This Year's Girl

[Transcript of "Buffy The Vampire Slayer" episode This Year's Girl at buffyology.com.]

Prologue

INT. SUMMERS HOME-- BUFFY'S ROOM-- DAY

BUFFY makes her bed, tucking in a sparkling white sheet.

BUFFY

They smell good, don't they?

Reveal FAITH on the opposite side of the bed, tucking in the sheet on the other side.

FAITH

What?

BUFFY

Clean sheets. Like summer.

FAITH

I wouldn't know.

BUFFY

Right. I forgot.

FAITH

I noticed.

BUFFY

I wish I could stay, but...

FAITH

Oh, you have to go.

BUFFY

It's just that--

FAITH

Little sis coming. I know.

BUFFY

So much to do before she gets here.

They walk around to end of bed and face each other.

BUFFY

Now I really have to...

FAITH

So go. Don't let me keep--

Bright red drops of blood fall onto the sheet.

FAITH

Damn. Just when we'd made it so nice. (beat) Are you ever gonna take this thing out?

Pan down to reveal Buffy holding the hilt of Faith's assassin knife protruding from a bloody gash in Faith's belly. Buffy's gaze hardens and she gives the knife a sharp twist. Faith recoils in pain as we

SMASH CUT TO:

INT. SUNNYDALE HOSPITAL-- FAITH'S ROOM-- NIGHT

Pan down from a shot of various hospital monitoring devices (EEG, EKG, etc.) to Faith lying comatose in a hospital bed. The previous scene was a dream, a vision being played out in Faith's unconscious mind.

It's storming outside. Faith sleeps on as the thunder booms and lightning crashes around her.

Opening credit sequence.

ACT I

INT. HARRIS HOME-- XANDER'S BASEMENT-- NIGHT

XANDER and WILLOW examine the Initiative weapon that Buffy salvaged from her encounter in the storm sewers. GILES and Buffy look on, hopeful Xander's paranormal military expertise will enable him to restore it to working order.

XANDER

So here it is. The latest in state-of-the-art combat technology. I gotta say, it doesn't look that complicated.

BUFFY

So can you repair it?

XANDER

(sarcastic)
Sure. As soon as I get my master's degree in advanced starship technology.

WILLOW

Well, why don't we experiment? Press some buttons, see what happens.

GILES

I'd like to veto that.

XANDER

Second. It's called a blaster, Will, a word that tends to discourage experimentation. Now, if it were called the Orgazmater, I'd be the first to try your basic button-press approach.

BUFFY

Just tell me. Can you repair it or not?

XANDER

I'm working on it, I'm working on it. (to himself) I blow a hole in my mom's azalea patch, the neighbors will not be pleased.

Buffy sits down, looking exhausted.

GILES

Are you all right? You've been patrolling round the clock for three days straight now. I thought you could use some--

BUFFY

What? Some rest? There's a demonoid killing machine out there, Giles. It doesn't only work the night shift.

GILES

I was going to say perhaps you could use some backup but now you mention it, building up your strength may not be a bad idea.

BUFFY

Just get the blaster working. That's all the strength I need.

WILLOW

Are you sure?

BUFFY

Why? Because ray guns aren't in the Slayer handbook? Will, you haven't seen this Adam thing. He's the Terminator without the bashful charm. He's deadly and the last time we met, he kicked my ass.

WILLOW

Oh no, blast away, by all means. I only meant... no word about Riley?

BUFFY

They keep telling me that he's fine. That's all they'll say.

WILLOW

Maybe they're telling the truth.

BUFFY

Maybe. I don't even know what the Initiative's version of "fine" is. I mean, they could be forcing him back onto medication or torturing him for all I know.

GILES

From what we've seen, I doubt they'll be trying to hurt him.

BUFFY

The only thing I know for certain is that my boyfriend is locked away and I'm not helping.

Across the room, the blaster short circuits sending a whopping jolt through Xander whose body spasms and contorts. No one else seems to notice, however and he glumly turns back to working on the gun.

WILLOW

Maybe Giles has a point. I mean, Riley is their top gun guy. Doesn't make sense that they'd hurt him.

BUFFY

All I know is that the Initiative has all those brain-washy, behavior modification guys.

WILLOW

So?

BUFFY

So what happens when they start not liking his behavior?
CUT TO:

INT. THE INITIATIVE-- MEDICAL WING-- RILEY'S ROOM-- NIGHT

RILEY reaches over to the bed stand for Buffy's scarf, then gets out of bed, groaning in pain. He pulls on a shirt, then walks out of the room.

CUT TO:

INT. THE INITIATIVE-- MEDICAL WING-- CORRIDOR-- NIGHT

The soldier posted to guard Riley's room blocks his way.

RILEY

Stand down, soldier. (no response) Stand down before I put you down.

FORREST approaches and addresses the sentry.

FORREST

You heard the man. At ease.

The soldier steps back without a word and resumes his post.

FORREST

(to Riley)
The shish kebab that walks like a man. Looks like you're feeling better. Walking around, threatening people and all that.

RILEY

He was in my way. I got places to be.

FORREST

Really. And where were you thinking of going?

RILEY

You know where I'm going.

FORREST

Don't even tell me you're headed to that girlfriend of yours. Look at you. One good conjugal visit and you're back in intensive care to stay.

RILEY

You wouldn't understand.

FORREST

How about you explain it to me then?

GRAHAM arrives, clearly uncomfortable with the dispute between Riley and Forrest.

GRAHAM

We all friends here, fellas?

FORREST

Absolutely. Riley here was about to explain why he's leaving us so very quickly.

RILEY

I don't explain because I don't have to. I'm the one in charge.

FORREST

Things change.

RILEY

Do they?

FORREST

Hey, in case you failed to notice, we're in a world of hurt around here. Now's the time for us to band together, not go flying off our separate ways.

GRAHAM

Forrest has a point, Riley.

FORREST

We have a problem, we deal with that problem. Y'know, the most important part of the equation now is that we keep said problem within the family.

RILEY

Family? Is that what we are? (beat, hard) Step aside.

Forrest doesn't move, just stares him down.

CUT TO:

INT. SUNNYDALE HOSPITAL-- FAITH'S ROOM-- NIGHT

Faith lies in bed, monitors quietly recording the progress of her life.

Suddenly a bright flash of white light and we

WIPE TO:

EXT. IDYLLIC WOODED GLEN-- DAY (DREAM SEQUENCE)

and MAYOR RICHARD WILKINS lie on a picnic blanket eating sandwiches and enjoying the beautiful sunny day.

FAITH

Think it's gonna rain?

MAYOR WILKINS

Nonsense. It's a beautiful day. Now eat your sandwich.

FAITH

I don't know. It just always seems like it starts raining about now.

MAYOR WILKINS

You're too young and too pretty a girl to start wearing worry lines on your face.

A grass snake crawls onto the blanket between them and the Mayor picks it up.

MAYOR WILKINS

Hey there, little fella. I don't know where you belong but it's not here with us.

He sets the snake free in the grass.

MAYOR WILKINS

There you go. (to Faith) You see, there's nothing going to spoil our time together. Who wants cheesecake?

Faith smiles, then suddenly looks up with fear as Buffy strides purposefully up behind the Mayor with Faith's ornate dagger and in one fluid motion slices the Mayor's throat and guts him.

FAITH

NO!

BUFFY

(to Faith; cold)
I told you I had things to do.

Terrified, Faith desperately tries to crawl away as Buffy steps across the remains of their picnic lunch and raises the knife high to strike.

SMASH CUT TO:

INT. SUNNYDALE HOSPITAL-- FAITH'S ROOM-- NIGHT

Faith is still in a coma but she's no longer still as death-- her eyes dart back and forth beneath closed lids.

CUT TO:

EXT. SUNNYDALE FOREST-- NIGHT

Buffy Willow and Xander patrol, looking for clues to Adam's whereabouts.

WILLOW

Spread out.

BUFFY

Not too far.

XANDER

So not a problem.

Buffy walks around a copse of trees, shining her light back and forth. She turns to check behind her and her light reveals the corpse of a demon strung up between two trees, it's chest sliced open and surgically eviscerated. Xander and Willow emerge from the trees behind it and stare in open-mouthed shock.

CUT TO:

INT. HARRIS HOME-- XANDER'S BASEMENT-- NIGHT

The group is uncharacteristically shaken by the sheer brutality of what they've just seen.

BUFFY

I've never seen anything like that.

XANDER

And I can go a long healthy stretch without seeing anything like that again.

WILLOW

It had to be Adam who killed it but why?

BUFFY

He's studying biology. Human, demon, whoever he can get his hands on and take apart.

WILLOW

He's finding out what makes things work.

XANDER

I really don't want to be around for the final exam.

BUFFY

It's not coming to that. The Initiative created this thing and they can't stop it. But we will.

XANDER

Question: Will hiding in a cavern with stockpiled chocolate goods be any part of this plan?

BUFFY

No.

Xander sits down next to Willow.

XANDER

(to Willow)
Told you.

WILLOW

(to Buffy)

What's first?

BUFFY

Riley. I'm not leaving him down there with the people that created this thing. I don't care how many guns they have, I'm going in. Okay. Will, I need you to hack into their security mainframe and buy me a ten-minute shutdown of operation systems.

WILLOW

That could be...

BUFFY

Tricky. Not impossible. If you can't do it online, then use magick. Xander, any gear you've been saving for a rainy day, I want you to give to me.

XANDER

You want stealthy stuff?

BUFFY

No, we tried sneaking in. This time we're going to use force. I figure I'll go in through the elevator shaft, use the cable as towlines, then blast open the facility doors and find the infirmary.

RILEY

Am I really worth all that?

Buffy turns around to find Riley standing behind her and her face lights up with relief and joy. She jumps up and runs to him, wrapping her arms around him. He returns the gesture, then flinches in pain.

BUFFY

Riley! Oh, god, I'm sorry! Did I hurt you?

RILEY

No, a giant skewer through the rib cage hurt me. That was just a reminder.

BUFFY

How did you get out?

RILEY

I walked.

WILLOW

They didn't try to stop you?

RILEY

Oh, they did. Repeatedly. But then I told them they couldn't keep me without a major ass-kicking one way or another. So here I am.

XANDER

That's... great, Riley, and y'know, there's no polite way to ask you this but did they put a chip in your brain?

Xander starts giving Riley's head a detailed inspection.

RILEY

Beg your pardon?

BUFFY

Forget it. We're just happy to have you back.

WILLOW

Yeah, we were pretty worried about you for a while, mister.

RILEY

Me, too.

Suddenly Riley remembers how he pushed Willow around before.

RILEY

Hey, I know my behavior was pretty out there...

WILLOW

Forget it. Tell you what, you two crazy kids take down a killer cyber-demon-hybrid-thingy and we'll call it all even.

RILEY

Taking down Adam's going to be tough. There's no way to predict what he'll throw at us.

BUFFY

You're here. Whatever comes, we can handle it.
CUT TO:

EXT. DARKENED CITY STREET-- NIGHT (DREAM SEQUENCE)

Faith runs in a blind panic. Buffy walks calmly after her, holding the assassin's dagger, gaining inexplicably but inexorably.

EXT. CEMETERY-- NIGHT (DREAM SEQUENCE)

The chase leads into a cemetery. It begins to thunder and storm, the rain sluicing down out of the sky. Faith continues running, looking behind her to find Buffy gaining on her. She doesn't see the open grave until it's too late and falls in. Buffy

walks up to the pit, pauses for a moment then steps off into the grave after Faith. The sound of fighting comes from the grave, then nothing.

Suddenly a hand shoots out of the hole and grips the wet grass, pulling up. Faith hauls herself bodily out of the grave, having survived her encounter with Buffy. She stands in the sheeting rain and looks up at the sky, letting the water cascade down her body.

SMASH CUT TO:

INT. SUNNYDALE HOSPITAL-- FAITH'S ROOM-- NIGHT

CU: Faith's sleeping face. Her eyes snap open.

After eight months, Faith the Vampire Slayer is awake.

FADE OUT

ACT II

INT. SUNNYDALE HOSPITAL-- FAITH'S ROOM-- NIGHT

Faith lies awake in bed listening to the noises of the hospital around her. She looks at the monitors, then at IV tube in her arm. She slowly raises her hand and clenches it into a fist. Then she throws the covers aside, rips out the monitor cable and the IV from her hand and leaves.

CUT TO:

INT. SUNNYDALE HOSPITAL-- CORRIDOR-- NIGHT

Faith walks slowly down the hall, taking in her surroundings. A YOUNG WOMAN visitor comes through the doors at the end of the hallway, dressed in a long red sweater and jeans. She sees Faith and approaches her.

YOUNG WOMAN

Excuse me. Do you know how to get to Third Floor West?

FAITH

What?

The woman notices Faith's hospital gown and the sickly pallor of her skin.

YOUNG WOMAN

I see... you need some help or something?

FAITH

Graduation.

YOUNG WOMAN

What?

FAITH

Graduation. I gotta get to Sunnydale High School graduation. Now.

YOUNG WOMAN

Well, you can't. I mean, Sunnydale High School isn't even there anymore.

FAITH

What day is it?

YOUNG WOMAN

Friday.

FAITH

What date? The date.

YOUNG WOMAN

February 25th.

FAITH

What year?

YOUNG WOMAN

Maybe I should get you a nurse...

FAITH

What happened to the school?

YOUNG WOMAN

Don't you just want to--

FAITH

Just tell me.

YOUNG WOMAN

Well, it was a tragedy, really. Lots of students died... the principal, the mayor. I really think maybe I should get you some help.
CUT TO:

EXT. SUNNYDALE HOSPITAL-- NIGHT

Faith walks out of the hospital wearing the young woman's clothes.

CUT TO:

INT. UC SUNNYDALE-- STEVENSON HALL-- BUFFY'S ROOM-- NIGHT

Buffy and Riley are in her room to talk things out.

BUFFY

You know, I never stopped thinking about you.

RILEY

Me neither. (re: scarf) All I had in there was this one little part of you.

BUFFY

It's just the scarf part of me, really.

RILEY

Sure it is. Just knowing you were out there... that you cared. Do you think we're being watched?

BUFFY

I don't know. Does the Initiative do that?

RILEY

Maybe.

BUFFY

You seem a little... somewhere else. Is there anything I can do?

RILEY

Give me an order. That's what I do isn't it? Follow orders.

BUFFY

You don't have to.

RILEY

Don't I? All my life that's what I've been groomed to do. They say "Jump", I ask "How high?" I get the job done. Just don't know if it's the right job anymore.

BUFFY

I know how you feel. Giles used to be part of this Council and for years all they ever did was give me orders.

RILEY

Ever obey them?

BUFFY

Sure. (beat) The ones I was going to do anyway. The point is, I quit the Council. And I was scared. But it's okay now.

RILEY

Now see, that's where you and I are different. I just suck at the whole gray area thing.

BUFFY

It's a choice: go back in there and make some changes from the inside or you can quit the team, fight demons in your own way.

RILEY

You make it sound so simple. I don't even know what my way is.

BUFFY

Well, it's time to find out.

RILEY

I'm a soldier. Take that away, what's left?

BUFFY

A good man.

She leans over and kisses him, then crawls into his lap and starts kissing and running her lips over his head.

RILEY

What're you doing?

BUFFY

I am looking for brainwashy chips in your head.

RILEY

Finding any?

BUFFY

Not sure. But I should probably keep looking just in case. (beat) You've been strong long enough, Riley Finn. I'm here for you. And we're going to find this demon and we're going to kill it together. And in the meantime, you are going to stop torturing yourself.

RILEY

Sure about that?

BUFFY

It's an order.

She leans in to kiss him again.

CUT TO:

INT. SUNNYDALE HOSPITAL-- FAITH'S ROOM-- NIGHT

A DOCTOR interrogates Faith's NURSE in the presence of a POLICE DETECTIVE.

DOCTOR

What do you mean, she just wasn't there?

NURSE

I don't know. I came to check the monitors like I always do at eight o'clock. Eight o'clock is my shift. I got here on time.

DETECTIVE

You found the bed in this condition?

NURSE

I haven't touched a thing.

DOCTOR

Get the duty rosters and check the log. I want to know exactly what happened. Coma patients do not just get up and walk away.

NURSE

We are checking every room on every floor.

DETECTIVE

(to doctor)
Walk me through this one more time. You knew this woman was wanted for questioning in a series of murders and there's no security on this wing?

DOCTOR

You don't understand. There's no way that girl was going to wake up.

DETECTIVE

Doctor...

DOCTOR

This can't be happening.

A SECOND NURSE runs in.

NURSE

Did you find her?

SECOND NURSE

Another woman, unconscious and badly beaten. And she's been stripped.

Everyone but the original nurse rushes out of the room. The nurse goes to a phone on the wall and dials.

NURSE

(into phone)
It's happened. Send the team.
CUT TO:

EXT. SUNNYDALE STREET-- NIGHT

Faith walks through streets, confused and alone. She watches families enjoying the night out together and friends boisterously carrying on at a local restaurant. Eventually she makes her way to Giles' apartment and peers in the window from the shadows, listening as Giles, Buffy, Riley, Willow and Xander discuss the Adam problem.

INT. GILES' APARTMENT-- NIGHT

GILES

The problem for me seems to be why Adam has stayed dormant as long as he has.

WILLOW

When he's not making performance art out of other demons, that is.

RILEY

He's probably working off an autonomic power source and because he's straight out of the box, he needs to charge up a while.

BUFFY

Okay, what's he charging up for?

XANDER

Based on the clues, I'll go with killing spree.

RILEY

And that's a best case scenario. (picks up blaster rifle) I suppose a little fire power would be a good idea right now.

He flips a series of switches and the blaster hums to life, much to Xander's consternation and amazement.

XANDER

Hey! How'd you do that? Is there like an on/off button somewhere here?

RILEY

Blasters are easy. Adam won't be.

WILLOW

Since Professor Walsh designed it, any chance she left instructions lying around somewhere?

Faith watches Buffy put her arm around Riley and kiss him lightly on the forehead.

BUFFY

Well, if she did, they're going to be in the Initiative.

GILES

Which we can't get into without mounting a major offensive.

RILEY

Speak for yourself. (off their look) I'm just saying.

GILES

I must admit, a man on the inside would be--

BUFFY

A really good idea. Are you sure you want to be Double Agent Guy?

RILEY

I'm not exactly sure what you'd call me but I will share information. It's the least I can do.

XANDER

Riley's right. It is the least he can do.

The phone rings and Giles answers it.

GILES

(into phone)
Hello. What? Yes, she is. (to Buffy) It's for you.

Buffy seems a little surprised but gets up and takes the phone.

BUFFY

Hello? What sort of emergency? (shocked look) No, I haven't. Thank you, I'll let you know.

She hangs up. Outside, Faith retreats into the shadows.

GILES

What is it?

BUFFY

It's Faith. She's awake. (off their stunned silence) She beat someone up, took her clothing and disappeared out of the hospital. No one knows where she is.

XANDER

I'd say this qualifies for a Worst Timing Ever award.

WILLOW

What do we do?

GILES

Well, we have to find her.

WILLOW

What about Adam?

XANDER

I'd hate to see the pursuit of a homicidal lunatic get in the way of pursuing a homicidal lunatic.

BUFFY

Well, Faith's not exactly Low Profile Girl. I'll patrol and wait for her to make a move.

GILES

But then what?

WILLOW

Oh, I have an idea! Beat the crap out of her.

XANDER

Good plan.

BUFFY

Good on paper. But we still have a decision to make. Do we hand her over to the cops? They wouldn't know what to do with a Slayer even if they knew we existed.

WILLOW

What about the Council?

XANDER

Been there, tried that. Not unlike smothering a forest fire with napalm, as I recall.

GILES

Well, the Initiative-- they do have containment facilities.

XANDER

One word: evil.

BUFFY

There's no way around it. Faith is back and whether I like it or not, she's my responsibility.

WILLOW

Yeah, too bad. That was the best coma ever.

BUFFY

We have no idea where she is. We don't know what she's thinking, what she's feeling...

XANDER

Who she's doing.

BUFFY

She could be terrified. Maybe she doesn't even remember. Or maybe she does and she's sorry and she's alone hiding somewhere.

GILES

Well, perhaps there's some form of rehabilitation we just haven't thought about.

WILLOW

And if not, ass-kicking makes a solid Plan B.

BUFFY

I'm not going to rule it out. First thing, we need to find her, then we can take it from there.

RILEY

Who's Faith?
CUT TO:

EXT. UC SUNNYDALE-- MAIN CAMPUS-- DAY

Buffy and Willow walk down a long set of stairs on the main quad.

WILLOW

What did you tell him?

BUFFY

The truth? That she's my wacky identical cousin from England and whenever she visits, hijinks ensue?

WILLOW

It's good you guys have such an honest relationship.

BUFFY

No, I told him the story. I vagued up a few bits but no flat-out lies.

WILLOW

That's fair. How'd you handle the Angely parts?

BUFFY

I did some editing. It's not that I'm trying to hide anything from Riley, it's just that's a longer conversation and I had a Faith-hunt to do.

WILLOW

Any luck?

BUFFY

Couldn't find her. Don't know exactly where to place that in the luck continuum.

WILLOW

At least you're not alone on this. I bet every cop in Sunnydale is out there looking for her right now.

BUFFY

Pressure's definitely on. I'm telling you, if I were her, I'd get out of Dodge post-hasty.

They reach the bottom of the stairs where a group of students is gathered at a large kiosk. One of the students turns around right in front of Buffy; it's Faith.

FAITH

(cold)
But you're not me.
FADE OUT

ACT III

EXT. UC SUNNYDALE-- MAIN CAMPUS-- DAY

Resume. Faith and Buffy confront each other for the first time since that fateful night on the rooftop eight months before. Willow backs off to the side, clearly unnerved by Faith's sudden appearance.

FAITH

So check you out, B. Nice. The Big Girl on Campus thing's really working for you.

BUFFY

I've been looking for you.

FAITH

I've been standing still for eight months, B. How hard did you look?

BUFFY

Are you all right?

FAITH

Five by five. That's the thing about a coma: you wake up all rested and rejuvenated... and ready for payback.

BUFFY

So much for pleasantries, huh?

FAITH

What did you think? I'd wake up and we'd go for tea? You tried to gut me, blondie.

BUFFY

You'd have done the same to me if you'd had the chance.

FAITH

Lets have another go at it. See who ends up on top.

BUFFY

It doesn't have to be like this, you know.

FAITH

Actually, I think it has to be exactly like this.

Buffy looks around at the other students milling about.

BUFFY

Faith, these are innocent people.

FAITH

No such animal.

BUFFY

I guess it was too much to hope that you'd use your downtime to reflect and grow.

FAITH

I could say the same about you. I mean, you're still the same better-than-thou Buffy. I mean, I knew it somehow. I kept having this dream-- I'm not sure what it means-- but in the dream, this self-righteous blond chick stabs me. And you want to know why?

Behind Faith, Willow shrugs her backpack off her shoulders.

BUFFY

You had it coming?

FAITH

That's one interpretation but in my dream, she does it for a guy.

Willow inches toward Faith from behind, wielding her backpack as a weapon.

FAITH

(to Willow)
Try it, Red, and you'll lose an arm. (to Buffy) I wake up to find the blond chick isn't even dating the guy she was so nuts about before. I mean, she's moved on to the first college beefstick she meets. Not only has she forgotten about the love of her life but she's forgotten about the chick she nearly killed for him. So that's my dream. That and some stuff about cigars and a tunnel. But tell me, college girl, what does it mean?

BUFFY

To me? Mostly that you still mouth off about things you don't understand.

The sound of approaching sirens.

BUFFY

Uh-oh. I guess somebody knows you're here.

Faith looks away for a second, then smashes Buffy soundly in the face. They start fighting furiously to the stunned amazement of the students around them; their skill and power are evenly matched. Two patrol cars screech to a halt some distance away and Willow takes the opportunity to whack Faith with her backpack, distracting her long enough for Buffy to seize her. Faith rips free of

Buffy but, with a glance at the approaching cops, realizes Buffy has won-- for now.

FAITH

You took my life, B. Payback's a bitch.

WILLOW

Look who's talking.

FAITH

See you around.

Faith runs off, plowing through police officers and students alike as she sprints across a grassy knoll, leaps a stone wall and disappears. Buffy gives chase but by the time she reaches the wall, Faith is nowhere to be seen.

CUT TO:

INT. UC SUNNYDALE-- WOMEN'S DORM-- CORRIDOR-- DAY

Willow and TARA walk down the stairs into the common area.

WILLOW

Thanks for coming with. Hunting for a psychopathic super-bitch is definitely in the above-and-beyond category.

TARA

It's okay, really. So what do we do if we find her?

WILLOW

Run, flee, maybe skedaddle. We're not here to engage. This is strictly recon. (off Tara's laugh) What?

TARA

You said "recon". You're like Cool Monster Fighter.

WILLOW

Well, technically, Faith isn't a monster. And as far as fighting, I'd be lucky to bruise her fist with my face.

TARA

Oh.

Tara seems uncomfortable.

WILLOW

What?

TARA

Face-punching. I'm not so good with the whole...

She throws some very pathetic punches.

WILLOW

Swimming?

TARA

Violence.

WILLOW

Don't worry, we're sure to spot Faith first. She's like this cleavagey slut-bomb, walking around, "Oh, check me out, I'm wicked cool. I'm five by five."

TARA

Five by five? Five what by five what?

WILLOW

See that's the thing! No one knows. Buffy can handle Faith and you're plenty safe with me.

TARA

So... we recon till nightfall?

WILLOW

Then the ritual hiding begins.
CUT TO:

EXT. SUNNYDALE-- BACK ALLEY-- NIGHT

Xander and Giles roam the streets in search of Faith. They're heavily armed.

XANDER

The point being, I could be the target here. If Faith finds Mr. Xander Harris still in town, she'll go tighter than cat gut. Got a lotta pent up feelings there. I'm only saying.

GILES

(wearily)
Yes, I'm sure.

XANDER

See I can't be held responsible for the effect I have on women.

GILES

No...

XANDER

See Faith and I have this little thing between us called history--

Rattling from a dark alley. Xander charges the blaster and they cautiously approach. A cigarette lighter flares briefly illuminating SPIKE.

XANDER

Spike?

GILES

What are you doing here?

SPIKE

Me? Hey, I'm not the one out of place here.

XANDER

For your information, smarty, we've got a rogue Slayer on our hands. Real psycho-killer, too.

SPIKE

(concerned)
Sounds serious.

GILES

It is. What do you know?

SPIKE

What do you need?

XANDER

Her. Dark hair. Yay tall, name of Faith, criminally insane.

GILES

Have you seen her?

SPIKE

Is this bird after you?

XANDER

In a bad way, yeah.

SPIKE

Tell you what I'll do, then. I'll head out, find this girl, tell her exactly where you are and then watch as she kills you. (off their look) Can't any one of your damn little Scooby Club at least try to remember that I hate you all? Just because I can't do the damage myself doesn't stop me from aiming a loose cannon your way. And here I thought the evening'd be dull.

XANDER

Go ahead. You wouldn't even recognize her.

SPIKE

Dark hair, this tall, name of Faith, criminally insane. I like this girl already.

Xander and Giles stare at each other for a moment, realizing their mistake.

XANDER

(to Giles)
We're dumb.
CUT TO:

EXT. SUNNYDALE HOSPITAL-- NIGHT

Faith's nurse watches as a black helicopter lands in the darkened parking lot and three swarthy and intensely serious looking men dismount and run up to her. They confer briefly and then proceed into the hospital with her as the helicopter lifts off and disappears into the night.

CUT TO:

EXT. SUNNYDALE STREET-- BUSINESS DISTRICT-- NIGHT

Faith walks the streets. She eyes a storefront display of knives but is spooked by the appearance of a patrol car. She blends in with a passing group of students and ducks into an alley.

EXT. SUNNYDALE-- ALLEY-- NIGHT

From the shadows, a gruff voice calls her name. She whirls and sees a massive DEMON walking toward her.

DEMON

Faith! Your friend sent me. I got a little remembrance from him.

With a lightning-quick series of kicks and blows, she stuns the demon, then snaps its neck. She bends over and takes a package off the corpse and opens it, revealing a videotape and a small ornate box. Another patrol car shines it's searchlight into the alley. She scampers up a ladder to the building's roof and disappears.

CUT TO:

INT. ELECTRONICS STORE-- NIGHT

Faith gains entry to an electronics store and slips the videotape into one of the VCRs on sale. Mayor Wilkins appears on the tape, sitting in his office at City Hall.

MAYOR WILKINS

Hello, Faith. If you're watching this tape, it can only mean one thing: I'm dead and our noble campaign to bring order to the town of Sunnydale has failed-- utterly and completely. (beat) But on the other hand, heck, maybe we won and right now I'm on some jumbo monitor in the Richard Wilkins Museum surrounded by a bunch of kids sitting Indian-style and looking up at my face filled with fear and wonder. (laughs) Hi, kids!

Faith smiles wistfully at the Mayor's silliness.

MAYOR WILKINS

But the realist in me tends to doubt it. Now Faith, as I record this message, you're sleeping and the doctors tell me you might never wake up. I don't believe that. Sooner or later you will wake up and when you do, you'll find the world has gone and changed on you. I wish I could make the world a better place for you to wake up in but, tough as it is to accept, we both have to understand that even my power to protect and watch over you has its limits. See, the hard pill to swallow is that once I'm gone, your days are just plain numbered. Now I know you're a smart and capable young woman in charge of her own life but the problem, Faith, is that there won't be a place in the world for you anymore. By now I bet you're feeling very much alone. But you're never alone. You'll always have me.

In the video, the Mayor picks up the ornate box.

MAYOR WILKINS

And you'll always have this. Go ahead. Open the box.

She takes the box out and looks at it.

MAYOR WILKINS

Don't worry. It's not going to bite. That's my job. (laughs) Go ahead. Open it. Surprise! You won't find these in any gumball machine. See when you've been around as long as I have, you make friends and some of them forge neat little gizmos... just like the one you're holding right now.

She takes out a bizarre-looking metallic device with loops and gears and examines it curiously.

MAYOR WILKINS

And here's the good news. Just because it's over for my Faith, doesn't mean she can't go out with a bang.
CUT TO:

INT. UC SUNNYDALE-- STEVENSON HALL-- BUFFY'S ROOM-- NIGHT

Buffy and Riley discuss her Faith strategy.

BUFFY

She's a very dangerous woman.

RILEY

Okay, I get it. Faith bad. Do I look like I'm arguing?

BUFFY

Not yet. But you always make that innocent face right before you start.

RILEY

Figured it out, huh? Damn. It took my mom twelve years to catch on to that one. All I'm saying is, if you're in trouble, I want to help.

BUFFY

You can't.

RILEY

Give me one reason why.

She throws him a Nerf ball. He catches it but flinches in pain.

BUFFY

That's one.

RILEY

All right, I'm not exactly Action Guy but there's gotta be something I can do other than sit around waiting for you to pummel this gal.

BUFFY

Riley, the fact that you just called Faith a "gal" only proves that you don't know her.

RILEY

I've never seen anyone get under your skin this way before. What exactly did she do to you?

BUFFY

It's a long story.

RILEY

I'm from Iowa. We drive four hours for a high school football game. Try me.

BUFFY

I told you, okay? She hurt me and people I care about. And did I mention the psycho killer part?

RILEY

There's something you're not telling me.

BUFFY

Riley, I have to go. She's out there.

RILEY

All right. I'm just saying I think you're holding out on me.

BUFFY

Riley, this isn't a joke. There's a criminally insane woman out there with super-powers who thinks I'm responsible for ruining her life. I know Faith. She'll come after me and she'll come after the people I love.
CUT TO:

INT. SUMMERS HOME-- FRONT DOOR-- NIGHT

JOYCE walks to the door in response to a knock. She opens it to find Faith standing there, smiling.

FAITH

Hi, Joyce.

Faith knocks Joyce unconscious with a single crushing blow, walks in, and shuts the door behind her.

FAITH

Mind if I come in?
FADE OUT

ACT IV

INT. SUMMERS HOME-- JOYCE'S ROOM-- NIGHT

Faith goes through Joyce's makeup drawer, tossing aside one lipstick after another, while Joyce sits on the bed, petrified.

FAITH

Ruby Sunset... Burgundy Skyline... Harlot. Mmm, way to go Joyce. Now, normally I wouldn't be going for something this dark, but I read in some magazine that eight months in a coma will damage a girl's natural skin tone. (applies lipstick) Good thing pale is in this year. Or was it last year? (kissing the mirror) Anyway, for real now. I want to ask you something and I want you to promise to be honest and to not spare my feelings just because I could kill you. You promise?

JOYCE

I promise.

FAITH

Okay. (turns to Joyce) How do I look?

JOYCE

Psychotic.

FAITH

I was shooting for sultry, but hey. (beat) Bet I know what you're thinking.

JOYCE

Really.

FAITH

You're thinking "You'll never get away with this!"

JOYCE

Actually, I was thinking "My daughter is going to kill you soon."

FAITH

That a fact?

JOYCE

More like a bet.

FAITH

Whoa. You got a pair on you, Joyce, I like seeing that in a woman your age. Guess you can afford to talk that way. I mean, in the world according to Joyce, Buffy is gonna come crashing through that door any minute. But look what I found. (re: Joyce's mail) Buffy Summers, Buffy Summers, Buffy Summers, Buffy, Buffy, Buffy. Lotta letters. She hasn't been by in a while, huh? And you'd think, with a crazy chick like me on the loose-- crazy chick with a wicked grudge against her, no less-- she'd call, give you a heads-up. But Buffy's too into her own deal to remember dear old mom.

JOYCE

You don't know the first thing about Buffy. Or me.

FAITH

Don't I? I know what it's like. You think you matter, you think you're a part of something and you get dumped. It's like the whole world is moving and you're stuck. It's like those animals in the tar pits. It's like you just keep sinking a little deeper every day and no one even sees.

JOYCE

Were you planning to slit my throat any time soon?

FAITH

Don't tell me you don't see it, Joyce. You've served your purpose, squirted out the kid, raised her up, and now you might as well be dead. Nobody cares, nobody remembers, especially not Buffy-fabulous-superhero. Sooner or later you're going to have to face it. She was over us a long time ago, Joyce. Too busy climbing onto her new boy-toy to give a single thought to the people that matter. I mean, you're her mother and she just leaves you here to die.

Faith picks up a knife and starts toward Joyce just as Buffy crashes through the bedroom window behind her, tackling her to the floor. Buffy stands up and looks at her mother.

BUFFY

Hi, mom.

JOYCE

Hi, honey.

Faith launches into Buffy and the vicious fight progresses from Joyce's room out into the hallway.

INT. SUMMERS HOME-- HALLWAY/STAIRWELL-- NIGHT

Joyce calls 911 as the Slayers roll down the stairs and clamber to their feet.

FAITH

Thought I'd go after the green marine, didn't ya? He's a cutie. Looks like he could use a good roll in the sack.

Buffy pounds Faith and knocks her down.

BUFFY

You're not his type. He's not big on sleaze.

INT. SUMMERS HOME-- DINING ROOM-- NIGHT

Faith pins Buffy against the wall by her neck.

FAITH

He's probably just never tried it.

BUFFY

Going for the boyfriend again? That's tired.

Buffy wrenches herself free.

FAITH

Just something to remember me by once I've moved on.

Buffy throws Faith across the dining room table.

BUFFY

Ever occur to you, Faith, that the reason we all forgot you is because we wanted to?

Faith rips a drawer out of the credenza and throws it at Buffy.

CUT TO:

INT. GILES' APARTMENT-- NIGHT

Giles enters his apartment and flips the light switch. Nothing. A lamp switches on across the room and a startled Giles looks up to find the three rather serious- looking, leather-clad men waiting for him.

COLLINS

Hello, Rupert.

Giles is shocked.

CUT TO:

INT. SUMMERS HOME-- DINING ROOM-- NIGHT

Faith renews her attack on Buffy, brandishing a knife she pulls from Joyce's silver drawer. Suddenly she stops as she hears approaching sirens.

FAITH

(to herself)
Police...

She breaks off and runs into the living room with Buffy in close pursuit.

INT. SUMMERS HOME-- LIVING ROOM-- NIGHT

Faith slams the living room door right in Buffy's face and Buffy flies through the glass, shattering it. The two continue fighting and Faith manages to keep Buffy off long enough to put the Mayor's device on her hand. She stops one of Buffy's blows and grips Buffy's hand with her own, the device sandwiched between their palms.

A bright flash of light and an energy discharge follows, stunning both Buffy and Faith.

Taking advantage of the opening, Buffy hammers Faith unconscious.

Joyce runs down the stairs and into the living room.

JOYCE

You okay?

BUFFY

All things considered.

JOYCE

(re: Mayor's device)
What is that?

Buffy drops it to the floor and crushes it underfoot.

BUFFY

Weapon of some kind. Didn't work, whatever it was.

The police arrive and enter the living room.

JOYCE

Oh, the police.

Buffy looks down at Faith.

BUFFY

She's their problem now.

JOYCE

You sure you're okay?

Buffy hesitates before replying, the hint of a smile playing at her face.

BUFFY

Five by five.

Hold on Buffy as her eyes dance with an insane and menacing light.

FADE TO BLACK
To be Continued...