New Moon Rising

[Transcript of "Buffy The Vampire Slayer" episode New Moon Rising at buffyology.com.]

Prologue

EXT. UC SUNNYDALE-- CAMPUS COMMONS-- DAY

WILLOW and TARA walk across campus.

TARA

Do you like cats?

WILLOW

I'm more of a dog person myself. But I'm not like, "Death to all cats!" Why?

TARA

'Cause I was thinking of getting one.

WILLOW

Can you have one in the dorms?

TARA

No, but this would be a sneaky cat.

WILLOW

That would be cool. You mean it'd be sort of like a familiar?

TARA

Actually, I was thinking it would be sort of like a pet. You know, we could name her Trixie or Miss Kitty Fantastico or something.

WILLOW

And we could make kitty go bonkers with string and catnip and stuff?

TARA

Absolutely.

WILLOW

Fun! I'm in.

TARA

So you're not allergic or anything?

WILLOW

Nope.

TARA

Good, because... I want my room to be Willow-friendly.

WILLOW

Me, too.

She smiles and takes Tara's hand as they continue walking.

TARA

So I'm excited about the Scooby meeting... I think. What's it about?

WILLOW

I'm not sure. Probably just your garden-variety disaster.
CUT TO:

INT. GILES' APARTMENT-- DAY

BUFFY, Willow, GILES, Tara, XANDER, ANYA and RILEY have gathered for a debriefing on Buffy's recent activities.

BUFFY

Zippo. Patrol's been totally uneventful. My kill count's way down.

WILLOW

(to Tara)
She means there's been less bad-guy activity.

GILES

Well, we know what that often indicates.

XANDER

Buffy doesn't make her quota... bad Slayer!

GILES

Well, I wish it were that innocuous but with Adam around, I feel he's involved somehow.

WILLOW

(to Tara)
When things get slow, it's usually because there's some extra evil brewing.

RILEY

Except the weird thing is, we've been busy at the Initiative. Our squads are pulling a lot more captures. We got demons coming out our ears.

WILLOW

(to Tara)
That's a metaphor.

TARA

(smiles)
I got it, thanks.

WILLOW

I'm over-helping, aren't I?

GILES

So the activity's shifted but not stopped. That's fascinating.

ANYA

To an extremely bored person, maybe. (beat) Well, that was a thrilling hour.

Everyone starts to get up.

GILES

You know, I really don't appreciate your snide remarks, Anya. Now I have a great deal of experience in these matters...

The door opens and Buffy and Riley turn and look.

GILES

...and if I say there is a matter of some import brewing, I...

He turns and follows everyone's gaze. Tara looks confused; Willow looks dumbstruck.

OZ stands in the doorway, smiling, as if he'd never been gone.

OZ

Hey.

Opening credit sequence.

ACT I

INT. GILES' APARTMENT-- DAY

Resume.

WILLOW

Oz.

Oz looks around, uncomfortable.

TARA

(realizes)
Oz.

WILLOW

When did you get back?

OZ

Pretty much now.

Xander steps forward.

XANDER

Oz, man. Hate to sound grandma but... you don't call, you don't write.

OZ

Yeah, sorry.

They shake hands.

BUFFY

So are you here here or are you just passing through?

GILES

Well, let's not bombard the poor chap with questions right off. Can I get you something? Tea?

OZ

I'll pass, thanks.

Riley looks at Buffy, confused, as Oz moves to Willow.

OZ

Look, I'm going to Devon's to see if he's got a place I can crash. But I was hoping that we could talk. Later. Tonight.

WILLOW

I guess so.

OZ

I'll come by your place?

WILLOW

Okay.

OZ

It's great to see you guys again. Really.

He turns and leaves. Willow is beside herself with shock and confusion.

ANYA

Everyone's uncomfortable now.

Buffy goes to Willow and touches her arm.

BUFFY

You okay?

WILLOW

I--

TARA

I just... I realized I'm late for study group.

WILLOW

Tara, wait.

TARA

No, no, it's okay. You should be with your friends and I should go.

WILLOW

Wait...
CUT TO:

EXT. SUNNYDALE CEMETERY-- NIGHT

Riley and Buffy walk through the graveyard on patrol. He's wearing his battle fatigues and Buffy has a long leather coat and a white cap on.

RILEY

So I was missing something this afternoon, wasn't I? (beat) I mean, breakups are tough but when Oz walked in, it seemed like emotions were running extra high.

BUFFY

Oz and Willow had a rough breakup.

A demon's snarl erupts from the bushes.

RILEY

Hold that thought.

Buffy ducks and Riley punches the demon over her head. He lifts Buffy by the waist and she kicks the demon in the face. Between the two of them, they make short work of the creature.

RILEY

Man, that was record time.

BUFFY

(pouts)
It's no fun when they're that easy.

RILEY

Speak for yourself. (into radio) Base, this is Agent Finn. We have an HST down. Please send a retrieval team to Sector 72.

RADIO

We'll get there as soon as we can.

Riley puts the radio away and picks up his bag and they continue their stroll, picking up the conversation where they left off.

BUFFY

So I was just about to say something fascinating.

RILEY

Oz and Willow.

BUFFY

Right. They had a rough breakup. Some stuff came up and Oz pretty much bailed overnight. It left Will really devastated.

RILEY

I remember.

BUFFY

The thing is, before that they were doing great. I mean, she was totally dealing with Oz being a werewolf. It wasn't even--

RILEY

Whoa, wait. Oz is a werewolf and Willow was dating him?

BUFFY

Yes. Hence the high emotions.

RILEY

You're kidding me. Gotta say I'm surprised. I didn't think Willow was that kind of girl.

BUFFY

What kind of girl?

RILEY

Into dangerous guys. She seems smarter than that.

BUFFY

Oz is not dangerous. Something happened to him that wasn't his fault. God, I never knew you were such a bigot.

She starts to walk away and Riley stops her.

RILEY

Whoa, hey! How did we get to bigot? I'm just saying it's a little weird to date someone who tries to eat you once a month.

BUFFY

Yeah, well love isn't logical, Riley. It's not like you can be Mr. Joe Sensible about it all the time. (beat) God knows I haven't been.

RILEY

I'm not talking about you.

BUFFY

How about we don't talk about this at all? Okay? Let's just patrol.

She walks off, angry. Confused, Riley follows her.

CUT TO:

INT. UC SUNNYDALE-- STEVENSON HALL-- BUFFY'S ROOM-- NIGHT

Willow opens the door for Oz.

OZ

Hey.

WILLOW

(nervous)
Hey. (beat) So... you want to come inside?

OZ

Actually, I want you to come outside. I want to show you something.
CUT TO:

EXT. UC SUNNYDALE-- STEVENSON HALL-- NIGHT

They walk across the campus commons, an uneasy silence between them. Willow finally breaks it.

WILLOW

Oz... this is all so weird. I feel like... this isn't really happening. Like it's a dream or something.

OZ

It's real. Look up.

WILLOW

What?

OZ

(smiling)
Look at the sky.

Willow looks up. The moon is full and bright in the sky.

OZ

I guess you stopped keeping track of them after I left.

WILLOW

Full moon.

She looks at Oz then back up at the moon.

OZ

Full moon.

WILLOW

Full moon, but how? I mean, you did it! How did you do it? Where did you go?

OZ

It's a long story.

She looks up again, her joy building.

WILLOW

Oh, my god, Oz!

She hugs him and he holds her close. Willow pulls back, not smiling anymore.

WILLOW

This is... I mean, it's wonderful for you.

OZ

I talked to Xander and he said you didn't have a new guy.

WILLOW

No. No new... guy.

Oz smiles and takes her hand.

OZ

I know what I put you through and I'm not going to push. But I am a different person than when I left. And I can be what you need now. That's what I want. That's why I'm here.
CUT TO:

EXT. SUNNYDALE FOREST-- NIGHT

GRAHAM MILLER and two Initiative commandos patrol in the woods. One of the soldiers nudges Graham.

SOLDIER

Sir.

Graham slips his handgun from its holster and aims at the rustling bushes.

A werewolf-like creature leaps from the bushes. It barrels into Graham and sends him crashing into a nearby tree where he drops, unconscious. One of the commandos attacks the beast but it easily overpowers him and leaps on his chest. The hapless soldier screams in agony as he's ripped to pieces. The second soldier is immediately set upon by a second creature identical to the first.

Graham fights for consciousness. He glimpses the creature's face, mouth dripping blood, before darkness overtakes him.

The demons survey their work. Not realizing that Graham is still alive, they crash back into the trees, satisfied.

We linger on the sudden silence, then close in on the woods, to reveal an ominous presence hidden there: ADAM. He has been watching the battle, observing. His henchman, the vampire JAPE, stands at his side.

JAPE

Three down. Six billion to go... give or take. I told you those demons could get it done.

ADAM

They were efficient.

JAPE

Efficient? They were death on legs. You're telling me it's not enough?

Adam's mind turns, calculating plans for his own personal holocaust.

ADAM

It's not enough.
FADE OUT

ACT II

INT. UC SUNNYDALE-- STEVENSON HALL-- BUFFY'S ROOM-- NIGHT

Willow sits on her bed with Oz's gift in her lap. Oz reclines on the end of the bed.

WILLOW

I love this.

OZ

A woman in Tibet traded it to me for a Radiohead record. Got a lot of mileage out of the barter system.

WILLOW

So Tibet was your favorite?

OZ

Well, it's where I stayed the longest. This warlock in Romania sent me to the monks there to learn some meditation techniques. Very intense. All about keeping your inner cool.

WILLOW

Good, 'cause you were such a spaz before. (smiles) So that's it? You keep your cool and no more wolfie?

OZ

No, there's more. I take some herbs and stuff. Some chanting. A couple of charms.

He indicates a chain of beads around his wrist.

WILLOW

It's incredible. You've been all around the world. You've had this... complete mind/body transformation. I've just been here. (chuckle) Same old Sunnydale.

OZ

Doesn't mean you haven't gone through a lot.

WILLOW

It's true. Some of it, you know, was me telling myself I hated you and cursing your name. Not literally.

OZ

Well, thanks for that.

WILLOW

And, I don't know, I think I'm getting better at my spells and stuff.

Silence as Oz looks at her. Willow fidgets, looks out the window.

WILLOW

It's so light out.

OZ

Yeah, we talked all night.

WILLOW

Well, I believe a manly-sized breakfast is in order, don't you?

He puts his hand on hers and looks into her eyes.

OZ

Or we could just sleep a little while. Whatever you want.

WILLOW

(nervous)
I'll have the less-confusing waffles right now.

OZ

Breakfast it is.

They both get up.

WILLOW

Let me just freshen up.

She takes her toothbrush and toothpaste and heads for the bathroom. Oz watches her go, smiling. A knock at the door and Oz gets up to answer it. It's Tara. She's surprised to see Oz.

TARA

Oh, sorry. I'll come back.

OZ

Are you looking for Willow? She's just in the bathroom down the hall.

TARA

No, no, it's okay.

OZ

I saw you at Giles' yesterday.

TARA

Yeah. Sometimes Willow takes me with her to the Scoobies.

OZ

You sure you don't want to come in?

Tara just shakes her head and leaves. Oz shuts the door confused. Moments later, Willow comes back in and sees his expression.

WILLOW

What?

OZ

Your friend came by. The blonde girl? But she wouldn't stay. So what do you think? Where you want to go?

Willow is stricken, imagining what Tara must have thought.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- RILEY'S ROOM-- MORNING

Riley and Buffy sleep. The alarm goes off and they slowly stir. Buffy yawns and Riley turns to her and rubs her stomach.

RILEY

Morning.

BUFFY

Morning.

She sits up and pulls away, getting out of bed, wearing one of his shirts. Riley gets out of bed and pulls on pants, then drops to the floor and does some pushups. Buffy comes back from the bathroom wearing pants. She continues to dress as she watches him.

BUFFY

Those like regulation? Do you have to do those every morning?

RILEY

No, just a good way to start the day.

Buffy stuff her clothes into a bag.

BUFFY

Great, then you can have your perfectly-balanced breakfast and then you can call your mother.

Riley stands up.

RILEY

Okay, I'm up less than a minute and somehow I've managed to piss you off.

BUFFY

I should go home.

RILEY

No, come on. Is it that whole thing about Willow last night? Look, I only said what I said because I'm concerned. I don't want to see her get hurt.

BUFFY

You sounded like Mr. Initiative. Demons bad, people good.

RILEY

Something wrong with that theorem?

BUFFY

(exasperated)
There's different degrees of--

RILEY

Evil?

BUFFY

It's just... different with different demons. There are creatures-- vampires, for example-- that aren't evil at all.

RILEY

Name one.

The door opens. It's FORREST. He looks grave.

FORREST

Rye, we need you downstairs. Beta Team got hit.

RILEY

Bad?

FORREST

We lost Willis.

Riley winces.

RILEY

Graham?

FORREST

He's walking. We're going on a hunt.

Riley turns to get a shirt.

BUFFY

(to Forrest)
What kind of demon was it?

RILEY

(angry)
Does it matter?

He and Forrest leave Buffy to herself.

CUT TO:

INT. UC SUNNYDALE-- STEVENSON HALL-- BUFFY'S ROOM-- DAY

Willow sits morosely on her bed, holding a stuffed animal. Buffy bustles in with her bag.

BUFFY

Hey.

WILLOW

Hey. You okay?

BUFFY

Yeah, I just... I don't want to talk about it. I want to hear about you and Oz. You saw him, right?

WILLOW

I was with him all night.

Buffy raises her eyebrows.

BUFFY

All night? (grins) Oh, my god. Wait. Last night was a wolf moon, right?

WILLOW

Yup.

BUFFY

Either you're about to tell me something incredibly kinky or--

WILLOW

No kink. (smiling) He didn't change, Buffy. He said he was going to find a cure and he did. In Tibet.

BUFFY

(smiles)
Oh, my god. I can't believe it! (beat) Okay, I'm all with the "woo-hoo" here and you're not.

WILLOW

No, there's "woo" and "hoo". But there's "uh-oh," and "why now"? And... it's complicated.

BUFFY

Why complicated?

Willow sighs and steels herself.

WILLOW

It's complicated... because of Tara.

BUFFY

(frowns)

You mean Tara has a crush on Oz?

WILLOW

No.

The reality suddenly hits Buffy like blow.

BUFFY

Oh!

Willow flashes her a nervous smile as Buffy stands up and moves to the other side of the room.

BUFFY

Oh. Um... well... that's great. You know, I mean, I think Tara's a really great girl, Will.

WILLOW

She is. And there's something between us. It wasn't something I was looking for. It's just powerful. And it's totally different from what Oz and I have.

Buffy babbles, clearly trying to cope with this unexpected revelation.

BUFFY

Well, there you go. I mean, you know, you have to... follow your heart, Will. And that's what's important, Will.

WILLOW

Why do you keep saying my name like that?

BUFFY

Like what, Will?

WILLOW

Are you freaked?

BUFFY

What? No, Will, d--

She stops herself and sighs, sitting back down on the bed next to her best friend.

BUFFY

No. No, absolutely no to that question. I'm glad you told me. What did you say to Oz?

WILLOW

I was going to tell him but then we started hanging out and... I could just feel everything coming back. He's Oz, you know?

BUFFY

Yeah. I know.

WILLOW

I don't want to hurt anyone, Buffy.

BUFFY

No matter what, somebody's going to get hurt. And the important thing is, you just have to be honest or it's going to be a lot worse.

Willow nods, knowing she's right.

CUT TO:

INT. SUNNYDALE CEMETERY-- SPIKE'S TOMB-- NIGHT

SPIKE sleeps, lying on top of a coffin covered with a blanket. The sound of footsteps slowly approach as a green-scaled hand reaches into frame for Spike's throat. He seizes it before it gets there and smiles without opening his eyes.

SPIKE

From the sound of those massive mud flaps, I'd peg you as a demon. Which means you're in for a world of...

He opens his eyes and takes in Adam.

SPIKE

(amazed)
...pain.

Shocked, Spike leaps to his feet.

ADAM

Spike. I want you to come with me.

SPIKE

Do you? (shrugs) Well, let's go then.

Spike turns as if to leave, then spins around and punches Adam in the gut to absolutely no effect. Spike shakes his hand in pain.

SPIKE

Ow.

Adam steps forward and Spike retreats.

ADAM

Come. You're going to help me with my problem.

SPIKE

Why is that exactly?

ADAM

I'm going to help you with yours.

Despite himself, Spike is intrigued.

CUT TO:

INT. UC SUNNYDALE-- WOMEN'S DORM-- TARA'S ROOM-- NIGHT

Tara opens her dorm room door to find Willow standing there.

WILLOW

Hi.

TARA

Hi.

Tara stands back so Willow can enter, then closes it behind her.

WILLOW

I can only stay for a minute. I have class.

TARA

Me, too. I have class, too.

WILLOW

I just want you to know that what you saw this morning... it wasn't--

TARA

No, it's okay. I always knew that if he came back--

WILLOW

We were just talking. Nothing happened.

TARA

(hopeful smile)
Oh. (beat) Really?

WILLOW

(nods)
But, you know, it was intense. Just talking. We have a lot to talk about. (frowns) I kinda feel like my head's going to explode.

TARA

Whatever, you know, happens... I'll still be here. I'll still be your friend.

WILLOW

Of course we'll be friends! That's not even a question.

TARA

(upset)

But I'm saying I know what Oz means to you.

WILLOW

How can you when I'm not even sure? I mean, I know what he meant to me. But he left and... everything changed. I changed and then we--

TARA

What?

Tears course down Willow's cheeks.

WILLOW

I don't know. I just... life was starting to get so good again and you're a big part of that. (crying) And here comes the thing I wanted most of all and... I don't know what to do. I want to know but I don't.

Tara brushes the tears off Willow's cheek.

TARA

Do what makes you happy.

Willow hugs her and Tara strokes her hair.

CUT TO:

INT. UC SUNNYDALE-- ADMIN BUILDING-- CORRIDOR-- DAY

Oz examines a bulletin board with class schedules posted on it. Suddenly he senses something. His nose wrinkles and he involuntarily calls Willow's name as Tara walks by. She stops and looks at him, startled. Confused, he approaches Tara.

OZ

Hey. I thought I sm-- heard Willow.

Tara nervously clutches her books to her chest.

TARA

Hey. (re: Oz's books) You're coming back to school here, huh?

OZ

Pretty much. Feeling... oddly motivated.

He sniffs the air again and looks around, confused.

TARA

That's... that's great. I mean, that's great for you and Willow, right?

OZ

I hope so.

TARA

(nervous)
Good, that's... because--

OZ

Is that her sweater?

TARA

I just hope that you guys'll be very happy.

Oz moves closer to Tara, suspicious now.

OZ

You smell like her. She's all over you, do you know that?

He starts to become angry.

TARA

I can't. I can't talk about this.

She tries to walk away but Oz grabs her by the arm.

OZ

But there's something to talk about?

Tara just gasps and stares at him.

OZ

(incredulous)
Are you two involved?

TARA

I have... have to go.

OZ

'Cause she never said anything to me like that. We talked all night and she never--

Tara starts to back away, scared.

OZ

No, stop! (yells) Is she in love with you? Tell me! Is she?

He shakes her by the shoulders, then lets her go, panting. His hand suddenly sprouts fur and claws. Tara's eyes go wide with fear.

Oz looks up at her. The transformation is upon him.

OZ

Run.
FADE OUT

ACT III

INT. UC SUNNYDALE-- ADMIN BUILDING-- CORRIDOR-- DAY

Tara careens through the hallways, the werewolf in close pursuit. She runs into a classroom, up to the top tier of seats, to the back door but finds it locked. The werewolf charges into the room, snarling, and Tara runs down the other side. She tries to get away but is cornered. She screams and throws a chair at him. As soon as the chair hits him, he collapses to the floor, unconscious. Tara stands there panting and amazed.

CU: a tranquilizer dart sticks out of the werewolf's hide.

Within moments, Riley, Forrest and a group of Initiative soldiers rush in. Riley hefts a tranquilizer gun.

FORREST

Are you okay?

TARA

What's going on?

FORREST

We'll take it from here.

Riley and the others put Oz in a bag and drag him out.

SOLDIER

This thing looks like it may be one of the demons that took out Graham's guys the other night.

RILEY

We'll take it back. We'll make an ID. If it is, we'll put him down.

TARA

You don't understand, t-t-t-that's--

FORREST

Listen, we know what we're doing. You're in shock.

TARA

But--

FORREST

We'll handle it.

He walks off without another word.

TARA

(sotto)
No...
CUT TO:

INT. UNDERGROUND CAVERN-- ADAM'S BASE-- DAY

Adam briefs Spike on his plans.

SPIKE

Well, that sounds like a lot of fun.

ADAM

You see my problem, though. Total annihilation of the humans doesn't help me. I'll be needing heavy casualties on both sides.

SPIKE

I get that. I'm still not sure how the Slayer fits in.

ADAM

The humans need a leader... a champion. The Slayer can do that.

SPIKE

(skeptical)
Yeah... the thing about the Slayer is, she is a whiny little thing but when it comes to the fighting, she does have a slight tendency to win.

ADAM

Then I guess you should be on her side.

Spike smiles tolerantly.

SPIKE

This all goes down, the chip comes out, yeah? No tricks.

ADAM

Scout's honor.

SPIKE

You were a Boy Scout?

ADAM

Parts of me.
CUT TO:

INT. UC SUNNYDALE-- LIBRARY-- DAY

Willow sits in the school library, trying to study but not accomplishing much. She looks up as Tara runs in, nearly hysterical.

WILLOW

What's up? You okay?

TARA

Oz. We were talking and he changed. Right in front of me.

WILLOW

What? It's daylight.

TARA

I know but it happened.

WILLOW

Oh, my god... are you all right?

TARA

I'm fine. Riley and the commando guys, they stopped him. But they don't know it's Oz. I tried to tell them but... they took him away.

WILLOW

When? Just now?

TARA

(nods)
I think they might hurt him.

WILLOW

I have to go. I have to find Buffy.

TARA

I know.
CUT TO:

INT. GILES' APARTMENT-- DAY

Xander and Anya are on the sofa with Giles. Willow paces while Buffy talks on the phone.

WILLOW

Tara said they took him right before she found me.

ANYA

So that's good, right? I mean, they probably haven't had time to eviscerate him yet.

XANDER

Anya, you can help by making this a quiet time.

GILES

Once again, we're faced with the fairly daunting prospect of having to infiltrate the Initiative.

XANDER

It'd be great if we knew someone dating a man on the inside. Someone with connections.

Buffy hangs up phone and turns to the group. Xander points at her.

XANDER

Oh, wait!

BUFFY

He's still not answering his pages. I left him another message.

WILLOW

So what do we do?

BUFFY

Well, we need to move fast. So we make a plan without Riley... and hope he calls.
CUT TO:

INT. THE INITIATIVE-- RESEARCH LAB-- DAY

Oz, still in werewolf form, paces in a steel cage, growling and throwing himself against the bars. Riley, Forrest and scientists in lab coats watch him with interest. The lead SCIENTIST approaches.

FORREST

What's the word, Doc? Is this the animal that took apart our men?

SCIENTIST #1

We don't know yet, soldier.

RILEY

What's the holdup? I thought Graham gave you a full description.

SCIENTIST #1

The holdup is that he described characteristics present in over 40 known varieties of demon. So we're cross-checking DNA evidence: hair, fibers...

RILEY

(impatient)
And how long is that going to take?

SCIENTIST #1

(annoyed)

I have no idea.

RILEY

I don't need a bunch of tests to know that this thing's a killer.

He takes out his gun and points it at Oz who suddenly stops growling and shifts back into himself. Riley lowers his gun and steps back, shocked, as Oz looks up at them panting and closing his eyes.

CUT TO:

Later. Oz is strapped to an examination table with two scientists leaning over him. The first scientist shines a flashlight in his eyes while Riley looks over his shoulder. Oz is naked and groggy.

RILEY

Hey, he's coming to. Oz!

SCIENTIST #1

He won't be able to talk for a while. We gave him Haldol to keep him quiet.

RILEY

Why? He's not a threat now.

SCIENTIST #1

I allowed you to stay as long as you let us do our work, Agent Finn. Only Colonel McNamara can place a cease order on medical testing and he's told us to proceed.

SCIENTIST #2

I always suspected that stuff about werewolf transformations being based on a lunar cycle was campfire talk.

He injects Oz with a hypo and he groans. The doctor hefts another instrument that appears to be a stun gun.

RILEY

Oh, hey, that's enough. Come on, the guy's a student. I know him.

The lead scientist points to Riley and turns to the armed guard.

SCIENTIST #1

Take him out.

SOLDIER

Yes, sir.

Riley is furious as the soldiers escort him away.

The second scientist places the tip of the instrument on Oz's chest and zaps him with electricity. Oz screams and instantly shifts into werewolf form.

SCIENTIST #2

See that? Transformation related to negative stimulation.
CUT TO:

INT. GILES' APARTMENT-- DAY

Buffy is worried now.

BUFFY

Something's wrong. Riley usually returns my phone calls by now.

XANDER

We can't wait much longer.

BUFFY

I know. (beat) Okay. Xander, you and I are going to go in. We've done it before.

WILLOW

I'm going with you.

BUFFY

No. Look, it's too dangerous, Will. Besides, I need you to help Giles hack into the city's electrical grid. We've got to try to power down the Initiative.

WILLOW

Giles can do it without me. I can give him all the instructions. I can show him exactly what to do.

GILES

Of course.

WILLOW

I can't just sit here.

Buffy looks at Xander, then decides.

BUFFY

Okay. Okay, you can back us up. Now the only way I know into the Initiative is through the elevator in Lowell House but my clearance is long gone.

XANDER

So we grab a guy, make him take us.

SPIKE

Or you could just use the back way.

Everyone turns to Spike, standing by the front door.

SPIKE

Hell of a lot less bother.

GILES

How did you get in?

SPIKE

Door was unlocked. You might want to watch that, Rupert. Someone dangerous could get in.

BUFFY

Or someone formerly dangerous and currently annoying.

SPIKE

Now, now. None of that or I won't help you get Red's mongrel back. (off their surprised look) Bad news travels fast with us demons. We all like a good laugh.

GILES

Short of cash, Spike?

SPIKE

I happen to be seeking monetary gratification, yeah. But I also get a kick out of jackin' up those Army ginks myself. I know how to find the big guy who can take you to Oz.

BUFFY

Uh-huh. So what's the going rate on a wild goose chase, Spike?

SPIKE

Fine, if you're not interested. But I was stuck in that hole, remember? And I've heard things from other guys who've gotten out. I can get you in. No alarms, no cameras... no waiting.

Everyone looks to Buffy.

CUT TO:

INT. THE INITIATIVE-- HOLDING CELL-- DAY

Oz huddles in the corner of the cell, naked and shivering. A large bruise colors his shoulder.

The door opens and he looks up, squinting into the bright light. He frowns as Riley enters and hands him some clothes through the bars.

RILEY

Oz. Put these on, man.
CUT TO:

INT. THE INITIATIVE-- MAIN COMPLEX-- DAY

Riley helps Oz through the darkened Initiative staging area. Oz is clothed but weak and he leans on Riley for support. Suddenly the lights snap on all around them and they're surrounded by soldiers with guns. Forrest and Graham step forward. Graham points his pistol at Riley.

FORREST

End of the line.
FADE OUT

ACT IV

INT. THE INITIATIVE-- BRIG-- DAY

A guard opens the hallway door and lets COLONEL McNAMARA in. He enters and stands before Riley's cell. Riley snaps to attention as the colonel unlocks the door and walks inside.

McNAMARA

At ease.

RILEY

Permission to speak, colonel.

McNAMARA

Denied. Being new around here, Finn, I had a look at your record and Professor Walsh's notes. Until recently you were an exemplary soldier headed straight for the top. Then you meet this girl-- this Slayer-- and suddenly you begin to exhibit signs of disloyalty, you abuse your command. But tonight... to release a lethal HST back into the population...

Riley shakes his head.

RILEY

Sir, the prisoner--

McNAMARA

(harsh)

You will speak when I tell you to!

Riley snaps back to attention.

McNAMARA

Tomorrow I am going to institute a court-martial to investigate the extent of your involvement with the Slayer and her band of freaks. (beat) They're anarchists, Finn... too backward for the real world. You help us take them down and you just might save your military career. Otherwise, you'll go to your grave labeled a traitor. (beat) No woman is worth that.

McNamara turns and leaves Riley to ponder his future.

CUT TO:

EXT. SUNNYDALE FOREST-- NIGHT

Buffy, Willow, Xander and Spike make their way through the woods, armed to the teeth. Buffy and Willow wear white lab coats while Spike and Xander wear the uniform of Initiative soldiers.

BUFFY

I've mentioned how much I'm going to kill you if this is a scam, right?

SPIKE

Look, would I wear this if I wasn't on the up-and-up?

WILLOW

You do sorta look like an evil olive.

XANDER

Guys... check it out.

Xander points to a doorway set into a cement casing and obscured by the undergrowth.

CUT TO:

INT. UNDERGROUND CAVERN-- ADAM'S BASE-- NIGHT

Adam works at a computer bank. The metal part of his head is open and wires run into his skull from the computer.

CUT TO:

EXT. INITIATIVE ENTRANCE-- CORRIDOR-- NIGHT

Spike pulls the doors open.

SPIKE

For a nasty town like Sunnydale, nobody seems to mind their locks.

BUFFY

You first.

Spike rolls his eyes and enters.

CUT TO:

INT. UNDERGROUND CAVERN-- ADAM'S BASE-- NIGHT

An alert sounds on his computer and Adam turns to a schematic of the tunnels under the Initiative.

CUT TO:

INT. GILES' APARTMENT-- NIGHT

Anya works feverishly at the computer while Giles looks over her shoulder and consults a hard-copy map.

GILES

Try typing in X-H-4-J-7 for the emergency shutdown command. That covers the entire electrical grid for the university and outlying area.

Anya types it in.

CUT TO:

INT. UNDERGROUND CAVERN-- ADAM'S BASE-- NIGHT

Adam's screen flashes red. "EMERGENCY POWERDOWN IN PROGRESS"

CUT TO:

INT. THE INITIATIVE-- CORRIDOR-- NIGHT

Buffy, Spike and the others make their way through the hallways of the Initiative. The lights suddenly go out and, after a moment, blue emergency lights snap on.

CUT TO:

EXT. UC SUNNYDALE-- AERIAL-- NIGHT

The campus goes black section by section.

CUT TO:

INT. GILES' APARTMENT-- NIGHT

The power in Giles' apartment goes out but the computer stays on, operating off battery. Anya smiles proudly and holds up her hand.

ANYA

Slap my hand now!

GILES

Beg your pardon?

ANYA

In celebration.

GILES

Oh... yes.

He slaps her hand.

ANYA

Ow!
CUT TO:

INT. THE INITIATIVE-- COMMANDER'S QUARTERS-- NIGHT

Buffy kicks in the door and rushes into the room. Colonel McNamara sits up in bed and reaches for his gun but Buffy and Xander hold crossbows on him. He sits back, angry.

BUFFY

Hey! You know who I am?

McNamara looks from her to Xander, to Spike and Willow in the doorway.

McNAMARA

Yeah.

BUFFY

Then you know I'm pretty good with this thing. Take us to him.

McNAMARA

Finn stays in the brig. Helping an HST escape is a court-martial offense. You're only going to make matters worse.

Buffy is surprised.

BUFFY

Riley tried to help Oz escape?

McNAMARA

That's who you came for? The wolf?

XANDER

Guess we're two for one.

BUFFY

(to McNamara)
Get dressed.
CUT TO:

INT. THE INITIATIVE-- CORRIDOR-- NIGHT

Dressed as a lab tech, Buffy makes her way down the hallway alone, past the sentry outside the brig. As she passes him, she drops a pen.

SENTRY

Hey, you dropped--

He bends to pick it up for her and Buffy knees him in the face; he drops to the floor, unconscious. Buffy bends over him, takes his key-card and uses it to open the door.

CUT TO:

INT. THE INITIATIVE-- BRIG-- NIGHT

She enters the brig and Riley stands up, shocked.

RILEY

How'd you get in?

Buffy opens the cell door.

BUFFY

Talk later. Stealthy escape now.

She turns to go but Riley stops her.

RILEY

Buffy... I leave now, I can't ever come back.

Buffy says nothing, just looks at him. He smiles.

RILEY

I just wanted to hear that out loud.

They both dash out of the brig to rejoin the others.

CUT TO:

INT. THE INITIATIVE-- HST DETENTION FACILITY-- NIGHT

The gang walks through the complex with Buffy holding her crossbow to the McNamara's head.

SOLDIER

Hold it!

The corridor in front of them suddenly fills with heavily armed soldiers. Oz sits in his cell nearby, watching. More soldiers appear behind them. They're surrounded.

BUFFY

Stay back... or I'll pull a William Burroughs on your leader here.

No one has a clue what she means.

XANDER

You'll bore him to death with free prose?

BUFFY

(annoyed)
Was I the only one awake in English that day? (deliberate) I'll kill him. (to McNamara) Get him out.

The Colonel nods to one of the soldiers who drops his gun and lets Oz out of the cage. Willow starts forward.

WILLOW

Oz...

OZ

Will, get back.

Oz looks down at his hand which is in mid-transformation. Willow steps back, shocked. Oz concentrates and his hand shifts back to normal. Riley steps forward and supports him.

BUFFY

Let's go.

Still holding the colonel hostage, they back down the hall. The soldiers follow, weapons raised as the group enters the elevator and the doors close between them.

CUT TO:

INT. THE INITIATIVE-- ELEVATOR-- NIGHT

Everyone stands silently until the elevator stops. The elevator empties except for Riley, Buffy and McNamara. Riley opens the elevator control panel and rips out

the wires as he and McNamara glare at each other. Buffy backs out of the elevator, still covering the colonel with her crossbow. Riley follows.

McNAMARA

You're a dead man, Finn.

RILEY

No, sir. I'm an anarchist.

He decks McNamara and walks away.

CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- NIGHT

Buffy and Riley set up a makeshift campsite in the ruins of Sunnydale High School. They have coolers and a camp lantern and Riley spreads a sleeping bag on the floor of the old library. Buffy pours him a drink from a thermos.

BUFFY

I hope everybody else is okay. It was better to split up, right? I mean, we're just too findable in a big clump.

RILEY

It was better. Besides, I think it's mostly me the Initiative wants now.

BUFFY

Probably. So what should we do?

RILEY

We'll be safe for tonight at least. The campus is still blacked out so that ought to slow the Initiative down. I'll figure out my next move tomorrow.

BUFFY

Quite a day, huh? (he nods) You woke up to a big bowl of Wheaties. Now you're a fugitive.

She sits down next to him.

RILEY

I don't know. I'm sorry it ended that way. But I am glad it's done. I'm glad I know where I stand, finally. (beat) I was wrong about Oz. I was being a bigot.

Buffy shakes her head.

BUFFY

No, you weren't. You were thrown. You found out that Willow was in... kind of an unconventional relationship and it gave you a momentary wiggins. It happens.

RILEY

Still... I was in a totally black and white space-- people versus monsters-- and it ain't like that... especially when it comes to love.

Buffy looks up at him and comes to a decision.

BUFFY

I have to tell you some stuff... about my past. And it's not all stuff that you're going to like.

Riley looks a little apprehensive. He can tell this is important.

RILEY

You can tell me anything.

BUFFY

I think so. (smiles) I think I can.
CUT TO:

INT. OZ'S VAN-- NIGHT

Oz and Willow sit in his van in front of Devon's house.

WILLOW

This thing looks pretty good, considering you drove it overseas.

OZ

Well, it broke down outside of Mexico City and I traded my bass to have it fixed and garaged. (beat) I shouldn't have come back now. I just thought I'd changed.

WILLOW

You have changed. (smiles) You stopped the wolf from coming out. I saw it.

Oz can't meet her eyes.

OZ

But I couldn't look at you. I mean, it turns out the one thing that brings it out in me is you. Which falls under the heading of ironic in my book.

WILLOW

It was my fault. I upset you.

He finally looks up at her.

OZ

Well, so we're safe then, 'cause you'll never do that again. (beat) But... you're happy?

WILLOW

(smiles)
I am. I can't explain it--

OZ

It may be safer for both us if you don't.

WILLOW

I missed you, Oz. I wrote you so many letters... but I didn't have any place to send them, you know? (beat) I couldn't live like that.

OZ

It was stupid to think that you'd just be waiting.

WILLOW

I was waiting. I feel like some part of me will always be waiting for you. Like if I'm old and blue-haired and I turn the corner in Istanbul and there you are, I won't be surprised. Because... you're with me, you know?

OZ

I know. (beat) But now is not that time, I guess.

WILLOW

No.

A long beat as they look at each other and remember good times past and wonder about the future.

WILLOW

What are you going to do?

OZ

I think I better take off.

WILLOW

When?

OZ

Pretty much now.

Willow nods, tears streaming down her face. Oz leans over and they share one last hug.

CUT TO:

INT. UC SUNNYDALE-- WOMEN'S DORM-- TARA'S ROOM-- NIGHT

Tara sits in her darkened dorm room, pensively staring out the window. There's a knock at the door. She gets up to answer it and finds Willow, holding a lit candle.

WILLOW

No candles? Well, I brought one. It's extra flamey.

Tara doesn't say anything. Willow steps forward and hands her the candle, then closes the door.

WILLOW

Tara, I have to tell you--

TARA

No, I understand. You have to be with the person you love.

WILLOW

(smiles)
I am.

Tara eyes go wide.

TARA

You mean...?

WILLOW

I mean. (beat) Okay?

TARA

Oh, yes.

WILLOW

I feel horrible about everything I put you through. And I'm going to make it up to you. Starting right now.

TARA

Right now?

Willow smiles and nods. Tara blows out the candle and we

SMASH CUT TO BLACK
END