Goodbye, Iowa

[Transcript of "Buffy The Vampire Slayer" episode Goodbye, Iowa at buffyology.com.]

Prologue

INT. GILES' APARTMENT-- DAY

BUFFY relates her experience at Walsh's hands to GILES, WILLOW, XANDER, ANYA and SPIKE.

BUFFY

So Maggie sends me down into the sewers with one of those blasto guns and the next thing I know, it's raining monsters.

XANDER

Hallelujah.

BUFFY

And then this gate slams down behind me and I try to use the gun but it goes pfft.

GILES

You're saying that Maggie Walsh set you up?

BUFFY

That's exactly what I'm saying. She sent me on a one-way recon.

SPIKE

Got to hand it to you, Goldilocks-- you do have bleeding tragic taste in men. I've got a cousin married to a regurgitating Froglocs demon that's got better instincts than you.

BUFFY

What does my taste in men have to do with this?

SPIKE

You think Riley was out knitting booties for your future offspring while Maggie was stringing you up?

None of the others objects to Spike's characterization of Riley; Anya, Xander and Giles are silent.

BUFFY

You guys think Riley had something to do with this?

GILES

Probably not but we'd be remiss if we didn't think of all the possibilities.

BUFFY

Right. Remiss. (beat) No! No, Maggie made sure that he was nowhere around when she sent me on this very special make- Buffy-dead assignment.

WILLOW

Plus Riley-- he seems like he wouldn't tell a little white lie let alone a whole bunch of big dirty ones.

XANDER

That's why they call it the secret forces, Will, 'cause they kinda keep the whole lying thing to themselves.

BUFFY

All I know is that Maggie has it in for me which means the Initiative has it in for me.

XANDER

I'm guessing the mad scientist isn't too keen on the fact that the entire Scooby gang knows that the Initiative is up to no good.

BUFFY

Which brings us back to the "not safe for any of us" concept.

GILES

What could have happened to make Professor Walsh want to kill you?

BUFFY

I don't know. She wasn't keen on the fact that I was asking a lot of questions, that's for sure.

ANYA

So you were getting too close to something.

GILES

Clearly. Although one can only imagine what she'd be so desperate to hide.
CUT TO:

EXT. SUNNYDALE-- FOREST-- DAY

All is quiet save the peaceful sounds of birds and other forest noises. Pan to a concrete access tunnel just visible in the side of the hill. It doesn't look as if it's been used for some time. The metal doors screech as they open from the inside.

CU on a pair of combat boots walking down the steps from the entrance. Pan up to reveal ADAM, legs clad in camouflage commando pants, the left leg sporting a metal brace (jointed at the knee) from ankle to mid-thigh. He's not wearing a shirt, and his flesh is a jigsaw of different skin types. An electronic metal plate covers the left side of his chest. His face is mostly scaly and green except for the patch of pale human flesh around his ear and blue right eye. His left eye glows a demonic red. His short hair is a normal brown, but a metal plate frames the left side of his face and wraps around the back of his head.

Having escaped from the Initiative, Adam stands for a moment, taking in his surroundings, then smiles and moves off through the forest.

Opening credit sequence.

ACT I

INT. GILES' APARTMENT-- DAY

Buffy takes charge.

BUFFY

Everybody grab a weapon. We've gotta move.

Buffy hands Xander an axe and Anya a grappling hook.

XANDER

Storm the Initiative. Yeah, let's take on those suckers.

BUFFY

I was thinking more that we'd hide.

XANDER

(relieved)
Oh, thank god.

GILES

I think perhaps we should talk about this.

BUFFY

We need to relocate someplace where we're less likely to be found. We need to come up with a plan.

WILLOW

We could go to my place.

BUFFY

The Initiative guys know how close we are. They'll automatically check the places that you hang out. Xander, what about your basement? The guys haven't seen us together that much and there's enough room.

WILLOW

Oh, plus mirror ball!

XANDER

Cool! Come on down and boogie at Xander's hideaway.

ANYA

(not pleased)
Yes, come boogie.

GILES

Absolutely not! I will not squat in that dank hole.

SPIKE

What? It was good enough for me but you're above it all?

GILES

Precisely. Besides I don't see why we can't stay right where we are. It's very unlikely that those Initiative boys are going to come round here to look for--

The door bangs open and RILEY enters.

RILEY

Buffy! God, Buffy are you okay? What happened?

BUFFY

You know?

RILEY

I know something went down. Tell me.

BUFFY

Maggie tried to kill me.

ANYA

It didn't work but they're all upset anyway.

RILEY

Okay, listen I need you to go over everything step by step. There has to be... has to be some kind of mistake.

XANDER

There was no mistake. And how do you know something happened?

RILEY

I was on a mission but I came back and... I'm not sure. Look let's just keep her heads and not jump to any--

Riley stops and stares at Spike.

BUFFY

What?

RILEY

That's Hostile 17.

SPIKE

(fake accent)
No, I'm just a friend of Xander's. (beat, drops accent) Bugger it. I'm your guy.

BUFFY

This is Spike. He's... it's a really long story but he's not bad anymore.

Spike takes issue with that.

SPIKE

Hey! What am I, a bleedin' broken record? I'm bad, it's just I can't bite anymore. (to Riley) Thanks to you wankers.

RILEY

(to Buffy)
We've been looking all over the place for him but you've known where's he's been all along?

BUFFY

It's not like that.

RILEY

Then what is it like? What's he doing here?

SPIKE

Leaving you swabs to your dramatics, thanks. I've got my stories on the telly for that.

Spike shrugs on his duster and heads for the door.

SPIKE

(to Riley)
By the by, if you're trying to kill her...

He smiles and gives Riley a big thumbs up. Buffy and Willow roll their eyes as Spike runs out the door into the sunlight covering his head and arms with his coat.

RILEY

Buffy, what is this? You're hiding an HST?

XANDER

Why don't you just back off and let her ask the questions, Jack? Your boss just tried to make monster food out of her.

Riley looks around but sees from everyone's expressions that it's not a friendly room.

RILEY

I didn't see much, I wasn't there. All I know is that Professor Walsh told me you were dead but then I saw you on the monitors. Look, this isn't Professor Walsh. There must be something making her act this way. Something... I don't know... controlling her.

GILES

We think Buffy may have been becoming too inquisitive, that she was getting close to something that Professor Walsh was trying to hide. Do you have any idea what that might be?

BUFFY

What about 314? Maybe that's it.

RILEY

Maybe she was trying to test you. What if it was only a drill?

BUFFY

Then why did she tell you I was dead? Riley, it wasn't a test.

GILES

I've heard rumors that the Initiative isn't all that we've been told. That secretly they're working toward some darker purpose, something that might harm us all.

RILEY

No! That's not what happens there. I would know.

BUFFY

Riley, no one is sure of anything, okay? We were just trying to sort it out.

RILEY

I can't be here. I'll sort it out on my own.

BUFFY

Riley...

RILEY

No. Just... I'm sorry.

Flustered, Riley abruptly leaves.

CUT TO:

EXT. SUNNYDALE-- FOREST-- DAY

A small BOY, perhaps 7 to 9 years old, plays with an action figure-- kind of a Transformer, man-to-machine type toy. Adam comes upon the boy and approaches him. When the boy sees Adam, he doesn't seem frightened at all, despite Adam's horrific appearance.

ADAM

What am I?

BOY

You're a monster.

ADAM

I thought so. (beat) What are you?

BOY

Me? I'm a boy.

ADAM

A boy. How do you work?

BOY

I don't know. I just do.

The boy points to the bone spur protruding from Adam's wrist.

BOY

What's that for?

Adam raises his wrist to look at the skewer, almost as if he'd forgotten about it. Then looks back at the boy and smiles.

CUT TO:

EXT. UC SUNNYDALE-- MAIN CAMPUS-- NIGHT

Riley wanders the campus, confused and trying to sort out his conflicting feelings and loyalties.

CUT TO:

INT. THE INITIATIVE-- LAB 314-- NIGHT

DR. ANGLEMAN enters the darkened lab. He flicks the light switch several times but nothing happens.

ANGLEMAN

Dr. Walsh?

Angleman closes the door slowly.

ANGLEMAN

Adam?

As Angleman cautiously makes his way through the lab, he slips and falls on something wet. As he sits up, he notices blood on his hands and follows the trail to a body lying face down nearby. Horrified, he scrambles backward, away from Professor Walsh's corpse.

CUT TO:

INT. HARRIS HOME-- XANDER'S BASEMENT-- MORNING

CU on the mirrored disco ball hanging from Xander's ceiling. Cartoon sounds come from a TV o.s. Reflected light from the ball strikes Giles in the eye waking him. He's sleeping on an inflatable plastic chair.

Pan past a makeshift curtain to Willow, Anya and Buffy in bed watching Saturday morning cartoons. Wile E. Coyote lets a wrecking ball fall toward the Roadrunner. The ball misses the Roadrunner and instead of stopping halfway up, continues in a full circle, taking out Wile E. Coyote.

BUFFY

That would never happen.

WILLOW

Well, no Buff. That's why they call them cartoons, not documentaries.

Giles staggers in and turns off the TV.

GILES

Must we have the noise? My head is splitting.

WILLOW

Well, look who's cranky bear in the morning.

GILES

Yes, I can't imagine why I didn't sleep well in my beach ball.

ANYA

Every time you moved it made squeaky noises. It was irritating.

GILES

Really? I'm surprised you could hear it over your Wagnerian snoring.

BUFFY

Okay, you guys, could we not, please? Everything's screwed up enough without you two doing "Scenes From my Parent's Marriage".

ANYA

(to Giles)
Sorry.

GILES

(to Anya)
Sorry.

BUFFY

Thank you.

WILLOW

It'll be okay, Buffy. Riley's just confused, that's all.

BUFFY

I don't know. It just seems like things could get heavier. His whole world's falling apart.

ANYA

And after everything you've been through with Angel. You know, you really should get yourself a boring boyfriend. Like Xander. (beat) You can't have Xander.

BUFFY

That was the idea. Riley was supposed to be Mr. Joe Guy. We were going to do dumb things like hold hands through the daisies going tra-la-la.

WILLOW

Poor Buffy. Your life resists all things average.

ANYA

So dump him. But you can't have Xander.

BUFFY

I'll try and remember that. It's too late anyway. I'm already at the "I hurt when he hurts, I smile when he smiles" stage.

ANYA

I hate that part.

BUFFY

I'll just have to make it work.

Xander rushes down the stairs carrying a breakfast tray with orange juice and some food.

XANDER

Turn on the TV. Now!

Willow jumps up and does as he says. The cartoons have been interrupted for a news brief.

TV ANNOUNCER

Sunnydale is still reeling from news of the crime. A source in the coroner's office tells us that the boy was stabbed with what looks like some kind of large skewer and his body was then mutilated. Police have not named a suspect and the killer is still at large.

No one says anything for a moment, taking in the horrifying news.

BUFFY

The Polgara demon had a skewer in its arm. That's the one that Maggie insisted we bring back alive.

GILES

She must have sent it after you.

BUFFY

And it got distracted. God...

WILLOW

Buffy, its not your fault. How could you know?

GILES

She's right. You mustn't blame yourself.

BUFFY

I'm not going to. I'm going to the crime scene to see what I can find out. You guys research the Polgara demon. I want to know where it is. When I find it, I'm going to make him pay for taking that kid's life. I'll make him die in ways he can't even imagine.

Everyone looks at her in an almost-amused way. She stops and looks down at herself.

BUFFY

That probably would have sounded more commanding if I wasn't wearing my yummy sushi pajamas.
CUT TO:

INT. LOWELL HOUSE-- COMMON AREA-- DAY

Riley walks up the stairs. FORREST sees him and catches up.

FORREST

Hey, where've you been all night? Well, congratulations. I see you and Buffy have finally gotten past the shy phase.

RILEY

I wasn't with Buffy. I had to be alone, think some things through.

FORREST

What things?

Riley motions Forrest into his room and closes the door behind them.

FORREST

This is mighty ominous. What's up man?

RILEY

Professor Walsh tried to have Buffy killed.

FORREST

What? Did Buffy tell you that? I mean, do you have any proof?

RILEY

I saw enough to know it's true.

FORREST

I don't get it. Why?

RILEY

I don't know. Buffy thinks that she's getting too close to something-- that Professor Walsh has some secret.

FORREST

I wouldn't put it past Buffy to get on Professor Walsh's bad side. She tends to put her nose where it doesn't belong.

RILEY

What?

FORREST

She's a pain. Always wanting to know "why this" and "why that".

RILEY

And you're saying she should die because of that?

FORREST

I don't know. Maybe Professor Walsh found out that Buffy was up to something bad. That ever cross your mind?

RILEY

Why does it bug you so much that I'm hanging with her? Is it because she's a better soldier than you?

FORREST

It bugs me that she's using you to infiltrate our operation.

RILEY

So you saying that she's a spy? You're crazy.

FORREST

Riley, think about it. The professor's not stupid. If she tried to kill Buffy, maybe Buffy needed killing.

GRAHAM enters, looking extremely shaken.

GRAHAM

Guys.

RILEY

Not now, Graham.

He doesn't move.

FORREST

What is it?

GRAHAM

Professor Walsh is dead.
FADE OUT

ACT II

INT. THE INITIATIVE-- LAB 314-- DAY

Riley arrives as two scientists kneel over Walsh's body. Sentries stand guard. Forrest arrives moments later.

FORREST

Look at that wound. She's been staked, wouldn't you say, brother?

RILEY

What?

FORREST

Only one person I can think of who could do something like that.

RILEY

You better not be saying what I think you're saying. We don't know a person did this. The Polgara demon has skewers.

Riley stalks off. Forrest grabs him.

FORREST

No way, man. That's your girlfriend's m.o.

Riley grabs Forrest's shirt.

RILEY

That's a serious accusation. You better be ready to deal with the consequences.

Forrest shoves Riley back.

FORREST

Bring 'em on. That supernatural freak has blinded you and I'm sick of it.

RILEY

That's enough!

ANGLEMAN

Stand down, Finn. Show some respect. Listen, everybody's upset but arguing isn't going to help anything and it's certainly not what Professor Walsh would want.

RILEY

No, sir.

ANGLEMAN

All right, good. Now, Washington is sending in a team to do an internal investigation. I've been told we have to wait for their word.

RILEY

What do you mean wait? This has to be the work of the Polgara demon we captured last week.

ANGLEMAN

Probably. It looks like last night the Polgara escaped through tunnel 72.

RILEY

It's out loose somewhere?

ANGLEMAN

I'm afraid so.

RILEY

Then we have to go after it.

ANGLEMAN

My orders from Washington are for a total lockdown until they arrive. I'm sorry. Now return to your quarters. There's nothing you can do here.
TIME CUT TO:

Later. Riley and his team, alone.

RILEY

Listen, Angleman can talk all he wants but I'm still in charge till the brass gets here and tells me otherwise and I say we've got a demon to hunt. Now suit up for armed patrol and by that I mean loaded guns, men. Target practice is over. We're going for blood.
CUT TO:

INT. SUNNYDALE CEMETERY-- SPIKE'S MAUSOLEUM-- DAY

The Initiative searches the cemetery for the Polgara. Forrest and Graham enter Spike's crypt and take note of the signs of habitation.

FORREST

Somebody's been staying here.

GRAHAM

What do you think, a homeless guy?

FORREST

Could be... or a squatter of the demon variety.

GRAHAM

Not the Polgara.

FORREST

Who cares? I see a demon, it dies.

Graham puts his hand on the TV set.

GRAHAM

It's warm.

Their attention settles on the crypt in the center of the room. They each take a side and lift the heavy stone lid off and slide it to the floor. They look inside but find nothing but an ancient moldering corpse.

FORREST

Damn.

They turn to leave and Forrest smashes the butt of his gun through the television screen in frustration on the way out.

FORREST

Animals!

After the soldiers are gone, Spike peeks out from beneath the corpse, sighing with relief.

CUT TO:

EXT. SUNNYDALE-- WILDERNESS-- DAY

The crime scene, surrounded by yellow police tape. Buffy watches from a distance as the young boy's covered body is wheeled away. She turns as Riley walks up behind her, dressed in his military uniform.

RILEY

Buffy, hey.

BUFFY

Hey. Look, I'm sorry about earlier. I know that everyone came on pretty strong. And the Spike thing isn't as tweaked as it looks. Okay, maybe it is but there's an explanation that almost makes sense. (Riley says nothing) Hello? I'm apologizing here and I think that's pretty big of me considering I'm the one who was almost made a demon sandwich. (no response) This is the part where you throw me a bone.

RILEY

Maggie's dead.

Buffy is shocked

RILEY

Happy now?

BUFFY

How can you ask me that? Of course I'm not happy. What happened?

RILEY

That's classified.

BUFFY

Classi-- the Polgara. It got her and escaped. Didn't it?

She takes his silence as confirmation.

BUFFY

I'm going to find it. I'm going to find it and destroy it. And then you can stop asking me how happy all this death makes me.

She turns and heads off.

CUT TO:

INT. UC SUNNYDALE-- WOMEN'S DORM-- TARA'S ROOM-- DAY

TARA opens her door in response to Willow's knock.

WILLOW

Howdy.

TARA

I just got your message a minute ago. I was in class but I was about to call you.

WILLOW

I had so much fun the other night, those spells.

TARA

Yeah, that was nice.

WILLOW

I hope you don't think that I just come over for the spells and everything. I mean, I really like just talking and hanging out with you and stuff.

TARA

I know that. But you want to do a spell.

WILLOW

Yeah, but only because it's really important. There's this--

TARA

No, you don't have to explain. I don't mind, really. I've been thinking about that last spell we did... all day.

WILLOW

You have?

TARA

Mmm-hmm.

WILLOW

Well this one should be really fun, too. We conjure the Goddess Thespia to help us locate demonic energy in the area.

Tara suddenly loses her enthusiasm.

TARA

The Goddess Thespia. Are you sure we're ready for that?

WILLOW

You and me? This is beneath us.

TARA

(unsure)
Okay. If you say so.
CUT TO:

INT. WILLY'S PLACE TAVERN-- DAY

WILLY cringes when he sees Buffy enter but signals her to move to the end of the bar. Various vampires and demons drink and carouse around her.

WILLY

You're killing me here.

BUFFY

Oh, missed you, too. Joint's jumping.

WILLY

Yeah. Y'know, I'm making some changes with my life. Getting away from my old image.

BUFFY

You mean as a double-dealing snitch.

WILLY

I know you're going think I'm blowing smoke but after those Apocalypse demons nearly did me in I had an experience of the spiritual variety.

BUFFY

That's swell, really. But I need to know if you've heard anything about a Polgara demon doing some killings in the last few days.

WILLY

You see, that's the thing. I don't talk behind people's backs no more. And I'm bringing some class to the joint, y'know. It's Willy's Place now, see. (indicates sign behind him) Brings in a better clientele. I got one of those deep fryers. These demons just go crazy for chicken fingers. Look, if they see me dealing with you, then I'm just the same old Willy working both sides of the street.

BUFFY

I'm going to have to punch you aren't I?

WILLY

Just once and it don't have to hurt. Just make it look good.

Buffy cocks her arm and Willy recoils, yelling in pain.

BUFFY

Not yet! I haven't touched you.

WILLY

Sorry, right, right. Go ahead. Wait. (loud) No! I can't talk to you!

Buffy punches him and she doesn't seem to have held back. Willy cries out in real pain this time and holds his nose.

BUFFY

What have you heard about the Polgara?

WILLY

Heard there was one around a week or two back. Word was you got him. You and those Army guys.

BUFFY

And that was the last you heard?

WILLY

Yeah, as far as I know he's off the streets.

BUFFY

What about those Army guys? What do you know? You heard anything about 314?

Riley suddenly walks in, surveying the place. Buffy turns to him, annoyed.

BUFFY

What are you doing here? Following me?

RILEY

You told me you were tracking the Polgara demon. I thought I'd help. But now I see you're not hunting demons, you're socializing with them... again! I thought you were supposed to be killing these things not buying them drinks.

BUFFY

Oh, that's smooth, Officer Riley. They teach you those undercover moves in the Special Forces?

RILEY

No, I'm serious, Buffy. What are you doing here?

WILLY

Just cooling her dogs like the rest of us. Why don't you sit down, relax?

RILEY

(to Buffy)
I want you to tell me. Who are you?

WILLY

No kidding. How about I get you some chicken fingers on the house?

RILEY

(to Willy)
Hey, think you could shut up?

WILLY

Look, I'm just saying--

RILEY

I said shut up! Or maybe you'd like to go back to the lab with me. I'm sure the coats would love to classify a... whatever you are.

BUFFY

Leave him alone, Riley. He's human.

RILEY

So he's human.

Buffy suddenly notices that Riley is trembling and sweating profusely.

BUFFY

You're shaking.

RILEY

He just harbors demons. Which makes him a good guy like you?

Riley grabs Buffy by the arms.

RILEY

The truth, Buffy. Now!

BUFFY

You have the truth. You are just too screwed up because of what happened to Professor Walsh to see it. Now let go of me.

Buffy breaks his grip as a spooked OLD WOMAN gets up to leave.

RILEY

Hold it, you!

Riley turns with drawn pistol pointed at the woman. The semi-auto wavers in his hand.

RILEY

No leaving until I say so!

WILLY

Hey! We got new rules here. No killing.

RILEY

Right. Except rules don't seem to apply much these days, do they? Like if I shot you right now, I don't know if I'd have a corpse on my hands or one pissed off vampire.

BUFFY

Riley...

RILEY

I mean who do you believe? First it sounds like lies, then it sounds like truth.

The old woman starts crying. Finally, Riley lowers the gun and dumps it on the bar, smashing glasses. Riley trembles and Buffy steps closer.

RILEY

What's happening to me?
FADE OUT

ACT III

INT. HARRIS HOME-- XANDER'S BASEMENT-- DAY

Riley sits on the bed holding his head in his hands. The makeshift curtain is closed to allow some privacy. Buffy sits next to him and puts a blanket around his shoulders.

BUFFY

Riley, why don't you lie down? You'll be more comfortable.

Riley shakes and scratches his hand bloody. Buffy holds his hands apart.

BUFFY

Stop it.

RILEY

I can't. It's like something's growing inside of me.

BUFFY

No. You're hurting yourself, okay? Shhh.

Buffy takes off her scarf and wraps it around his hand.

RILEY

I thought I knew but I don't. I don't know anything.

BUFFY

(soft)
Sshhh. You're sick. Once you get some rest...

RILEY

No, Buffy. I don't know... anything. I don't know what's going on. Who the bad guys are. Maybe I'm the bad guy. Maybe I'm the thing you should kill.

BUFFY

No! Don't you even think that.

She strokes Riley's cheek.

BUFFY

Okay, listen to me. You're sick. You just need to get some sleep. Please. Lie down for me. Come on.

Riley curls up in a fetal position, shaking. Buffy strokes his forehead.

BUFFY

It'll be okay.

Riley seems to calm down somewhat and he falls into a troubled sleep. Buffy exits through the makeshift curtains where the others are waiting.

GILES

How is he?

BUFFY

It isn't just grief making him act this way. Something's affecting him physically and its getting worse.

ANYA

Do you think Professor Walsh did something to him?

BUFFY

I don't know but I'm ready to find out.

XANDER

That's going to be tough, what with Maggie's deadness and all.

BUFFY

She must have kept records somewhere, about Riley, about 314, about all of it. And I'm sure she wasn't the only person that knew what she was up to.

XANDER

So what's the plan?

BUFFY

Giles, Anya, keep researching. Xander, you and I are going undercover.

ANYA

Hey, remember before? No Xander! Not in a boyfriend way or a "lead him to a certain death" way.

BUFFY

He's the only one with military experience.

ANYA

It's not like he was in the 'Nam. He was G.I. Joe for one night.

XANDER

It's okay, Anya. I've backed up Buffy before.

ANYA

Can't you do something else to help them? Like Xerox handouts or something?

XANDER

I'll be careful. Promise.

GILES

It's a minor point but how do you plan to get into the Initiative? I'm sure their security system's almost impenetrable.

BUFFY

I have my clearance. I'm hoping she didn't have time to revoke it.

GILES

Okay, as to the whereabouts of this Polgara demon... I'm afraid we've not turned up much. There's been no reports since its original capture.

BUFFY

Then we'll just have to keep looking.
CUT TO:

INT. UC SUNNYDALE-- WOMEN'S DORM-- TARA'S ROOM-- DAY

Twine stretches across the floor in the shape of a square, its points held down by four different-colored crystals. Pull back to reveal Willow and Tara sitting across from each other, the magickal symbol between them.

TARA

So the square is Sunnydale?

WILLOW

Right, it's like a map. We both take different parts of the potion and when we do the incantation, we both blow it onto the square at the exact same time.

TARA

But how does it work?

WILLOW

Well, that's the cool part. When the potion mixes and Thespia is called, it creates this mist over the parts where the demons are. It even makes different colors for different breeds.

TARA

Wow.

WILLOW

You ready?

Tara nods. Willow pours some green powder into Tara's hand, then some white powder into her own hand.

WILLOW

Let's do it.

Willow closes her eyes and Tara does the same.

TARA

Thespia, we walk in shadow, walk in blindness. You are the protector of the night.

WILLOW

Thespia, goddess, ruler of all darkness, we implore you... open a window to the World of the Underbeing.

Still with her eyes shut, Willow sharply blows the powder into the square. Tara blows across her hand also but keeps her fist closed to prevent the powder from escaping. Making sure that Willow is not looking, Tara surreptitiously dumps her powder under the bed.

WILLOW

With your knowledge, may we go in safety. With your grace, may we speak of your benevolence.

Willow opens her eyes and is disappointed to see that nothing has happened.

WILLOW

Or not.
CUT TO:

INT. LOWELL HOUSE-- CORRIDOR-- DAY

Buffy wears glasses with her hair up in a bun and carries a white cloth bag. Xander is dressed in green military fatigues.

XANDER

Seems pretty quiet.

BUFFY

It usually is this time of--

A man rushes past them but takes no notice. Relieved, Buffy touches the panel hidden in the wall and then stands in front of the full length mirror. Xander doesn't realize what she's doing and walks up next to her.

XANDER

Buff, maybe you should check the look later.

BUFFY

Shhh.

Buffy quickly shoves him back across the hall.

XANDER

Oww! What'd you do that for?

BUFFY

Sorry. I'm the only one that can pass the retinal scan.

Xander obviously misunderstands again.

XANDER

The-- ewww. I don't want to see that.

BUFFY

Retinal scan, Xander. (beat) Well, we'll know in a few seconds if my clearance is still good.

XANDER

Or if we're about to die at the hands of fifty grief-filled military goons.

COMPUTER VOICE

Retinal scan recorded. Summers, Buffy.

The mirror slides to the side and the elevator opens. Buffy steps in and Xander tentatively follows.

XANDER

Why am I not entirely comforted by the arrival of the man-sized microwave?

The elevator descends and they exit as the doors open.

INT. THE INITIATIVE-- MAIN COMPLEX-- DAY

Xander is as amazed as Buffy was the first time she saw the depth and breadth of the Initiative's operation.

XANDER

Holy moley!

BUFFY

I know.

XANDER

I totally get it now. Can I have sex with Riley, too?

Buffy shoots Xander a withering look and leads him down the stairs toward the main floor level. Two scientists climb the stairs toward them and Xander panics and wraps Buffy up in his arms.

XANDER

Quick! Pretend to make out with me.

She pushes him off her.

BUFFY

What?! What are you talking about?

XANDER

Well, you know. In the movies the guy and the girl have to hide...

BUFFY

Please! Could you possibly draw more attention to us?

Buffy looks down at her clipboard as the two scientists pass them without incident.

BUFFY

This is the Initiative, Xander. Military guys and scientists do not make out with each other.

XANDER

Well, maybe that's what's wrong with the world. Ever think about that?
CUT TO:

INT. HARRIS HOME-- XANDER'S BASEMENT-- DAY

Willow briefs Giles and Anya regarding her lack of success with the spell.

WILLOW

It totally failed. It wasn't even like the spell went wrong. It just wouldn't.

GILES

If it's any consolation, we haven't fared much better here.

WILLOW

Really? Is Riley okay?

GILES

Well, he's asleep finally but he doesn't look good. And the research is troubling as well. I mean, this demon we're after seems highly atypical for a Polgara. The child that it killed was mutilated. There's no recorded cases of a Polgara ever having done such a thing.

ANYA

Also the Polgara have to eat every two hours. Factor in the low IQ and you have a demon who's not exactly low profile.

WILLOW

So how has he been hiding in Sunnydale for the last two days without anyone seeing him?

GILES

Exactly.

Willow pulls back the curtain surrounding the bed. Riley stands right there, no longer lying down. He still does not look well at all.

WILLOW

Riley!

RILEY

Where's Buffy?

WILLOW

She went out. Can I get you something?

RILEY

Just tell me where she is.

GILES

You're not well, Riley. You need to rest.

Riley puts on his boots.

RILEY

Did she find the Polgara? Is that it?

GILES

Well, no. We're still looking.

RILEY

Well, what?

WILLOW

She went to find out what's making you sick.

RILEY

I'm not sick. Are you're telling me she went to the Initiative?

Riley goes to grab his stuff.

WILLOW

Riley, she's just trying to help you.

Willow moves between Riley and the stairs.

RILEY

She doesn't belong there.

WILLOW

Riley, listen--

RILEY

Stand away from the stairs.

WILLOW

No! You're going to get Buffy killed.

Riley violently shoves Willow out of his way and she falls to the floor.

GILES

Hey!

Riley stalks up the stairs as Giles and Anya run to help Willow up.

GILES

You all right?
CUT TO:

INT. THE INITIATIVE-- CORRIDOR-- DAY

Buffy and Xander eavesdrop on a conversation between Angleman and another scientist.

ANGLEMAN

How many of the men are still out? The longer they go without their meds--

SCIENTIST

Everyone's off their schedule because of the professor's death.

ANGLEMAN

It's dangerous. I don't want to think about the damage our guys could do under the stress of withdrawal, especially since they won't understand what's happening to them. These guys don't know they've been getting meds in their food so we better get them in here stat.

SCIENTIST

We've located all but a few. The last ones were in pretty bad shape but we stabilized them.

ANGLEMAN

But Finn wasn't one of them, right?

SCIENTIST

No.

ANGLEMAN

Find him. He's the one I care about. He's too important to our work to lose now.

SCIENTIST

Indeed.
CUT TO:

INT. WILLY'S PLACE TAVERN-- NIGHT

Spike strolls in and throws some money on the bar.

SPIKE

Double shot of O-neg, keep. Make it the good stuff... don't want no freaking orangutan.

WILLY

Got ya.

SPIKE

Been a real pisser of a day, hasn't it? Those Army blokes are on a tear. They ran me out of my place and all over town.

A demon hand lands on Spike's shoulder and Spike turns toward the creature.

SPIKE

Yeah? What's that?

Spike hits the floor as the demon decks him in the head.

CUT TO:

INT. THE INITIATIVE-- CORRIDOR-- DAY

Resume.

ANGLEMAN

Keep me posted. I'll be in Records.

Angleman swipes his keycard and enters a secure room. Buffy waits until the last second, then slips her clipboard into the closing door before it latches. She rushes up behind Angleman, spins him around and seizes him by his lab coat, pulling him close.

BUFFY

Now I don't generally like to kill humans but I've learned that it pays to be flexible in life.

ANGLEMAN

I was wondering when you'd turn up.

BUFFY

Oh, darn! So this isn't a surprise? Now you can tell me what you did to Riley and after that we can take a tour of room 314.

ANGLEMAN

Somebody's coming, you know. I'm sure they've already seen you on the security monitors.

Riley rounds the corner.

RILEY

Monitors are non-functional at this time, sir. Went down about ten minutes ago.

BUFFY

What? I didn't do that.

XANDER

Thank god for small favors and we'll worry about the details later-- huh, Buff?

ANGLEMAN

Finn, take this girl to the stockade immediately.

BUFFY

Riley, he can tell us what we need to know. (to Angleman) Maggie wanted me dead, didn't she?

ANGLEMAN

She did. (to Riley) But understand, the Initiative has no interest in eliminating the Slayer. (to Buffy) It was her own vendetta.

BUFFY

Why? Spell it out for me! I feel an attack of dumb blonde coming on.

ANGLEMAN

I don't know.

Buffy tightens her grip.

BUFFY

Well, think harder!

ANGLEMAN

It was the project.

BUFFY

Project? 314.

ANGLEMAN

It... it escaped.

RILEY

That's enough! You're making her sound like some psychopath. She wasn't like that. She was a brilliant woman.

ANGLEMAN

She was. It's not--

RILEY

All she was doing was trying to help people and this is the way you want them to remember her!

BUFFY

Angleman said Walsh was feeding you drugs.

Riley is still sick and feverish. He lurches to within arm's reach as Buffy lets Angleman go.

RILEY

(to Buffy)
You're doing this to me, aren't you? This all started because of you.

BUFFY

If you will just listen to me, I am trying to help you get to the truth.

RILEY

You want truth, then tell me, what did you do to her Buffy?

Riley grabs Buffy and she breaks his grip.

BUFFY

Stop it! I didn't do anything.

Again Riley grabs Buffy and she breaks free.

BUFFY

Riley stop! This isn't about us. Everything that we need to know is here. We just need to find out what was in 314.

Suddenly they're all stunned to silence as the corpse of an Initiative soldier crashes to the floor in front of them. They all look up to find Adam standing on an overhead catwalk, looking down at them.

ADAM

Me.
FADE OUT

ACT IV

INT. THE INITIATIVE-- CORRIDOR-- DAY

Resume. Adam paces on the catwalk.

ADAM

I've been thinking about the world. I wanted to see it, learn it. I saw the inside of that boy and it was beautiful but it didn't tell me about the world. It just made me feel. So now I want to learn about me. Why I feel... what I am...

Adam steps off the platform and drops effortlessly to the floor, 15 feet below.

ADAM

So I came home.

Adam removes a magneto-optical computer disk from the pocket of his fatigues and inserts it into a port in the cybernetic attachment on his chest.

ADAM

I'm a kinematically redundant bio-mechanical demonoid designed by Maggie Walsh. She called me Adam and I called her mother.

ANGLEMAN

Adam, Maggie would want you to stand down.

ADAM

Yes. But I seem to have a design flaw.

Angleman pales.

ADAM

In addition to organic material, I'm equipped with GP2D-11 infrared detectors, a harmonic decelerator, plus DC servo.

BUFFY

She pieced you together from parts of other demons.

ADAM

And man. And machine. Which tells me what I am but not who I am. Mother wrote things down... hard data, but also her feelings. That's how I learned that I have a job here. And that she loved me.

RILEY

She wasn't your mother and she didn't love you!

XANDER

Is that really the issue?

RILEY

She made you because she was a scientist!

XANDER

Riley!

Adam pulls another disk from his pocket and inserts it into his chest.

ADAM

Riley Finn.

RILEY

Stop! Those files--

ADAM

Oh! Mother created you, too.

RILEY

Maggie's not my mother! I have a mother, a real--

ADAM

A birth mother, yes. But after you met Maggie, she was the one who shaped your basic operating system. She taught you how to think, how to feel. She fed you chemicals to make you stronger-- your mind and body. She said that you and I were her favorite children. Her art. That makes us brothers. Family.

RILEY

No! I'm not like you.

ADAM

That's pain, isn't it? Why? Because your feeding schedule-- the chemicals-- have been interrupted? Or do you miss her? Tell me.

RILEY

I'll kill you!

ADAM

You won't. You haven't been programmed to.

RILEY

I cannot be programmed! I'm a man!

Adam holds a third disk up.

ADAM

It's here-- the plan she had for us. What happens. How it ends.

RILEY

No.

ADAM

Do you want to hear?

RILEY

No!

Riley pulls his pistol but Adam easily disarms him, knocking the gun across the room. Buffy steps in and a hammer punch from Adam sends her reeling. Riley punches Adam in the head and Adam responds with an uppercut, hurling Riley flying twenty feet across the room. Adam throws Xander into a wall as Buffy throws a kick to Adam's chest and a blow to his ribs to completely no effect. Adam sends a slicing blow to Buffy's neck and she drops, unconscious.

Angleman starts to run for the exit and Adam turns to intercept him, his arm- skewer sliding smoothly out like a switchblade.

ADAM

Doctor.

As Angleman runs past him, Adam impales Angleman through the chest and he falls to the floor, dead.

Riley seizes Adam by the throat from behind but Adam easily breaks the hold, shrugging Riley off and turns and stabs him through his left side. Riley falls, clutching his wound and groaning in pain.

Buffy comes to, staggers to her feet and kicks Adam in the back. Adam knocks Buffy to the floor, then picks her up and throws her ten feet into a steel security door. This time she doesn't rise. We can hear soldiers pounding on the door from the other side.

ADAM

(to Buffy & Riley)
Thank you. This has been... very interesting.

Adam quickly mounts the catwalk and disappears into the ventilation shaft. Buffy crawls over to Riley as Forrest, Graham and a squad of soldiers succeed in compromising the door.

BUFFY

Riley, are you okay?

XANDER

We got a demon in here. It escaped through that vent.

BUFFY

It's not the Polgara. It looks sort of half-man.

FORREST

Right. And you just happened to be in the neighborhood.

RILEY

She's telling the truth. I saw it. It killed Angleman. Go... now.

BUFFY

He needs to go to a hospital.

FORREST

We'll take it from here.

BUFFY

I'm going with him.

FORREST

It's a military hospital.

BUFFY

No.

FORREST

Back off. We take care of our own around here. Understand?

Buffy looks around as the squad pointedly aims their rifles at her.

XANDER

Buffy...

Forest and Graham each take one of Riley's arms and help him up.

FORREST

(to soldier)
Escort them out.

Riley turns and looks back at her.

RILEY

Buffy...
CUT TO:

EXT. WILLY'S PLACE TAVERN-- DAY

Off the sounds of fighting, Spike rolls out of the bar and onto the sidewalk, landing face-up in the gutter. His nose is bloody and he's barely conscious. A DEMON looms over him.

DEMON

What did you expect, Spike-- a welcome party? Word's out-- you've been making war on the demon world.

SPIKE

War?

DEMON

With the Slayer. You kill other demons and the rest of us don't hold with that. Still, if I see you around again, I'll be inclined break that code. Do you understand?

The demon turns and walks off, leaving Spike to nurse his wounds.

CUT TO:

EXT. UC SUNNYDALE-- MAIN CAMPUS-- DAY

Buffy and Willow walk to class.

WILLOW

No word from Riley?

BUFFY

Nothing. The Initiative probably has him locked in some medical ward. There's no way I can get near him until I come up with a better plan than just storming in and getting us all shot.

WILLOW

Yeah, you might want to work the kinks out of that one.

BUFFY

What am I going to do? He needs me and I can't get near him.

WILLOW

You'll find a way.

BUFFY

It's not like I can spend all of my energy going after the Initiative. Not while Adam's out there.

WILLOW

He's really that big of a threat?

Buffy sits on a nearby bench and Willow follows suit. Buffy seems spooked.

BUFFY

I could barely fight him. It's like Maggie designed him to be the ultimate warrior. He's smart and fast. He gave the commando guys the slip with no problem.

WILLOW

There's gotta be a flaw.

BUFFY

I think the part where he's pure evil and kills randomly was an oversight. (beat) I never should have let them take Riley. I need to be with him.

WILLOW

I'm sure he's okay.

BUFFY

There's no way he can be. Everything's he's ever believed in has been taken away. He's alone. He has nothing to hold on to.
CUT TO:

INT. THE INITIATIVE-- MEDICAL WING-- DAY

Riley lies quietly on a bed, IV lines and wires running to electronic monitoring equipment around him. His abdomen is heavily bandaged.

His expression is forlorn, lost, but he raises his hand; Buffy's scarf is wrapped around it. He grasps it desperately, like a lifeline.

FADE TO BLACK
END