escapes from Buffy.

BUFFY

Um, no. No we really, really didn't.

PARKER

Good. Now we have time to make up for. Think I could get a dance with the prettiest girl at the party?

BUFFY

What am I supposed to do? Stand over here and watch?

He smiles, takes her hand and leads her onto the floor where he wraps his arms around her and they sway sensuously to the music.

CUT TO:

Later. Buffy and Parker are sitting on the couch, talking.

PARKER

Well, I declared pre-med. But I hated it, so I switched to history.

BUFFY

History? Fascinating dates and compelling places.

PARKER

But there's something amazing about these huge events that when you dig down into them, they're just about regular people trying to make choices. When you look back, it seems like people were swept up in events they couldn't control. But I don't believe that. I believe you have a choice in everything you do.

Buffy smiles and kisses him. Parker looks at her with concern.

PARKER

Is this okay? Because I can stop if you want to. It's your choice.

She pulls him close and strokes his face.

PARKER

What are you doing?

BUFFY

Making a choice.

She kisses him again, much more passionately.

DISSOLVE TO:

INT. UC SUNNYDALE-- MEN'S DORM-- PARKER'S ROOM-- NIGHT

Buffy falls back onto Parker's bed with him on top of her. They are locked in a passionate embrace, shedding their clothing and caressing each other's bare skin.

CUT TO:

INT. GILES' APARTMENT-- NIGHT

Giles finds something in his books and rushes to the phone, quickly dialing Buffy's number. No one is home and he gets Buffy and Willow's answering machine.

BUFFY

(on machine)
Hey, this is Buffy and Willow. We're not in right now so please leave a message.

GILES

Buffy are you there? Call me. I need to talk to you right away.
DISSOLVE TO:

INT. UC SUNNYDALE-- MEN'S DORM-- PARKER'S ROOM-- NIGHT

Buffy and Parker make passionate love. She gives herself to him fully and completely.

FADE OUT

ACT III

INT. UC SUNNYDALE-- MEN'S DORM-- PARKER'S ROOM-- DAY

Buffy wakes up in Parker's bed. She looks around for a moment getting her bearings and realizes she's alone.

BUFFY

Parker?

She also realizes that she's naked and wraps the sheet around herself while she starts searching for her clothes.

BUFFY

Just shirt. Pants. Everybody needs pants.

Parker startles her when he walks in bearing coffee.

PARKER

Hey! You're up.

BUFFY

You're here.

PARKER

I live here.

BUFFY

Oh, I just didn't know where you were.

PARKER

It looked like you were going to be out for a while so I ran for coffee. Better than what I got around here. Warm soda and breath mints.

BUFFY

Breath mints... wouldn't be turning them down right now. So do you have any plans for today?

PARKER

Actually, my mom's coming to visit.

BUFFY

Oh, well I'll just clear out then. But maybe we could talk or something later?

PARKER

Absolutely. I'll give you a call.

BUFFY

Great. Oh, one more thing before I go?

PARKER

A kiss.

BUFFY

Well, I was going to go with pants but a kiss is good too.

Their lips meet.

CUT TO:

INT. HARRIS HOME-- BASEMENT-- DAY

Xander and Anya get dressed, having spent the night together. The silence is awkward and Anya finally breaks it.

ANYA

So... I'm over you now.

XANDER

Um... okay.

ANYA

Okay?!

Xander is terribly confused by this entire encounter from start to finish.

XANDER

Yeah...?

Anya stalks off, furious.

CUT TO:

INT. UNDERGROUND CAVERN-- SPIKE'S BEDROOM-- DAY

Harmony and Spike lie in bed. She's drawing on his back with lipstick while he dozes.

SPIKE

Harm, what are you doing?

HARMONY

I'm writing "Spike loves Harmony" on your back.

SPIKE

Why?

HARMONY

I don't know... it's fun. I'm bored. You can write on me.

SPIKE

I've got to get back to work.

HARMONY

You love that tunnel more than me.

SPIKE

I love syphilis more than you.
CUT TO:

INT. UC SUNNYDALE-- STEVENSON HALL-- BUFFY'S ROOM-- DAY

Buffy enters and starts to undo the straps on the back of her shirt as she heads toward her bed. Giles pipes up from behind her.

GILES

Oh, good morning.

Buffy spins around to find Giles and Willow at work at Willow's computer. She hurriedly re-fastens her top.

BUFFY

Giles! I didn't know you were here.

GILES

Really?

BUFFY

I was studying at the library. All Saturday night. (off Giles' look) You know what? I'm an adult now and it's none of your business what I do.

GILES

I'm sincerely relieved to hear that. Now can we discuss the impending disaster?

WILLOW

Giles found something.

GILES

A text. It refers to the Gem of Amarra as residing in the Valley of the Sun.

WILLOW

Demon fancy-talk for Sunnydale.

GILES

It seems that Spike may know what it's about. The gem may exist after all, in Sunnydale, in a sealed underground crypt.

BUFFY

Why don't you guys try and locate the crypt and I'll try to find Spike before he gets there.

GILES

I'll get started.

WILLOW

I'll go call Xander and have him meet at your place.

GILES

Right.

When Giles is gone, Willow turns to Buffy, excited. She bounces over and sits next to Buffy on her bed.

WILLOW

It happened right? Did it happen? With Parker?

BUFFY

Yeah, it happened.

WILLOW

And details! I mean not details. I don't need a diagram. But, you know, like maybe a blurry watercolor.

BUFFY

It was nice. It was really nice. He's going to call.

WILLOW

I love this part. Don't you love this part? Like when it's all new and everything's a discovery?

BUFFY

I don't know. I guess I do.
CUT TO:

INT. UNDERGROUND CAVERN-- NIGHT

Spike, Harmony, Bryan and the other vampires have reached the crypt's antechamber.

SPIKE

It's here.

BRYAN

I knew it was here.

SPIKE

We're close now. No one leaves the lair till we're in. I don't want the Slayer tracking anyone to the tunnel-- and that means you too, Harmony. You're an indoor kitty now.

HARMONY

But Spike, you said you'd take me places. You said we'd go to France and now I can't even leave the lair?

Spike throws down his shovel as the other vampires grumble at her whining and vacate the room.

SPIKE

Listen to me, you stupid bint. This gem is everything. I came back to Sunnydale for it-- a place which has witnessed some truly spectacular kickings of my ass. Now, when I have the gem, they'll all die, don't worry. But until then, stay inside. And by the way, I would be insanely happy if I heard bugger all about sodding France!

HARMONY

I don't know why I let you be so mean to me.

SPIKE

Love hurts, baby.
CUT TO:

EXT. UC SUNNYDALE-- CAMPUS COMMONS-- DAY

Buffy methodically goes through campus showing people Harmony's high school yearbook picture. No one recognizes her.

CUT TO:

INT. UC SUNNYDALE-- STEVENSON HALL-- BUFFY'S ROOM-- DAY

The answering machine shows 0 messages.

CUT TO:

INT. UNDERGROUND CAVERN-- NIGHT

Spike is drilling into the tunnel ceiling.

CUT TO:

EXT. UC SUNNYDALE-- CAMPUS COMMONS-- NIGHT

Buffy stands at a pay phone checking her messages.

MACHINE

You've got one new message at 9:05 P.M.

WILLOW

(on machine)
Hi, it's me. I'm at Giles'. Did Parker call yet?
CUT TO:

INT. UNDERGROUND CAVERN-- NIGHT

Spike's drill breaks through the ceiling into the crypt.

CUT TO:

INT. UC SUNNYDALE-- STEVENSON HALL-- BUFFY'S ROOM-- NIGHT

The answering machine still shows 0 messages.

Buffy stares at the machine and sadly falls sideways onto her pillow.

CUT TO:

INT. UNDERGROUND CAVERN-- CRYPT-- DAY

Spike climbs into the crypt with a lantern. He looks around the chamber which is littered with dust covered artifacts of all kinds. He finds the moldering corpse to whom the crypt belongs and zeroes in on a large green gem in an ornate necklace around its neck.

SPIKE

It's real.

Harmony climbs in behind him.

HARMONY

Oh, pretty. Can I take stuff?

SPIKE

Take whatever you want. I don't care.

She kisses him as he yanks the gem off the skeleton causing the head to roll off onto the floor. Harmony is trying on a tiara and looks at him with disgust.

HARMONY

Like you're too good to work a clasp.

Spike puts on the necklace and stands there waiting for power to flood him.

HARMONY

So is it doing it? Do you feel it? I mean, you don't look different, if you were wondering. I thought maybe you'd look taller or glow or something.

Harmony tries on a few rings as Spike strides over and seizes an ornate cross. It burns his hand and he cries out in pain and anger.

HARMONY

You should put some butter on that. But, hey! Maybe it's worth money anyway. That would be something. Then we could go to France. I always wanted to go to France and stay in a chateau and you could take me shopping--

The failure of the gem to protect him combined with the pain of the burn and Harmony's incessant bleating about France is too much for Spike. He breaks off a chair leg and with a guttural cry spins around and slams the makeshift stake

through her heart. To his surprise, she completely fails to disintegrate. He rips the stake back out of her chest and the wound heals immediately.

HARMONY

I can't believe you just did that!

She starts beating him in the chest. The light slowly dawns on Spike and he grabs her hand and stares at the ring she slipped on her finger earlier.

SPIKE

Hold on.

He wraps his hand in a rag and picks up the cross, pressing it into her forehead. Nothing.

HARMONY

What are you doing, you big freak?

SPIKE

That's my gem.

He tries to yank the ring from her finger.

HARMONY

Fine! If that's all that matters to you. Then take it! Take it and get out.

She rips the gem off her hand and throws it at him. Spike puts it on and strides off.

SPIKE

That's a good idea. I think I'll go play outside.

He hops down the hole in the floor, leaving Harmony looking miserable.

CUT TO:

INT. GILES' APARTMENT-- DAY

Oz sifts through a box of Giles' old records while Giles studies an old manuscript.

OZ

Okay, either I'm borrowing all your albums or I'm moving in.

GILES

Oz, there are more important things than records right now.

Oz holds up a Beatles album.

OZ

More important than this one?

Giles takes a beat to consider.

GILES

Well, I suppose an argument could be made for--

XANDER

Whoa! Giles has a TV! Everybody! Giles has a TV. He's shallow like us.

OZ

(to Giles)
I gotta admit, I'm a little disappointed.

Giles is actually embarrassed. Willow enters, stricken.

WILLOW

Well, maybe it doesn't work. Like a piece of art!

Xander turns the TV on and Willow turns to Giles, open-mouthed with shock.

GILES

Public television! Come on everyone, we have vital work to do. Watching television is not going to help us right now.

Giles looks up as the show on the TV is interrupted by a news report.

TV REPORTER

...near the UC Sunnydale campus. Officials attribute the unusual occurrence to weakening of the supporting topsoil nearby. City work crews denied any tunneling has been done in the area.

GILES

Tunneling... Spike... Xander, find Buffy and meet us there.

Giles, Oz and Willow head out. Xander stays behind for a minute, enjoying TV, then reluctantly follows.

CUT TO:

EXT. UC SUNNYDALE-- CAMPUS COMMONS-- DAY

Buffy is on her way to class when she spots Parker across the way, chatting up KATIE, a young coed. Buffy approaches and overhears the tail end of their conversation. Parker's using the same lines on the coed that he used with Buffy.

PARKER

You know, it hit me hard, my dad. Since then I just don't put stuff off anymore. It's about living for now.

Buffy walks over to them.

BUFFY

Parker?

PARKER

Buffy! Buffy Summers, this is Katie Loomis.

BUFFY

What's going on?

PARKER

(to Katie)
Hey, Katie, you're going to be late for class. I'll catch up later, okay?

He hands her her bag and she leaves.

BUFFY

She's a friend of yours?

PARKER

Yeah, you'd like her a bunch. So what's up?

BUFFY

Well, you didn't call. I'd understand if you were busy or sick or something.

PARKER

It's only been a few days. You need to talk to me about something?

BUFFY

Is everything okay?

PARKER

Sure it is.

BUFFY

It is?

PARKER

Sure.

BUFFY

Oh... so maybe do you want to do something?

PARKER

Sure, we could do that. Absolutely.

BUFFY

Great! So what about tonight?

PARKER

Oh... well, the thing is, I think I'm supposed to get together with some people later.

BUFFY

Parker, did... (beat) Did I do something wrong?

PARKER

Something wrong? No, of course not. It was fun-- didn't you have fun? Watch out how you answer that. My ego is fragile.

BUFFY

You had fun? Was that all it was?

PARKER

What else was it supposed to be?

BUFFY

It seemed like... you liked me.

PARKER

I do. But I'm starting to feel like you felt-- what? Some kind of commitment? Are you sure that's what you want right now?

BUFFY

I just thought...

PARKER

I'm sorry if you misunderstood something. I thought things were pretty clear.

BUFFY

I'm sorry if I mis-- I'm sorry.

PARKER

Look, I really have to go now.

He walks off leaving Buffy shattered. She can't believe this is happening to her.

BUFFY

Parker, wait. I did this all wrong.

PARKER

No, it's cool. We'll hook up later.

He hurries off, and Buffy turns to go herself. As she turns, Spike appears right behind her.

SPIKE

Wow. That was pathetic.

He smashes her in the face.

SMASH CUT TO BLACK

ACT IV

EXT. UC SUNNYDALE-- CAMPUS COMMONS-- DAY

Resume. Buffy is on the ground looking up in horror at Spike who stands over her in the midday sun.

SPIKE

Isn't it a fantastic day? Birds singing, squirrels making lots of rotten little squirrels. Sun beaming down in a nice, non-fatal way. It's very exciting. I can't wait to see if I freckle.

Buffy leaps to her feet, stake in hand. They engage, each landing and ducking a series of blows. Spike charges her and she impales him with her stake. He merely smiles at her.

SPIKE

Oh, do it again. It tickles. You know, in a good way.

Buffy rips her stake put and she stares in shock as the wound instantly heals.

BUFFY

The gem.

SPIKE

Oh, yeah. The Gem of Amarra.

He holds up his hand, showing her the ring, then backhands her with it.

SPIKE

Official sponsor of my killing you.

The demon in him emerges and he descends for the kill.

CUT TO:

INT. UNDERGROUND CAVERN-- CRYPT-- DAY

Giles and Oz haul Willow up through the hole in the floor to find Harmony crying.

WILLOW

Harmony?

HARMONY

Being a vampire sucks.

Her fangs descend and she attacks with a roar.

CUT TO:

INT. UC SUNNYDALE-- STEVENSON HALL-- CORRIDOR-- DAY

Xander knocks anxiously on Buffy and Willow's door.

XANDER

Buffy. Buffy!

He turns away in frustration and runs right into Anya.

ANYA

Xander. I was looking for you. You weren't in your musty basement.

XANDER

Have you seen Buffy?

ANYA

No. About what happened... when I said I was over you, I mean--

XANDER

Anya, I don't have time.

He walks off without another word, leaving her hurt and confused.

CUT TO:

INT. UNDERGROUND CAVERN-- CRYPT-- DAY

Giles, Oz and Willow keep Harmony at bay with a cross.

GILES

Harmony, where's Spike? Does he have the Gem?

Harmony nods.

HARMONY

He staked me and then he took it. He tried to take it right off my finger! Like I wouldn't have just given it to him. I would have given him anything he wanted. He was my platinum baby and I loved him.

GILES

Where did Spike go?

Rather than answer, Harmony bolts across the room and drops through the hole in the floor.

CUT TO:

EXT. UC SUNNYDALE-- CAMPUS COMMONS-- DAY

Buffy and Spike fight furiously. Spike seems to have the advantage as he smashes Buffy into a light pole and tosses her through a glass-topped table. Buffy scrambles away, hurting.

SPIKE

Getting tired, Slayer?

Buffy gets to her feet, only to be knocked to the ground again.

B.G.: Xander charges Spike from behind.

BUFFY

Xander, get out of here!

Spike spins, seizes Xander, knees him in the face, and launches him across the quad where he collides violently with a lamppost.

SPIKE

(to Buffy)
So you let Parker take a poke, eh? Didn't seem like you knew each other that well. What exactly did it take to pry apart the Slayer's dimpled knees?

BUFFY

You're a pig, Spike.

He kicks her full in the face.

SPIKE

Did he play the sensitive lad and get you to seduce him? That's a good trick if the girl's thick enough to buy it.

Buffy stuns Spike with a roundhouse kick but Spike quickly recovers and follows it with an equally vicious hit that sends her reeling.

SPIKE

I wonder what you did wrong? Too strong? (leering) Did you bruise the boy? Whatever. Guess you're not worth a second go. Come to think of it, seems like someone told me as much. Who was it? Oh, yeah... Angel.

He smiles cruelly and Buffy is up in an instant, enraged. She lays into him like a force of nature, driving him back and down until she pins him and wrenches the arm with the gem up behind his back.

SPIKE

Take it off me this way, we both burn.

BUFFY

Really? Let's see.

She rips the ring from his finger and he instantly screams in agony as his skin scorches. He runs to a nearby sewer grate and drops underground as Buffy collapses, exhausted, holding the ring.

CUT TO:

INT. GILES' APARTMENT-- DAY

CU: The Gem of Amarra resting on the coffee table.

WILLOW

I like it.

OZ

It's small.

XANDER

Really worth getting my ribs bashed in.

GILES

It's also very dangerous... and, well, destroying it--

BUFFY

We don't destroy it.

GILES

Buffy, any vampire that gets his hand on this is going to be essentially unkillable. (off Buffy's look; realizes) Oh.

OZ

I have that gig in L.A. I could swing by.

BUFFY

Thanks, Oz.

XANDER

What's going on? What's in L.A.?

WILLOW

She's giving the ring to Angel. Don't make a fuss.

GILES

Buffy are you sure?

BUFFY

He should have it.
CUT TO:

EXT. UC SUNNYDALE-- CAMPUS COMMONS-- NIGHT

Buffy and Willow walk through the late night air.

BUFFY

So what I'm wondering is, does this always happen? Sleep with a guy and he goes all evil. God, I'm such a fool.

WILLOW

Well, maybe you made a mistake. But that's okay. Next time-- (off her look) What?

BUFFY

Parker said it's okay to make mistakes. It was sweet.

WILLOW

No it wasn't. He was saying that so you would take a chance and sleep with him. He's a poop-head.

BUFFY

You're right. He's manipulative and shallow and why doesn't he want me? Am I repulsive? If there was something repulsive about me, you would tell me, right?

WILLOW

I'm your friend. I would call you repulsive in a second.

BUFFY

Maybe Parker and I could still work it out. Do you think we could still work it out?

WILLOW

I think you're missing something about the whole poop-head principle.

BUFFY

I think I'm going to take a walk. You go on ahead.

WILLOW

You sure?

BUFFY

Yeah.

Buffy walks off leaving Willow behind.

Pull back to extreme overhead shot revealing Buffy, Harmony and Anya walking in different directions, each one alone.

FADE TO BLACK
END