Who Are You?

[Transcript of "Buffy The Vampire Slayer" episode Who Are You? at buffyology.com.]

Prologue

NOTE: Throughout this script, the character dialog headers will be enclosed in brackets [ ] to indicate when one character is speaking through the body of the other. Example: [BUFFY] indicates Faith speaking in Buffy's body.

EXT. SUMMERS HOME-- NIGHT

An ambulance and police cruiser are parked on the lawn, emergency personnel milling about. JOYCE and BUFFY stand outside, talking with a police DETECTIVE regarding FAITH's attack on them. Buffy is wrapped in an old jacket, looking slightly stunned.

Only we know that Buffy is not really Buffy-- that through some magickal process, the essence of Buffy has passed into Faith's body and vice versa.

DETECTIVE

It's good you called. We've been looking for this girl since she broke out of the hospital.

JOYCE

What's going to happen to her?

DETECTIVE

We'll get her checked out. If she's in stable condition, she goes to jail pending trial.

JOYCE

I just hope she gets some kind of help.

DETECTIVE

The first thing is to keep her from hurting anybody else.

Faith is wheeled on a gurney to the ambulance. She looks up at Buffy and Joyce but her vision is blurry.

[FAITH]

No...

She's lifted into the ambulance and the doors are firmly shut. The ambulance drives off.

DETECTIVE

Well, you guys will be safe now. We may have a couple of questions in the morning.

JOYCE

Of course.

DETECTIVE

Thank you both. I'm glad we finally got the kid.

[BUFFY]

(angry)
She's not a kid! (off their looks) I just mean that she's very strong.

DETECTIVE

Yeah. This Faith chick... definitely dangerous.

The detective walks off and Joyce heads back inside.

[BUFFY]

(to herself)
She truly is.

Opening credit sequence.

ACT I

INT. SUMMERS HOME-- LIVING ROOM-- NIGHT

Faith, in Buffy's body, enters looking confused and a little nervous. She's still getting used to the switch in outward identity and not real comfortable right now.

JOYCE

Faith.

Buffy spins around, shocked that Joyce has so easily seen through the deception.

JOYCE

Why do you think she's like that?

Relieved, Faith realizes her secret is safe and just shrugs.

[BUFFY]

You know. She's a nut job.

JOYCE

I just don't understand what could drive a person to that kind of behavior.

[BUFFY]

Well, how do you know she got drove? I mean, maybe she likes being that way.

JOYCE

I'll never believe that. I think she's horribly unhappy.

[BUFFY]

Well, could be things are looking up. I mean, a little stint in the pokey. Show her the error of her ways. I'm sure there's some big old Bertha just waiting to shower her ripe little self with affection.

JOYCE

(shocked)
Buffy!

[BUFFY]

I'm sorry, mom. It's just when I think about how she might have hurt you, I just-- I can't stand it.

Joyce softens and hugs Buffy. Not used to such open display of affection, Faith abruptly pulls free of Joyce's embrace. Joyce seems hurt by her daughter's rebuff of her affection.

JOYCE

Sorry.

[BUFFY]

No, I'm just sore from the fight.

JOYCE

I've missed you.

[BUFFY]

'Cause I haven't visited, right? I knew it.

JOYCE

I know how it is. You have so much in your life now.

[BUFFY]

I'm a busy little beaver. College and all.

JOYCE

Of course. But maybe we could spend some time together soon? Some night when I'm not being held hostage by a raving psychotic?

[BUFFY]

Count on it. (beat) I'm gonna take a bath.
CUT TO:

INT. SUMMERS HOME-- BATHROOM-- NIGHT

Faith enjoys a bubble bath in Buffy's body. She stretches her leg up out of the water, caressing it and admiring its shape and beauty, enjoying the unique feeling of inhabiting someone else. She does the same for her arms and hands.

CUT TO:

Later. Faith stands before the bathroom mirror, wrapped in a towel, hair wet from the bath. She closely examines her new body, opening her mouth, sticking out her tongue, examining her teeth, etc.

After a while, she starts mocking and mimicking Buffy's attitude and speech patterns, trying to perfect the illusion.

[BUFFY]

Why, yes, I would be Buffy. May I help you?

Bu - ffy.

You can't do that. It's wrong. You can't do that because it's naughty.

Because it's wrong. (softer) Because it's wrong. (loud) You can't do that. It's wrong. I'll kick your ass!

I'm gonna kill you.

CUT TO:

INT. SUNNYDALE HOSPITAL-- EMERGENCY ROOM-- NIGHT

Buffy is held down by hospital personnel and a cop. The detective is there helping as well. Buffy is confused and angry at her treatment by these people and even more so at finding herself in Faith's body. She sends one of the nurses flying across the room, crashing into the furniture.

[FAITH]

Let me go! Let me go!

DOCTOR

Get me a sedative now!

OFFICER

Hold her!

[FAITH]

I have to go home! She's with my mother.

The doctor injects Buffy with a syringe.

[FAITH]

No!

DOCTOR

Just lie still.

[FAITH]

You don't understand.

OFFICER

Keep holding her.

[FAITH]

She's taken my... my body.

Buffy slips into unconsciousness.

CUT TO:

INT. UC SUNNYDALE-- WOMEN'S DORM-- TARA'S ROOM-- NIGHT

WILLOW lies on the bed. TARA sits cross-legged near her feet.

WILLOW

I wonder where she is.

TARA

Who? Faith?

WILLOW

Yeah. I wish she would make a move. She's making my stomach all acidy.

TARA

But you think Buffy can handle her?

WILLOW

I think so. But that doesn't mean Faith won't hurt someone else.

TARA

Well, you should be safe. Nobody knows you're here. I mean, they don't even know I exist, right? I know all about them but--

Willow stops her.

WILLOW

(soft)
Hey.

TARA

I mean, that's totally cool. It's good. It's better.

WILLOW

Tara, it's not like I don't want my friends to know you. It's just... well, Buffy's like my best friend and she's really special. And there's this whole bunch of us and we sort of have this group thing that revolves around the slaying and I really want you to meet them. But I kind of like having something that's just, you know, mine. And I usually don't use so many words to say stuff that little but do you get that at all?

TARA

I do.

WILLOW

I should check in with Giles, get a situation update.

TARA

I am, you know.

WILLOW

What?

Tara looks at Willow meaningfully.

TARA

Yours.

Willow smiles.

CUT TO:

INT. SUMMERS HOME-- JOYCE'S ROOM-- NIGHT

Faith adjusts her outfit in the mirror. Her style of dress is a bit more risquÈ than normal for Buffy.

[BUFFY]

Not too bad.

She opens a drawer and finds Joyce's wallet.

[BUFFY]

Score.

Faith goes to the bed and makes a phone call while taking Joyce's credit card out of the wallet.

[BUFFY]

6-4-4-7. (beat) Expiration, 5-01. (beat) Yeah. Ten AM's your earliest flight? I'll take it.

Faith takes some cash out of her Joyce's purse also and sticks it in her pants just as Joyce enters.

JOYCE

What are you doing?

Faith holds up a stack of letters.

[BUFFY]

Oh, just getting my mail.

JOYCE

Oh. That was Giles on the other line. He wanted you to meet your friends there. Said he had news.

[BUFFY]

Yeah. I got some time to kill. I'll go see the gang... all my friends. (picks up lipstick) You don't mind if I steal this, right?

JOYCE

Is that the Harlot?

[BUFFY]

Yeah.

JOYCE

That's the same one Faith picked.

Faith tosses it to Joyce.

[BUFFY]

Burn it.
CUT TO:

INT. POLICE CRUISER-- NIGHT

Buffy sits in the back of a squad car with a uniformed OFFICER and the detective. She moans softly.

DETECTIVE

She's coming to.

OFFICER

Yeah.

DETECTIVE

Man, I want this kid's constitution.

[FAITH]

Faith.

DETECTIVE

Let's move it. I want to get her in before she's 100%.

The officer nods just as an armored car shoots out of a side alley and smashes into the squad car, stopping it cold. Two armed men in black jump out of the back.

COLLINS covers the stunned cops with a pistol while WEATHERBY smashes the back window with an axe and drags an unconscious Buffy out of the car.

WEATHERBY

By order of the Watcher's Council, you are being taken into custody until such time--

COLLINS

Skip the speech.

They throw her into the back of truck and slam the doors.

COLLINS

Let's go.
FADE OUT

ACT II

INT. GILES' APARTMENT-- NIGHT

Faith enters Giles' home to find GILES, XANDER, Willow and ANYA waiting for her.

GILES

Buffy, good.

[BUFFY]

The Scooby Gang's all here. Willow, Xander, and... (re: Anya) everybody. What's up?

GILES

It's about Faith, not surprisingly.

[BUFFY]

Didn't Joyce tell you? I already kicked that ass.

XANDER

I feel a high five coming on.

WILLOW

Where is she?

[BUFFY]

On her way to the big house. Cops took her off my hands about an hour ago. Poetic justice.

ANYA

How's that?

[BUFFY]

Well, she did all those crimes and now she's being arrested. (beat) I guess that's just regular justice. It's cool, anyway.

GILES

Unless I'm mistaken, Faith is no longer in police custody.

[BUFFY]

(alarmed)
What are you talking about?

GILES

Watcher's Council. They sent a retrieval team to capture Faith.

[BUFFY]

Well, yeah, I mean, 'cause it worked so well when Wesley tried it.

GILES

This is a special operations unit. They handle the Council's trickier jobs: smuggling, interrogation... wetworks.

WILLOW

What's wetworks?

XANDER

Scuba-type stuff.

ANYA

I thought it was murder.

XANDER

Well, yeah, but there could be underwater murder with snorkels.

[BUFFY]

So they're taking her to England?

GILES

(nods)
It'll be a long, long time before she returns.

Faith starts to laugh hysterically. When she notices the others are looking at her strangely, her laughter dies off.

[BUFFY]

I'm sorry, it's just... I'm happy. Faith is evil.

WILLOW

Yeah. I hope they throw the book at her.

GILES

I'm not sure there is a book for this.

WILLOW

They could throw other things.

[BUFFY]

I forgot how much you don't like Faith.

WILLOW

After what she's done to you? Oh, I wish those Council guys would let me have an hour alone in a room with her... if I was larger and had grenades.

[BUFFY]

I bet I know what Faith would say to that.

Suddenly Faith whips out her assassin's dagger and rams it into Willow's gut. Willow's eyes go wide in shock and pain as Buffy stabs her repeatedly.

SMASH CUT

Back to scene. Faith was just fantasizing about using Buffy's body to take out the annoying little redheaded bitch. In reality, she hasn't moved.

ANYA

So what you're saying is that everything's fine?

GILES

Oh, yes.

ANYA

Well, I'm glad you called us all here because that information could never be conveyed by telephone.

GILES

Well, I just thought it was best to convene, in case there were any loose ends or things that we might have forgotten.

Willow notices Faith's odd expression.

WILLOW

What's up?

[BUFFY]

I'd never let her hurt you.

Willow smiles, not picking up on the quiet menace in Faith's words.

WILLOW

I know.

GILES

(to Anya)
But if you're keen to go, then please, by all means, go.

XANDER

We kind of have a romantic evening planned.

ANYA

We were going to light a bunch of candles and have sex near them.

[BUFFY]

Well, we certainly don't want to cut into that seven minutes.

ANYA

Hey.

XANDER

I believe that's my hey. Hey!

[BUFFY]

Lighten up. We're out of danger. Everything's good.

GILES

We still have Adam to take care of.

[BUFFY]

(covering)

Yeah. Adam. What's up with him?

GILES

I wish we knew.

[BUFFY]

Well, don't worry about it. I'll patrol tonight as long as it takes. You guys have your fun. I'll be out there doing my job.
CUT TO:

INT. THE BRONZE-- NIGHT

Faith dances with just about every guy in the place. She gyrates wildly, rubbing up against one turned-on guy after another. Eventually, she sashÈs off the dance floor and walks over to the bar. SPIKE stands there having a drink but Faith pays him no attention, having never actually met Spike. He turns around and sees her.

SPIKE

Oh, you.

[BUFFY]

And you.

SPIKE

What? Are you keeping tabs on me? You're going to give me a hard time now?

[BUFFY]

Do I usually give you a hard time?

SPIKE

Very funny. Well, you don't have to worry about me drinking... unless you're here to protect innocent beers.

[BUFFY]

You're a vampire.

SPIKE

Was. And as soon as I get this chip out of my head, I'll be a vampire again. But until then, I'm just as helpless as a kitten up a tree. So why don't you sod off?

Faith turns to go.

[BUFFY]

Okay.

SPIKE

(angry)

Oh, fine! Throw it in my face! "Spike's not a threat anymore. I'll turn my back. He can't hurt me."

A light dawns for Faith. She's heard of Spike before.

[BUFFY]

Spike? Spike. William the Bloody with a chip in his head? I kind of love this town.

SPIKE

You know why I really hate you, Summers?

Faith moves closer and puts her hands on Spike's chest.

[BUFFY]

'Cause I'm a stuck-up tight-ass with no sense of fun?

SPIKE

Well, yeah, that covers a lot of it.

[BUFFY]

'Cause I could do anything I want and instead I choose to pout and whine and feel the burden of Slayerness? I mean, I could be rich, I could be famous, I could have anything. Anyone.

She talks to him in a throaty whisper, her voice dripping with sexuality, her lips parting sensuously mere inches from his.

[BUFFY]

Even you, Spike. I could ride you at a gallop until your legs buckled and your eyes rolled up. I've got muscles you've never even dreamed of. I could squeeze you until you popped like warm champagne and you'd beg me to hurt you just a little bit more. And you know why I don't? (impish smile) Because it's wrong.

She breaks from him just as their lips are about to brush and walks off. Spike is left flustered and nearly speechless.

SPIKE

I get this chip out, you and me are going to have a confrontation.

[BUFFY]

Count on it.

Spike throws his beer bottle into the wall and walks off, shoving the patrons roughly out of his way in his anger. As he does so, a bolt of agony shoots through his head from the implanted chip.

CUT TO:

INT. SUNNYDALE-- STORM SEWER LAIR-- NIGHT

Four vampires enter their lair to find ADAM standing there silently watching them. The leader of the group, BOOKE, reacts angrily.

BOOKE

(to his minions)
It was too crowded. We gotta hold out for a few hours, pick up a straggler, some drunk. Can't be calling attention to... (sees Adam) ourselves.

ADAM

I've been thinking. About vampires.

BOOKE

This is my place.

ADAM

You're place. Yes, the sewers. You hide from them, crawl about in their filth, scavenging like rats. What do you fear?

BOOKE

(to stocky vampire)
Kill this guy already.

The vampire charges Adam who effortlessly seizes him by the throat and holds him there, dangling helplessly.

ADAM

You fear the cross... the sun... fire. And, oh, yes...

Adams rips the vampire's head from its shoulders. The head and body fall separately to the ground as they both explode into ash.

ADAM

I believe decapitation is a problem as well.

The remaining vampires are stunned. Their shock quickly turns to fear.

BOOKE

You can have the place. I mean, we don't have to stay here anymore.

ADAM

You fear death. Being immortal, you fear it more than those to whom it comes naturally. Vampires are a paradox.

BOOKE

Okay, we're a paradox. That's cool.

ADAM

Demon in a human body. You walk in both worlds and belong to neither. I can relate. Come. We have a lot to talk about.
CUT TO:

INT. ABANDONED WAREHOUSE-- NIGHT

The armored truck is parked in the shadows. Buffy wakes up to find herself secured to the truck's interior with chains of tempered steel. Weatherby and Collins watch her from outside the truck's open back doors.

WEATHERBY

Well, it's awake.

[FAITH]

Who are you?

WEATHERBY

Council. We're taking you back to the mother country. Seems you've been a naughty girl.

[FAITH]

Listen to me. You've made a mistake. I am not Faith. I'm Buffy Summers. Faith performed some kind of spell... she switched our bodies.

COLLINS

Congratulations. No one's ever actually tried that one on me before.

[FAITH]

You have to find Faith. Call Giles. Just get him here.

COLLINS

Giles doesn't work for the Council anymore. For that matter, neither does Buffy Summers. And what you are, Miss, is a package. I deliver the package. I don't much care what's inside. (to Weatherby) Come on.

WEATHERBY

He may not care, but I do. The Watcher's Council used to mean something. You perverted it, you trash. We should have killed you while you were asleep.

Weatherby spits in Buffy's face and slams the truck doors closed.

CUT TO:

INT. THE BRONZE-- NIGHT

Willow and Tara enter and look around at the raucous crowd.

WILLOW

I can't believe you've never been here. The Bronze is the coolest place in Sunnydale. Of course, there's not a lot of competition. I think the vending machine at Bergen's came in second.

TARA

You used to come here a lot?

WILLOW

I lived here. Me, Xander...

Willow suddenly notices Faith and group of guys gathered around chanting "chug, chug, chug" as on guy downs a pitcher of beer.

WILLOW

Buffy. Wow. I didn't think she'd be here. (takes Tara's hand) Come on, I want you to meet her.

The guy fails to completely drain his beer pitcher and Faith pushes him away.

[BUFFY]

Back off. You're nothing but a disappointment.

WILLOW

Hey, Buffy.

[BUFFY]

Willow and...

WILLOW

Buffy, this is Tara.

TARA

Hi.

[BUFFY]

So we've never met? Cool. Just have a thing with names.

WILLOW

Tara was in my Wicca group.

[BUFFY]

Uh-huh.

Faith turns and walks off, heading toward the couches. The girls follow.

WILLOW

So, what's up? Patrol a no-go?

Faith collapses onto the couch, her legs spread wide and resting on the table. Willow seems a bit taken aback.

[BUFFY]

Got tired. You know, the whole Faith thing. I let off some steam.

WILLOW

Good for you. You shouldn't work yourself too hard.

[BUFFY]

That's my philosophy.

WILLOW

Anyone want a soda?

TARA

Water.

Faith declines and Willow heads off to get Tara's drink. Faith notices Tara watching Willow intently. She leans forward and addresses Tara conspiratorially.

[BUFFY]

So, you guys been hanging out a lot lately, huh?

TARA

Yeah. She's really cool.

Faith nods and grins.

[BUFFY]

So Willow's not driving stick anymore... who would have thought? I guess you never really know someone until you've been inside their skin. And Oz is out of the picture? I've never seen two people so much in love. She just couldn't get enough of old Oz.

Tara is shocked by Faith's attitude.

TARA

She, um, said he w-w-w-w-w-went--

Faith mimics Tara's stutter.

[BUFFY]

He w-w-w-w-what? You gonna get that sentence out sometime tonight?

Tara is humiliated by Faith's casual cruelty and lowers her head in shame. Willow returns with Tara's water and urgently points out someone across the room.

WILLOW

Buffy, guy in the corner.

Faith sees the guy leading a GIRL toward the exit.

[BUFFY]

Yeah. Good call.

TARA

What?

WILLOW

Vampire.

[BUFFY]

Wicked obvious.

She sits back for a moment, not intending to do anything about it, before she realizes Willow is waiting for her to be Buffy the Vampire Slayer. She hurriedly hops to her feet.

[BUFFY]

So I should slay him!

WILLOW

You want help?

[BUFFY]

Nah, I got it.

Faith strides purposefully out of the Bronze, snatching up a pool cue as she goes.

CUT TO:

EXT. THE BRONZE-- ALLEY-- NIGHT

Faith enters the alley and finds the vampire feeding on the girl. She's gasping in pain as her life drains from her. Faith breaks the pool cue in two drops one half and slams the vampire across the back with the other.

[BUFFY]

Hey!

The vampire drops the girl, spins around and attacks. Faith kicks the creature in the leg and spins the vampire around. She jams the stake through its back and throws it into the wall as it explodes to dust.

Faith looks down at the girl who is sobbing on the ground, the large gash in her neck bleeding freely.

[BUFFY]

You'll live.

GIRL

He was so strong...

[BUFFY]

Yeah, well, he's gone now.

Faith turns to leave but the girl grabs her hand.

GIRL

Thank you. (heartfelt) Thank you.

A myriad expressions flit across Faith's face, vying for control. She finally acknowledges the girl's gratitude the only way she knows how: with a nonchalant shrug.

[BUFFY]

Yeah, it's cool.

Faith drops the pool cue and walks off.

CUT TO:

INT. THE BRONZE-- NIGHT

Faith saunters back into the dance club and drops onto the couch.

WILLOW

Everything poofed?

[BUFFY]

All's well in the world.

WILLOW

Tara's not feeling well. I'm going to walk her home.

[BUFFY]

Yeah. You give her whatever she needs.

WILLOW

Are you going to be in later or you going over to Riley's?

Faith had forgotten about Riley. Now a sly smile starts to work the corners of her mouth.

CUT TO:

INT. ABANDONED WAREHOUSE-- NIGHT

The armored truck shakes and groans as Buffy tests her restraints.

SMITH walks toward the armored truck with a syringe.

SMITH

This'll bloody keep you quiet.

He opens the back of the truck and climbs in. With preternatural speed, Buffy lashes out and seizes him, wrapping the chains around his neck.

[FAITH]

How about this? I'll be quiet and you can scream.

Weatherby and Collins appear at the back of the truck.

[FAITH]

Now you unchain me, very slowly and politely, or I kill this guy.

COLLINS

When we go on a job, we always put our affairs in order first in case of accident.

SMITH

Collins...

COLLINS

Sorry, Smithy.

They turn and walk off, leaving Smith at Buffy's mercy.

COLLINS

She's starting to bother me.

WEATHERBY

Getting her across the border is going to be a lot more trouble than it's worth.

COLLINS

If the Council can even get us passage. I'll call them. It's time for a contingency plan.

Behind Collins, Smith flies out the back of the truck and falls to the floor, groaning in pain.

CUT TO:

INT. LOWELL HOUSE-- RILEY'S ROOM-- NIGHT

RILEY sits at his desk working when he and hears a sound and turns, smiling. Faith stands seductively in the doorway.

[BUFFY]

Hi, baby.
FADE OUT

ACT III

INT. UC SUNNYDALE-- WOMEN'S DORM-- TARA'S ROOM-- NIGHT

Willow and Tara arrive back at her room.

WILLOW

I'm sorry you're feeling all blechy but we'll get together with Buffy another time. Sometime soon. I think you'll really like her.

TARA

She's not your friend.

Willow is taken aback.

WILLOW

I may have overestimated the "you liking her" factor.

TARA

No, no. I mean, I don't... I don't think she's... her.

WILLOW

You lost me.

TARA

Well, a person's energy has a flow, a unity. Buffy's was fragmented. It grated like something forced in where it doesn't belong. Plus, she was kind of mean.

WILLOW

So you think Buffy's not herself? Like she's been possessed or something?

TARA

I'm not sure.

WILLOW

You didn't sense a hyena energy at all, did you? Because hyena possession is just... unpleasant.

TARA

Do you have anything of hers?

WILLOW

Of Buffy's? Oh! This ring.

Willow removes the ring and gives it to Tara who takes it over to her desk and pulls a book off the shelf.

TARA

I think there's a way we can... the passage to the Nether Realm. There's a ritual. If you can find Buffy there, you should be able to see.

WILLOW

If it'll help her.

Tara sighs nervously.

WILLOW

What?

TARA

Well, the Nether Realm exists beyond the physical world. Accessing it is... it's kind of like astral projection. It's very intense. I'd have to be your anchor, keep you on this plane.

WILLOW

I trust you.

TARA

It's not like anything that we've ever--

WILLOW

(smiles)
I trust you.
CUT TO:

INT. LOWELL HOUSE-- RILEY'S ROOM-- NIGHT

Faith moves toward Riley, oozing sexuality.

[BUFFY]

You miss me?

RILEY

I did, actually. Everything's okay?

[BUFFY]

Everything's great.

RILEY

What about Faith?

She sits on Riley's lap, facing him and straddling him.

[BUFFY]

Faith has won a fabulous trip to England and I got the consolation prize, which is you.

RILEY

So I don't have to worry about Faith showing up? Though I have to admit, I was kind of curious to meet her.

Faith holds onto his arms and leans back, thrusting her breasts right into Riley's face.

RILEY

Or I was until about thirty seconds ago.

[BUFFY]

Oh, you wouldn't have liked Faith. She's not proper and joyless, like a girl should be. She has a tendency to give in to her animal instincts.

She kisses Riley and nips his lip. Riley responds but hesitantly, noticing the wide open door leading to the public hallway.

RILEY

Door's open.

[BUFFY]

So?

RILEY

So my fantasies don't tend to include a bunch of Marines staring in at me.

[BUFFY]

Maybe they could learn something.

She kisses his neck as Riley picks her up and walks across the room with her in his arms to close the door. The strain aggravates his wound.

[BUFFY]

You're hurt.

RILEY

Not that bad, actually. I guess the drugs the professor gave me really did make me stronger. I'm healing pretty quick.

[BUFFY]

Maybe we should take you for a test drive.

RILEY

I wouldn't say no.

Faith crawls onto the bed on all fours, her near-perfect butt elevated right at Riley's eye-level. She turns and looks back over her shoulder.

[BUFFY]

So... how do you want me?

RILEY

How do I?

[BUFFY]

Yeah. What do you want to do with this body? What nasty little desire have you been itching to try out? Am I a bad girl? Do you want to hurt me?

RILEY

What are we playing at here?

[BUFFY]

I'm Buffy.

RILEY

Okay, then I'll be Riley.

[BUFFY]

Well, if you don't want to play--

She turns to leave but Riley grabs her.

RILEY

Right. I don't want to play.

Riley kisses her very gently and she responds.

CUT TO:

INT. UC SUNNYDALE-- WOMEN'S DORM-- TARA'S ROOM-- NIGHT

Willow closes the curtains and Tara touches her thumb ceremonially to Willow's forehead, lips and chest. Then they sit cross-legged, side by side, facing opposite directions and whisper while each languidly waves their outer arm through the air, as if stirring some unseen substance.

WILLOW & TARA

(ethereal whisper)

Sightless sea. Ayala flows through the river in me. The inward eye, the sightless sea. Ayala flows through the river in me. The inward eye, the sightless sea. Ayala flows through the river in me. The inward eye, the sightless sea.

A sparkling light forms at their fingertips, leaving a glowing trail as their hands move. Both light trails meet, forming an enveloping circle that bathes them in phosphorescence.

Their hands meet, palm to palm, and they begin to perspire. Their breath starts to come in quick gasps as Willow breaks contact and falls backward in a semi- conscious daze. The luminescence rises as Willow falls. Her respiration is very shallow and quick and she arches her back and moans, as if in the throws of a sexual orgasm.

CUT TO:

INT. LOWELL HOUSE-- RILEY'S ROOM-- NIGHT

Riley and Faith lie in bed, having just made love. Riley is on top of her, looking down at her lovingly. His voice is barely a whisper as he stares into her eyes.

RILEY

I love you.

Faith is suddenly very uncomfortable with the situation. She starts to struggle beneath Riley's weight. Riley is taken aback by Faith's reaction.

[BUFFY]

Get off. No. No. No! (pushes Riley away) Get off! Off me. Get off!

She climbs out from under him and gets out of bed, extremely flustered.

RILEY

Buffy... what? What's wrong?

[BUFFY]

Who are you? What do you want from her?

RILEY

Should I not have...?

[BUFFY]

This is meaningless.

RILEY

You're shaking.

Riley stands up and wraps a sheet around her, concerned. He cautiously takes her in his arms, comforting her.

RILEY

What happened?

[BUFFY]

Nothing. Nothing.

She lays her head against Riley's chest as her face drops into shadow.

CUT TO:

INT. SUNNYDALE-- STORM SEWER LAIR-- NIGHT

Adam addresses his vampiric minions, his newfound army.

ADAM

I have a gift no man has. That no demon has ever had. I know why I'm here. I was created to kill, to extinguish life wherever I find it, and I have accepted that responsibility. You have lived in fear and desperation because you didn't have that gift. But it's time to face your fear.

Booke rises and approaches Adam reverently.

BOOKE

Tell us what to do.

ADAM

You are here to be my first, to let them know that I am coming.

BOOKE

We're ready.

ADAM

Then ask yourself: What is it-- more than man, more than anything else-- what is the thing you fear?
CUT TO:

INT. LOWELL HOUSE-- RILEY'S ROOM-- MORNING

Faith puts on a shirt and fluffs her hair. The clock reads 8:25. She looks between the clock and Riley, asleep in bed, then abruptly turns and leaves.

CUT TO:

INT. LOWELL HOUSE-- COMMON AREA-- MORNING

Faith hurries down the stairs as FORREST enters from the main foyer.

FORREST

Hope you left him alive.

Faith turns to him, confused. She doesn't know who he is.

[BUFFY]

What?

FORREST

Boy's supposed to be on the mend. I don't see you letting him get much rest.

[BUFFY]

I think maybe you should stay out of other people's lives.

FORREST

We've got a mission here. Back when Riley could still think for himself--

[BUFFY]

You've got a mission? I've been fighting demons since before you could shave.

FORREST

Yeah, you're a killer.

[BUFFY]

(angry)
I am not a killer! I am the Slayer... and you don't know the first thing about me.

FORREST

You really care what I think?

Faith pauses a moment, considering.

[BUFFY]

No. I don't care. (beat, intense) God, I don't care!

She turns and exits through the back door leaving Forrest slightly shocked. Her reaction isn't quite what he expected.

CUT TO:

INT. ABANDONED WAREHOUSE-- DAY

Collins hangs up the phone. He doesn't look pleased as he screws a silencer onto his pistol.

COLLINS

They can't get us passage. They've ordered the kill.

WEATHERBY

Torch the place?

COLLINS

Get the gas.

Smith isn't comfortable with executing Buffy.

SMITH

She could've killed me. She didn't.

Collins isn't moved.

COLLINS

Lucky you.

Collins walks over to the back of the truck, gun raised. As he nears the doors, Buffy seizes his hands with her feet and yanks him into the truck hard enough to stun him. She takes the gun and shoots off the locks binding the chains around her wrists.

Smith witnesses her amazing escape and runs off, yelling.

SMITH

Weatherby!

Buffy shoots off an interior lock and dives into the driver's seat of the truck.

[FAITH]

Keys, keys...

Weatherby runs back into the warehouse.

WEATHERBY

Stop her, you ponce.

Buffy finds the keys as Weatherby rushes the truck. She slams the driver's-side door into him, knocking him out, then returns her attention to the truck's controls.

[FAITH]

Okay, I'm good at this.

The engine roars to life and she shifts gears with a grinding sound.

[FAITH]

Oh, drive.

Smith shoots at the truck but the rounds just glance off the armored exterior. Buffy jams the gas and the truck smashes straight through the wall of the warehouse and out into the sunlight.

FADE OUT

ACT IV

INT. SUNNYDALE AIRPORT-- TICKET COUNTER-- DAY

The clerk behind the counter hands a plane ticket to Faith.

WOMAN

Here, there you go.

[BUFFY]

Thank you.

WOMAN

You're welcome.
CUT TO:

INT. GILES' APARTMENT-- LIVING ROOM-- DAY

Giles heads downstairs carrying a plate and some cups. Suddenly the front door opens and Buffy runs in.

[FAITH]

Giles!

Giles is stunned speechless for a moment.

GILES

God!

[FAITH]

Don't move. Okay Giles, you have to listen to me very carefully. I'm not Faith.

GILES

Really?

[FAITH]

Really.

GILES

Because the resemblance is striking.

Giles slowly makes his way toward the telephone.

[FAITH]

I know. Giles, you just have to-- stop inching! You were inching.

GILES

Look, I know what you're going to say and--

[FAITH]

I'm Buffy.

GILES

All right, I didn't know what you were going to say but that doesn't make you any less crazy.

[FAITH]

Faith switched... I mean, she had some device. She switched our bodies. Giles, I swear it's me.

Buffy runs her hand through her hair, tucking it back behind her ears. Giles pauses for a moment, taken aback by how familiar that particular gesture seems.

GILES

(nervous)
If you are Buffy, then you'll let me tie you up-- without killing me-- until we find out whether you're telling the truth.

[FAITH]

Giles, Faith has taken my body and for all I know she's taken it to Mexico by now. I don't have time for bondage fun. (beat) Ask me a question. Ask me anything.

GILES

Who's president?

[FAITH]

We're checking for Buffy, not a concussion.

GILES

Oh, yes. All right...

Giles pauses, thinking.

[FAITH]

(impatient)
Giles, you turned into a demon and I knew it was you. I mean, can't you just look in my eyes and be all intuitive?

GILES

How did I turn into a demon?

[FAITH]

Oh! 'Cause of Ethan Rayne! And you have a girlfriend named Olivia and you haven't had a job since we blew up the school... which is valid, lifestyle-wise. I mean, it's not like you're a slacker type but... oh, when I had psychic power, I heard my mom think that you were like a stevedore during sex. (off his look) What? Do you want me to continue?

GILES

Actually, I beg you to stop.

[FAITH]

What's a stevedore?

GILES

All right, let's... I need you to explain everything.

[FAITH]

And I will. After we get Faith.

Willow and Tara enter at a run.

WILLOW

Giles!

[FAITH]

Will...

WILLOW

Oh, my god!

[FAITH]

Willow, wait. You don't understand.

WILLOW

You're Buffy. You and Faith switched bodies, probably through a Draconian Katra spell.

GILES

(to himself)
She understands it better than I do.

[FAITH]

How did you--

WILLOW

Tara. Tara, this is Buffy, only really this time.

TARA

Hi.

WILLOW

Tara's a really powerful witch.

TARA

Not really.

WILLOW

No, really. She knew right away that you weren't you. So we connected with the Nether Realms to find out what happened. And we conjured this.

Willow holds out a small box with a luminescent green stone set into the center.

[FAITH]

What is--

WILLOW

It's a Katra. Or the home-conjured version. It should switch you back if you can get ahold of Faith.

[FAITH]

Oh, thank god.

The telephone rings.

GILES

I'll get it. (picks up) Hello.

[FAITH]

(to Willow)
Do you know where Faith is?

GILES

Oh yes, Buffy's here with me. Actually, she's... oh, all right.

GILES

Xander. Apparently there's a report on the television.

Giles turns on the TV.

TV ANNOUNCER

...and barricaded themselves in the church with at least twenty parishioners. One of the few who escaped described the three men as frighteningly disfigured, almost inhuman. So far, one escapee has since died of severe neck wounds.
CUT TO:

INT. SUNNYDALE AIRPORT-- PASSENGER LOUNGE-- DAY

Faith watches the report on a TV in the passenger terminal.

TV ANNOUNCER

There is no report on the condition of the parishioners still trapped inside but their assailants have vowed to kill all of them if police attempt to storm the church.

Faith watches, considering the situation in the church. She can help them and miss her best chance at freedom or follow her instincts and turn her back on Sunnydale and everyone in it.

CUT TO:

INT. SUNNYDALE CATHOLIC CHURCH-- DAY

The parishioners cower in the pews as the vampires stride arrogantly up and down the central aisle.

BOOKE

It's hard to believe. I've been avoiding this place for so many years and it's nothing. It's nice! It's got the pretty windows, the pillars... lots of folks to eat. Where's the thing I was so afraid of? You know, the Lord? He was supposed to be here. He gave us this address. Well, we'll just have to start killing off His people, see if He shows up.
CUT TO:

EXT. SUNNYDALE CATHOLIC CHURCH-- DAY

Sirens. Two squad cars and an ambulance park outside. Uniformed police and emergency personnel swarm everywhere. Riley talks to the detective in charge.

RILEY

What'd he say?

DETECTIVE

He said I should defer command to you.

RILEY

Then you hold your men until the reserves arrive. This is a military situation.

DETECTIVE

What? They got bombs in there?

RILEY

Your men are not prepared to deal with them. Just trust me.

Riley walks closer to the church, taking into consideration angles of approach and fields of fire when he suddenly runs into Faith.

RILEY

Buffy.

[BUFFY]

How many are in there?

RILEY

We think there's three.

[BUFFY]

I can do three.

She starts to head in but Riley grabs her arm.

RILEY

Not alone. Look wait for the troops to get here. They're still mobilizing.

[BUFFY]

How did you respond so fast?

RILEY

I didn't. (sheepish) I was just late for church.

Faith shakes her head, amazed.

[BUFFY]

Look, when the troops get here, send 'em in but I'm going.

RILEY

I don't want you risking--

[BUFFY]

Don't tell me what to do! I'm Buffy. I have to do this.

RILEY

Then I'm coming with.

Faith jabs Riley in the abdomen and he flinches in pain.

RILEY

Ow!

[BUFFY]

I can't use you. Someone comes out, you get 'em to safety... unless they've got fangs.

With that, Faith turns and enters the church.

CUT TO:

INT. SUNNYDALE CATHOLIC CHURCH-- DAY

Faith walks in and closes the door with a bang. Booke jumps up to face her.

BOOKE

I told the cops, they send any one in, I start the whole massacre thing.

[BUFFY]

Well, I'm not the cops. I just came to pray.

BOOKE

Now's a good time to start.

[BUFFY]

You're not going to kill these people.

BOOKE

Why not?

[BUFFY]

Because it's wrong.

A vampire attacks her from behind. Faith seizes him and throws him across the room. He collides with a solid marble column at high velocity and falls to the floor in a broken heap. He doesn't get back up. The lead vampire takes a step back, no longer quite so cocky.

BOOKE

You're the Slayer.

[BUFFY]

The one and only.
CUT TO:

EXT. SUNNYDALE CATHOLIC CHURCH-- DAY

Giles arrives, driving the armored truck. It stops and Willow, Tara and Buffy jump out of the back.

OFFICER

You people, get out of here!

WILLOW

We've gotta get inside.

OFFICER

The police are handling this. Just back off-- right now.

WILLOW

But we can't... we've gotta... you don't understand.

OFFICER

Listen you have to clear the area.

Giles sees this is going nowhere and decides to create a diversion for the others. He starts pointing and yelling hysterically. While the cop is distracted, Buffy slinks out of sight behind the truck.

GILES

(yelling)
Damn it, man! We have to get inside. Our families are in there! Our mothers and tiny, tiny babies!
CUT TO:

INT. SUNNYDALE CATHOLIC CHURCH-- DAY

The lead vampire's momentary fear of Faith has drained away and his bravado has returned.

BOOKE

You think we're afraid of you? We're not afraid of anything anymore.

[BUFFY]

Then let all these people go and all three of you can take me on.

BOOKE

I've got a better idea.

He launches himself at Faith and she easily dodges, jabs him in the stomach, backhands him in the face and kicks him in the kidneys. He goes down. She kicks another vampire in the gut as he attacks and knocks him back. Then grabs the third vampire and sends him flying across the room again.

The congregation takes advantage of the distraction to start piling out of the church in a blind panic.

Faith drives the second vampire back with a wicked series of punches as the people flee around her. She breaks off a piece of wood from the back of a pew and jams it through the second vampire, simultaneously spinning him out of her way and to the ground as he explodes in mid-air. The third vampire thinks better of continuing his attack, grabs a robe to cover himself and bolts out of the church.

EXT. SUNNYDALE CATHOLIC CHURCH-- DAY

The vampire runs right into Riley. They fall and roll down the steps. As they get up the vampire hits Riley in the face. Riley grabs hold of the robe and pushes the vampire out into the bright sunlight. He screams in agony as he bursts into flame and crumbles into nothing.

RILEY

You forgot your coat.

Buffy runs up to Riley and hugs him tight. He's more than a little surprised.

[FAITH]

Riley!

RILEY

It's okay, miss. Just get yourself out of harm's way.

[FAITH]

Riley, it's me! (off his look) Never mind. How many are in there?

RILEY

Well... who are you?
CUT TO:

INT. SUNNYDALE CATHOLIC CHURCH-- DAY

Inside, Booke knocks the stake from Faith's grip and slams her back against a pew. He punches her in the face, stunning her.

BOOKE

I have strength you couldn't dream of. Adam has shown me the way and there is nothing--

He suddenly dissolves into dust revealing Buffy standing behind him, stake in hand. Quick beat while Faith absorbs the reality of her presence. Then she leaps to attack. In her rage, Faith seems to have a slight advantage. She rocks Buffy with a vicious uppercut, staggering her but Buffy comes back with an uppercut and knocks Faith backward.

[FAITH]

You can't win this.

[BUFFY]

Shut up! Do you think I'm afraid of you?

Faith grabs Buffy and throws her down, then straddles her, raining blows down on her face and chest.

[BUFFY]

You're nothing! Disgusting!

Faith grabs Buffy's hair with both hands and bangs her head on the tiled floor.

[BUFFY]

Murderous bitch! You're nothing! You're disgusting...

Faith winds up for another punch and Buffy seizes her hand in mid-swing. Their palms come together and with a bright flash of light and a jolt of magickal energy, Buffy is returned to her body and Faith to hers.

Buffy falls back exhausted as their hands separate. Realizing what has happened, Faith gives Buffy a hateful look, then leaps to her feet and runs off. Buffy can only lie on the floor and watch her go.

CUT TO:

INT. LOWELL HOUSE-- RILEY'S ROOM-- NIGHT

Buffy hangs up phone. She sits on the bed with Riley.

BUFFY

She's gone, not a trace. Giles said the Council guys have cleared out, too.

RILEY

I don't understand. how could she have... I mean, how's it possible?

BUFFY

Magick.

RILEY

There was something... I should've picked up on it. I should've just...

Riley looks away, not meeting Buffy's eyes. The realization suddenly dawns on Buffy. She looks stricken.

BUFFY

You slept with her.

RILEY

I slept with you. Man, would I like to get my hands on her. (off Buffy's look) Not in a sex way!

BUFFY

I don't think she's coming back.

RILEY

Guess she's had her fun.

BUFFY

Yeah. Fun.

CU on Buffy's face as we

DISSOLVE TO:

INT. RAILROAD CARGO CAR-- MOVING-- DAY

CU: Faith. She stares off into space, her face an inscrutable mask, as she rides the rails out of Sunnydale.

FADE TO BLACK
END