Where The Wild Things Are

[Transcript of "Buffy The Vampire Slayer" episode Where The Wild Things Are at buffyology.com.]

Prologue

EXT. SUNNYDALE CEMETERY-- NIGHT

BUFFY pounds on a vampire. It's putting up a good fight but is clearly no match for her. RILEY takes over, punching the vampire repeatedly as Buffy loads her crossbow. She brings it to bear as Riley throws the vampire over his shoulder, then seizes him and holds him as a target for Buffy. She fires but her shot goes wild as a huge horned demon appears out of the shadows and shoves Riley out of the way, then helps the vampire up. Buffy drops her crossbow and joins the fight again. She kicks the vampire, then the demon. Riley and Buffy huddle and regroup.

BUFFY

Okay, you get Fang, I'll get Horny. (off Riley's look) I mean--

The vampire attacks and flips Riley over his shoulder. Riley rolls and comes up holding a stake.

Buffy kicks the demon in the chest and knocks him over. She seizes the demon by the neck and stabs him in the back. Riley stakes the vampire and it crumbles to dust.

Buffy throws down her weapon and sighs. Riley slips his stake back in his thigh holster.

BUFFY

Whoo! Vampire-demon tag team. Who says we can't all get along?

RILEY

Don't recall ever seeing that before.

They approach each other, panting heavily, touching each other, sizing each other up and looking each other over.

BUFFY

It never happens. Vamps... hate demons. Like stripes and polka dots. Major... clashing. So, uh... I guess we should tell Giles about this.

They caress each other, their lust obvious.

RILEY

Right.

BUFFY

I mean, it's the kind of thing he'd... want to know about.

RILEY

Uh-huh.

BUFFY

Like as soon as possible.

RILEY

As soon as possible.
CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- RILEY'S ROOM-- NIGHT

Riley's bedroom door opens and Riley stumbles in holding Buffy, kissing her passionately. She's pulls his shirt off.

BUFFY

I mean it now. First thing... in the morning... we go tell Giles.

They fall onto the bed.

RILEY

First thing. Good plan.

Opening credit sequence.

ACT I

INT. UC SUNNYDALE-- LOWELL HOUSE-- MOVING-- NIGHT

Slow pan across the lobby of the dark and deserted Lowell House. Chairs, couches, fireplace. Move up the stairs and across the landing to the door of Riley's room.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- RILEY'S ROOM-- NIGHT

Their lovemaking over, Riley and Buffy sleep and snuggle. Riley stirs and wakes up, looks at Buffy, kisses her shoulder and gets out of bed. He puts on a pair of pants and leaves, closing the door quietly.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- CORRIDOR-- NIGHT

Riley starts at a rattling sound and looks around, following it down the hall to the closed door of the common bathroom. He opens the door and walks inside.

INT. UC SUNNYDALE-- LOWELL HOUSE-- BATHROOM-- NIGHT

Riley flips on the light. Pan across the bathroom: sinks, toilet stalls, bathtub with the shower curtain pulled shut. Riley looks around, then approaches the tub slowly. He yanks back the shower curtain. There's nothing there except a drippy faucet. Riley smirks and turns it off.

CUT TO:

EXT. SUNNYDALE STREETS-- RESIDENTIAL-- DAY

An ice-cream truck makes its way down the street, blaring cheerful children's music.

CUT TO:

INT. ICE CREAM TRUCK-- DAY

XANDER drives the truck wearing a red-and-white striped shirt and matching hat. ANYA sits next to him.

XANDER

Aw, come on. Big party at Riley's house. It's gonna be fun. Why don't you want to go?

ANYA

You know why not. Those Initiative men make me... not comfortable. And you don't care.

XANDER

They don't even know that you're an ex-demon. And we don't know that they'd care even if they did know. Which, by the way, they're not going to find out.

He pulls over and gets up and goes into the back of the truck to set up.

XANDER

Anyways, they'll probably be too busy flirting with every other girl at the party to even notice you.

ANYA

So... you don't think I'm desirable enough to be flirted with?

XANDER

Is that it? I'm just not going to win here, am I?

ANYA

(sighs)

You don't find me attractive any more.

XANDER

What are you talking about? I think you're gorgeous.

ANYA

Oh, really? Well then, why didn't we have sex last night?

XANDER

Is that what this is about? We've gone other nights without sex.

ANYA

(angry)

I know. Twice! I can't believe we're breaking up.

XANDER

Breaking--? We're not! Are we?

ANYA

Of course we are. You've obviously grown tired of me. I mean, I've seen it happen to thousands of women over the centuries, I just never thought it would happen to me.

XANDER

Anya, there's a lot more to you and me than the sex. (she rolls her eyes) Well, there should be! I mean, a relationship is something that you work at. Work through. Together.

ANYA

I don't understand. I'm pretty, I'm young... I mean, why didn't you take advantage of me? Is something wrong with your body?

XANDER

There's nothing wrong with my body!

ANYA

Well, there must be. I saw that wrinkled man on TV talking about erectile dysfunction--

XANDER

Whoa! Hey. All systems go here. No function problem, okay?

Anya looks skeptical. He starts taking off his shirt.

XANDER

You want sex? Let's have sex. Right here. Hot, sweaty, big sex.

Pull back to reveal a group of kids and parents staring in the customer window at them, open-mouthed with shock.

CUT TO:

INT. UC SUNNYDALE-- STEVENSON HALL-- LOUNGE-- DAY

GILES meets with Buffy at her dorm. WILLOW, TARA and Riley lounge around the room. Buffy sits on Riley's lap and they make eyes at each other and hold hands throughout the scene.

GILES

There's always been great discord between them and yet you say that the vampire went to the demon's aid. The two of them were working as a team?

BUFFY

(nods)
Everything except giving each other little pats on the behind.

GILES

Extraordinarily odd. As a rule, demons have no empathy for any of the species other than their own. In fact, most think of vampires as... abominations. Mixing with human blood and all.

WILLOW

So... what brought these two together?

RILEY

Not what. Who.

GILES

(realizes)
Adam.

BUFFY

Think about it. Who better to bring together a bunch of demon types than someone who's made out of a bunch of demon types?

TARA

So he's bridging the gap between the races.

WILLOW

Huh, like Martin Luther King.

GILES

I suggest that over the next several nights you two concentrate your patrol in that same area. If there's any other peculiar pairings or groupings, you let me know.

RILEY

I'll let the squad know as well. They're patrolling. (to Buffy) We'll have a reserve unit out during the party.

GILES

(frowns)
Party?

RILEY

Tomorrow night. We're having a thing.

GILES

At a time like this? Whose idea was that?

RILEY

Mine. Boys are pretty ragged, need to let off steam.

GILES

Point taken.

RILEY

You're welcome to come.

GILES

Well, much as I long for a good kegger, I have other plans. The Espresso Pump.

WILLOW

What are you doing there?

GILES

(evasive)
I'm... it's a... meeting of grownups. It couldn't possibly be of any interest to you lot.

RILEY

Buffy, hey, look at the time. Don't you have a class?

BUFFY

Yeah, in about 20 minutes.

RILEY

Yeah, but... I have that... thing.

Buffy suddenly gets his meaning.

BUFFY

Right! That... thing we could... squeeze in... before.

RILEY

Yeah.

They get up and quickly leave.

BUFFY

Bye!

RILEY

Gotta run.

WILLOW

(grins; to Giles)
They probably going to--

GILES

Yes, thank you, Willow. I did attend university in the Mesozoic Era. I do remember what it's like.
CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- COMMON ROOM-- NIGHT

The downstairs is dark and shrouded in shadow. FORREST and GRAHAM come downstairs shivering.

FORREST

Didn't we just get the furnace fixed? It's freezing!

GRAHAM

I'll call in the A.M., get somebody to come--

They hear a noise and follow it up to Riley's door. They stand and listen for a moment. Rhythmic moaning comes from behind the door.

FORREST

Oh, you gotta be kidding me. When do these two come up for air?

GRAHAM

(grins)
Slaves to the rhythm.

They walk off.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- RILEY'S ROOM-- NIGHT

Buffy and Riley make passionate love. Riley opens the drawer in the nightstand and retrieves a condom.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- COMMON ROOM-- NIGHT

One of Riley's Initiative soldiers, MASON, tosses wood on the fire. Forrest and Graham come down from above again.

FORREST

Room should have warmed up by now.

MASON

I've been building this thing for an hour. It's still an icebox in here.

GRAHAM

Don't bother, Mason. We got a couple of heat generators pumpin' away upstairs.

Mason looks up and grins while Forrest and Graham rub their arms to keep warm.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- RILEY'S ROOM-- NIGHT

The lovemaking continues, passion building, hands caressing, bodies merging together.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- COMMON ROOM-- NIGHT

Mason finishes with the fire and stands up, blowing on his hands and rubbing them together. He sits in a chair in front of the fire.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- RILEY'S ROOM-- NIGHT

Buffy rolls on top of Riley, straddling him. Their passion reaches new heights.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- COMMON ROOM-- NIGHT

Flames suddenly explode out of the fireplace, engulfing Mason. He screams as his clothing ignites.

GRAHAM

Jeez!

Forrest snatches a banner from the wall, wraps it around Mason and extinguishes the flames.

FORREST

Call a medic. Get help!

As Graham runs off to call for assistance, we close on the fireplace, the fire back to normal, nothing unusual.

FADE OUT

ACT II

EXT. SUNNYDALE STREETS-- ALLEY-- NIGHT

Anya walks down an alley, an annoyed expression on her face. She turns a corner onto the street, the Bronze in the distance. Suddenly SPIKE leaps out in front of her, his arms raised menacingly.

SPIKE

Grrr!

Anya reacts with a startled yelp. Spike deflates and looks at her, annoyed.

SPIKE

Oh, it's you.

His face morphs back to normal.

ANYA

Spike! (petulant) What are you doing? You made me yell really high.

SPIKE

Hey! Yeah, I did. I scared you.

He grins and gets right in her face.

SPIKE

Gimme money.

She pushes him away with a disgusted sigh.

ANYA

I'm not paying you for scaring me.

SPIKE

You're not paying me. I'm robbing you.

ANYA

Oh, well now, that's just ludicrous. You can't hurt me because you've got that chip in your brain. Also, I like my money the way it is... when it's mine.

Spike growls and spins her around.

ANYA

Oh, now come on. You're not even bumpy any more.

He feels his forehead with fingers.

SPIKE

Oh. I was just a minute ago. Hang on. Get me mad again.

ANYA

(sighs)

Does this really work? Scaring people into giving you their money?

SPIKE

Yeah, it works. Keeps me in blood and beers. (grins) Plus, you know, funny. Watching those little humans quail.

ANYA

I'm beginning to understand why you're so friendless.

SPIKE

Look who's talking! I don't see Droopy Boy on your arm. Did he have better things to do?

Anya crosses her arms and raises one eyebrow dangerously.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- COMMON ROOM-- NIGHT

Loud party music blares and people come and go, most holding beers. Xander, Buffy, Willow and Tara stand together, watching the spectacle and chatting. Buffy looks across the room and smiles. We follow her gaze and to reveal Riley, Forrest and Graham in their own little group, talking amongst themselves. Riley glances over at Buffy and smiles as well, his attention more on her than on his friends.

FORREST

You're kidding? Mason requested to go on patrol?

GRAHAM

He just didn't want the girls to see him with his eyebrows all burnt off.

FORREST

He's lucky that's all he lost.

GRAHAM

You should have seen it, Rye. Weird as hell.

RILEY

(distracted)
Mm-hmm.

Forrest and Graham frown and follow his eyes to Buffy.

WILLOW

How many kids?

XANDER

I don't know, a whole herd of them. And some parents to boot. It was kind of embarrassing, which, welcome to life with Anya.

TARA

So you don't even know if she's coming tonight?

XANDER

I'm thinking no. She was pretty upset. Which makes me wonder, is it me? Am I the crazy one?

Willow and Tara have no answers for him.

BUFFY

(distracted)
Uh-huh. Absolutely.

The others follow Buffy's gaze to Riley. Willow smiles and takes advantage of Buffy's state of mind.

WILLOW

Hey, Buffy, this might be a good time to mention that someone-- so not me-- spilled something purply on your new peasant top which I would never borrow without asking. Still love me?

BUFFY

Uh-huh.

Willow and Tara share a look and a laugh. Buffy suddenly comes out of her fog.

BUFFY

Huh? What about my peasant top?

WILLOW

(innocent)

Nothin'.

TARA

Xander was just talking about Anya.

Buffy nods vaguely.

XANDER

Oh, it's nothing much. Just feeling pretty glad right now that a certain ex-demon doesn't have any powers.

Buffy's attention is gone again, staring over at Riley.

CUT TO:

INT. THE BRONZE-- NIGHT

Anya and Spike sit together on the couch, sharing their woes over a couple of beers.

ANYA

Boy, I miss those powers.

SPIKE

Yeah, tell me about it.

ANYA

A year and a half ago, I could have eviscerated him with my thoughts. Now I can barely hurt his feelings. (sighs) Things used to be so much simpler.

SPIKE

(wistful)
You know... you take the killing for granted and then it's gone and you're like, "I wish I'd appreciated it more." Stopped and smelled the corpses, you know?

ANYA

Yeah. Now everything's complicated.

SPIKE

It's a terrible thing, love is. I been there myself. (beat) It ended badly.

ANYA

Of course it did. It always does. Seen a thousand relationships. First there's the love and sex and then there's nothing left but the vengeance. That's how it works.

SPIKE

You and I should just go do the vengeance. Both of us! You eviscerate Xander and I'll stake Dru. Like a project.

Anya's tempted.

ANYA

I don't know. I just can't. You can go do Dru though.

SPIKE

(nods)
Yeah. I will. (beat) Maybe later.

Anya smiles and they sip their beers.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- COMMON ROOM-- NIGHT

The party is in full swing. People dance, have fun. ROY chats up CHRISTIE, a freshman.

ROY

See, the thing that they're afraid to teach us about is the inherent sensuality of language. I mean, you learn French and they make it all about conjugations and fronted vowels... but nobody really talks about, you know, the way language tastes, the way it feels, rolling over your tongue. I mean, just think about "car" versus "voiture."

He leans his hand on the wall and makes a startled face.

ROY

Oh!

Christie looks at him, puzzled, as he stares at the wall.

ROY

Wow.

CHRISTIE

Are you all right?

ROY

Fine! I-- oh!

He gasps as he puts his hand back on the wall. Christie looks concerned.

ROY

(chuckles)
Oh, my god. Wow... wow.

CHRISTIE

So you really like French, huh?

ROY

Yeah, well...

He gives her a satisfied smile and sigh.

CUT TO:

Xander walkis through the crowd. He approaches JULIE who is admiring the Lowell House trophy case. He reads the inscription on one of the trophies.

XANDER

"Lowell House. 1962."

Julie smiles.

JULIE

Yes.

XANDER

Just, you know, impressing you with my knowledge of local history. Or my knowledge of reading.

JULIE

(friendly; teasing)
You didn't even have to sound anything out.

XANDER

You should see me add short columns of small numbers.

JULIE

(laughs)
You're funny.

XANDER

Thanks. I mean... funny "how amusing," or funny "back away and avoid eye contact"?

JULIE

Hmm... kinda both. Who are you here with?

XANDER

(shrugs)
Right now I seem to be here with you.

She smiles and he smiles back.

CUT TO:

Buffy approaches Riley and his friends.

BUFFY

Hey, can we... (points upstairs) I, um, need you to take a look at an... essay for... class.

RILEY

That... essay, right. (to Forrest) Here.

He hands his drink to Forrest who looks quite annoyed. Graham only looks amused.

RILEY

I'll catch you guys in a minute. Essay... gotta look at...

Buffy pulls him upstairs.

GRAHAM

(to Forrest)
And I'm the one who got a D in covert ops...
CUT TO:

Roy and Christie are still talking near the "special" wall. EVAN, one of Roy's friends, walks past.

ROY

Hey, Evan, come here. You gotta see this.

EVAN

I'm getting a beer.

ROY

No, no. First, just put your hand right here.

He points at the wall.

EVAN

Okay. Somehow this is a trick, I know it.

ROY

Here.

He grabs Evan's hand and puts it on the wall. Christie watches with a grin.

ROY

Now stay. Don't move.

Evan's eyes go wide and he starts breathing heavily. The others laugh with expectation.

EVAN

Whoa. What is that? I kinda feel...

He pants and gestures to his crotch.

EVAN

Oh, my god. Oh, god.
CUT TO:

Willow and Tara sit together on the stairs.

WILLOW

Horses, like big, tall, teeth that can take your arm off horses?

TARA

Well, sure. I learned to ride when I was a kid. It's fun. And, by the way, most horses don't like arm very much.

Willow looks uncertain.

WILLOW

I had a bad birthday party pony thing when I was four. I look at horses and I see really big ponies.

TARA

You should ride with me sometime. I guarantee safety and fun.

Willow smiles happily.

WILLOW

Well... if you promise you'll look after me.

She puts her hand on Tara's knee and Tara suddenly jumps back, horrified.

TARA

Don't touch me!

Willow frowns in confusion.

TARA

That's just disgusting.

She stands up and backs away from Willow.

WILLOW

Tara... what's the matter?

TARA

(panting)
I don't... I don't know.

WILLOW

I'm sorry. I didn't mean to... are you feeling okay?

TARA

I'm fine, I just want to... go to the bathroom.

She turns and disappears up the stairs and Willow watches her go, concerned and hurt.

CUT TO:

Spike and Anya enter the party together. Spike stares at one of the party-goers as he goes out the door.

SPIKE

Hey, I know these guys from somewhere.

ANYA

Initiative soldiers. They live here. Experiments happen in the lab under the house. It's where they kept you, put in your chip. Let's have fun!

SPIKE

(angry)

What are you doing? You brought me here?

Xander sees Anya and comes over.

XANDER

Anya? What are you doing? (re: Spike) You brought him here?

SPIKE

That's what I said! Only I hit the "here" part.

XANDER

Anya, this is crazy. We had a little fight. It just means that we have to work our way through some stuff. It doesn't mean that we rebound with the evil undead. And what have we been doing with him anyway?

SPIKE

(grins)
Oh, who's the puffed-up manly man? All splotchy and possessive.

ANYA

It's not very convincing, is it?

SPIKE

Yeah. I see now what you said about him earlier. No follow- through.

XANDER

(loud)
Hey! What a surprise! Hostile 17! Can I get you a drink, Hostile 17?

Spike looks around anxiously.

ANYA

Xander, stop.

No one seems to have noticed Spike and he regains some of his confidence.

SPIKE

Well, may be some fun to be had in the lion's den after all. You two keep scrapping. I'll find the liquor.

As Spike moves off, Xander turns to Anya.

XANDER

Anya. What are you doing with him?

ANYA

(angry)

We didn't have sex, if that's what you mean. That's all I do now, not have sex.

XANDER

You're overreacting. We had a fight. But see, it's okay. It's normal.

ANYA

Yes. The normal part of the ending a relationship right before the vengeance begins.

XANDER

Right. No! Vengeance?

ANYA

Relax, I'm not going to do it. I'm just trying to tell you that we have nothing in common besides both of us liking your penis. And now I don't even have that! So I get to say when it's done. And it's done.

XANDER

Okay, you know what? You don't deserve to be the one to walk away from this. I've put up with a hell of a lot from you-- much of that in the last minute-- and if anyone gets to be the one to leave, it's me.

He starts to walk away.

ANYA

(incredulous)
You're leaving me?

XANDER

Yes. I am.

ANYA

Where are you going?

XANDER

To enjoy the party.

He walks away.

ANYA

Well then, I'm staying too, to show you how much I'm not bothered by you having fun! Because I'll be having more fun!

XANDER

I'm having fun already!

ANYA

(yells)
Me too! Woo hoo!

She turns and stalks off, leaving a frustrated Xander at a loss. He turns a corner and comes upon a group of college kids sitting on the floor playing Spin The Bottle.

XANDER

Huh. Sometimes I just don't get the sophisticated college lifestyle.

He starts to leave, then notices one of the players is Julie, the girl he was talking with earlier. She notices him too, looks surprised, then smiles. She indicates that he should join them. Xander grins and sits down.

XANDER

Gee, it's a good thing Mom's out. We'd be in trouble.
CUT TO:

Spike sits by the beer kegs watching the other people drink. A drunk Initiative guy across from him frowns.

DRUNK GUY

Hey, buddy. You look familiar.

SPIKE

Yeah. I get that a lot.

The guy keeps staring at him but Spike just sits there, bored.

CUT TO:

Spin The Bottle. Xander spins and it stops, pointing at Julie.

JULIE

Hey, Xander.

XANDER

Julie! (nervous) Okay. This then would be the kissing.

Julie gets on all fours and leans toward him. He moves forward, looking around nervously for Anya, and quickly kisses her cheek.

XANDER

Very smooth cheek you have there. Do you exfoliate?

Suddenly Julie grabs him and plants a passionate kiss on him. The others laugh and cheer. She climbs on top of him, still kissing.

XANDER

Whoa!

He grabs her by the arms and pulls her away.

XANDER

Julie! What?

She suddenly looks horrified.

JULIE

I'm sorry. I didn't... I'm sorry!

She jumps up and runs off. Confused, Xander goes after her.

Xander moves through the crowd, looking for Julie. He passes a large group gathered around the Orgasm Wall. Christie has her hand on the wall and moans in ecstasy as she falls back against Roy.

Xander pauses outside a closed door when he hears sobbing coming from within.

XANDER

Hi, you okay? Julie?

He tries the doorknob but it's locked.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- CLOSET-- NIGHT

Julie cries and cuts her hair off with a straight razor. She drops the chunks of hair to floor as she sobs and mutters to herself.

JULIE

I'm bad... I'm bad.
CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- UPSTAIRS HALL-- NIGHT

Willow knocks on bathroom door.

WILLOW

Tara? It's me. Tara?

She opens door and walks in.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- BATHROOM-- NIGHT

Willow walks into bathroom and looks around. Pan through the empty bathroom.

WILLOW

Tara?

Willow goes to the sink, turns on the water, splashes it on her face. She straightens up, drying her face with a towel. She spins around as a gurgling noise sounds behind her. Frowning, she approaches the bathtub and pulls back the shower curtain to reveal a young boy in the bathtub, under water, arms crossed over his chest, struggling. She reaches down to help him but he disappears leaving nothing but empty water. Willow straightens up, confused. She turns to find the boy standing behind her, dripping wet, staring at her with dead eyes. She screams, terrified.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- RILEY'S ROOM-- NIGHT

Buffy and Riley are in bed, making love again. They pause when they hear Willow's scream and look toward the door.

RILEY

(panting)
Was that Willow?

BUFFY

I don't know. Doesn't matter.

They continue having sex, Willow all but forgotten.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- COMMON ROOM-- NIGHT

Back to the Spin The Bottle game. Two people kiss while the others cheer. Xander enters.

XANDER

Hey guys, that girl Julie, she's freakin' out.

Everyone ignores him, intent on the game.

XANDER

Is anyone friends with Julie?

Still no response.

CUT TO:

Willow comes down the stairs.

WILLOW

Xander? Tara?

She runs through the house and finds Xander staring at the Spin The Bottle group.

WILLOW

Xander. Ghost boy. Drowning in a tub. I tried to save him but, being a ghost already, well, I was way too late.

XANDER

A ghost? (Willow nods) What's the deal? Is every frat on this campus haunted? And if so, why do people keep coming to these parties? 'Cause it's not the snacks.

Tara walks up and touches Willow's arm.

WILLOW

Tara, how are you?

TARA

I'm okay, but I don't like it here. This house... I... think we should go.

Willow nods as Xander's attention is drawn once more to the kissing game in the corner.

CU on the spinning bottle. Instead of slowing down, it gets faster and faster. The players look puzzled, then alarmed. Suddenly, the bottle explodes and the kids scream as broken glass peppers them.

WILLOW

We need Buffy.

She takes Xander and Tara and heads off, looking for the Slayer.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- UPSTAIRS HALL-- NIGHT

XANDER

(yells)
Buffy?

WILLOW

(yells)
Buffy? Riley?

They pound on Riley's door but receive no answer.

Suddenly, sharp-looking spiny thorns with green leaves sprout from the cracks around the edges of the door. Willow and Xander jump back, terrified.

XANDER

Buffy!
CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- RILEY'S ROOM-- NIGHT

Extreme overhead shot of Buffy and Riley in bed, kissing and writhing, a marathon of non-stop sex. Panting and moaning echo over the faint sounds of Xander's pounding and yelling. The bed recedes until it's just a small square in the middle of a sea of blackness; Buffy and Riley an isolated island amid a vast dark gulf.

FADE OUT

ACT III

INT. UC SUNNYDALE-- LOWELL HOUSE-- RILEY'S ROOM-- NIGHT

Resume. Riley and Buffy's lovemaking is no longer passionate. It's frantic, almost desperate. Riley pauses.

RILEY

Do you want to go back?

BUFFY

Never.
CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- UPSTAIRS HALL-- NIGHT

Xander still pounds on the door.

WILLOW

Buffy! Riley!

XANDER

Buffy!

Tara turns and looks behind them.

XANDER

We gotta get them out of there.

Tara starts to walk away while Willow and Xander stare at the writhing thorns still growing from under the door.

Tara walks to the balcony and looks down on the main floor. Everyone looks around in confusion as the building starts to shake. People scream and run for the exits. Glass rattles and everything shakes. Suddenly a particularly strong tremor jolts the house and everyone falls to the floor, including Tara, Willow and Xander.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- COMMON ROOM-- NIGHT

Spike sits calmly in a chair as people mill around in full panic. He smiles gleefully.

SPIKE

Well, this party's starting to liven up after all.

He drops his beer as leather straps suddenly shoot out of the chair and wrap themselves around his chest, wrists, legs and mouth, pinning him down and immobilizing him.

CUT TO:

Graham looks grim as people run screaming past him. Forrest runs toward him, against the flow of the crowd.

FORREST

Graham, quit standing around! Help get these people to safety!

GRAHAM

Touch not the impure thing...

FORREST

What?

GRAHAM

...or ye shall perish. Find salvation in the cross of our Lord and Savior.

Forrest has no idea what's gotten into Graham but he doesn't have time to deal with it.

FORREST

Right.

He goes to the wall and flips a switch, then grabs Graham and turns him to face the wall as the green scanner travels across their faces.

COMPUTER VOICE

Retinal scan accepted.

The Initiative elevator opens. Forrest walks in, then looks back at Graham, who just stands there. Forrest grabs him and pulls him into the elevator as the door closes.

Just as suddenly as it started, the building stops shaking. Anya looks around, panting. She turns around to find a young girl screaming and waving her arms, running right toward her. Anya has no time to get out of the way and braces for impact but the girl runs right through her. Anya gasps and looks behind her but the girl has disappeared. The shaking begins again.

CUT TO:

Willow, Xander and Tara bolt down the stairs. Anya runs over to them.

XANDER

Anya. We gotta get out of here. Come on!

Books fly off the shelves, attacking them. They duck and run for the door.

Spike struggles and manages to rip the restraints off. He jumps out of the chair and follows them.

Xander looks back and sees Julie, bald and staggering toward him.

JULIE

Please help me.

Xander grabs her and helps her toward the door. Patchy clumps of hair are scattered across her head and she looks dazed.

CUT TO:

INT. THE INITIATIVE-- MAIN COMPLEX-- NIGHT

Forrest and Graham enter. They make their way over to a SCIENTIST who's on the phone.

FORREST

We got trouble upstairs.

The scientist motions for them to wait a moment.

SCIENTIST

(into phone)

Now.

He hangs up and starts to walk away. Forrest and Graham follow.

FORREST

Some sort of disembodied presence in the house.

SCIENTIST

We've been paging you.

FORREST

Whatever this thing's outputting, it must be scrambling all the frequencies.

SCIENTIST

Guard Section 2, Level 5 precautions. If the cell door locking mechanisms malfunction, you know what to do.

FORREST

Got it.

The scientist moves off as Forrest looks at Graham.

FORREST

You with me?

GRAHAM

I'm good.

FORREST

Let's lock it down.
CUT TO:

EXT. UC SUNNYDALE-- LOWELL HOUSE-- NIGHT

Xander helps Julie out, followed by Tara, Willow, Spike and Anya. Julie immediately runs off, humiliated. Spike takes out a cigarette and lights it.

WILLOW

We have to go back in there.

ANYA

Why?

XANDER

Because Buffy and Riley are trapped.

ANYA

So? (off Willow's look) She's the Slayer, he's a big soldier boy, what do they need you for?

XANDER

Anya, look around! There's ghosts and shaking and people are going all Felicity with their hair. We're fresh out of superpeople and somebody's gotta go back in there. (beat) Now who's with me?

Willow and Tara hesitate.

SPIKE

I am.

Everyone looks at Spike in surprise.

SPIKE

I know I'm not the first choice for heroics and Buffy's tried to kill me more than once. And I don't fancy a single one of you at all. But... (beat) Actually, all that sounds pretty convincing.

He shakes his head and walks away.

SPIKE

I wonder if Danger Mouse is on.

ANYA

Xander, let's get out of here.

XANDER

You want to bail, fine. (re: house) I'm going back in there and I'm not coming out till I bring my friend with me.

He walks to the door, opens it and peeks inside. He takes a few cautious steps in, then some invisible force knocks him right back out. He flies backward and lands several yards down the path.

XANDER

Or... it could be Watcher time.

WILLOW

We'll go to Giles'.

TARA

No, wait. He isn't there. He was going to the Espresso Pump.

WILLOW

Right, he told us not to come. He needed some grownup time.

They rush off in search of the Watcher.

CUT TO:

INT. THE ESPRESSO PUMP-- NIGHT

Giles sits on stage in the coffee bar, playing a guitar and singing. He wears casual clothes and has an earring in his left ear. Lots of people are sitting and watching/listening.

GILES

(sings)

No one knows what it's like To be the bad man To be the sad man Behind blue eyes No one knows what it's like To be hated...

Reveal Anya, Willow, Xander and Tara watching in slack-jawed amazement. Willow and Xander are in a state of shock.

ANYA

Oh.

WILLOW

Wow.

XANDER

Could we go back to the haunted house? 'Cause, this is creeping me out.

TARA

Does he do this a lot?

XANDER

Sure. Every day the earth rotates backward and the skies turn orange.

Giles notices them watching and looks embarrassed but keeps singing.

GILES

(sings)

But my dreams, they are as empty, As my conscience seems to be... I have hours, only lonely...

WILLOW

Now I remember why I used to have such a crush on him.

TARA

Well, he is pretty good.

ANYA

His voice... is pleasant.

All three girls are riveted.

XANDER

What?!

WILLOW

Oh, come on. He is kinda sexy.

XANDER

I'm fighting total mental breakdown here, Will. No more fueling the fire please.
CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- MOVING-- NIGHT

Lowell House is deserted, the place in shambles. Pan across the room and up the stairs to Riley's door, just like before, only now vines cover the entire door and much of the surrounding ceiling and floor. We hear muffled howling and screeching-- jungle noises.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- RILEY'S ROOM-- NIGHT

Buffy and Riley break off their lovemaking. They let go of each other and lie side by side, panting.

BUFFY

You're... too far away from me.

RILEY

I'm right here.

BUFFY

(panting)
You... have to... keep touching me...

She rolls over and starts kissing him again.

CUT TO:

INT. UC SUNNYDALE-- MAIN LIBRARY-- NIGHT

Giles paces while the others sit at a study table.

GILES

When you called to Buffy and Riley, they didn't cry out or respond in any way?

ANYA

(bored)

No. They're probably dead.

XANDER

Unless they're too busy doin' it to answer.

GILES

Doing what?

XANDER

You know, for a god of acoustic rock, you're... kind of naive.

GILES

I didn't think you meant... In the midst of all that, do you really think they were keeping it up? (off everyone's look) Oh, for a different phrasing.

WILLOW

Well, see that's the thing. People all over the party were starting to act... weird. (sotto) Sexually.

GILES

In what way?

WILLOW

You know. (embarrassed) Ways.

GILES

Well, it could be some form of succub¾, or a satyr's prank. It could even be energy coming from the lab underneath the Lowell Fraternity.

WILLOW

It wasn't always a fraternity. Look!

Willow pages through a book and stops on a page featuring Lowell House.

WILLOW

(reading)
"Between 1949 and 1960, the Lowell Home for Children housed upward of 40 adolescents. Runaways, juvenile delinquents and emotionally disturbed teenagers from the Sunnydale area."

TARA

Children? Did any of them die in there?

GILES

If there were deaths, then perhaps we're dealing with a fairly standard haunting.

WILLOW

It doesn't say. It's mostly about the old house director, Genevieve Holt. "Sunnydale Children's Aid: Thirty years of community service. Giving disadvantaged kids the love and care they deserve."

GILES

When did she die?

WILLOW

She didn't.
CUT TO:

INT. HOLT HOUSE-- LIVING ROOM-- NIGHT

GENEVIEVE HOLT opens a pair of French doors and ushers Giles, Xander, and Anya into her home.

MRS. HOLT

No, no, I don't mind at all. I was up. Early morning prayer.

GILES

Of course.

MRS. HOLT

And I like talking about my kids. I still call them that. My kids.

She sits in a chair while Xander and Anya look around the room. Giles sits across from her.

GILES

I suppose you were like a mother to them. You did everything for them?

MRS. HOLT

Oh, yes. I fed them, clothed them, educated them in the way of the Lord. I was given a medal.

GILES

Yes, wonderful. Congratulations. This'll sound a little strange but did you notice any odd... disturbances in the house?

MRS. HOLT

(frowns)
I don't understand.

GILES

Well, like furniture moving of its own accord or objects appearing out of nowhere or perhaps you saw someone appear one moment and then they were gone the next, inexplicably.

MRS. HOLT

Why that sounds like crazy talk.

GILES

Yes, it does, doesn't it? Yes, well, forgive me for asking this, but the children in your care, were any of them ever ill or did anything ever happen to any of them?

MRS. HOLT

Well, some had the flu and such. No one died, if that's what you mean. The engraving on the medal says how good I was with the children.

GILES

(smiles)
Oh, yes.

MRS. HOLT

I treated them as I would my own flesh and blood. Gave them hugs and praise when they were good and... punished them when they were dirty.

GILES

Well, children will be children. They, you know, they do like to play in the muck.

Mrs. Holt looks disapproving.

ANYA

You didn't mean mud dirty.

MRS. HOLT

My kids didn't think I knew but I did.

GILES

(realizes)
Very perceptive of you.

MRS. HOLT

Without me they would have been shut out of the Kingdom. Lost to lust.

GILES

But you... helped them.

MRS. HOLT

The girls felt the vanity more than the boys. I'd see them preening like Jezebel, doting over their pretty hair.

XANDER

So you'd hack it off.

MRS. HOLT

I'd remove the temptation to admire themselves. They were better for it.

ANYA

What about the bathtub? Something happened there.

MRS. HOLT

I performed baptisms on the most unclean. Those who were tainted with impure thought and deed.

GILES

You held them under?

MRS. HOLT

They needed to be reborn. (stands) You choose to pass judgment on me?

GILES

Well, someone ought to! You traumatized and abused these children, children who have no doubt become extremely disturbed adults! You have ruined lives, Mrs. Holt. Furthermore, what you did has now manifested itself as a malevolent presence which threatens still more lives! You have a great deal to answer for.

She starts to walk away and he pursues her.

MRS. HOLT

I refuse to listen to this when I can smell the sin on each and every one of you.

XANDER

Yeah? You smell sin? Well, let me tell you something, lady. She who smelt it dealt it! (off Giles' look) It's like what you said but faster.
CUT TO:

EXT. HOLT HOUSE-- NIGHT

The three leave the house.

XANDER

Well, that totally adds to my "old people are crazy" theorem.

ANYA

I don't get it. I mean, those kids were tortured but they weren't killed so where are those ghosts coming from?

GILES

I don't believe there are any ghosts.

ANYA

One ran right through me.

GILES

Not a ghost. An apparition. I believe we're dealing with a kind of poltergeist. A whole cluster of them, in fact, born out of intense adolescent emotion and sexual energy.

ANYA

Both of which were totally pent up during Mrs. Holt's reign of repression.

XANDER

So with Buffy and Riley having... you know, acts of nakedness around the clock lately, maybe they set something free. Like a big burstin' poltergasm.

GILES

Yes. And now the poltergeists are drawing more and more energy out of them. Feeding on them, in fact. Buffy and Riley are powering this whole thing.

XANDER

Okay, they're the battery in the boo factory. So what happens when the battery's drained?

Giles doesn't look happy.

GILES

They die.
FADE OUT

ACT IV

INT. UC SUNNYDALE-- LOWELL HOUSE-- RILEY'S ROOM-- NIGHT

Buffy and Riley kiss, moan and pant. The sounds have taken on an ethereal quality. They become blurry, indistinct. Riley pulls away and rolls over onto his back, drained.

BUFFY

Don't stop. Never stop touching me.

She turns him toward her and pulls him into her as they resumes their passionate kissing.

CUT TO:

INT. UC SUNNYDALE-- STEVENSON HALL-- BUFFY'S ROOM-- NIGHT

Tara spreads a red cloth across a table, then sits down in a chair as Willow brings candles and sets them before her. Giles sits on the floor while Xander rummages through Buffy's weapon chest.

ANYA

What good are weapons against disembodied spirits, Xander? They have no ass to kick.

GILES

She's right. You should just stay outside.

WILLOW

We'll bind the spirits long enough for you to get Riley and Buffy out.

XANDER

How much time will you buy us?

TARA

Could be tricky. We're calling upon the communal spirit of a certain time and place.

Willow lights the candles as Xander takes out weapons. He hands one to Anya, who holds the machete curiously.

XANDER

Let's go.

Anya hesitates, then follows him.

CUT TO:

EXT. UC SUNNYDALE-- LOWELL HOUSE-- NIGHT

Xander and Anya look up at the house with trepidation.

XANDER

What do you feel?

ANYA

Sad, afraid of being without you and a little hungry.

XANDER

I meant about the house.

ANYA

Oh. Still haunted.
CUT TO:

INT. UC SUNNYDALE-- STEVENSON HALL-- BUFFY'S ROOM-- NIGHT

Tara reaches for Willow and Giles.

TARA

Give me your hands. Form a circle.

They all join hands and close their eyes as Tara begins the incantation.

TARA

Children of the past, spirits of Lowell, be guided by our light. Come forth and be known to us.

GILES

How will we know when it works?

A noise. They all open their eyes to find a group of ghostly children silently surrounding them.

TARA

We'll know.
CUT TO:

EXT. UC SUNNYDALE-- LOWELL HOUSE-- NIGHT

The front door swings open and Xander and Anya peer in nervously.

XANDER

House is clean.

ANYA

Let's go. You first.

Xander takes a deep breath and walks in with Anya in tow.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- MOVING-- NIGHT

They look up to find the entire staircase covered in leafy, spiny vines.

XANDER

We need to work fast. Never know how long before the munchkins get homesick.

ANYA

Or the human battery conks out.

They start up the stairs, picking their way through the vines.

XANDER

Watch your fingers.

He hacks at the vines with the machete.

CUT TO:

INT. UC SUNNYDALE-- STEVENSON HALL-- BUFFY'S ROOM-- NIGHT

TARA

We implore you... be still.

The ghost children watch silently.

GILES

Find it in your hearts to leave our friends passage.

WILLOW

Transform your pain. Release your past. And... uh... get over it.

Giles looks over at her, questioningly. Willow shrugs.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- MOVING-- NIGHT

Xander and Anya make their way through the jungle that has become Lowell House.

XANDER

You okay?

Anya just shoots him an angry look while hacking at a vine.

Xander finally makes it to Riley's door but as he reaches for the knob, a sudden wind springs up.

CUT TO:

INT. UC SUNNYDALE-- STEVENSON HALL-- BUFFY'S ROOM-- NIGHT

The wind swirls Willow's hair around her head as the children look up in fear. The wind howls loudly, now accompanied by a peculiar screeching. Tara yells to be heard over the din.

TARA

Find here the serenity you seek, the peace you--

The table flies out from under them hands and crashes against the door. The wind abruptly stops and they look around, uncertain.

GILES

What's happened?

TARA

We lost them.

WILLOW

Xander...
CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- UPSTAIRS HALL-- NIGHT

Xander is suddenly thrown back from the door, landing hard on his back.

ANYA

Xander!

The vines detach from the wall, snake around Xander and hurl him into the bathroom. The door slams shut behind him.

ANYA

Xander!

She runs to the door and grabs the knob but is thrown back, through the balcony railing and down to the floor below, the sofa breaking her fall.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- BATHROOM-- NIGHT

Xander is in the bathtub, being held underwater by unseen hands, struggling for his life. Through the water he can see the children standing over him, watching silently.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- COMMON ROOM-- NIGHT

Anya gets painfully to her feet, looking determined. She starts back up the stairs as the wind picks up even harder. She struggles against the gale.

ANYA

Shut up, repressed crybabies!

She grips the banister tightly to keep from being blown back down the stairs but cries out in pain as a massive thorn sprouts from a vine beneath her hand and pushes right through her palm and out the other side.

Anya rips the thorn out and continues up the stairs looking even more determined and angry.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- BATHROOM-- NIGHT

Xander's struggles get weaker as his lungs burn for air. Through the water he sees Anya reaching down for him. She yanks him out of the water and helps him out of the tub, sputtering and gasping for air.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- UPSTAIRS HALL-- NIGHT

They burst out of the bathroom into the vine-covered hallway.

XANDER

Come on, we just gotta--

A vine whips off the wall and knocks him down.

ANYA

Xander!

Anya helps him up and they continue fighting their way through the vines.

ANYA

We can make it through this.

They push forward cautiously as a bunch of vines snake around Anya. She screams in panic.

ANYA

Xander, get it off!

He rips the plants from her and they clutch each other and make their way to the door, twist the knob and push it open.

Riley's bed is tiny, a great distance away. It suddenly rushes forward and fills the frame. The walls of Riley's room materialize around it as the wind and screeching abruptly stops.

Buffy and Riley sit up in bed, naked and clutching the sheets to themselves.

BUFFY

Xander! Don't you knock?

Disheveled and beaten, Xander and Anya look at each other, then turn and walk away.

CUT TO:

INT. UC SUNNYDALE-- CAFETERIA-- DAY

Buffy and friends sit around one of the lunch tables, eating and discussing the bizarre events of the previous night.

RILEY

I can't believe it really happened.

BUFFY

I just had no idea. It's so creepy! He was really singing?

Willow nods.

XANDER

I'd say it was more like crooning. (to Anya) If we grow old together, remind me to skip the midlife crisis.

He puts his hand on her knee affectionately. Anya smiles sweetly.

ANYA

Okay.

WILLOW

Come on, you have to admit, it was kinda sexy.

XANDER

Please stop saying that. I'm willing to offer cash incentives.

RILEY

We're just lucky no one got injured. (to Buffy) No thanks to us.

WILLOW

Don't be too hard on yourself.

BUFFY

He's right, Will. If Riley and I hadn't gotten so wrapped up in each other, none of this would've happened.

ANYA

True. Feel shame.

XANDER

My girlfriend. Mistress of the learning plateau.

WILLOW

Really, it wasn't your fault. You were under the influence of powerful magicks.

BUFFY

We were like zombies. I had no control over myself at all.

WILLOW

Must have been horrible.

Buffy looks sidelong at Riley.

BUFFY

Yeah. Horrible.

RILEY

Uh-huh.

BUFFY

Mm-hmm.

RILEY

It was bad.
FADE TO BLACK
END