The Yoko Factor

[Transcript of "Buffy The Vampire Slayer" episode The Yoko Factor at buffyology.com.]

Prologue

INT. THE INITIATIVE-- COMMAND CENTER-- DAY

CU on a wide-screen monitor. MR. WARD, white-haired, dark suit, sits behind a large desk, cloaked in shadow. The reflection of COLONEL McNAMARA can be seen in the glass of the monitor.

MR. WARD

And the men?

McNAMARA

These are exceptional boys. Their capture ratio just keeps increasing. They're keeping it together. Morale's a problem. The death of Professor Walsh, the escape of the prototype... controlling the HSTs is getting harder. We have serious overcrowding in the containment areas.

As he speaks, pan away from the monitor to the colonel. He stands alone in the command and control center of the Initiative. There is a large map of the world on one wall.

MR. WARD

Quite a mess.

McNAMARA

It's not my mess, sir. I'm just holding the fort while you figure out what you want to do with the place.

MR. WARD

This incident with Finn was unfortunate.

McNAMARA

Fell in with a bad crowd. Quite frankly, I don't think he was ever the soldier that you all hoped he was. Boy thinks too much.

MR. WARD

Nevertheless, we want him back. The government's invested a sub--

McNAMARA

We'll catch up to him. My feeling is... he won't stray too far from the girl.

Ward puts on reading glasses and consults a folder on his desk.

MR. WARD

Yes... Buffy Summers. Our databanks don't have much on her.

McNAMARA

She's just a girl.

CUT TO:

INT. UNDERGROUND CAVERN-- ADAM'S BASE-- DAY

SPIKE paces the room before ADAM, clearly not happy.

SPIKE

(sighs)

She's a lot more than that. The Slayer's dangerous is all I'm saying.

Adam stands before a bank of computers and monitors. He slides a diskette into the drive slot in his chest.

ADAM

Yes. She makes things interesting.

SPIKE

No. See, you're not getting it, Mr. Bits. You're going to be interestingly dead. Little Miss Tiny's got a habit of bollixing up the plans of every would-be unstoppable bad-ass who sets foot in this town. Just want you to know, when the Big Ugly goes down, the Slayer's going to be right in the thick of it. You ready for that?

ADAM

I'm counting on it.

Opening credit sequence.

ACT I

INT. UNDERGROUND CAVERN-- ADAM'S BASE-- DAY

Resume. CU: a Zippo lighter in Spike's hand. He flips the lid open and strikes the flame, then brings the lighter up to the cigarette in his mouth.

ADAM

Two Slayers.

SPIKE

That's right.

Spike sits on an old beat-up couch with Adam looming over him.

ADAM

And you killed them both?

SPIKE

Yeah. I killed the hell out of them.

ADAM

Yet you fear this one?

SPIKE

(offended)
Hey, watch it, mate. I don't fear anything. Just know my enemies.

ADAM

Do you? Then why haven't you killed this Slayer yet?

SPIKE

Because... stinking, rotten luck is why. On top of that, now I got this buggering chip up my head.

ADAM

Yes. Your behavior modification circuitry. I know what you feel.

SPIKE

Not likely.

Adam stands in front of him.

ADAM

You feel smothered. Trapped like an animal. Pure in its ferocity, unable to actualize the urges within, clinging to one truth like a flame struggling to burn within an enclosed glass. That a beast this powerful cannot be contained. Inevitably it will break free and savage the land again. I will make you whole again. Make you savage.

Moved, Spike has to blink back tears.

SPIKE

(awed)
Wow. I mean, yeah. I get why the demons all fall in line with you. You're like Tony Robbins. If he was a big, scary Frankenstein-looking-- (reconsiders) You're exactly like Tony Robbins.

ADAM

I will restore you to what you once were. When I have the Slayer... how and where I want her.

SPIKE

Easier said. She's crafty. Her and her little friends.

ADAM

Friends?

SPIKE

There's your-- what do you call it?-- variable. The Slayer's got pals. You want her evening the odds in a fight, you don't want the Slayerettes mucking about.

ADAM

Take them away from her.

Spike perks up at that idea.

SPIKE

Now there's a plan. She's working solo, she won't have a chance to come after us when the wild rumpus begins. (chuckles) Plus, it will make her miserable and I never get tired of that. (beat) Yeah. Leave 'em to me.

ADAM

You can't hurt them. What can you do to make sure they're out of the picture?

SPIKE

Not a blessed thing. They're going to do it for me.
CUT TO:

INT. UC SUNNYDALE-- STEVENSON HALL-- BUFFY'S ROOM-- NIGHT

The room is dark. The door opens and BUFFY enters and switches on the light. She's just back from Los Angeles. She notices Willow's bed hasn't been slept in. Tired, she crosses the room and lies down on her bed with a forlorn look on her face.

CUT TO:

EXT. SUNNYDALE HIGH-- NIGHT

Establishing.

CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- NIGHT

Amid the debris, a lone lantern augments the streams of moonlight shining through holes in the ceiling and illuminating RILEY's small campsite.

XANDER sits with Riley, a backpack on his shoulder.

RILEY

Do you know if she's back yet?

XANDER

L.A. Woman? Haven't heard from her. She'll probably come here first thing, though. Hey, who's your buddy?

Xander swings the backpack from his shoulder and tosses it to Riley.

XANDER

So you don't have to be G.I. Joe while your civvies are getting washed.

Riley pulls out a pair of baggy pants with a blue and white confetti pattern.

XANDER

Try those on. You'll feel like a new man.

RILEY

Would this man have a bright red nose and big floppy feet? (off Xander's look) Hey, I'm sorry. That's the cabin fever talking.

Xander looks the place over.

XANDER

But as post-apocalypse splendor goes...

RILEY

I've done wonders with the place.

XANDER

Yeah.

RILEY

Still... the sooner Buffy gets back, the better I'll feel.

Riley sits down on his sleeping bag, his back against the soot-covered wall.

XANDER

You and me both, big guy.

RILEY

I take it you're not an Angel fan either?

XANDER

Well, it's not like I hate the guy. Just, you know, the guts part of him.

RILEY

Can't blame you. But to be fair, it's not him you hate. It's the curse.

Xander doesn't respond.

RILEY

Right?

XANDER

What did Buffy tell you?

He sits down on the cooler.

RILEY

On Angel? Everything. More than I wanted to know sometimes. She loved him. He turned evil. He killed people. She cured him. He left. Interesting little curse.

XANDER

One moment's happiness.

RILEY

What do you mean?

XANDER

You know, it's his trigger. Angel's an okay guy if he's mopey and sad and brooding but if you give him even one second of pure, real pleasure...

RILEY

And that sets him off?

XANDER

Only in the big old "kill your friends" kind of way. And you know what makes Angel happiest? I'll give you a hint. It not creme bruleé.

RILEY

Buffy. (Xander nods) Sex... with Buffy.

Xander's jaw drops as he realizes Riley didn't know about that part of the curse.

XANDER

She... kind of left that part out, huh?

RILEY

Yeah, she did. That explains a lot of things that I wish weren't explained.

XANDER

Hey, man. That's all ancient history.

RILEY

She went running to L.A. to bone up on her history.

XANDER

No! I'm sure it's boneless. She just needs to make sure everything's okay. She's probably back already.

RILEY

Maybe.

XANDER

You'll feel a lot better when you see her.

RILEY

I guess we'll see.
CUT TO:

INT. GILES' APARTMENT-- NIGHT

GILES sits on the sofa playing guitar and singing Freebird.

GILES

If I leave here tomorrow Would you still remember me? Well I must be traveling on now There's too many places I've got to see. And if I stay here with you girl, Things just couldn't be the same 'Cause I'm as free as bird now--

He gasps and jumps up from the couch when he sees Spike standing across the room. The vampire heads for the kitchen.

SPIKE

You know, for someone who's got "Watcher" on his résumé, you might want to cast an eye to the front door every now and again.

GILES

(angry)

What do you want?

Spike takes a blood bag out of the fridge.

SPIKE

Ah. Knew I left one. Buffy around?

GILES

Why?

Spike pops the plastic bag into the microwave and turns it on.

SPIKE

I need to speak to the lady of the house. Hey, be a pet and give her a message for me, would you? Tell her I just might have something she just might want.

GILES

And what might that something be?

SPIKE

Information. Highly classified. Not cheap word-on-the-street prattle either. I'm talking about the good stuff now.

Unimpressed, Giles crosses his arms.

GILES

Thrill me.

SPIKE

It's nothing I know. What, you think I'd come running over saying "I've got a secret, beat me till I talk?" There's files in the Initiative. I'm pretty sure I know where.

Giles' interest is peaked. The microwave beeps and Spike takes out his warm blood.

GILES

Files?

SPIKE

Yeah. Secrets.

He bites open a corner of the bag, grabs a coffee mug and pours the blood into it.

SPIKE

Mission statements, design schematics. All of Maggie Walsh's dirty laundry, which I guess would include lots of tidbits about--

GILES

Adam.

SPIKE

Well, yeah. Say someone were to risk his life and limb-- well, limb anyway-- to obtain said files. It might be worth a little something.

GILES

At this point, a cynical person might think that you're offering just what we need when we need it most.

SPIKE

That person'd be right, Rupert. Supply and demand. And it won't be cheap this time.

GILES

What do you want?

SPIKE

Hmm... year supply of blood, guaranteed protection, merry bushels of cash and-- most important-- a guarantee that I'm not to be in any way slain.

GILES

Done.

SPIKE

With a smile and a nod from you? Sorry. Not close to good enough. This deal's with the Slayer.

GILES

I'll tell her.

SPIKE

Oh, you'll tell her! Great comfort that. What makes you think she'll listen to you?

GILES

Because...

SPIKE

Very convincing.

GILES

I'm her Watcher.

SPIKE

I think you're neglecting the past tense there, Rupert. Besides, she barely listened to you when you were in charge. I've seen the way she treats you.

Spike's words hit too close to home. He's right and Giles knows it. He pours himself a drink.

GILES

Oh, yes? And how's that?

SPIKE

Very much like a retired librarian. Look, I've got what she wants as long as she has what I want.

He heads for the door.

SPIKE

Spread the word. She knows where to find me.

GILES

(uncertain)
I'll think about it.

The front door closes as Giles brings the glass to his lips.

CUT TO:

INT. UC SUNNYDALE-- WOMEN'S DORM-- TARA'S ROOM-- DAY

WILLOW sits on the bed playing with a small black and white kitten. TARA looks though the UC Sunnydale course selection booklet.

WILLOW

Oh! I keep thinking okay, that's the cutest thing ever and then she does something cuter and completely resets the whole scale.

TARA

Did you see her yawn earlier?

WILLOW

Yes! I thought I was going to die.

She picks up the kitten and looks into its eyes.

WILLOW

Oh, I love you, Miss Kitty Fantastico!

TARA

We've got to get her a real name.

WILLOW

It's so cool that she's ours. (beat) Uh, yours. That she's yours is cool.

TARA

She can be ours if you want.

Willow smiles happily.

TARA

You still need an elective. How about... sophomore level psychology?

WILLOW

(frowns)
Oh. Kinda psyched out since Professor Walsh. Maybe something fun like drama. I could be dramatic.

Willow picks the kitten up again.

WILLOW

(dramatic voice)
You cannot have more catnip! You have a catnip problem!

TARA

(laughs)
Definitely drama.

WILLOW

I haven't even dealt with the housing situation yet. Have you done anything? I hear there some off-campus places that are way cool for groups to, you know, go in on.

TARA

Oh, I just figured you'd be dorming it up with Buffy again.

WILLOW

Well, we haven't really talked about it. I used to assume we'd be roomies through grad school, well into little old-ladyhood. You know, cheating at bingo together and forgetting to take our pills.

TARA

But?

WILLOW

But... I don't know. It hardly feels like we're roomies now. I mean, she's busy with Riley and I'm gone a lot, too. I guess I should ask her.
CUT TO:

INT. UC SUNNYDALE-- STEVENSON HALL-- BUFFY'S ROOM-- DAY

A knock on Buffy's door. She opens it to find Riley.

BUFFY

Riley.

RILEY

I got a little tired of sitting around waiting so...

Buffy looks his pants and grins.

BUFFY

You joined the circus?

RILEY

Xander took my clothes to clean them and left me these. Does he hate me in some way I don't know about yet? I think I would've attracted less attention in my uniform.

BUFFY

Is it okay for you to be here?

RILEY

You tell me.

BUFFY

I just meant with a government branch hunting you down and all.

RILEY

I'm good.

He reaches into his back pocket and takes out a small cell phone which sprouts wires. He clicks it on and a garbled voice emanates from the speaker.

RILEY

And it took me a while, but I patched into their frequency. Can't sneak up on a guy if he's listening in.

BUFFY

You're the sneakiest.

RILEY

Why they hired me.

Feeling awkward, Buffy walks across the room, putting distance between them.

RILEY

You okay?

BUFFY

Yeah. I just... Angel kind of upset me.

RILEY

How?

BUFFY

It's not that interesting.

RILEY

Got my attention.

BUFFY

He just spun my head a little.

RILEY

You don't want to talk about it.

BUFFY

It's just deconstructing Angel can wait. Right now, I just want to get out there and patrol and find Adam. We can talk about it later.

Riley is hurt by her evasiveness but tries to cover it.

RILEY

It's the pants, isn't it? It's okay. I couldn't take me seriously in these things either.

BUFFY

Riley, it's not that big a deal.

RILEY

Tell you what, why don't I get out of your face? You had a long trip.

BUFFY

Look, you don't have to go.

RILEY

It's okay. (forced smile) Besides... (re: pants) I have to recharge them every two hours or they go dead on me.

BUFFY

(sotto)
Okay.

He turns and quietly leaves her alone.

CUT TO:

INT. SUNNYDALE CEMETERY-- SPIKE'S CRYPT-- NIGHT

Xander and ANYA enter the crypt. He carries a bundle of clothing for Spike.

XANDER

Here. You should've just saved the ensemble from the last time we snuck into the Initiative. I'm not a clothing delivery service.

ANYA

Well, he is, kinda. He did Riley yesterday.

Xander shoots her a withering look as Spike looks through the bundle and finds a small pistol.

SPIKE

Hello. This is just... swell.

He aims the gun at the wall.

SPIKE

Gotta say... liking this quite a lot.

He swings the barrel around toward Xander who watches, unconcerned.

SPIKE

Kinda changes the balances of pow-- ow!

He drops the gun and clutches his forehead as a searing bolt of pain rockets through his head. Frustrated, he stalks across the crypt.

SPIKE

Oh, come on! You got to be kidding?

ANYA

Wow. That chip in your head means you can't even point a gun. How humiliating.

XANDER

Doesn't work anyway. It's a fake.

ANYA

Can't even point a decorative gun?

XANDER

Give it up for a American chipmanship.

SPIKE

It doesn't work? What about self-defense? I'm taking a risk here, you know?

XANDER

Can I tell you how much I really don't care?

SPIKE

Attitude. See how far that'll take you in boot camp. (off Xander's look) Say, I hope you get one of those toughs-as-nails drill sergeants who's only hard on the men because he's trying to keep them alive when the bullets start flying. I love that stuff.

Anya looks at Xander, perplexed.

XANDER

Boot camp? Yeah. Like I'd go there.

SPIKE

What, you changed your mind? Not going to join?

Anya hits Xander hard in the chest.

ANYA

(angry)

You're joining the Army?

XANDER

(to Anya)
Okay, one: ow. (to Spike) Two: where'd you get that idea? (to Anya) Three: ow! I'm not joining the Army!

ANYA

Oh, good. Stopped that nonsense just in time.

XANDER

I was never-- (to Spike) Who'd you hear this from?

Spike examines the fake gun and seems to take little interest in the subject.

SPIKE

Oh, your girlie-mates were talking. Something about being all you can be-- or all you can be-- and having laugh. Figured you were signing up. Say, have you got anything larger in the toy gun line?

He holds out the gun to him but Xander isn't paying him any attention. He begins pacing.

XANDER

"All I can--" Can you believe this? Like I'm some sort of useless lunk. It happens I'm good at a lot of things. I help out with all kinds of... stuff. I have skills and stratagems. I'm very... (to Anya) Help me out.

ANYA

(nonchalant)
He's a Viking in the sack.

SPIKE

(not caring)
Terrific. (re: clothes) You didn't have these cleaned after the last time, did you?

Xander doesn't even hear him.

XANDER

This is so like them lately. It's all about them and the college life. Well, you know what college is? It's high school only without the actual going to class. Well, high school was kinda like that, too. But the point is, I'm out there working hard to make a living. It's nothing but a huge joke to them. Xander got fired from Starbucks. Xander got fired from that phone-sex line.

ANYA

They look down on you.

XANDER

And they hate you.

ANYA

But they don't look down on me.

SPIKE

Hey, it was just a laugh. There's no need to go insane over it.

Xander glares menacingly at him.

XANDER

Is anybody talking to you?

SPIKE

(mocking)
Sir, no sir.
CUT TO:

EXT. SUNNYDALE FOREST-- DAY

Buffy patrols, approaching the entrance to a cave. She carries an Initiative plasma gun at the ready and spins around as FORREST GATES jumps out onto the path behind her. They level their weapons at each other.

FORREST

Don't shoot.

BUFFY

Give me a reason not to?

FORREST

You're killing humans now?

BUFFY

Not yet. (lowers gun) Beating you senseless should do just fine.

FORREST

I can have a patrol here in under a minute. So here's the plan: you go you're way, I'll go mine.

Buffy turns and continues toward the cave. Forrest starts to follow but stops when she looks back at him.

BUFFY

I'm checking out that cave.

FORREST

My orders exactly.

BUFFY

Alone?

FORREST

We're spread a little thin, so yeah. Family's tearing apart.

BUFFY

(sarcastic)
Family. What kind of family are you? Corleones?

She turns and enters the cave.

CUT TO:

INT. CAVERN-- DAY

Buffy steps inside followed closely by Forrest.

FORREST

We weren't until you showed up.

BUFFY

What? No girls in the club?

FORREST

You think you're the first girlfriend Riley's ever had? Such a big head on that skinny little body. No. You're just the first one to get him to commit treason. Riley had a career and a future till he met you. And yeah, I got a problem with that.

BUFFY

A future? A future doing what? Illegal experiments? Torture? Murder? I guess killing someone isn't really a problem for you.

FORREST

Less and less. And why don't you get the hell out of here before I--

He takes a threatening step toward her.

BUFFY

(cold)
Touch me and you'll find out what Slayer strength is like.

FORREST

I think it's about time you showed me then.

ADAM

(o.s.)
Yes.

They both turn toward the voice to find Adam standing in the shadows of the cavern, watching them.

ADAM

I think that would be interesting.
FADE OUT

ACT II

INT. CAVERN-- DAY

Resume. Forrest and Buffy stare at Adam for a beat, taking in his nightmarish appearance.

Then Buffy charges forward raising her weapon. Adam knocks it from her grip with a casual swipe. She attacks with a series of body blows that don't even faze him. Forrest rushes to her aid but Adam knocks him to the ground.

BUFFY

Get out of here!

Buffy backhands Adam in the head to absolutely no effect. He picks her up by the neck and throws her forty feet across the cave. She slams into the rock wall and drops to the ground, dazed. Adam turns his attention to Forrest and the razor- sharp skewer shoots out of his arm.

FORREST

Not moving.

He raises his plasma rifle and fires it at Adam, point blank. Adam's body goes rigid as the intense energy burst rockets through his body... and then dissipates. Adam turns to Forrest, energized and rejuvenated. Rather than kill him, the blast has made him stronger.

ADAM

Thank you.

Buffy struggles to her knees.

BUFFY

(to Forrest)
Go! Get out!

But Forrest pays her no mind and charges Adam. The demonoid cyborg meets him with the skewer, shoving it through his chest and out his back.

BUFFY

No!

Forrest quickly goes limp and, with his free arm, Adam hurls Forrest's corpse into Buffy, knocking her to the ground. Adam bends down and picks up Forrest's blaster.

BUFFY

Oh, god.

Buffy rolls Forrest's body off of her and gets to her feet just as Adam fires the weapon. The plasma charge hits her full force and sends her slamming backward into a boulder. She drops to her knees and struggles for consciousness. With her last ounce of strength, she gets to her feet and bolts for the cave entrance. Adam tracks her with the gun and fires another blast. It barely misses her, blowing apart a huge chunk of the cave wall.

CUT TO:

EXT. SUNNYDALE FOREST-- DAY

Buffy stumbles out of the cave; her legs don't seem to work right. She continues to pick up speed as she runs down the hill. She risks a quick glance over her shoulder, desperate to escape.

As she watches for Adam behind her, she stumbles over the edge of a steep slope and loses her footing, tumbling down the incline. She stops at the bottom when her head impacts with a large rock jutting out of the ground.

CUT TO:

EXT. GILES' APARTMENT-- NIGHT

Spike approaches Giles' front door. He pauses for a moment, takes a couple of deep breaths, prepping himself, and rushes into the apartment.

SPIKE

I think I lost the buggers.

Willow stands up from behind Giles' desk.

WILLOW

Any luck with the disks?

He removes several computer disks from the pocket of his flak jacket and hands them to her.

SPIKE

Took what they had. Should be something useful on one of them.

WILLOW

Hope so.

Willow sits down at her laptop with Tara looking over her shoulder. She slides the first disk into the computer.

TARA

What are we looking for?

WILLOW

Anything about Adam.

Giles sits at the bar and pours himself a another drink. He doesn't sound completely sober.

GILES

Were there any problems getting in and out?

SPIKE

No. I mean, a couple of them made me on the way out but I took care of 'em.

GILES

(sarcastic)
Gave them a good running-away-from, then did you?

Spike shoots him a withering look.

SPIKE

Well, yeah. When do I get paid?

GILES

When Willow tells me you've brought us something useful.

Spike turns his attention to Willow. He notices the subtle but intimate way that Tara strokes a lock of Willow's hair. He raises a thoughtful eyebrow, taking note of this, then he steps up behind Giles.

SPIKE

I could've gone straight to the Slayer, you know? I cut you in, let you pretend you're actually in charge. Now you've got to wait for Red's permission to finish the deal?

Giles seethes into his drink.

GILES

As soon as we see what's on the disks.

The laptop starts making garbled electronic noises.

TARA

It looks like gibberish.

SPIKE

Gibberish?

WILLOW

They're encrypted.

GILES

Oh, wonderful.

Giles steps away from the bar and disappears down the hall. On the laptop, random characters crisscross the screen.

SPIKE

Can you fix them?

WILLOW

Crack a government encryption code on my laptop? Easy as really difficult pie. Why?

SPIKE

(sighs)

You're not exactly the whiz these days, either. God, I'm never going to get paid.

Willow shifts uncomfortably in her chair.

WILLOW

I am a whiz.

TARA

She is a whiz.

WILLOW

If ever a whiz there was. I just need some time.

SPIKE

No. I just heard you weren't... your mates said you weren't playing with computers so much. (re: Tara) Into the new thing.

WILLOW

(frowns)
What new thing?

SPIKE

You know, you two. The whole Wicca thing.

WILLOW

They were talking about that?

SPIKE

Can we get back to business here? I've got a deal at stake.

Willow ignores him.

WILLOW

What did they say?

SPIKE

(impatient)
Talking about, you know, it's a phase. You'll get over it.

WILLOW

What? Who said that? Was it Buffy? (to Tara) 'Cause you know what she means by that.

SPIKE

No, she was defending you. Because Xander said you were just being trendy.

WILLOW

Trendy?

SPIKE

I don't know what they were going on about. A person wants be a witch, that's their business.

Willow shakes her head, hurt.

WILLOW

I knew Buffy was freaked.

TARA

You should talk to her because I'm sure she--

SPIKE

Pressing business, ladies. (re: computer screen) Don't want to get sidetracked. Still got your monsters to fight.
CUT TO:

INT. THE INITIATIVE-- CONTAINMENT COMPLEX-- NIGHT

A particularly ugly demon steps too close to the glass wall of its cell and is zapped by a charge of electricity. It screams in pain. The place is filled with demons, every cell occupied, some with more than one. The noise of their constant growling and snarling fills the facility. Colonel McNamara enters with one of his LIEUTENANTs.

LIEUTENANT

Cell capacity maxed out three days ago, sir. We keep up this pace, there'll be nowhere left to contain the hostiles.

McNAMARA

(cold)

They're animals, lieutenant. We pack them in until we're out of room and then we pack them in some more.

LIEUTENANT

(worried)
They're going to start tearing each other apart, sir.

McNAMARA

I have no problem with that scenario.

They pass a cell with two demons clawing at each other's throats.

CUT TO:

INT. THE INITIATIVE-- COMMAND CENTER-- NIGHT

The command center is alive and bustling with activity. McNamara and the lieutenant enter and their attention is immediately drawn to an officer receiving an urgent distress call from a squad in the field.

SOLDIER

(on radio)
Back-up team! Request immediate back-up, over! They're tearing us apart over here! Two men down! From out of nowhere! Mayday! Repeat! Mayday!
CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- NIGHT

Riley sits on his sleeping bag amid the ruins of Sunnydale High, eating soup from a can. He puts it down as the distress call comes over the improvised radio nearby.

SOLDIER

(on radio)
Team Epsilon requesting immediate back-up! We're in the alley behind the school building! Where the hell is-- fall back! Fall back! It's coming--

The transmission abruptly cuts off. Riley gathers up his combat gear and heads out.

CUT TO:

EXT. SUNNYDALE STREETS-- ALLEY-- NIGHT

Riley runs down an empty street and ducks into a side alley just as an Initiative soldier shoots across the alley and slams into the wall. He falls to the pavement in front of Riley, unconscious.

At the sound of fighting further down the alley, he raises his flashlight, illuminating a dark figure in a long black coat. The vampire ANGEL whirls around to confront Riley.

FADE OUT

ACT III

EXT. SUNNYDALE STREETS-- ALLEY-- NIGHT

Resume. Angel stands in the midst of three more unconscious commandos. Riley lowers the flashlight.

ANGEL

(menacing)
Riley Finn.

RILEY

I know you?

ANGEL

We have a friend in common.

RILEY

(realizes)
Angel.

Angel takes a step forward, glancing down at the commandos on the ground.

ANGEL

Welcoming committee your idea?

RILEY

Way I heard it, you were all peaceable now. You didn't by any chance go and lose that pesky soul again, did you?

ANGEL

(dangerous)
Don't push me, boy.

Riley's hatred quietly smolders.

RILEY

(ice)
Now what possibly could've happened with Buffy that would make you lose your soul?

Angel approaches Riley.

ANGEL

That'd be between me and her.

Riley steps forward to meet Angel, his ASP baton extending in one smooth motion.

RILEY

Where do you think you're going?

ANGEL

Going to see an old girlfriend.

RILEY

Oh, you really think I'm going to let that happen?

ANGEL

You think you're going to stop me?

RILEY

I surely do.

Angel throws a right cross at Riley but he deflects the blow and whips the baton into Angel's face. The fight is on, both of them trading a series of vicious blows and kicks. Angel flips Riley through the air and he sails across the alley into a pile of trash. He scrambles up onto the loading dock and retrieves his baton. Angel leaps forty feet through the air and lands on the dock before Riley can get to his feet.

The battle rages on; both combatants seem evenly matched. But in the end, Riley is no match for a 240-year-old master vampire.

Angel seizes Riley by his flak jacket and slams him hard against the wall, then wraps his hands around Riley's throat. As Riley is forced down under Angel's irresistible strength, he pulls a taser from his jacket and shoves it into Angel's chest. The shock blows him back off of Riley and sends him reeling to the pavement. Riley leaps to his feet and goes after him.

With a snarl of rage, Angel's head snaps up, his eyes yellow and feral, his fangs glistening. Standing over him, Riley tries to hit him with the taser again but Angel catches his wrist, wrenching it from his grasp, and drives a fist into his abdomen. He lifts Riley high over his head and hurls him across the alley, sending him crashing into a stack of storage drums. Riley tumbles to the ground, dazed. Before he can recover, Angel picks him up and tosses him across the alley again. He lands on a pile of metal conduits with a sickening thud.

At the sound of an approaching vehicle, Angel scales the side of the warehouse and disappears into the night. Riley staggers to his feet as a humvee rounds the corner. He barely manages to duck down a narrow passage and out of sight before headlights sweep the alley.

CUT TO:

INT. UC SUNNYDALE-- STEVENSON HALL-- BUFFY'S ROOM-- NIGHT

Buffy enters looking like hell and removes her jacket as she steps up to the mirror on the wall. Ugly bruises have formed around the gash on her forehead and she winces as she touches it gingerly.

A knock on her door and she opens it to find Angel. She reacts with shocked surprise.

BUFFY

Angel.

ANGEL

Hi. Can I come in?

BUFFY

(sotto)
I guess.

He hesitates, her invitation not quite clear enough.

ANGEL

I need a little more than that.

BUFFY

Oh... come in.

He walks inside and she closes the door. He turns to face her and she notices the blood on his temple and his split lip.

BUFFY

(matter-of-fact)
You're hurt.

ANGEL

You, too.

BUFFY

I'll live. (beat) You want to tell me who ran your face into that doorknob?

ANGEL

Not really. It's not world-in-peril stuff.

BUFFY

Let me guess. You thought of something else really hurtful to say and, well, you couldn't tell me on the phone because the funniest part is that look on my face--

ANGEL

Buffy, please. I really don't have a lot of time.

She notes the urgency in his voice.

BUFFY

What's going on?

The door bursts open and Riley enters, steadying himself against Willow's desk. He aims his Beretta at Angel, cocking the hammer.

RILEY

I told you you weren't coming near her.

Buffy takes in his battered appearance and puts it together with Angel's injuries. She goes nuclear.

BUFFY

You've got to be kidding me! This is why you came?

ANGEL

No. This was an accident.

BUFFY

Running a car into a tree is an accident! Running your fist into somebody's face is a plan! Please, explain this to me!

Angel doesn't answer, merely looks murderously at Riley.

ANGEL

(icy calm)
Put that gun down.

RILEY

It's pretty much all I got left so I'm thinking not. (to Buffy) He attacked four of my men, Buffy. I think he's up to his old tricks.

BUFFY

He won't hurt anybody. (to Angel) Tell him.

Angel moves toward Riley.

ANGEL

Might hurt you.

RILEY

Please try.

ANGEL

Some threat. You can barely stand.

Riley shoves the gun in Angel's face.

RILEY

Trigger finger feels okay.

ANGEL

(to Buffy)
You actually sleep with this guy?

While his head's turned, Riley punches him in the face. Angel returns the favor, nearly bringing Riley to his knees.

Buffy has had quite enough. Her voice is full of venomous fury.

BUFFY

Okay, stop it!

She steps between them and shoves them apart. Riley slams back against Willow's desk and Angel flips onto her bed.

BUFFY

Okay, that's enough! I see one more display of testosterone poisoning and I will personally put you both in the hospital!

She glances back and forth between them. Riley looks like he still wants to shoot Angel.

BUFFY

Anybody think I'm exaggerating?

ANGEL

He started--

Buffy points a warning finger at him and he shuts up. She shoots him a withering look and walks over to Riley.

BUFFY

(re: gun)

Riley.

RILEY

I'm sorry. (holsters gun) Just wanted to know that you were safe.

BUFFY

(gently)
I need to talk to Angel for a minute.

RILEY

(exasperated)
What?

BUFFY

Riley, please.

He looks over at Angel who sits on the bed, eyeing him.

RILEY

I'm not leaving this room. I mean it.

Buffy looks over her shoulder and indicates Angel should accompany her into the hall. Angel follows her out, a smirk on his face as he passes Riley. The door closes, leaving Riley all alone.

RILEY

(to himself)
Not moving a muscle.
CUT TO:

INT. UC SUNNYDALE-- STEVENSON HALL-- CORRIDOR-- NIGHT

Buffy rounds on Angel.

BUFFY

Okay. I come to see you, to help you, and you treat me like I'm just... your ex.

ANGEL

Well, technically--

BUFFY

Shut up! And then you order me out of your city and then you come here and start pounding on my boyfriend? I would really like to know what the hell you are trying to do!

ANGEL

I was trying to make things better.

She stares at him in shocked silence for a moment. When she sees that he's actually sincere, she can't help but laugh. The humor isn't lost on Angel and he joins in with a chuckle.

ANGEL

Well... it's going pretty good, don't you think?

BUFFY

Swell.

ANGEL

You know... (serious) I couldn't leave it like that... the way I spoke to you. I came to apologize. I had no right.

BUFFY

And Riley?

ANGEL

I got jumped by some soldiers. He came in in the middle and wasn't real forthcoming with the benefit of the doubt.

BUFFY

Put yourself in his place.

ANGEL

I get it.

BUFFY

Look... you weren't entirely wrong, what you said in L.A. We don't live in each other's worlds anymore. I had no right to barge in on yours and make judgments.

ANGEL

I'm still sorry.

BUFFY

Thank you.

ANGEL

And next time... I'll apologize by phone. (Buffy smiles) Things are pretty tense around here.

Buffy sighs, exhausted.

BUFFY

They really are.

ANGEL

Can I do anything?

BUFFY

Honestly... I think the best thing you can do right now is--

ANGEL

(understanding)
Okay.

BUFFY

(warm)
It means a lot that you came.

Angel looks at her for a moment, taking her in, then starts off down the hall. He stops and turns back to her.

ANGEL

Oh... and Riley?

BUFFY

Yeah?

ANGEL

I don't like him.

Buffy smiles.

BUFFY

Thank you.

Angel turns back down the hall and walks out of Buffy's life... again. Buffy lingers for a moment, then returns to her room.

INT. UC SUNNYDALE-- STEVENSON HALL-- BUFFY'S ROOM-- NIGHT

She opens the door and Riley turns to face her, still very much upset.

CUT TO:

INT. UNDERGROUND CAVERN-- ADAM'S BASE-- NIGHT

Adam sits before his computer bank. As before, he is interfaced with the computer through a cable connected to a port in the side of his head. A door opens and he looks over as Spike enters the chamber. The vampire is back in his usual attire and swigs a can of beer.

SPIKE

Now that... was fun!

ADAM

You were successful?

SPIKE

Easier than I'd thought it'd be, too.

ADAM

You're sure?

SPIKE

Feel it in my bones. It's called the Yoko Factor.

Spike lights a cigarette as Adam stares at him blankly.

SPIKE

Don't tell me you've never heard of the Beatles?

Adam disconnects the cable and closes his face plate.

ADAM

I have. I like Helter Skelter.

SPIKE

What a surprise. The point is, they were once a real powerful group. It's not a stretch to say they ruled the world. And when they broke up everyone blamed Yoko but the fact is, the group split itself apart. She just happened to be there. And you know how it is with kids. They go off to college, they grow apart. Way of the world.

ADAM

So you separated the Slayer from her friends. I'm pleased.

Adam turns his gaze downward, lost in thought.

SPIKE

Well... since we've got all our ducks in a row and not talking to each other, guess it's time for the grand plan, huh? You know, the one where I get the chipectomy. You got everything you need, right?

ADAM

No. There's one more thing.
FADE OUT

ACT IV

INT. UC SUNNYDALE-- STEVENSON HALL-- BUFFY'S ROOM-- NIGHT

Buffy approaches Riley and smiles at him.

BUFFY

How bad are you hurt?

RILEY

Don't know yet. Night's still young.

BUFFY

(grave)
Riley, I have to tell you something.

RILEY

Figured.

BUFFY

Maybe you want to sit down.

RILEY

I'm fine.

BUFFY

Riley, I--

RILEY

Wait. Me first.

Buffy blinks in surprise.

RILEY

Buffy... I feel like we've gotten really close. At least I thought we had. I don't know much about Angel or your relationship with him...but all I ask is, if you're going to break my heart, do it fast.

Buffy looks up at him, frowning.

BUFFY

What? You think that Angel and I...

RILEY

Didn't you?

BUFFY

No. Of course not. How can you even ask me that?

RILEY

(sighs)
I don't know. Xander said--

BUFFY

Xander? Oh, he's the deadest man in Deadonia.

RILEY

No. It's not his fault. I prodded and he explained how Angel went bad. The... trigger.

BUFFY

(sotto)
Oh.

RILEY

And after that, I went a little nuts! You know? I mean, on the one hand, I should believe in us. But on the other... sometimes things happen between exes and when I saw that he was bad...

BUFFY

He's not bad.

RILEY

Seriously? That's a good day? Well, there you go. Even when he's good he's all Mr. Billowy Coat King of Pain and girls really--

BUFFY

Riley, stop.

She takes his hand and they sit down on her bed.

RILEY

See? Nuts.

BUFFY

Have I ever given you any reason to feel that you can't trust me?

RILEY

No.

BUFFY

Then why with the crazy?

He looks into her eyes.

RILEY

Because I'm so in love with you I can't think straight.

Her eyes start to glisten with tears.

BUFFY

Tell me about it.

He hugs her and she closes her eyes as she holds him tight. After a moment, she pulls away.

BUFFY

Riley. I still have to tell you something. And there's no easy way--

RILEY

Just say it.

BUFFY

(beat)
Forrest is dead.

Riley takes this news like a body blow and leans his elbows on his knees, resting his face in his hands.

BUFFY

(gently)
I'm so sorry. There was a fight. Adam killed him. I barely got away. I know that there's nothing I can say that's going to make this better. But we will find this thing and destroy it.

RILEY

I have to go.

BUFFY

Are you sure?

RILEY

I have to go now.

He takes his flak jacket off Willow's chair and leaves.

CUT TO:

INT. GILES' APARTMENT-- NIGHT

Willow is still working at her laptop but is having no luck with the encryption code.

WILLOW

(frustrated)
It's still encrypted.

Buffy and Tara stand over her shoulder.

TARA

(to Buffy)
Well, Willow's working really hard on it.

BUFFY

Okay, well, how long before you... un-crypt it?

WILLOW

Hours. Days maybe. Anyone suggesting months would not be accused of crazy talk.

Giles stands in the kitchen pouring himself a drink, more inebriated than ever.

GILES

What ever happened to Latin? At least when that made no sense, the church approved.

BUFFY

(impatient)
I can't just wait around, Will. The disk is no good to me unless you crack it soon.

Willow gives Buffy a withering look behind her back. Xander and Anya sulk in the living room; neither one thrilled to be there.

ANYA

Hey! We worked really hard getting that. Xander delivered clothing.

GILES

Church approved.

BUFFY

Sorry, you guys, but we're on a clock here. Okay, Adam was at that cave so maybe he was there for a reason? I can go back, scope it out, track him if I have to.

WILLOW

(sarcastic)

Right. And then maybe you'll get lucky and he'll still be there and he can rip your arms off for you? (stern) Buffy, you can't go back alone.

GILES

You never train with me anymore. He's going to kick your ass.

BUFFY

(shocked)
Giles?

He steps out of the kitchen, drink in hand, and leans against the wall.

GILES

Sorry. Was that a bit honest? Terribly sorry.

XANDER

So she doesn't go alone. Giles, weapons all around.

BUFFY

You're not going, Xander. (off his look) You'd get hurt.

XANDER

Oh. Okay. You and Willow go do the superpower thing. I'll stay behind and putt around the Batcave with crusty old Alfred here.

Her jerks his thumb at Giles.

GILES

Ah, no. I am no Alfred, sir. No, you forget: Alfred had a job.

BUFFY

Willow is not going either. I'm doing it alone.

Willow steps closer, facing off with Buffy. Tara slips past Giles and disappears down the hall.

WILLOW

Oh, great. And then when you have your new no arms we can all say, "Gee, it's a good thing we weren't there getting in the way of that!"

Anya gets up from the couch and follows Tara.

XANDER

Right! Maybe we can help in other ways? (to Buffy) Want some fighting pants, Buff? I can get ya some new fighting pants!

BUFFY

You guys, this isn't helping.

WILLOW

Oh, wow! We're already getting in the way. We're pretty good at this, Xander, huh?

XANDER

Right. I'm so good at it you might have to ship me off to the Army to get me out of the way!

BUFFY

The Army?

XANDER

You didn't think I knew about that, did you? You two talking about me behind my back.

Willow frowns at him, confused.

BUFFY

Us talking about you? How about you telling Riley every last detail of my life with Angel?

WILLOW

And besides, when is there any "us two"? You two are the two who are the two. I'm the other one.

XANDER

Uh-huh. But maybe that all changes when I'm doing sit-ups over at Fort Dix?

Giles almost chokes on his drink.

GILES

Fort Dix?

He bursts out in a wheezing laugh.

BUFFY

Are you drunk?

GILES

Yes. Quite a bit, actually.

BUFFY

Well, stop it! (to Xander and Willow) This is stupid.

XANDER

Stupid? So you finally have the guts to say it to my face?

BUFFY

I didn't say you were stupid! So... stop being an idiot and let me fix this!

Xander rolls his eyes at her and turns away.

BUFFY

Okay, I need you. I need both of you. All the time! Just... not now. Adam is very dangerous.

WILLOW

Wait. How do you need me, really?

BUFFY

You're... good with the computer stuff. Usually. And there's the witch stuff.

WILLOW

Witch stuff? What exactly do you mean by "witch stuff"?

BUFFY

You guys, what is happening? This is crazy!

GILES

Oh, no it's not. It's all finally making perfect sense and I'm not going to miss a moment of it.

He sets his drink down and tries to sit but topples to the floor instead.

CUT TO:

INT. GILES' APARTMENT-- BATHROOM-- NIGHT

Anya sitting on the closed lid of the toilet while Tara leans against the side of the tub. They can hear the muffled argument from the living room.

TARA

You think this will go on for a while?

ANYA

Hard to say.

Long beat, silence.

TARA

Nice bathroom.

ANYA

I like the tile.
CUT TO:

INT. GILES' APARTMENT-- LIVING ROOM-- NIGHT

Giles stumbles toward the stairs, taking off his glasses.

XANDER

And if I did join the Army, I'd be great! You know why? 'Cause they might give me a job that couldn't be done by any well- trained border collie.

GILES

That's it. I'm going to bed.

He struggles to pull his sweater over his head as he stomps up the stairs. Willow stands beside Xander.

WILLOW

No, you'd do wonderful in the Army. Hey, do you think the umbilical cord between you and Anya can stretch that far?

XANDER

I knew it! I knew you hated her!

Giles' sweater drops down from the loft above and falls on Xander, covering his face. He yanks it off his head.

WILLOW

Look, I'm not the one being judgmental here. I'll leave that territory to you and Buffy.

BUFFY

Judgmental? If I was anymore open-minded about the choices you two make, my whole brain would fall out!

XANDER

(to Willow)
Oh! And superior. Don't forget that. (to Buffy) Just because you're better than us doesn't mean that you can be all superior!

BUFFY

You guys, stop this! What happened to you today?

WILLOW

It's not today! Buffy, things have been wrong for a while. Don't you see that?

BUFFY

What do you mean wrong?

WILLOW

Well, they certainly haven't been right since Tara. We have to face it. You can't handle Tara being my girlfriend.

XANDER

No! It was bad before that. Since you two went off to college and forgot about me! Just left me in the basement to-- (to Willow; shocked) Tara's your girlfriend?

GILES

(o.s.)
Bloody hell!

BUFFY

Enough! All I know is you want to help, right? Be part of the team?

Willow and Xander shake their heads, grumbling.

WILLOW

I don't know anymore.

XANDER

Really not wanted...

BUFFY

No! No, you said you wanted to go. So let's go! All of us. We'll walk into that cave with you two attacking me and the funny drunk drooling on my shoe! Hey! Hey, maybe that's the secret way of killing Adam!

XANDER

Buffy...

Buffy is hurt and angry.

BUFFY

Is that it? Is that how you can help? (beat) You're not answering me! How can you possibly help?

They say nothing and avert their eyes. She regards them silently for a moment.

BUFFY

So. I guess I'm starting to understand why there's no ancient prophecy about a Chosen One... and her friends.

She rushes to the door grabbing her jacket as she goes.

BUFFY

If I need help, I'll go to someone I can count on.

She slams the door, leaving them behind.

CUT TO:

INT. UNDERGROUND CAVERN-- ADAM'S BASE-- NIGHT

Adam turns as the door opens.

ADAM

I've been waiting for you.

Reveal Riley.

RILEY

And now I'm here.
To Be Continued...