Buffy vs. Dracula

[Transcript of "Buffy The Vampire Slayer" episode Buffy vs. Dracula at buffyology.com.]

Prologue

INT. UC SUNNYDALE-- LOWELL HOUSE-- RILEY'S ROOM-- NIGHT

CU on BUFFY. She lies in bed, unable to sleep. She glances at the clock, then at RILEY sleeping next to her. He's fast asleep but slumber eludes her. She considers a moment, then gets out of bed.

SMASH CUT TO:

EXT. SUNNYDALE CEMETERY-- NIGHT

Buffy now fully-clothed runs through the headstones at breakneck speed. Pull back to reveal that she is running a vampire to ground.

She puts on a burst of speed and uses a headstone to vault herself into the air and onto the vampire's back, sending him crashing to the ground.

Buffy is immediately up and tearing into the creature with a series of devastating blows. She flips backward, her feet connecting squarely with the vampire's head in a flurry of blows that knocks it onto its back. Before it can recover, she whips out a stake and plunges it into the demon's chest.

As the vampire explodes into dust, Buffy straightens up, flushed and exhilarated.

CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- RILEY'S ROOM-- NIGHT

Undressed again, Buffy carefully slips back into bed and curls up against Riley. She almost instantly drops off to sleep.

Opening credit sequence.

ACT I

EXT. SUNNYDALE-- BEACH-- DAY

A bright, sunshiny day: blue sky, pounding surf and soft sand. Scattered swimmers enjoy the lovely day.

Buffy runs into frame and catches a football.

BUFFY

Ha! Touchdown! Oh, yeah. Go Team Me!

She dances happily with the ball, then throws it back to Riley. He catches it with a smirk, then throws it again.

RILEY

Anybody ever told Team You the quarterback throws like a girl?

Buffy catches the ball with a pout.

BUFFY

I do?

She considers a moment, then whips the ball at him full-strength. It slams into Riley, knocking him flat. She winces.

BUFFY

Oh! Sorry!

He gets up and charges her. She runs away, giggling.

BUFFY

No! No, don't you-- (laughs) No!

Pull back to reveal XANDER, WILLOW, ANYA and TARA sitting on chairs and blankets in the sand, sunning themselves near a BBQ pit. Xander attempts to light the fire without much success.

XANDER

(re: Buffy & Riley)
I'm exhausted just looking at those two. All this splashing and jumping and running... shouldn't relaxing involve less exertion?

ANYA

Absolutely. Exertion can lead to sweatiness.

TARA

Which can cause the pain and heartbreak of stinkiness. Better to just stay put.

WILLOW

I think we've just put our finger on why we're the sidekicks.

Buffy and Riley give up their football toss and run over to the gang.

WILLOW

Game over?

RILEY

Buffy slayed the football.

He holds up the ball which no longer contains air.

BUFFY

(to Xander)
Where's my burger?

RILEY

Yeah, man. I'm starving! Cow me.

XANDER

The fire's not cooperating. It's comforting to know that I lack the culinary finesse of a caveman.

Willow waves her hand at the BBQ pit.

WILLOW

Ignus incende.

A gout of flame suddenly leaps from the pit, toppling Xander. He pulls himself back up and stares in shocked amazement at the hearty fire burning brightly. Willow looks pleased with herself.

BUFFY

Willow! Check you out. Witch-fu!

WILLOW

It's no big. You just have to balance the elements so that when you affect one, you don't wind up causing--

The sky suddenly darkens and with a crack of thunder, rain pours out of black storm clouds that appear out of nowhere.

The girls shriek as they are drenched and everyone scrambles to gather up their things and get under cover.

WILLOW

I didn't do it! I didn't do it!
CUT TO:

EXT. SUNNYDALE-- CASTLE-- NIGHT

Establishing.

A panel truck pulls up to an ancient-looking stone castle and two MOVERS climb out, shrugging on coats to protect against the driving rain.

They move to the back of the truck and throw a tarp off a large wooden crate. They untie it and start to drag it off the bed of the truck.

MOVER #1

Come on! Hurry it up. I'm gettin' soaked.

MOVER #2

I'm tryin'.

Mover #2 slides the crate out and struggles to hold up the back end.

MOVER #2

Jeez! This thing weighs--

The crate slips from his grasp and crashes to the ground. One side cracks open and black dirt spills onto the ground.

MOVER #1

Nice! Good job.

MOVER #2

Look at this. Guy's cartin' dirt around.

MOVER #1

Leave it. We'll turn it on its side.

MOVER #2

Dirt! Man, rich people are--

A clawed hand bursts through the crate and rips open Mover #2's throat. Mover #1 watches in shock as the other man falls to the ground, dying, then jumps back as the rest of the crate is torn asunder.

CUT TO:

INT. GILES' APARTMENT-- DAY

Willow types at her laptop as GILES watches over her shoulder.

WILLOW

There you go. All set.

GILES

Thank you, Willow. Obstinate bloody machine simply refused to work for me.

WILLOW

Just call me the Computer Whisperer. Let's get scannin'. I want to see this puppy go.

Giles hands her a huge stack of books. She looks dismayed.

GILES

Start with those.

WILLOW

Start? Where's finish?

GILES

Willow, it's essential that we begin to archive the library. I mean, most of these texts have no duplicates.

WILLOW

But now? Doesn't winter seem more like archiving season?

GILES

Well, you don't have to, Willow. I mean, you're welcome to leave if...

WILLOW

(reluctant)

No. It's fine. It's just you've been Mr. Project all summer, you know? Labeling the amulets and indexing your diaries... I draw the line at making giant rubber band balls. That's when you'll just have to get a life.

GILES

That's what I'm trying to do, actually... is get a life.

WILLOW

It might go better if you left the house.

GILES

Willow... you mustn't repeat what I'm about to say. Especially not to Buffy.

Willow stops her computer work and turns to face him, apprehensive.

WILLOW

Uh-oh

GILES

You promise?

WILLOW

Oh, god. Well, I guess. Now that I know there's something to know, I can't not-know just because I'm afraid somebody will know I know... you know?

GILES

Did that mean yes?

WILLOW

Yeah.

GILES

We're doing all this because I want you and the others to have everything you need at your fingertips. (beat) You see, I'm going back to England.

Willow is stunned.

WILLOW

You're... what? But you can't! You're Buffy's Watcher.

Giles laughs quietly at that.

WILLOW

I mean, in a fired way but--

GILES

It's become quite obvious that Buffy doesn't need me anymore. And I don't say that in a self-pitying way. I'm quite proud, actually.

WILLOW

But what about the rest of us? We still need to be watched. Personally, I can't get through a day without a little hairy eyeball.

GILES

(laughs)
Well, I appreciate the sentiment but it's just not so. You'll be fine. You all will. And you know, we'll stay in touch. You can always call me whenever you like.

WILLOW

When are you going to tell Buffy?

GILES

Soon. It won't be easy but I know she'll understand.
CUT TO:

INT. UC SUNNYDALE-- LOWELL HOUSE-- RILEY'S ROOM-- DAY

Buffy looks very unhappy.

BUFFY

No way. This is so wrong.

She helps Riley clean his room. She examines a plate she's just pulled from under his bed. Something black and moldy grows there.

BUFFY

Take this away. Whatever it is.

RILEY

It's tuna. Or... a Pop Tart.

He throws it out and moves to the dresser, picking through the clothes.

BUFFY

That's it. I'll face monsters but I'm done helping you clean.

RILEY

You're not seeing the whole sexy Bohemian thing? 'Cause I had it on good authority that chicks dig slack.

BUFFY

Actually, I'm starting to miss the whole military fold-your- clothes-with-a-ruler experience.

A shadow crosses his face at the mention of his past life but he recovers quickly.

RILEY

You should talk. Your drawer's a mess.

He lifts a sexy, frilly underthing out of Buffy's drawer.

RILEY

(joking)
Oh, no. That's my drawer. Sorry.

Buffy moves to him, flirtatious.

BUFFY

You sure that's yours? Looks kinda... snug.

RILEY

Maybe you should try it on. You know, just so we can see who it belongs to.

BUFFY

Oh. I'd love to.

They kiss. Then Buffy draws away, regretful.

BUFFY

But I promised my mom I'd hang at the homestead tonight. She's bummed that I'm going back to the dorm... feeling all empty- nesty.

RILEY

That's cool. I gotta get through all this. Hey, old mail! Bonus.

Riley starts to thumb through the mail. Something he sees stops him. His face clouds but Buffy doesn't pick up on it. She stands, ready to go.

BUFFY

I'd better scram. I'm late.

RILEY

(distracted)
Okay. Say hi to your mom.

They kiss and Buffy's gone. Riley opens the envelope, his grave expression returning. It's not a bill, it's a letter. He reads it, clearly growing angry, then throws it out.

CUT TO:

INT. SUMMERS HOME-- DINING ROOM-- NIGHT

Buffy and JOYCE finish up dinner.

BUFFY

Thanks, mom. Everything was yummy.

JOYCE

Hey, you up for dessert? We could take a drive, get some ice cream?

Buffy gets up and starts clearing the table.

BUFFY

You know, I would but I kind of have to get out on patrol.

JOYCE

Now? It's eight-thirty.

BUFFY

Well, vamps don't really care what time it is. You know, dark equals dinner bell.

JOYCE

Right. Of course. You know, I'm going to have to get used to this place without you again. It gets so quiet.

BUFFY

You should get a pet. A loud one.

JOYCE

Not a cat. Too pathetic.

BUFFY

Understood. How about a rat? Amy makes a lot of noise on that little wheely thing.

JOYCE

Too creepy.

BUFFY

Then a puppy. One of those kinds with the smooshy face.

JOYCE

Maybe. I'll think about it.

BUFFY

Good. This was great, though.

JOYCE

It was.

BUFFY

You know, maybe we should make a regular date of this. When school starts.

Joyce smiles and nods. Buffy leans over and kisses her cheek.

BUFFY

I'm sorry. Duty calls. It's a total drag.
SMASH CUT TO:

EXT. SUNNYDALE CEMETERY-- NIGHT

Buffy pounds on a vampire, smashing him across the face over and over.

As she fights, a peculiar mist coalesces into human form nearby.

The vampire lifts Buffy up over his head and slams her down on the ground. She is up instantly and, with a spectacular move, flips over and seizes the vampire in a headlock with her feet. She pulls him to the ground and slams a stake through his heart.

She stands up, panting but excited, and starts to head off across the cemetery. She stops when she senses someone behind her and turns. A voice comes out of the darkness.

DRACULA

Very impressive hunt.

A tall, pale-complected figure emerges from the shadows: the legendary COUNT DRACULA. He has a high patrician forehead and long flowing hair with deep-set eyes and a penetrating gaze. He is dressed in black with a black silk cape wrapped around him. He speaks with a heavy Eastern European accent.

DRACULA

Such power...

Buffy doesn't know what to make of this peculiar newcomer but she knows he's a vampire and that's really all that matters.

BUFFY

That was no hunt. That was just another day on the job. Care to step up for some overtime?

DRACULA

We're not going to fight.

BUFFY

Do you know what a Slayer is?

DRACULA

Do you?

Not the answer Buffy expected.

BUFFY

Who are you?

DRACULA

I apologize. I assumed you knew. I am Dracula.

BUFFY

(floored)

Get out!

FADE OUT

ACT II

EXT. SUNNYDALE CEMETERY-- NIGHT

Willow and Xander talk while they look for Buffy.

WILLOW

Xand, what if somebody had a secret and that somebody promised somebody else that they wouldn't tell anyone?

XANDER

News flash, Will. Everybody knows.

WILLOW

No, this isn't about me and Tara.

XANDER

Oh... not that I wouldn't be all ears if you wanted to tell me a secret about you two. Even if it was very, very naughty.

WILLOW

(smiles)
Sorry. This is the non-naughty variety and I'm not telling you.

XANDER

Okay. (beat) Want to see if Buffy's hanging around the headstones?

WILLOW

Sure. (beat) So if I was going to tell you-- which I'm not going to--
CUT TO:

Buffy and Dracula. Buffy is highly amused by the situation.

BUFFY

So let me get this straight. You're... (mock accent) Dracula. The guy... the Count?

DRACULA

I am.

BUFFY

And you're sure this isn't just some fan-boy thing? 'Cause I've fought more than a couple pimply, overweight vamps that called themselves Lestat.

DRACULA

You know who I am. As I would know without question that you are Buffy Summers.

Buffy is surprised at the mention of her name.

BUFFY

You've heard of me?

DRACULA

Naturally. You are known throughout the world.

Buffy is flattered despite herself.

BUFFY

Nah... really?

DRACULA

Why else would I come here? For the sun? I came to meet the renowned killer.

BUFFY

Yeah, I prefer the term "Slayer". You know, "killer" just sounds so...

DRACULA

Naked?

BUFFY

Like I paint clowns or something. I'm the good guy, remember?

DRACULA

Perhaps. But your power is rooted in darkness. You must feel it.

Buffy considers for a moment.

BUFFY

No. You want to know what I feel? Bored.

Buffy lunges at Dracula with her stake but he instantly evaporates into mist and reforms directly behind her. She tries to stake him again and he disappears entirely. Buffy's confidence is shaken. She's never seen a vampire do this before.

BUFFY

Okay... that's cheating.

Xander and Willow walk up behind her.

XANDER

Hey, Buff. What's up?

WILLOW

You look like you just saw--

BUFFY

(urgent)
Get out of here. Now.

XANDER

Fine. I was going to give you a sip of my double-mint mocha but--

BUFFY

Behind you.

Dracula reforms and stands silently observing them. Willow and Xander turn and take in the Count and his caped attire.

WILLOW

Hi.

XANDER

Nice. Look who's got a bad case of Dark Prince envy.

DRACULA

I have no interest in you. Leave us.

XANDER

No, we're not going to "leave you". And where'd you get that accent? Sesame Street? (parody of Count on Sesame Street) One, two, three... three victims! Bwa ha ha ha

BUFFY

Xander, I'm pretty sure that's Dracula.

Xander's bravado evaporates and he quickly moves behind Buffy.

XANDER

Wow, really? (to Dracula) Hey! Sorry, man. I was just jokin' around.

DRACULA

(to: Buffy)
This is not the time. I will see you soon.

Dracula lifts his arms and his entire body morphs and shrinks into a bat which flies low over their heads and off into the darkness.

The three of them stand up and look around cautiously. Buffy suddenly covers her head and waves her arms frantically as the bat returns and flaps about her head for a moment before leaving for good.

BUFFY

Oh! Bat... bat!
CUT TO:

INT. GILES' APARTMENT-- NIGHT

Buffy, Xander and Willow excitedly tell the others about their encounter. It's obvious the three of them are a bit star-struck.

XANDER

And then Buffy's all, "Look out!" and then frigging Dracula's standing right behind us.

WILLOW

And then he lunges at us like whoosh!

XANDER

And he totally looks shorter in person.

BUFFY

I told you he'd heard of me, right? I mean, can you believe that? Count Famous heard of me.

RILEY

I couldn't believe it the first 20 times you told us but it's starting to sink in now.

BUFFY

I'm sorry. Am I Repeato Girl? I was just... blown away.

RILEY

It's not that surprising that he's heard of you, Buffy. You are the Slayer.

BUFFY

I guess. Just the way he said it, you know? He made it sound so--

WILLOW

Sexy? I bet he made it sound sexy.

BUFFY

He of the dark, penetrating eyes and the lilty accent.

XANDER

I wonder if he knows Frankenstein?

TARA

(to Willow)
You thought Dracula was sexy?

WILLOW

Oh! No... he... he was... yuck!

ANYA

Right. Except for the whole tall, dark and handsome thing... yucko!

XANDER

How would you know?

ANYA

Well, we hung out a few times. (off his look) Back in my demon days... you know, once or twice. (sighs) He was pretty cool! You know, from a whole evil-thing perspective.

Xander's jealously is piqued by Anya's fond memories of the vampire.

XANDER

Please! He was no big whoop!

WILLOW

No big whoop? What about that thing where he turned himself into a bat? That was awesome.

Up until now, Giles has been quietly watching the exchange with amusement but now he speaks.

GILES

Yes. It must have been... yes. I'm sorry I missed that.

Willow realizes that once again Giles is feeling excluded from the group.

WILLOW

Me too! The whole time I was thinking, "Gosh! I wish Giles were here. He'd know what to do." (to others) Didn't you? Think that?

BUFFY

Actually, I was more thinking, "Bat!"

XANDER

(to Giles)
How come he can do that?

GILES

I have no idea. There's a great deal of myth about Dracula. I imagine the trick to defeating him lies in separating the fact from the fiction.

WILLOW

Great point! That is so Giles! To think of something like that, you know, that we... would never...

She trails off when she realizes she's making no sense.

BUFFY

(to group)
So we should take things slow with Dracula. I mean, he said that we would meet again but I would like to avoid that until we do some serious homework.

RILEY

I don't know. I mean, he may have a bunch of swell party tricks but he's still just a vampire. I say we load up with stakes and crossbows and go after him now.

XANDER

Second.

ANYA

No, Buffy's right. Dracula's too slick to fall for the usual stuff.

BUFFY

(to Riley)
So we hold off. No killing until we know exactly what we're dealing with.

RILEY

You're not just saying that because of those dark, penetrating eyes of his... are you?

Buffy goes over to him.

BUFFY

No! His eyes were... there was... there was no penetration! (awkward beat) Cross my heart.

GILES

All right. Willow, you and Tara find out everything you can about the actual legend of Vlad the Impaler on the Internet and I'll check the library.

They all stand as the meeting begins to break up.

RILEY

If the Initiative was still around, we'd be able to find everything on this guy in a few hours.

BUFFY

We may not be as fast but we'll find him. (to others) You guys, we'll reconvene here in the morning?

They all nod in agreement and head out.

RILEY

(to Buffy)
What's your plan?

BUFFY

Big sleep. My Count encounter wiped me out.

RILEY

I'm kind of wired. Maybe I should just let you get your rest.

BUFFY

(coy)
Are you sure? I mean, maybe if you just lie down with me...

RILEY

(smiles)
Nothing you are about to say will lead to rest.

BUFFY

I guess you're right. I'll see you in the morning?

RILEY

(nods)
With doughnuts.

BUFFY

Mmmm... heaven.

She leans up and kisses him softly.

BUFFY

See? A little sugar and I'm all yours. Dracula Schmacula.
CUT TO:

EXT. SUNNYDALE STREETS-- BUSINESS DISTRICT-- NIGHT

Xander and Anya walk home through the business district.

ANYA

I doubt he'd remember me. I was just a silly young thing. I mean, like 700 or so, but he did say that this guy I cursed was doomed forever, which was really sweet, don't you think?

XANDER

(uninterested)
Adorable.

ANYA

It was a great spell. I made this jerk incredibly fat, like a human minivan.

As they walk past the Espresso Pump, we pan up to reveal a silver timberwolf keeping pace with them on the roof of the cafÈ.

ANYA

You should just mention my name if you see him again.

XANDER

Or better yet, why don't you just go sit on top of a crypt and flaunt your neck-cleavage until Dracula shows up? Then you two can talk private.

ANYA

Oh, please! Don't tell me you're jealous?

XANDER

Oh, no... just because you're panting over the guy.

ANYA

I am not panting. Now stop being silly. I'll see you tomorrow.

She leans over and kisses him.

XANDER

You don't want to come back to my place?

ANYA

It's whites day, remember? The bleach smell makes me nauseous.

She walks off, leaving Xander disappointed.

XANDER

Fine. I suppose Dracula doesn't use bleach, huh? He's a darks- only man.

He heads home alone, not noticing the wolf that slinks after him.

CUT TO:

EXT. SUNNYDALE STREETS-- RESIDENTIAL AREA-- NIGHT

As Xander crosses the street and cuts across a lawn, Dracula coalesces out of the mist in front of him. Xander silently freaks out for a moment, then shrugs it off.

XANDER

Great. Perfect. You know what? You're not so big. One round of old-fashioned fisticuffs, I bet you'd fold like a bitty baby.

He adopts a fighting stance.

XANDER

Okay. Let's do it. But no poofing! Come on, puffy shirt. Pucker on up 'cause you can kiss your pale ass good--

DRACULA

Silence.

XANDER

Yes, Master.

Xander looks appalled. That's the last thing he meant to say.

XANDER

No, that's not--

Dracula raises his hand before Xander's face, hypnotizing him.

DRACULA

You will be my emissary. My eyes and ears in daylight.

XANDER

(eager)
Your emissary!

DRACULA

Serve me well. You will be rewarded. I will make you an immortal, a child of darkness that feeds on life itself... blood.

XANDER

Blood! Yes! Yes! I will serve you, Your Excellent Spookiness. (off Dracula's look) Or Master! I'll just stick with Master.

DRACULA

You are strange and off-putting. Go now.

Xander eagerly obeys and turns to leave but turns back with a question.

XANDER

But Master, how can I find--

Dracula is gone.

XANDER

Brilliant! What an accent. Guy's a genius.

Xander giggles hysterically and scampers off into the night.

CUT TO:

INT. SUNNYDALE CEMETERY-- SPIKE'S CRYPT-- NIGHT

Riley enters the mausoleum where SPIKE has made his home. Candles burn and books lie open on the table but no one appears to be home. Suddenly Spike steps out of the shadows, armed with a crossbow.

SPIKE

Well, well... you can take the boy out of the Initiative. But you can't take the Initiative out of the boy.

RILEY

(re: crossbow)
I'd put that down unless you're bucking for one hell of a headache.

Spike smiles and sets the bow down on the crypt.

SPIKE

I can't be too careful. I've got quite a few demons after me these days.

RILEY

I'm looking for some information. It might pay a little.

SPIKE

I'll play.

The vampire saunters over to a chair and sits down.

RILEY

What can you tell me about Dracula?

Spike lets out a derisive snort.

SPIKE

Dracula? Poncy bugger owes me £11 for one thing.

RILEY

You know him?

SPIKE

Know him? We're old rivals.

SPIKE

But then he got famous. Forgot all about his foes. I'll tell you what! That glory-hound's done more harm to vampires than any Slayer. His story gets out and suddenly everybody knows how to kill us, you know? The mirror bit--

RILEY

But he's not just a regular vampire. He has special powers, right?

SPIKE

Nothing but showy gypsy stuff. What's it to you, anyway?

RILEY

He's in town... making his presence known.

SPIKE

(smiles)
Drac's in Sunnydale, eh? I guess the old boy needed closure after all.

RILEY

Actually, he's gunning for Buffy. But I'm out to find him before he gets another shot at her.

SPIKE

Tough talk, cowboy. But you're not going to catch him napping in a crypt. No, the Count has to have his luxury estate and his bug-eaters and his special dirt, doesn't he?

RILEY

So you're saying I should check out mansions, that sort of thing?

SPIKE

No. I'm saying you should go home to your Super Honey... have a nice safe snog. You're out of your depth on this one, boy.

RILEY

You've helped Buffy before so she has a problem with killing you now that you're helpless. (pointed) I don't.

Spike approaches Riley, suddenly dead serious.

SPIKE

I'd like to see you try.

Riley stands up and stares Spike down.

RILEY

Would you?

Spike realizes that in his current state, Riley would actually have no problem killing him and backs down. With a final hateful look, Riley leaves the tomb. As he does, Spike calls out to him.

SPIKE

You're never going to find him. (to himself) Not before he gets to her.
CUT TO:

EXT. SUMMERS HOME-- NIGHT

Establishing.

INT. SUMMERS HOME-- BUFFY'S ROOM-- NIGHT

Buffy lies in bed, sound asleep. Pan to her window where a strange mist pours in over the sill and floats along the floor. As it draws together into the shape of a man, Buffy starts awake with a gasp to find Dracula standing before her.

DRACULA

You are magnificent.

BUFFY

I bet you say that before you bite all the girls.

DRACULA

No. You are different. Kindred.

BUFFY

Kindred? Hardly--

DRACULA

Pull your hair back.

Confused, Buffy obeys, exposing her neck and the scar left by Angel's bite.

BUFFY

This isn't how I usually fight. (beat) You think you can just waft in here with your music-video wind and your hypno-eyes...

DRACULA

I have searched the world over for you. I have yearned for you. For a creature whose darkness rivals my own. (re: her scar) You have been tasted.

BUFFY

He was--

DRACULA

Unworthy.

Dracula's lust for Buffy is apparent.

DRACULA

He let you go. (long beat) But the embrace... his bite. You remember...

BUFFY

No.

Dracula cups her face in his monstrous hand and his breath comes in a lustful gasp as he lowers his fangs to her neck.

DRACULA

Do not fight. I can feel your hunger.

Buffy offers no resistance as Dracula sinks his fangs into the soft flesh of her neck. She gasps in pain... or is it pleasure?

FADE OUT

ACT III

EXT. SUMMERS HOME-- DAY

Establishing.

INT. SUMMERS HOME-- BUFFY'S ROOM-- DAY

Buffy wakes up, disoriented.

CUT TO:

Later. Now fully dressed, Buffy approaches her bedroom mirror and fixes her hair. She hesitates, then pulls her hair back off her neck. She stares for a moment at the two fresh puncture wounds, then snatches up a scarf and quickly wraps it around her neck, covering them.

CUT TO:

INT. GILES' APARTMENT-- DAY

Riley holds out a doughnut to Buffy.

RILEY

A jelly one. You want it?

BUFFY

No.

Xander runs in from the kitchen and snags the doughnut from Riley.

XANDER

Got it. Got it. Mine, mine.

Willow looks up from her research.

WILLOW

Well, I think we have Dracula factoids.

XANDER

Like any of that's enough to fight the Dark Master. (off their looks) ...bater.

WILLOW

A lot of it we already knew. Turn-offs: wood, fire, crosses, garlic. Turn-ons: nice duds, minions, long slow bites that last for days.

RILEY

Yeah, I did a little research, too. Dracula likes to live in style. Which means we can rule out the usual dumps vampires haunt.

XANDER

Ah, but he's smart enough to figure that we'd probably already know that. I'm guessing he's laying low.

WILLOW

Actually, my research backs Riley up. Drac isn't the lay-low type.

GILES

So we can check out the nicer places. Don't you think, Buffy?

No response.

GILES

Buffy?

She seems to come out of a fog.

BUFFY

Yeah. We'll check out all the swanky places first. What else did you guys get?

GILES

Well, Willow has most of it, actually.

WILLOW

Only because you gave me super-pointers! I never would have--

GILES

Just go ahead, Willow.

WILLOW

Okay. Dracula's modus operandi is different from other vampires. He will kill just to feed but he'd rather have a connection with his victims. And he has all these mental powers to draw them in. He can read and control minds... appear in dreams.

BUFFY

Uh-huh.

WILLOW

Makes sense. That stare... he just kinda looked right through you. Didn't you feel it, Buffy?

BUFFY

(covers)
No... no I didn't.

XANDER

(nervous)
Buffy didn't feel it! I think you're drawing a lot of crazy conclusions about the Unholy Prince. (off their looks) ...bater.

GILES

The point is, although he goes through the motions of an intimate seduction, the end result is the same: he turns them into a vampire.

XANDER

Well, that is intimate. Dracula's gifting these ladies with his blood.

Xander notices a spider crawling across his desk. His attention is riveted on it while he speaks.

XANDER

And blood... blood is life. (off their confused looks) According to them.

He slams his hand down over the spider.

GILES

Just be aware that he tends to form a relationship with his prey. It's not enough for him to take her. She must want to be taken. She must burn for him.

When no one's looking, Xander quickly scoops the spider into his mouth and eats it.

This conversation is too much for Buffy. She heads for the door.

BUFFY

That's... interesting. I'm going to go find him.

The others are taken aback.

RILEY

You shouldn't go by yourself, Buffy. I mean, this guy's seriously dangerous.

BUFFY

It's cool. I got it.

She walks out the door.

EXT. GILES' APARTMENT-- COURTYARD-- DAY

Buffy walks out and Riley runs after her, taking her by the arm.

RILEY

Hey. Take off that scarf.

BUFFY

(evasive)
What? No.

RILEY

You're under the thrall of the Dark Prince!

BUFFY

I am not under the thrall of the Dark Prince.

RILEY

Then take off the scarf.

BUFFY

Let go of me. This is ridiculous...

She pushes his hand off her arm and the scarf comes with it, revealing her neck wound.

Riley and the others stare at her, stunned. Buffy sits down and puts her head in her hands.

GILES

Why didn't you say anything?

XANDER

'Cause she didn't want to worry us. Right, Buffster? It's nothing-- just a scratch.

WILLOW

Two deep, punctury scratches.

BUFFY

(ashamed)
I'm not sure why I tried to hide it. There was this voice and it was telling me to cover it.

RILEY

What'd I tell you? That's thrall!

XANDER

You're saying Dracula has some sort of freaky mind-control over her? You're watching too many creature features, man.

BUFFY

It does seem like he has this control over me even though a big part of me is resisting.

Xander snatches a fly off a nearby bush and eats it.

RILEY

No, it's okay. I shouldn't take this personally. I mean, well, with Angel it's understandable that there would be transference. I mean, they're both broody immortals...

Buffy gets up and goes to him.

BUFFY

I am not transfery. I swear to you, I'm your girl and I'm going to stay that way.

RILEY

Okay. But you are not going anywhere near him again.

GILES

Riley's right. You should stay out of sight. Let the rest of us look for Dracula.

BUFFY

Well, I can't go home. He already got inside once.

XANDER

You can come over to my place. I'll make sure you stay put.

GILES

Good. Riley and I can search for Dracula and Willow, you and Tara could do a protection spell at Buffy's house, to prevent him from returning.

WILLOW

Got it. How'd he get inside, anyway?
CUT TO:

INT. SUMMERS HOME-- FOYER-- DAY

JOYCE

He seemed so nice and normal. A little pale...

WILLOW

A good Sunnydale rule of thumb? Avoid white-skinned men in capes.

JOYCE

(defensive)
I didn't. He was in a suit. A lovely suit. He came by the gallery and he was amazingly well-informed about art history.

TARA

Probably because he was around for most of it.

JOYCE

I'm not like this. I don't invite strange men over for coffee. It's just... it's been way too long. (quickly) Since I met anybody, you know, someone even remotely interesting. Oh, when you girls are older, you'll understand. It's hard to date. Sometimes you just feel like giving up on men altogether.

Willow and Tara share a knowing look and shy smile.

CUT TO:

EXT. SUNNYDALE-- SUNSET

The sun sinks toward the horizon.

EXT. MANSION-- DUSK

Riley and Giles leave having found no trace of Dracula.

RILEY

Another bust.

GILES

Yes, and it's getting dark. I should have turned up a better lead. There must be an easier way to find him.

RILEY

Too late to worry about that now. If we hurry, we can hit these last places.
CUT TO:

INT. HARRIS HOME-- BASEMENT-- DUSK

Buffy sits on the couch, withdrawn, while Anya and Xander watch over her. Xander paces nervously back and forth.

ANYA

How come I have to be here Slayer-sitting while the other guys get to look for Dracula? I mean, just because I'm--

XANDER

What time is it?

She gets up and faces Xander.

ANYA

Almost six. Look, I mean, I'm the one who knows him. I'm the one who got a really good look at him and so--

Xander pushes her backward into the closet and locks the door. Buffy shows no reaction.

ANYA

What? Hey! Hey!

As Xander props a chair against the door, Anya bangs and shouts from inside. Xander turns to Buffy.

XANDER

I'm supposed to deliver you to the Master now. There's this whole deal where I get to be immortal. You cool with that?

Buffy stands up.

BUFFY

Take me to him.
CUT TO:

EXT. SUNNYDALE-- CASTLE-- NIGHT

Xander and Buffy approach the castle and climb the broad stone steps to the main entrance.

CUT TO:

INT. CASTLE-- GREAT HALL-- NIGHT

Xander and Buffy enter.

XANDER

Master? I deliver the Slayer. She who you most desire. Sorry! Whom.

Dracula turns from the hearth to regard Xander and Buffy.

XANDER

So now comes the immortality, right? You do the thing and--

DRACULA

Leave us. We must not be interrupted.

XANDER

You bet!

Xander scurries out of the room and Dracula turns to Buffy.

DRACULA

I knew you'd come.

Buffy walks toward Dracula in a daze.

BUFFY

Why? Because I'm under your thrall?

She whips out a stake, the daze only an act.

BUFFY

Well, guess again, pal.

DRACULA

Put the stake down.

BUFFY

Okay.

Buffy sets it down on the table without hesitation. She suddenly realizes just how much control Dracula has over her.

BUFFY

Right. That was not you. I did that. I did that because I wanted to. (beat) Maybe I should rethink that thrall thing.

She looks around desperately, realizing her predicament.

BUFFY

Oh...
FADE OUT

ACT IV

EXT. CASTLE-- NIGHT

Riley and Giles arrive at the castle.

RILEY

I've lived in Sunnydale a couple years now and you know what I've never noticed before?

GILES

A castle?

RILEY

A big honkin' castle.
CUT TO:

INT. CASTLE-- MAIN ENTRANCE-- NIGHT

The door opens and Riley and Giles enter. They look around for a moment, taking in their surroundings. Riley motions for Giles to head down one corridor while Riley takes the other.

As Riley moves off, a beautiful female vampire with glowing yellow eyes emerges from the shadows and smiles.

CUT TO:

INT. CASTLE-- GREAT HALL-- NIGHT

Dracula walks slowly toward Buffy and she backs away.

BUFFY

Stay away from me.

DRACULA

Are you afraid I will bite you? Slayer, that's why you came.

BUFFY

No. Last night... it's not going to happen again.

DRACULA

Stop me. Stake me.

BUFFY

I... any minute now.

DRACULA

Do you know why you cannot resist?

BUFFY

'Cause you're famous?

DRACULA

Because you do not want to.

Disconcerted, Buffy shakes her head.

BUFFY

My friends are--

DRACULA

They're here. They will not find us. We are alone. (whispers) Always alone.

DRACULA

There is so much I have to teach you. Your history, your power... what your body is capable of.

BUFFY

I don't need to know.

DRACULA

You long to. And you will have eternity to discover yourself. But first... a little taste.

BUFFY

I won't let you.

DRACULA

I didn't mean for me.

Buffy's eyes go wide with realization.

CUT TO:

INT. CASTLE-- ANTECHAMBER-- NIGHT

Riley searches for Dracula. He checks a door, finds it locked, then moves on. Suddenly, the door opens and Xander walks through.

XANDER

Nobody harms my Master.

RILEY

Your Master?

XANDER

You want him, you come through me.

Riley drops Xander with one punch, then moves on.

RILEY

Okey-dokey.
CUT TO:

INT. CASTLE-- CORRIDOR-- NIGHT

Giles tries a door and finds it unlocked. He cautiously enters.

INT. CASTLE-- CHAPEL-- NIGHT

Giles emerges into a darkened room. He steps inside and off into nothingness as he crashes to the floor below.

GILES

(to himself)
Good show, Giles. At least you didn't get knocked out for a change.

As he rolls over, groaning, and takes in his surroundings, three beautiful female vampires surround him and begin caressing him.

GILES

Oh! Ladies... you would be the Three Sisters, yes?

One of them licks his ear.

GILES

Excellent! Right. I'd heard that you were a myth. Obviously erroneous.

One of the vampires rips his shirt open and straddles him while the others continue to kiss him and run their hands over him.

GILES

Oh! That's... that... tickles! Oh, dear god...
CUT TO:

INT. CASTLE-- GREAT HALL-- NIGHT

Dracula opens his shirt sleeve.

BUFFY

What are you--

DRACULA

All these years fighting us, your power so near to our own, and you've never once wanted to know what it is that we fight for?

He runs a nail across his wrist, drawing blood.

DRACULA

Never even a taste?

Buffy is torn. A part of her clearly wants to give in to him while the other part continues to fight.

BUFFY

If I drink that--

DRACULA

I have not drunk enough for you to change. You must be near death to become one of us. And that comes only when you plead for it.

BUFFY

(meek)
I'm not hungry.

DRACULA

No, your craving goes deeper than that.

He looks deep into her eyes and speaks words that ring familiar to Buffy.

DRACULA

You think you know. What you are. What's to come. You haven't even begun.

Buffy looks at him, then at his blood, the conflict within her raging. Finally, she takes his hand in hers, closes her eyes, lowers her lips to his wrist and drinks.

DRACULA

Find it. The darkness. Find your true nature.

Suddenly Buffy's eyes snap open as we

SMASH CUT TO:

A rapid series of images: the First Slayer intercut with Buffy's own memories of her many battles; all scenes of extreme violence.

BACK TO SCENE

Buffy jerks her head away from Dracula's wrist, a stunned expression on her face.

BUFFY

Wow.

Suddenly she punches him in the chest, sending him sprawling across the great banquet table. Buffy snaps out of her daze, back to her same old self.

BUFFY

That was gross.

With a snarl, Dracula stands up.

DRACULA

You are resisting.

BUFFY

Looks like.

DRACULA

Come here! Come to me.

BUFFY

You know, I really think the thrall has gone out of our relationship. But I want to thank you for opening up my eyes a little.

DRACULA

What is this?

BUFFY

My true nature. You want a taste?

DRACULA

You cannot run from your darkness.

BUFFY

Who says I'm running? Come on, Drac. We did your little dance. Let's see if you're any good at mine.

With a cry of rage, Dracula charges Buffy who leaps right over him. She stuns him with a series of blows but he retaliates with a backhand that throws her 20 feet across the room. She lands on the table with a sickening thud.

CUT TO:

INT. CASTLE-- CHAPEL-- NIGHT

Riley enters through the same doorway as Giles.

RILEY

Buffy? Are you in--

He steps off into nothingness and barely manages to catch himself before tumbling to the floor below. He looks down and sees the Three Sisters on top of Giles.

RILEY

Giles! Giles!

He takes out a cross and brandishes it at the demons, scattering them, then tosses it down to Giles for protection.

RILEY

Come on! Grab my hand!

Giles staggers to his feet and moves drunkenly toward Riley.

GILES

Thank god you came.

RILEY

Come on!

GILES

There was no possible escape.

He reaches up and Riley grabs his arm, hauling him up onto the ledge. Giles looks back down and points.

GILES

Oh! My shoe. Silly me, I'll just pop back--

Riley pulls him out of the chapel.

RILEY

No, no, no sir. No more chick pit for you. Come on.
CUT TO:

INT. CASTLE-- GREAT HALL-- NIGHT

Buffy runs full-speed at Dracula and tackles him to the floor. She flips him over in a somersault and lands on top, raining blows down on him.

He checks her hand in mid-blow and tosses her off him. The fight continues to rage; the both of them seem evenly matched.

Dracula leaps up onto the banquet table and Buffy shatters a chair across his back, then knocks his legs out from under him with a follow-through kick.

Dracula cracks her across the face, sending her staggering against the wall where she rips a burning torch from its holder and brings it slamming down on the tabletop, barely missing Dracula's head.

She approaches him, wielding the torch like a club.

BUFFY

A guy like you should think about going electric. Seriously.

Dracula says nothing, merely dissolves into mist. Buffy watches uncertainly as the mist swirls around the room. She looks up as the vapor moves toward an elevated platform near the windows. Realizing where Dracula is about to solidify, Buffy drops the torch and runs for all she's worth toward the platform, snatching the stake from the banquet table on the way. She leaps high into the air, landing directly in front of Dracula just as he reforms. With one swift stroke, she plunges the stake into his chest.

Dracula's eyes go wide with pain and shock as the stake pierces his heart.

BUFFY

How do you like my darkness now?

She rips the stake out of his chest and Dracula tumbles off the platform, disintegrating into dust as he goes.

Buffy calmly descends the stairs just as Riley and Giles rush into the room.

RILEY

Buffy! You okay?

BUFFY

Yeah. Chock full of free will.

GILES

Dracula?

BUFFY

Euro-trashed.

Xander runs in, torch in hand and spitting mad.

XANDER

Where is he? Where's the creep that turned me into a spider- eating man-bitch?

BUFFY

(smiles)
He's gone.

XANDER

Damn it! You know what? I'm sick of this crap. I'm sick of being the guy who eats insects and gets the funny syphilis. As of this moment, it's over. I'm finished being everybody's butt-monkey!

BUFFY

(mock serious)
Check. No more butt-monkey.

RILEY

It could have been worse. At least you weren't making time with the Dracu-babes like Giles here.

GILES

That was not making time! I was just about to kill those... loathsome creatures when Riley interrupted me.

RILEY

Really? You were going to nuzzle 'em to death?

Riley, Buffy and Xander smile and head for the door.

GILES

Of course not! I was in complete... control.

Giles follows them out, leaving the great hall quiet and empty.

CU on the spot where Dracula disintegrated. A familiar mist starts to gather and solidify. It's Dracula, somehow still alive.

Just as he reforms completely, Buffy's hand shoots into frame and rams the stake through his chest again, sending him crumbling back to dust.

BUFFY

You think I don't watch your movies? You always come back.

She waits patiently for a moment and the mist starts gathering again.

BUFFY

I'm standing right here!

The mist quickly disappears. Dracula is gone. For now.

CUT TO:

INT. GILES' APARTMENT-- DAY

Buffy walks in and Giles gets up from his desk.

BUFFY

You wanted to see me?

GILES

Yes. Thanks for coming. Can I offer you some tea?

BUFFY

Oh, no thanks. (looks down) Oh! Cookies. How come I rate little cookie treatment?

GILES

Well, actually, I have something to tell you.

He sits and Buffy does the same.

BUFFY

Actually, I have something that I'd like to talk to you about, too.

GILES

Well, you go first, by all means.

BUFFY

No, go ahead.

GILES

No, I insist.

Buffy hesitates, then proceeds.

BUFFY

You haven't been my Watcher for a while. I haven't been training and I haven't really needed to come to you for help.

Giles looks away, hurt but trying to hide it.

GILES

I agree.

BUFFY

And then this whole thing with Dracula... it made me face up to some stuff. (beat) Ever since we did that spell where we called on the First Slayer... I've been going out a lot. Every night.

GILES

Patrolling?

BUFFY

Hunting. That's what Dracula called it. And he was right. He understood my power better than I do. He saw darkness in it. I need to know more... about where I come from, about the other Slayers. I mean, maybe if I could learn to control this thing, I could be stronger, I could be better. But... I'm scared. I know it's going to be hard. (pointed) And I can't do it without you. I need your help. I need you to be my Watcher again.

Giles is touched beyond words. Buffy sighs and smiles.

BUFFY

Boy, I just keep talkin', don't I? I'm sorry. You had something you wanted to say?

GILES

No. No, it's nothing.

He smiles and sips his tea.

CUT TO:

INT. SUMMERS HOME-- UPSTAIRS HALLWAY-- DAY

Buffy leans into her mom's room as she walks by.

BUFFY

I'm outta here. Riley and I are going to the movies.

JOYCE

Okay. Have a good time.

Buffy rounds the corner and walks into her room.

INT. SUMMERS HOME-- BUFFY'S ROOM-- DAY

Buffy stops short when she finds DAWN SUMMERS looking through her clothes. Dawn looks up at Buffy, annoyed. Buffy seems confused for a moment, as if she doesn't know who Dawn is.

BUFFY

What are you doing here?

Joyce calls out to Buffy.

JOYCE

(o.s.)
Buffy? If you're going out, why don't you take your sister?

Buffy and Dawn turn toward their mother, horrified at the suggestion that they spend time together.

BUFFY & DAWN

Mom!

FADE TO BLACK
END