Pangs

[Transcript of "Buffy The Vampire Slayer" episode Pangs at buffyology.com.]

Prologue

EXT. UC SUNNYDALE-- CAMPUS COMMONS-- NIGHT

JAMIE, a college student, walks along a path on the wooded campus. He pauses as a branch breaks nearby, then continues walking. Sensing he's being followed he spins around to find BUFFY.

JAMIE

Oh!

BUFFY

Looking for me?

JAMIE

Holy-- what do you want?

Buffy's only response is a massive punch to his head. Jamie gives her a startled look, then gives up the charade and brings his vampire to the surface.

BUFFY

Look who's home.

Jamie leers at her.

JAMIE

A Slayer. Why don't you just go back where you came from? Things were great before you came.

Buffy punches him again, then kicks him to the ground. As he gets back up, she seizes him from behind and rams a stake through his back.

BUFFY

And they say one person can't make a difference.

As Jamie disappears into a cloud of dust, we pan to the shadows nearby to reveal ANGEL watching quietly from the underbrush.

Opening credit sequence.

ACT I

EXT. UC SUNNYDALE-- CONSTRUCTION SITE-- DAY

Dean GUERRERO is at a podium making a speech before a small crowd near a large excavation site. Earth-moving equipment and a group of shirtless workers simmer in the noon-day heat nearby. Closer examination reveals XANDER is one of the workmen.

GUERRERO

Of all the duties of a dean, one of the most pleasant is to see a colleague realize a dream. Ladies, gentlemen, students, I present to you Professor Gerhardt of the Anthropology Department.

Professor GERHARDT stands and replaces the dean at the podium.

GERHARDT

When I first realized we were outgrowing our current cultural center, I was concerned. Then I realized it was like seeing one's child grow up and move on to better things. In this case, a spacious new facility to be built on this site...
CUT TO:

Buffy, WILLOW and ANYA stand together under a shade tree, watching the ground-breaking ceremony from a short distance away.

ANYA

(re: Xander)
Look at him. Have you ever seen anything so masculine?

BUFFY

You mean Guerrero or his wife?

Willow points to Xander.

WILLOW

I think she means...

BUFFY

Oh. Very manly. Not at all Village People. So much sexier than the outfit from his last job.

WILLOW

Oh, I miss the free hot dogs on sticks.

ANYA

I'm imagining having sex with him right now.

Buffy and Willow stifle laughter.

CUT TO:

Gerhardt continues her speech.

GERHARDT

And that's why it's appropriate that the ground-breaking for the UC Sunnydale Cultural Partnership Center is taking place so soon before Thanksgiving because that's what the melting pot is about-- contributions from all cultures, making our culture stronger.
CUT TO:

Buffy begins to clap but stops self-consciously as Willow objects.

WILLOW

What a load of horse hooey.

BUFFY

We have a counter point?

WILLOW

Yeah. Thanksgiving isn't about blending of two cultures. It's about one culture wiping out another. And then they make animated specials about the part where... with the maize and the big, big belt buckles. They don't show you the next scene, where all the bison die and Squanto takes a musket ball in the stomach.

BUFFY

Okay. Now for some of that, you were channeling your mother?

WILLOW

Well, yeah, sort of. That's why she doesn't celebrate Thanksgiving or Columbus Day. You know, the destruction of the indigenous peoples? I know it sounds a little overwrought but really, she's... she's right.

BUFFY

Yeah. I guess I never really thought about it that way. With mom at Aunt Darlene's this year, I'm not getting a Thanksgiving. Maybe it's just as well.

ANYA

Well, I think that's a shame. I love a ritual sacrifice.

BUFFY

It's not really a one of those.

ANYA

To commemorate a past event, you kill and eat an animal. It's a ritual sacrifice... with pie.
CUT TO:

The professor's speech.

GERHARDT

...and thus, a symbolic beginning.

She walks over, picks up a shiny shovel and symbolically breaks the ground on the new cultural center.

ANYA

(incensed)
What's she doing? Xander said he was going to dig. I want to see Xander dig.

BUFFY

That part's just ceremonial.

ANYA

Well, it bites. She's not rippling at all. Oh, look, there he goes.

Xander and the other workers begin digging in earnest. Anya sighs with happiness.

ANYA

Look at him.

WILLOW

Very... diggy.

ANYA

Soon he'll be sweating. I'm imagining having sex with him again.

BUFFY

Imaginary Xander is quite the machine.
CUT TO:

Xander throws one shovelful of dirt after another out of the excavation when suddenly the ground breaks away beneath him. He plummets downward, dropping approximately 20 feet into an underground chamber.

CUT TO:

INT. UNDERGROUND CHAMBER-- DAY

Xander picks himself up with a groan.

XANDER

Ow. I'm okay! I'm... I'm okay! (looks around) Where am I okay?
CUT TO:

EXT. UC SUNNYDALE-- STEVENSON HALL-- NIGHT

ANGEL stares up at Buffy's room from the shadows.

CUT TO:

INT. UC SUNNYDALE-- STEVENSON HALL-- BUFFY'S ROOM-- NIGHT

Willow is excited, relating the day's events to Buffy.

WILLOW

While they were pulling Xander out, I heard a couple of the Anthro professors talking about it. Man, were they excited. It's the old Sunnydale Mission, which everyone thought was lost.

Buffy stares out the window, lost in thought.

BUFFY

Huh?

WILLOW

Is there something out there?

BUFFY

Hmm? Oh, no. I'm sorry. A lost mission. I mean, a hairbrush I can understand. And by the way, I will find that and get that back to you. But how do you lose a mission?

WILLOW

Huge earthquake in 1812. Everyone just assumed the mission was leveled. Instead, they built right over it. It's like what happened in the thirties with that church the Master was in. Doesn't it make you wonder what else is there... like right under our feet?

BUFFY

Mostly, I've just found sewers full of demons.

WILLOW

Oh, right.

The noise of students running mad through the halls filters into the room.

WILLOW

Man, it's crazy out there.

BUFFY

Mm-hmm. Post-midterm frenzy. And the holiday. Everyone's going home.

WILLOW

It looks like a lot of lucky moms are going to be getting brimming baskets of dirty laundry.

BUFFY

It's so not fair. I mean, they all get a family holiday just because they can go home to their families.

WILLOW

Hmm, it's a turvy-topsy world.

BUFFY

You know what? I should have my own Thanksgiving. I can cook the meal just like my mom does, have all you guys over. It'll be great.

WILLOW

Buffy, earlier you agreed with me about Thanksgiving. It's a sham. It's all about death.

BUFFY

It is a sham but it's a sham with yams. It's a yam sham!

WILLOW

You're not going to jokey-rhyme your way out of this one.

BUFFY

I know... but I want it. It's like Professor Walsh was saying about sense memory: I smell a roasting turkey and I'm 8 years old. I liked having that to look forward to. Everything's different now.

WILLOW

Well, I suppose there could be slight yams.

BUFFY

I mean, we could definitely use a little comfort food. I bet Giles doesn't have any plans. And Xander always tries to avoid all of his family gatherings.

WILLOW

Oh! We could not invite Anya.

BUFFY

I don't know. She and Xander seem pretty tight lately. Look, pilgrims aside, isn't that the whole point of Thanksgiving-- everybody has a place to go?

Willow reluctantly nods, then smiles.

CUT TO:

EXT. WOODED FOREST-- NIGHT

SPIKE wanders the forest, wrapped in an old blanket and looking pathetic.

CUT TO:

RILEY, GRAHAM and FORREST in full combat gear, patrol the forest, looking for Spike.

FORREST

Man, I'm beat.

RILEY

We'll do one more sweep, then cash it in.

FORREST

I gotta pack tonight. You got a flight?

RILEY

Wednesday night. Professor Walsh wants me here for the debriefing.

FORREST

That's a pretty short Thanksgiving.

RILEY

Hey, with a hostile on the loose, we're lucky to be going home at all.

FORREST

It's neutered. The implant works great. He can't hurt a single living thing.

RILEY

As long as he knows about the Initiative, he's a threat. We do this the professor's way.

Forrest turns away and fakes a cough.

FORREST

Mama's boy.

RILEY

That's a nasty cough. You might need to spend the weekend in quarantine.

FORREST

(contrite)
Oh, no. I'm done coughing.

RILEY

(smiles)
I just don't want anyone getting sick.
CUT TO:

INT. HARRIS HOME-- BASEMENT-- NIGHT

Anya enters as Xander finishes dressing for work. He looks worn out.

ANYA

Xander, what are you doing? You're supposed to be digging. I went to watch you digging and you weren't there doing it.

XANDER

I'm going now. Just... kinda tough getting going today.

She feels his forehead.

ANYA

Your head is moist. Oh! You're sick. Well, you can't go to work.

She pushes him down onto the bed.

XANDER

Oh. Anya?

ANYA

You're pasty and wet and disgusting. They can dig without you.

XANDER

Look, I don't really feel that bad.

ANYA

I inflicted a lot of putrefying diseases on men when I was an avenging demon and you look like you're getting all of them.

XANDER

Okay. I'll stay. But you should go. You could catch it.

She begins to undress him.

ANYA

We'll die together. It's romantic. Let me get your trousers off.

XANDER

You're a strange girlfriend.

ANYA

I'm a girlfriend?

XANDER

There's a chance I'm delirious.

ANYA

Ah, yes. Well, whatever it is that's making you sick... so far, I like it.
CUT TO:

INT. UC SUNNYDALE-- CULTURAL CENTER-- NIGHT

Professor Gerhardt talks on the phone.

GERHARDT

(into phone)
It's a very exciting opportunity. I can't wait to go down there myself. It's just... well, it means we're going to have to start looking for a new location. (beat) No, it's really up to the dean. I just hope this doesn't cost us another year. (beat) Okay. Talk to you later.

She hangs up the phone just as she notices a peculiar glowing green mist wafting through the room. It flows across the museum and coalesces around an ancient Native American knife in a display case. The professor moves closer to inspect it and suddenly the mist solidifies into HUS, a Native American warrior. He grabs the knife, seizes the professor and slits her throat, dropping her dying body to the floor.

FADE OUT

ACT II

INT. UC SUNNYDALE-- CULTURAL CENTER-- DAY

Willow and Buffy inspect the site of the professor's death.

WILLOW

I'll never get used to this. One day she's at the Friendship Ceremony. The next day, she's on the news. The Coroner's Office said she was missing an ear. So I'm thinking, maybe we're looking for a witch. There's some great spells that work much better with an ear in the mix.

BUFFY

That's one fun little hobby you've got there, Will.

WILLOW

Or... or maybe an ear-harvesting demon that's like building another demon completely out of ears. Or... oh! Thought. We're just assuming someone else cut off the ear. What if it was self- inflicted, like Van Gogh?

BUFFY

So... she brutally stabbed herself, dumped the body, then cut off her own ear?

WILLOW

No. She cut off her ear, then killed herself, then dumped the body. (beat; off Buffy's look) I'm really off my game, aren't I?

BUFFY

Yeah. Wait. Something's missing from this case. (reads inscription) "Early 1800's Chumash knife." There's a picture.

WILLOW

What's it look like?
CUT TO:

INT. GILES' APARTMENT-- DAY

Buffy is in the kitchen preparing Thanksgiving dinner while GILES hovers nearby, looking typically pained by her frenetic activity.

BUFFY

Pretty darn scary. It was more like a riot than a Ralph's. I thought I was going to have to use Slayer moves on this one woman who was completely hoarding the pumpkin pie filling.

GILES

And at some point, you are going to tell me about the murder?

BUFFY

Oh, right. The knife was some sort of Indian artifact. Chumash, I think. That's all we got.

GILES

Oh, Chumash Indians. They were indigenous to this whole area.

BUFFY

That's interesting.

GILES

Then, of course, the murder weapon might have just been a convenient choice.

BUFFY

Uh-uh. There was a big ol' scissors lying right there. That knife was picked for a reason. Do you even own a turkey pan?

GILES

Tell me again why we're not doing this at your house.

BUFFY

Giles, if you would like to get by in American society, then you are going to have to follow our traditions. You're the patriarch. You have to host the festivities or it's all meaningless.

GILES

And this is in no way an elaborate scheme to stick me with the cleanup?

BUFFY

How about that ceremonial knife, huh? Pretty juicy piece of clueage, don't you think?

GILES

Yes, all right, I'll look into the Chumash connection and see if there's any ritual significance to the ear removal.

BUFFY

Thank you.

Buffy pauses, lost in thought.

GILES

You all right?

BUFFY

Yeah... I still need to pick up a few things so I'll check in. And keep your hands off the food.

GILES

Oh, I'll try and restrain myself from eating uncooked potatoes and cranberries.

After Buffy leaves, Angel emerges from the back room.

GILES

So what do you think?

ANGEL

She sounds good. Kind of intense about this Thanksgiving thing.

GILES

I think perhaps she's a little lonely but I meant about the murder.

ANGEL

Whatever killed the woman in the museum, that's probably the danger.

GILES

Yes, well, this danger... your friend has some ominous vision about Buffy. It's all terribly vague. I mean, there are other things happening on this campus.

ANGEL

Well, maybe I'm wrong but I gotta try something. I can't just keep watching.

GILES

I'm glad that you're watching out for her but I feel I should remind you that she's not helpless and it's not your job to keep her safe.

ANGEL

It's not yours anymore, either. Are you going to walk away?

Giles concedes the point with a nod.

GILES

All right. But I feel we should tell her. I don't like keeping this secret.

ANGEL

No. If she knew I was here, it would distract her. It could get her hurt. I don't want to get in the way.

GILES

I'm assuming that there's some connection to the old mission. Something is angry about being disturbed.

ANGEL

Or maybe it was trapped there and now it's released. Something that has a fondness for ancient weapons. You know Father Gabriel?

GILES

No.

ANGEL

He knows the history of this place pretty well. His family dates back to mission times. He might be able to fill in some blanks.

GILES

Okay. Well, I'll see about contacting him. Where are you going?

ANGEL

To watch her.

GILES

It's not fair. You know that's what she'd say. You can see her but she can't see you?

ANGEL

Believe me, I'm not getting the good half of this deal. To be on the outside looking in at what I can't... well, I'd forgotten how bad it feels.
CUT TO:

EXT. SUNNYDALE BUSINESS DISTRICT-- NIGHT

Willow and Buffy walk side by side, window shopping.

WILLOW

But you have whipped cream. I saw it in Giles' fridge.

BUFFY

But that's whipped cream in a canister. Look, it's only right if you whip it yourself.

WILLOW

Hey, and then later, we can churn our own butter and make sweaters out of sheep.

BUFFY

Okay. It's the last thing. I promise. Besides, I have an appointment with that priest that Giles called about. He thinks he might have some information.

Riley suddenly runs up to them, out of breath.

RILEY

Buffy? Hey, Buffy.

BUFFY

Riley. Where'd you come from? I didn't see you at all.

RILEY

Oh, just across the street... and a couple of blocks down. Hey, Willow.

WILLOW

Hi. Well, I'm just going to let you two... look! They're selling coffee in the coffee shop. Yum.

She bolts into the coffee shop and runs right into Angel.

INT. THE ESPRESSO PUMP-- NIGHT

Angel grabs her and covers her mouth with his hand.

WILLOW

(muffled)
Oh! Angel... evil! You're all evil again.

ANGEL

I'm not evil. I'm here to help Buffy.

He removes his hand and lets her go.

WILLOW

What's going on?

ANGEL

My friend had a vision. Buffy's in danger.

WILLOW

So tell her. Help her.

ANGEL

If she sees me, it'll be worse.

WILLOW

See, I don't get that. All this "leaving for her own good" garbage. Because that's what it is. You can't just give up because there's obstacles. What kind--

ANGEL

(interrupts)
Willow.

WILLOW

Sorry. My stuff.

ANGEL

You know how I feel about her. If there was any way...

WILLOW

Yeah. I know.

ANGEL

It's just... everything's different now.

WILLOW

Hey, is Cordelia really working for you? 'Cause that's gotta be a special experience. Of all the people you could've hired.

ANGEL

Willow, I'm here to protect Buffy. I don't have a whole lot of time for personal stuff.

WILLOW

Right. Well, how can I help?

ANGEL

Well, if you can just tell me... (sees Riley) Who's that guy?
CUT TO:

EXT. SUNNYDALE BUSINESS DISTRICT-- NIGHT

Buffy and Riley are talking.

BUFFY

It'll be just like it was when I was a kid. Only without me building a fort out of my mashed potatoes.

RILEY

Sounds like fun.

BUFFY

It will be. You know, if you don't already have plans... you should come. I'm a great cook... in theory. I've eaten a lot.

RILEY

That sounds so great but I'm out of here tonight. I caught a last- minute flight back to Iowa.

BUFFY

Iowa. That's one of the ones in the middle, right?

RILEY

My folks are there. We always do Thanksgiving at my grandparents' house. A little farm outside Huxley.

BUFFY

Sounds nice.

RILEY

It is. After dinner, we all go for a walk down by the river with the dogs. There's trees and... and I know what you're thinking. It's like I grew up in a Grant Wood painting.

BUFFY

Exactly. If I knew who that was.

RILEY

Just a guy who painted stuff that looked like where I grew up.

BUFFY

Well, have fun at the homestead.

RILEY

Always do. What's the line? Home's the place that, when you have to go there...

BUFFY

...they have to take you in.
CUT TO:

INT. HARMONY'S UNDERGROUND LAIR-- NIGHT

HARMONY advances on Spike, furious.

HARMONY

Get out!

SPIKE

But baby... this is where I belong.

HARMONY

Out. I mean it. I've been doing a lot of reading and I'm in control of my own power now, so we're through.

Spike abruptly seizes her by the shoulders and begins to kiss her. Her resolve starts to waver.

SPIKE

You don't mean that.

HARMONY

Yes, I do. I... I do. I mean it a lot.

Spike picks her up and carries her over to the bed.

SPIKE

See? I knew you'd end up welcoming be back (strokes her legs) with open... arms.

He leans in to kiss her and she pushes him away.

HARMONY

No. I'm powerful and I'm beautiful and I don't need you to complete me.

Harmony reaches under the mattress and takes out s stake. Spike backpedals and falls off the bed.

HARMONY

And you're mean.

SPIKE

You had that in our bed? Do you know how dangerous that is?

HARMONY

Let's find out.

SPIKE

You wouldn't do it.

He backs away as she slowly advances on him, stake held high.

HARMONY

You did it to me, remember?

SPIKE

All right. All right, I'll go. Just...

HARMONY

What?

SPIKE

Can I have someone to eat?

She's had enough and brings the stake down just as Spike runs off.

CUT TO:

EXT. SUNNYDALE CATHOLIC CHURCH-- NIGHT

Establishing.

INT. SUNNYDALE CATHOLIC CHURCH-- SACRISTY-- NIGHT

Buffy slowly walks through the church, calling to the parish priest but getting no response.

BUFFY

Father Gabriel? Father Gabriel? Father? Are you out here?

As she moves out into the courtyard, she sees Hus slicing the throat of the priest who swings from a noose.

BUFFY

God...

Buffy charges Hus and punches him in the gut. Unfazed, he adopts a defensive stance and readies himself for combat.

HUS

You can't stop me.

BUFFY

You're very wrong about that.

Hus charges Buffy who throws him into walls and flips him repeatedly to the ground. No matter what she does, he recovers instantly and attacks again. He tackles Buffy to the ground and rises over her, knife in hand.

HUS

I am vengeance. I am my people's cry. They call for Hus, for the avenging spirit to carve out justice.

BUFFY

They tell you to start an ear collection?

She kicks high and throws him off, then rolls over, punching him, kicking his legs out from under him. Buffy wraps him up in a death grip and holds the knife to his throat.

HUS

You slaughtered my people. Now you kill their spirit. This is a great day for you.

She shoves him away and he gets up. He smiles at her as his body breaks apart and morphs into a group of bats which fly off into the night.

FADE OUT

ACT III

INT. GILES' APARTMENT-- DAY

Buffy prepares dinner, checking the settings on the stove, while Giles peels vegetables in the sink.

GILES

It's clear we're dealing with a spirit of some kind. It's very common for Indian spirits to change to animal form.

BUFFY

It's plenty uncommon for me to freeze up during a fight. I mean, I had the guy. I was ready for the take-down and I stopped. And Native American.

GILES

Sorry?

BUFFY

We don't say "Indian."

GILES

Oh, right. Yes, yes... always behind on the terms. Still trying not to refer to you lot as "bloody Colonials".

BUFFY

And the thing is, I like my evil like I like my men: evil. You know, straight-up, black hat, tied to the train tracks, "soon my electro-ray will destroy Metropolis" bad. Not all mixed up with guilt and the destruction of an indigenous culture.

GILES

This spirit warrior-- Hus, you called him-- has killed innocent people.

BUFFY

Okay. You know what? We need to boil those and put them through the ricer.

GILES

I don't think I have a ricer.

BUFFY

You don't have a ricer? What do you mean? How could someone not have a ricer?

GILES

Well, do you have one at home?

BUFFY

I don't know. What's a ricer?

GILES

We'll mash them with forks, much like the pilgrims must have. Did you catch the part about the innocent people?

BUFFY

Yes. Okay? And I do want to stop him. I'd just like to find a non-Slayer way to do it.

There's a knock at the door and Buffy opens it to find Willow standing there with a huge pile of books.

BUFFY

Hey.

WILLOW

Hey.

BUFFY

Peas?

WILLOW

Peas.

Buffy takes the small boxes of peas from the top of the stack, leaving Willow to struggle with the books.

BUFFY

These are frozen.

GILES

(to Willow)
What's all that?

WILLOW

Atrocities. I got the full poop on the Chumash Indians and our fabulous buried mission.

BUFFY

You said you were going to get fresh ones.

WILLOW

Atrocities?

BUFFY

Peas. They come in little pods. You were going to shell them.

WILLOW

I didn't have time. I was busy reading about the Chumash War.

GILES

The Chumash were peaceful.

WILLOW

Oh, they were peaceful, all right. They were fluffy indigenous kittens... till we came along.

BUFFY

They're gonna be mushy.

WILLOW

They won't be mushy.

GILES

I like mushy peas.

BUFFY

You're the reason we had to have pilgrims in the first place. So what happened to the Chumash?

WILLOW

How about imprisonment, forced labor, herded like animals into a mission full of bad European diseases?

BUFFY

Boy. Cultural Partnership Center really didn't stress any of that stuff.

WILLOW

Not even a diorama. And it gets better. The few Chumash who tried to rebel were hanged. And when a group was accused of stealing cattle, they were killed-- men, women, and children. And for proof to bring back to their accusers...

GILES

They cut off their ears?

BUFFY

So Hus wasn't kidding about the rightful vengeance routine.

GILES

He's recreating all the wrongs done to his people. And it's up to us to stop him.

BUFFY

Yes, but after dinner, right?

WILLOW

Are you sure we shouldn't be helping him?

GILES

No, I think perhaps we won't help the angry spirit with his rape and pillage and murder.

WILLOW

Well, okay, no, but we should be helping him redress his wrongs. Bring the atrocities to light.

GILES

If the history books are full of them, I'd say they already are.

The brewing argument starts make Buffy anxious.

WILLOW

Giving his land back.

GILES

It's not exactly ours to give.

WILLOW

I don't think you want to help. I think you just want to slay the demon, then go la la la.

GILES

And I think your sympathy for his plight has blinded you to certain urgent facts. We have to stop this thing.

WILLOW

Okay, Unfeeling Guy.

GILES

Willow, that's not fair.

Buffy bolts to the kitchen.

BUFFY

I have to baste.

GILES

Willow, I... (sotto) I have reason to believe Buffy herself may be in particular danger from this menace.

WILLOW

You mean Angel? I saw him, too.

GILES

That's not terribly stealthy of him.

WILLOW

I think he's lost his edge.

GILES

But Buffy doesn't know.

WILLOW

Oh, no. Not a peep.

GILES

Well, that's good, but this is why I think we should all keep a level head in this.

WILLOW

And I happen to think mine is the level head and yours is the one things would roll off of.

Another knock at the door. Giles opens it to find Anya and Xander.

XANDER

Happy Thanksgiving.

GILES

Xander. You look like death.

WILLOW

Are you okay?

BUFFY

You didn't bring rolls?

Anya walks Xander to the couch where she tends to him.

XANDER

The doctor couldn't figure out was up with me. He said I had a lot of symptoms that didn't connect.

BUFFY

I think they do connect.

XANDER

What? To this Chumash spirit-vengeance guy?

BUFFY

Didn't you say the Chumash got all diseased when they were holed up in the mission?

WILLOW

Yeah. This has a better account of everything. It lists the various--

XANDER

Various? As in--

WILLOW

Well, the important thing is not to panic.

XANDER

You just recited the mystical panic-causing incantation, so little hope there. Let's talk about the various.

WILLOW

Well, they did suffer from malaria, some smallpox...

ANYA

I was going to say smallpox.

WILLOW

You know, syphilis, but basically--

XANDER

(panicked)

Syphilis?

WILLOW

Well, but this is probably mystical and it'll all go away as soon as--

XANDER

As soon as what?

WILLOW

We still don't know what we're going to do. Well, maybe I can find something. Let's give him some land.

GILES

I'm sure that'll clear everything right up.

WILLOW

Sarcasm accomplishes nothing, Giles.

GILES

It's sort of an end in itself.

XANDER

Can we come rocketing back to the part about me and my new syphilis?

Anya strokes his forehead soothingly.

ANYA

It'll make you blind and insane but it won't kill you. The smallpox will.

WILLOW

Maybe there's a Wiccan spell that can cure it. Something regular medicine doesn't know. Oh, there was a potion.

She flips through a book and takes out a piece of paper and begins reading from it.

WILLOW

Sage, salt... onion?

BUFFY

That's the stuffing.

XANDER

Oh, god.

ANYA

You're going to get vesicles and pustules. (re: book) They have pictures.

XANDER

I hate this guy.

WILLOW

He's just doing what was done to him.

XANDER

I didn't give him syphilis.

GILES

No, but you freed his spirit and after a century of unrest, he saw you as one of his oppressors.

XANDER

What? So he rises up and infects the first guy he sees? That's no fair.

WILLOW

Like you've never woken up cranky?

GILES

But why the others? Why them particularly?

XANDER

So we take this guy out. Buffy, it is for to be slaying sometime soon, yeah?

BUFFY

That's sort of the question before the court.

XANDER

Question?

WILLOW

There are two sides to it.

XANDER

Slaying him? The representative from syphilis votes "yea".

WILLOW

It's not that simple.

XANDER

He's a vengeance demon. You don't talk to vengeance demons. You kill them.

Anya jerks back from him.

ANYA

I didn't know you felt that way.

XANDER

What?

WILLOW

Anyway, he's a spirit, not a demon.

GILES

Yes, and we've never faced this sort of spirit before. We really don't know what will kill it.

WILLOW

Again with the killing.

GILES

Figuratively speaking. Or bind it or whatever. Yes, Willow, we all appreciate your perspective.

ANYA

Sometimes vengeance is justified.

XANDER

You know that I didn't mean you.

WILLOW

I don't think anyone appreciates the truth of the situation.

GILES

Oh, I think we do.

Agitated by the arguing among her friends, Buffy stands up abruptly with her mixing bowl.

BUFFY

This is no good! It needs more condensed milk.

She flees back into the kitchen.

GILES

Buffy, Xander's in real danger. Are you sure the solution is pie?

BUFFY

Over bickering and confusion, I'll take pie. We will find a solution. And we will have a nice dinner, okay? Both. End of story. I'm having Thanksgiving and it'll be perfect.

GILES

Hus won't stop. Vengeance is never sated, Buffy. Hatred is a cycle. All he will do is kill.

Yet another knock at the door. Buffy goes to answer it and stunned to find Spike cowering beneath a blanket. Smoke rises from him in waves as his skin is seared by the indirect sunlight.

SPIKE

Help me.

Buffy shoves him backward into the sunlight and he goes tumbling to the ground.

SPIKE

Ow! What part of 'help me' do you not understand?

BUFFY

The part where I help you.

SPIKE

Come on, I'm charbroiling out here.

Giles comes to the door and hands Buffy a stake.

BUFFY

Want me to help make it quicker?

SPIKE

Invite me in.

GILES

No. It's fairly unlikely.

SPIKE

Oh, damn it! Look, I'm safe. I can't bite anyone. Willow, tell 'em what I did.

WILLOW

You said you were going to kill me, then Buffy.

SPIKE

Yes, bad, but let's skip that part and get to the part where I couldn't bite you.

WILLOW

It's true. He had trouble performing.

SPIKE

Yeah, well, it looks like they've done me for good.

BUFFY

What are you saying?

SPIKE

I'm saying that Spike had a little trip to the vet and now he doesn't chase the other puppies anymore. I can't bite anything. I can't even hit people.

BUFFY

So you haven't murdered anybody lately? Let's be best pals.

SPIKE

I've got information... about the soldier boys you were fighting. Got the inside scoop. Come on, what have you got to be afraid of?

Buffy slowly relaxes.

CUT TO:

INT. UNDERGROUND CHAMBER-- DAY

Hus sits before a fire, eyes closed, performing a Native American ritual.

HUS

First people who dwell in Mishupashup, hear me and descend. Walk with me upon Itiashup again. Hear me also, Nunashush. Spirits from below... creatures of the night... take human form and join the battle. Bring me my revenge.

A cloud of green mist rises from the fire. It splits into a dozen distinct segments and each segment coalesces into an Indian warrior. Hus sits surrounded by the warrior spirits of his people, come to life to seek vengeance.

FADE OUT

ACT IV

INT. GILES' APARTMENT-- DAY

Buffy binds Spike to a chair in Giles' living room.

SPIKE

Bloody hell, woman. You're cuttin' off my circulation.

BUFFY

You don't have any circulation.

SPIKE

Well, it pinches.

BUFFY

Get used to it. I have more important things to worry about.

SPIKE

I came to you in friendship. (off Buffy's look) Well, all right, seething hatred... but I've got useful information and I feel I'm being mistreated.

BUFFY

So tell me everything you know.

SPIKE

I'm too hungry to remember everything.

BUFFY

Then sit.

Anya has taken over cooking duties and is stirring the pots simmering on the stove.

ANYA

How much butter goes in with these?

BUFFY

About half a stick and a quarter cup of brandy. (to Giles) You do have brandy, don't you?

GILES

What? Oh, yes. On the bookcase.

SPIKE

I wouldn't say no to a brandy.

Buffy ignores Spike and turns to Giles.

BUFFY

What's wrong?

GILES

The victims. Apart from Xander, Hus has targeted authority figures. Father Gabriel, the curator of the Cultural Center... who else fits this pattern?

SPIKE

Just a small brandy.

BUFFY

The dean. Dean Guerrero. He's the king of us and he was at the ceremony.

GILES

Likely candidate. We should warn him.

BUFFY

Will, anything in those books about how to stop a Native American spirit guy? Some nice, non-judgmental way to, you know, kill him?

WILLOW

I'm not going to help you kill him. I'm not on board.

BUFFY

What choice do we have?

WILLOW

Buffy, this isn't a western. We're not at Fort Giles with the cavalry coming to save us. It's one lonely guy. Oppressed Warrior Guy who's just trying to--

BUFFY

Kill a lot of people?

WILLOW

I didn't say he was right.

BUFFY

Will, you know how bad I feel about this. It's eating me up. (to Anya) One-quarter cup of brandy and let it simmer. (to Willow) But even though it's hard, we have to end this. Yes, he's been wronged and I personally would be ready to apologize--

SPIKE

Oh, someone put a stake in me.

XANDER

You got a lot of volunteers in here.

SPIKE

I just can't take all this mamby-pamby boo-hooing about the bloody Indians.

BUFFY

The preferred term--

SPIKE

You won. All right? You came in and you killed them and you took their land. That's what conquering nations do. It's what Cūsar did and he's not going around saying, "I came, I conquered, I felt really bad about it." The history of the world isn't people making friends. You had better weapons and you massacred them. End of story.

BUFFY

Well, I think the Spaniards actually did a lot of-- not that I don't like Spaniards.

SPIKE

Listen to you. How are you going to fight anyone with that attitude?

WILLOW

We don't want to fight anyone.

BUFFY

I just want to have Thanksgiving.

SPIKE

Yeah... good luck.

WILLOW

If we could talk to him--

SPIKE

You exterminated his race. What could you possibly say that would make him feel better? It's kill or be killed here. Take your bloody pick.

XANDER

Maybe it's the syphilis talking but... some of that made sense.

GILES

I made these points earlier but fine, no one listens to me.

BUFFY

Fine, okay? But someone still has to go warn the dean.

WILLOW

I'll go. I need the air.

BUFFY

Not alone.

ANYA

I'll go.

XANDER

Me, too.

BUFFY

Sure you're up to it?

SPIKE

Oh, leave that one. He looks like he's ready to drop any minute and I think I can eat someone if he's already dead.

Xander struggles to his feet.

XANDER

I'm up to it.

GILES

I'll keep on looking for a solution.

BUFFY

Yeah. Guys, the dean's house is up past the gym. And hurry-- dinner's in an hour!

SPIKE

Hey, when do I get fed?

BUFFY

Later. I hope the others are okay.

SPIKE

You know what happens to vampires who don't get to feed?

BUFFY

I always wondered that. Giles, plates.

SPIKE

Living skeletons, mate. Like famine pictures from those dusty countries, only not half as funny.

BUFFY

You can have gravy. That has blood in it, right?

SPIKE

Do you know what else has blood in it? Blood.

BUFFY

Do I have to gag you? Because I am not going to listen to you whine all the way through my dinner. It's going to be a nice, quiet, civilized--

Suddenly an arrow pierces the decorative scarecrow on the table. Buffy's head snaps up and she sees Hus in the window with a long bow.

BUFFY

You. Listen, maybe I wasn't clear before about how terrible we all feel. 'Cause we're trying to help.

SPIKE

What's going on?

GILES

It isn't working.

BUFFY

You can have casinos now.

GILES

Get down!

Giles and Buffy crouch behind the table as arrows rain through the window.

SPIKE

What about me? You going to leave me here like this?

An arrow buries itself in Spike's chest. He looks down at it, angry.

SPIKE

Hey! Watch the heart!
CUT TO:

EXT. UC SUNNYDALE-- DEAN'S HOUSE-- NIGHT

Willow, Anya and Xander leave the dean's house, looking terribly chastened.

ANYA

Well, that was a waste of time.

XANDER

I think he thought we were crazy.

WILLOW

Maybe if Anya hadn't opened the conversation with, "Everybody got both ears?"

ANYA

I liked his wife. She gave me pie.

WILLOW

So what do we do now?

XANDER

We could stay here and stand watch or I just don't--

He breaks off in shock as Angel suddenly appears in front of them from behind a copse of trees.

ANGEL

Willow.

XANDER

Angel?

ANYA

So this is Angel. He's large and glowery, isn't he?

XANDER

He's evil again.

ANGEL

I'm not evil again. Why does everyone think that?

WILLOW

(to Xander)
Angel's here to protect Buffy.

ANGEL

I haven't been evil for a long time.

WILLOW

She's not supposed to know he's here. Angel, do you have something new?

ANGEL

Yeah. All the Chumash weapons are missing from the Cultural Center. Something's up. Where's Buffy?

WILLOW

Still at Giles'. She sent us to check on Dean Guerrero.

ANGEL

Why the dean?

WILLOW

We think he's going after someone in charge. A leader?

ANGEL

He's a warrior. To a warrior, the leader means the strongest fighter.

WILLOW

Buffy!

ANGEL

He's formed a raiding party.

WILLOW

We gotta get over there.

ANGEL

I'll call her. You get back fast.

He bends over and snaps the chain lock on a nearby bicycle for Willow.

CUT TO:

INT. GILES' APARTMENT-- NIGHT

The phone rings and Giles picks it up.

GILES

Hello? Yes... yes, we're well aware of that. We're under siege now, actually. Thank you.

BUFFY

Who was that?

GILES

Someone. We need a plan.

BUFFY

Yes, let's talk about it some more. Where's your weapons chest?

Giles points at a heavy trunk across the room.

GILES

Over there.

Buffy scuttles over to the chest and is immediately shot in the arm by an arrow. She yelps in pain and falls to the floor.

GILES

Buffy!

Spike is now riddled with arrows. He looks like a human pincushion.

SPIKE

Remember that conquering nation thing? Forget it. Apologize.

BUFFY

Shut up, Spike.

SPIKE

Fine, I'll do it myself. Hey, sorry. Sorry about that, chief.

BUFFY

(to Giles)
How many?

GILES

The leader upstairs. Two by the living room windows, one through the window by the door.

BUFFY

It's too many. We need help.

SPIKE

Okay, one... two... three. Ow! Bloody hell! Oh!

BUFFY

Giles, these guys... they don't die.

She turns to find Giles struggling with a warrior who has him by the neck.

GILES

Bit busy over here.

Spike topples sideways in his chair.

SPIKE

Hey!
CUT TO:

EXT. GILES' APARTMENT-- COURTYARD-- NIGHT

Angel, Willow, Anya and Xander run into the courtyard and are immediately set upon by the Indian warriors. Willow picks up a shovel and whacks one of the spirit warriors in the head with it, to no effect. She keeps hitting him, punctuating her words with each blow.

WILLOW

Why... don't... you... die?

Angel seizes the other Indian by the head and snaps his neck with one fluid and incredibly violent twist. Anya stares at him, shocked.

ANYA

What's he like when he's evil?

Angel struggles as he's seized from behind by the Indian he just killed.

ANGEL

(to Willow)
Help the others!
CUT TO:

INT. GILES' APARTMENT-- NIGHT

Buffy fights with Hus. She knocks his ceremonial dagger from his hand and picks it up, slicing him across the forearm. Blood wells up from the wound and Buffy suddenly understands.

BUFFY

Your knife can kill you.

Suddenly, to Buffy's shocked surprise, Hus transforms into a huge Kodiak grizzly bear.

BUFFY

A bear!

SPIKE

You made a bear!

BUFFY

I didn't mean to.

SPIKE

Undo it! Undo it!

Xander rushes in, sees the bear and starts throwing food at it.

XANDER

Hey, Gentle Ben, over here. That's for giving me syphilis.

While the bear is distracted by Xander, Buffy charges it and stabs it in the back. The bear rounds on her with a mighty roar, then topples over, dead. As Hus dies, the other spirit warriors vanish into mist as well.

SPIKE

What happened? Did we win?
CUT TO:

Later. Everyone is gathered around the table eating Thanksgiving dinner.

WILLOW

I feel lousy.

GILES

Turkey came out rather splendidly.

BUFFY

Oh, it was yummy.

WILLOW

It's just... did you see me? Two seconds of conflict with an indigenous person and I turned into General Custer.

GILES

Violence does that. Instinct takes over.

SPIKE

Yeah, that's the fun.

BUFFY

Nobody asked you.

SPIKE

Oh, lay off. You all had a fine meal.

WILLOW

But me... an entire siege.

SPIKE

You'd think one of you would bleed a little.

GILES

Good work, Buffy... on both counts.

BUFFY

Thanks.

GILES

Well, you know, you should be very pleased.

BUFFY

Wasn't exactly a perfect Thanksgiving.

WILLOW

I don't know. Seemed kinda right to me. A bunch of anticipation, a big fight and now we're all sleepy. And we did all survive.

BUFFY

I guess that much is true.

BUFFY

First Thanksgiving on my own and we all got through it.

XANDER

(to Anya)
And you know what? I think my syphilis is clearing right up.

BUFFY

And they say romance is dead. Or maybe they just wish it.

WILLOW

Well, maybe we started a new tradition this year. (off everyone's look) Maybe not. But at least we all worked together. It was like old times.

XANDER

Yeah, especially with Angel being here and everything.

Dead silence as everyone freezes at the mention of Angel and turns to Buffy for her reaction.

FADE TO BLACK
END