The Replacement

[Transcript of "Buffy The Vampire Slayer" episode The Replacement at buffyology.com.]

Prologue

INT. HARRIS HOME-- BASEMENT-- NIGHT

BUFFY, RILEY, XANDER and ANYA watch a kung-fu movie on TV, the guys on the sofa and the girls on the floor in front of them. Buffy has a book in her lap, studying, and Anya's right arm is in a sling.

XANDER

Wish I had something food-like to offer you guys but the hot plate's out of commission.

ANYA

We think the cat peed on it.

XANDER

I do have Spaghetti-O's. Set 'em on top of the dryer and you're a fluff cycle away from lukewarm goodness.

RILEY

Hmm. Yeah, I had dryer food for lunch.

Upstairs, a door slams.

XANDER

Ah, I guess the folks are back.

Xander's parents begin yelling at each other upstairs, clearly audible. Xander, Anya and Riley are uncomfortable but Buffy is oblivious.

XANDER

No, no, I was wrong. Just incompetent burglars.

Another door slams and plaster dust from the ceiling drifts down onto Anya.

XANDER

Yeah, maybe it's definitely time to start looking for a new place. Something a little nicer. Buffy, you've been to Hell. They have one-bedrooms, right?

Riley laughs then notices Buffy isn't paying attention.

RILEY

Hey, Buffy... how's that book? Full of zippy dates and zesty names?

BUFFY

(not listening)
I'm fine.

Riley leans forward, reaches his over Buffy's shoulders and places his palms on the book pages.

BUFFY

Heyyy... I'm enjoying the studying.

RILEY

Who are you lately? Give it up and watch the movie.

BUFFY

I guess it has been a long day with the Crusades. I can take a little break from the violence for some... (re: TV) Oh! Fighting.

XANDER

Incompetently-dubbed kung fu. Our most valuable Chinese import.

ANYA

Much more durable than their hot plates.

Riley leans forward and rubs Buffy's shoulders.

RILEY

Just relax.

BUFFY

Mmm. That feels good.

Xander looks at them, cracks his knuckles and puts his hands on Anya's shoulders. She jerks away in pain.

ANYA

Ow! What are you doing? I have a dislocated shoulder! I'm trying to concentrate on the kicking movie.

BUFFY

Hey! Rubbing went away.

Riley starts massaging again.

RILEY

Oh... sorry, I got caught up in the action.

BUFFY

Yeah, it's pretty good. (re: TV) Oh, give me a break! This is all wrong. See, first you would get the big guy with a flying kick. Then you would take out all the little ones-- bam, bam-- see, now with the flying kick. (scornful) From a dead stop! What's powering it? Raw enthusiasm?

RILEY

Hey Buff, maybe you oughta leave the work behind sometimes. You're not always on Slayer duty, you know?

BUFFY

It would drive you crazy if we were watching an army movie and they were all saluting backward and... invading all willy-nilly.

More shouting and banging from upstairs. Riley coughs, nervously.

BUFFY

And anyway, I mean, you know, you can't blame me for being critical. Willow's the same way when we watch a movie about witches, right Xander?

XANDER

(distracted)
What? Oh yeah, she's all like, "What's that? A cauldron? Who uses a cauldron any more?"
CUT TO:

INT. DEMON LAIR-- NIGHT

Dark, filled with smoke. The demon TOTH tends to a huge cauldron full of bubbling yellow liquid. He pulls back the hood of his cloak to reveal thick brown skin riddled with glowing yellow furrows. His eyes are sunken and red and his voice is very deep.

TOTH

The last step in thy forging is my pain... the price with which I purchase... the death of the Slayer.

He plunges a short rod into the cauldron, along with his hand and forearm. He screams in pain.

Opening credit sequence.

ACT I

EXT. APARTMENT BUILDING-- DAY

A modern apartment building surrounded by neatly landscaped shrubbery. A "For Rent" sign is stuck in the lawn.

CUT TO:

INT. APARTMENT BUILDING-- CORRIDOR-- DAY

Willow, Anya, Xander, Buffy and Riley walk down the hall. Willow is clearly excited by the house-hunting trip.

WILLOW

If you get the apartment, this'll be your hallway! We'll walk down this hall and we'll say, "La la, I'm on my way to Xander's."

BUFFY

Just warning you, Xander, I probably won't be doing that.

RILEY

Really? I will.

XANDER

Hey, we're just looking. Rent's way high so don't get your hopes all carbonated.

ANYA

But you have references.

XANDER

No, I have Albert, which is me doing an important voice. (lowers voice) 'Xander Harris? An excellent tenant. And a very nice- looking fellow.'

They stop in front of one of the units and Anya opens the door. The group enters the apartment.

INT. APARTMENT BUILDING-- APARTMENT-- DAY

It's large and spacious and so completely the opposite of Xander's basement.

WILLOW

Whoa! Big!

BUFFY

It's nice. And not subterranean. It's very... above-terranean.

Xander looks less than thrilled.

ANYA

(to Xander)
I want it. Pay anything.

BUILDING MANAGER

Xander Harris?

The BUILDING MANAGER, a petite blonde woman, enters smiling brightly. She extends her hand to Riley.

RILEY

No, Riley Finn. This is Xander.

Xander wipes his hand on his shirt before holding it out.

XANDER

Hey.

He and the manager shake hands.

XANDER

I brought my friends.

BUILDING MANAGER

I see.

XANDER

They wouldn't always be around.

WILLOW

But we're clean and quiet.

Xander is nervous and the manager picks up on it.

ANYA

We can have the Scooby meetings in the living room and Giles can explain the boring things over there.

WILLOW

Oh, there's a microwave! It would be like having hot and cold running popcorn.

BUILDING MANAGER

Phone and electricity are hooked up. There's a private balcony, ceiling fan, closet space... and that's the bedroom.

Xander opens the door and finds Buffy and Riley sitting on the bed, kissing.

XANDER

Guys, you can't save it for the bedroom?

Buffy and Riley look around pointedly.

XANDER

Okay, good point.

BUILDING MANAGER

I brought an application for you to fill out.

She hands Xander a long and detailed form.

XANDER

An application? I can't just... tell you my references? Because there's Albert.

BUILDING MANAGER

We run your credit check based on the application.

XANDER

Oh! Credit check. (nervous, to the others) Little check on the credit. See how credible my checks are.

BUILDING MANAGER

And we'll be asking for first, last, security and a small cleaning deposit. The total's at the bottom of the sheet there.

Xander looks at the sheet and goes pale. Anya glances briefly at it.

ANYA

(to manager)
He'll take it. (to Xander) Xander, go get the furniture. I'll wait here. (to Manager) He's been living in his drunken parents' basement where something urinated on the hot plate.

Xander laughs nervously.

XANDER

Anya, can we talk quietly over there? (to manager) Excuse us.

He pulls Anya aside, leaving the other three with the manager. They smile nervously at her.

RILEY

We... we like the ceiling fan.

WILLOW

Yes. It's very, you know, kind of Old South.

BUFFY

But without the unpleasant slavery associations.

ANYA

(to Xander)
But why can't we have it?

XANDER

(sotto)
I told you. My construction job is ending and I won't have any more money coming in. And by the way, you do have your own place.

ANYA

So when I want to visit you, I have to be in that awful basement?

XANDER

Not forever. Just until things come together.

ANYA

Which is when, Xander? 'Cause right now, things are looking pretty un-together and you can't expect me just to wait around for--

XANDER

Quiet, please. Anya, what is this? What's going on with you?

ANYA

(loud)
What's going on with me is my arm hurts... and I'm tired... and I don't really feel like taking a tour of beautiful things I can't have.

She stalks out, leaving Xander the center of much unwanted attention.

XANDER

(covers)
I guess I'll just start on that application. I think you'll like it. I've been told I have lovely penmanship.

The manager watches skeptically as he fills out the form.

CUT TO:

INT. THE MAGIC BOX-- DAY

GILES is surrounded by boxes, unpacking.

GILES

(to himself)
"Miscellaneous curses." (laughs) Brilliant. Be lucky if I don't curse my hands off at the wrist.

He picks up the box of curses, turns, and runs right into Toth. The demon raises his staff.

GILES

Oh!

TOTH

The Slayer is not here.

Giles reflexively grabs something out of the box of charms and holds it out at Toth, warding him off. He looks down with dismay at his talisman of choice.

GILES

Rabbit's foot, no, wait...

Giles tosses it aside as Toth knocks the box out of his hands. Panicked, Giles picks up a nearby wooden statue and wields it like a club.

TOTH

That is a fertility god. Feeble man, you are not going to distract me--

Giles hits Toth in the head with the statue, sending him reeling backward. Giles cracks the demon with the statue a few more times before Toth shoves Giles into a pile of boxes. He levels his staff at Giles.

TOTH

You are not the Slayer. You do not concern me.

With that, Toth turns and stalks out, his black cape billowing behind him. Giles watches, stunned, then lets his head drop back onto the floor with a groan.

CUT TO:

Later. Giles recounts his encounter with Toth to Buffy, Willow, Xander and Riley. He's got the statue in hand again, reenacting the fight.

GILES

Like this... and this... and this...

He moves through the magick shop, swinging the statue as he goes. The girls sit on the floor with books, trying to identify Giles' demon.

RILEY

That thing's pretty heavy.

WILLOW

That's Oofdar, Goddess of Childbirth. She's got some nice heft to her.

BUFFY

How badly did you hurt him?

GILES

Well, hurt... maybe not... hurt.

WILLOW

Well, I'm sure he was startled.

GILES

Yes, yes. I'd imagine it gave him rather a turn.

BUFFY

(grins)
He ran away, huh?

GILES

Sort of more... turned and swept out majestically, I suppose. He said I didn't concern him.

BUFFY

So a mythic triumph over a completely indifferent foe?

GILES

Well, I'm not dead or unconscious so I say bravo for me.

Willow holds up a large, thick book.

WILLOW

Some good demons in this one. See if your guy's in here.

Giles takes it and sits down.

XANDER

So you bought the magick shop and you were attacked before it opened. Who's up for a swingin' chorus of the "We told you so" symphony?

RILEY

Owning this place does seem kinda dangerous.

GILES

Toth.

RILEY

What?

BUFFY

He called you a toth. It's a British expression. It means like moron.

GILES

No, Toth is the name of the demon. (to Xander) Be careful with that. Ancient demon. Very strong. Last survivor of the Tothric clan. It also says that for a demon he's unusually sophisticated.

BUFFY

Sophisticated... so I should discuss men's fashions with him before I chop his head off?

GILES

They're referring to the fact that he does not fight bare-handed. He uses tools, devices. Oh, he's also supposed to be very focused and since he mentioned the Slayer, I think we know what the focus is.

RILEY

He mentioned Buffy? Where do we find him and how hard can I kill him?

GILES

Well, there's no mention of the types of places he might frequent but... I have an idea. He had a very specific olfactory presence.

XANDER

Well, I guess we're off to the olfactory. I hate that place. (off their looks) I'm joking, I know what it means. He smelled. (uncertain) Right?

WILLOW

Some demon rituals involve anointing with oils. Was it sort of sandalwoody?

GILES

Not even remotely. But he was very... distinctive.
CUT TO:

EXT. SUNNYDALE LANDFILL-- NIGHT

Giles, Xander, Buffy, Riley and Willow creep cautiously between mountainous piles of trash. Buffy carries a large axe, held at the ready.

BUFFY

The city dump. Where smells go to relax and be themselves.

RILEY

People say they're recycling. They're not recycling.

WILLOW

I found a spell so you can't smell anything but it does it by taking your nose off so... no.

They react to the sound of someone rooting around in the trash. Someone they know.

RILEY

What are you doing here, Spike?

SPIKE straightens up, holding a mannequin arm.

SPIKE

Oh, there's a nice lady vampire who set up a charming tea room over the next pile of crap. What do you think I'm doing? I'm scavenging, ain't I?

He holds up a small lamp.

WILLOW

Very pretty.

GILES

Spike, we're looking for a demon... tall, robed, skin sort of hanging off. Deep voice?

SPIKE

You mean a great tall robey thing like that one?

He points behind them and they all spin around to find Toth looming over them. He points the staff at them and fire leaps out of it. They all dive for cover.

RILEY

Take cover!

SPIKE

Big guy! Kick her ass!

Toth fires again but the shot goes wild and shatters Spike's lamp.

SPIKE

Oh, very nice! I was on your side!

He angrily tosses the lamp pieces aside as Toth fires again, point blank at Buffy.

XANDER

Watch out!

Xander shoves Buffy aside at the last instant. The blast hits him full in the chest and he shoots backward to land in a pile of trash. Toth retreats as the gang runs to Xander's aid.

RILEY

Hey, you okay?

XANDER

I'm okay.

WILLOW

Buffy, he's gone.

XANDER

I'm fine.

RILEY

Easy, easy.

Riley and Giles help Xander up. He groans.

RILEY

He disappeared. (to Xander) That had to hurt.

XANDER

Yeah, yeah.

GILES

Take it slowly.

The group heads out with Xander, leaving the junkyard empty and quiet once again. Pan slowly across the piles of trash to reveal Xander, lying unconscious among the refuse.

FADE OUT

ACT II

EXT. SUNNYDALE LANDFILL-- DAY

Pan across mounds of trash to where Xander #1 lies unconscious. He yawns and begins to come to. Eyes still closed, he makes a disgusted face.

XANDER #1

Anya... you trying to use the hot plate again?

Slowly he opens his eyes and looks around. Flies buzz somnolently in the morning air.

XANDER #1

Uh-oh.

He gets up and staggers off toward home.

CUT TO:

EXT. HARRIS HOME-- BACK YARD-- DAY

Xander #1 walks around the corner of his parents' house, looking confused and disheveled. He heads down the outer stairs to the basement door but finds it locked. He knocks.

XANDER #1

Anya? An?

Frustrated, he kicks the door, hurting his foot, and hops around in pain. He limps up the stairs and goes to the nearest window at ground-level. He lies on the ground, wipes dirt off the window, and peers in.

Xander sees himself dressed in khaki pants but no shirt, combing his hair in front of the mirror.

XANDER #1

Oh, my god! What? No way! Who is... me?

Xander #2 puts on a blue button-down shirt.

XANDER #1

What am I doing in there? Buffy. Need Buffy.

He gets up, trips over his own feet and falls over.

CUT TO:

EXT. SUNNYDALE STREETS-- DAY

Xander #1 stands at a pay phone with the receiver tucked under his ear as he digs in his pockets.

XANDER #1

(into phone)
No, it ate my quarter. Uh-huh. But see, I'm sort of having this aggressively bad day. Oh! I found a quarter! I found a quarter! Well, ma'am, for me it is worth getting excited about.

He hangs up, puts the quarter in and dials.

XANDER #1

Come on, Buffy.

He turns and sees Xander #2 walking confidently toward him. Xander #1 quickly turns away and hides his face with one hand, then watches as Xander #2 passes him.

BUFFY

(into phone)
Hello?

Xander #1 considers for a moment, then hangs up and goes after Xander #2.

CUT TO:

INT. SUMMERS HOME-- BUFFY'S ROOM-- DAY

Buffy holds the phone to her ear.

BUFFY

They hung up.

She hangs up and picks up an axe. Buffy puts it in a bag with her other weapons, then sits beside Riley.

BUFFY

Well, if this guy wants to fight with weapons, I've got it covered from A to Z. From axe to... zee other axe. (Riley looks tense) Relax. Another day, another demon.

RILEY

Right. It'll be good.

BUFFY

Hey.

She leans down to kiss him but they are interrupted by choking and gagging sounds. DAWN stands in the doorway, pretending to hurl. Buffy and Riley stop kissing and turn to her, annoyed.

DAWN

My friend Sharon's older brother knows a girl who died because she choked on her boyfriend's tongue.

BUFFY

Go away, Dawn.

DAWN

I'm not in your room. I'm in the hallway. The hallway doesn't belong to you.

JOYCE comes out of the room across the hall.

BUFFY

Get out of here.

DAWN

Mom, I can stand in the hallway, right?

BUFFY

She's watching us like a big freak!

Joyce puts a hand to her head.

JOYCE

(sighs)
This must be my "two teenage girls in the house" headache. I thought it felt familiar.

BUFFY

Good work, Dawn. You gave her a headache.

DAWN

I did not! (to Joyce) Did I give you a headache, Mom? I'm sure part of it is Buffy's.

BUFFY

But part of it is Dawn's.

JOYCE

It's so nice you've learned to share. You girls, sort this out yourselves. It's good for you.

DAWN

(smug)
She didn't say I couldn't stand here.

BUFFY

(equally smug)
Hmm...

She slams the door in Dawn's face.

DAWN

(o.s.)
Ow!
CUT TO:

INT. SUNNYDALE CEMETERY-- SPIKE'S CRYPT-- DAY

Spike poses a legless mannequin. He arranges its clothing, then puts a long blonde wig on the its head, smiling ironically.

SPIKE

Very posh.

Spike turns away, then suddenly whirls and aims a kick at the mannequin. It falls over and its head comes off, bouncing across the floor. He kicks it into the air like a soccer ball and catches it.

SPIKE

Oh, Slayer. One of these days...
CUT TO:

EXT. CONSTRUCTION SITE-- DAY

Various men and machines are work in the b.g. as Xander #2 walks across the lot. He takes a hardhat marked "Harris" off a rack and puts it on, then proceeds inside.

TIME CUT TO:

Later. Xander #2 cuts lengths of wood with a power saw. The FOREMAN walks up behind him..

FOREMAN

Hey, Harris! (louder) Harris!

Xander #2 turns off the saw and turns to him.

XANDER #2

Harris, right. Yeah.

FOREMAN

In my trailer, okay? I'm talking to all the guys today. The job's winding down.

XANDER #2

Right, I'll be right there.

The foreman walks off and Xander #2 puts down the saw and follows.

Xander #1 hides behind a Porta-John, watching, disheveled and dirty.

XANDER #1

(mutters)
Welcome to payback, mister evil-plan-face-stealer. You take my life, you get my being fired absolutely free.

Xander #2 walks across the site, smoothly ducking beneath a pipe carried by two other guys.

The door of the Porta-John opens and smacks Xander #1 in the face.

WORKER

Harris. Where's your hard hat?

Xander #1 rubs his face and walks off.

CUT TO:

INT. CONSTRUCTION SITE-- FOREMAN'S OFFICE-- DAY

As Xander #2 enters, the foreman indicates a chair before his desk.

FOREMAN

Sit down.

Xander #2 puts his hard hat on the desk.

Outside, Xander #1 tries to peer through the window but it's too high.

FOREMAN

How long've you worked here, Harris?

Xander #2 has something shiny in his hand, about the size of a quarter. He's twirls it in his fingers.

XANDER #2

Huh? I'm not sure.

FOREMAN

About three months?

XANDER #2

I guess, yeah.
CUT TO:

EXT. CONSTRUCTION SITE-- FOREMAN'S OFFICE-- DAY

Xander #1 pulls together some random pieces of wood and climbs onto them, looking through the grimy window.

CUT TO:

INT. CONSTRUCTION SITE-- FOREMAN'S OFFICE-- DAY

The shiny disc in Xander #2's hand is reflects sunlight onto the foreman's face and chest.

FOREMAN

And you haven't done much construction work before this, is that right?

XANDER #1

I knew they were going to notice that.

FOREMAN

I have to tell you, that's surprising... 'cause your work here has been first-rate. Yeah, we have another job lined up in Carlton when you're finished here. You ever think about staying on full- time?
CUT TO:

EXT. CONSTRUCTION SITE-- FOREMAN'S OFFICE-- DAY

Xander #1's eyes go wide with shock.

XANDER #1

What? Why isn't he firing me... him?
CUT TO:

INT. CONSTRUCTION SITE-- FOREMAN'S OFFICE-- DAY

FOREMAN

I was thinking that I'd have you head up our interior carpentry crew... see how it goes. It's more responsibility but the pay is better.

XANDER #2

(enthusiastic)
That would be great.
CUT TO:

EXT. CONSTRUCTION SITE-- FOREMAN'S OFFICE-- DAY

XANDER #1

Promotion? But I... I mean, he didn't... Doesn't he see the shiny thing?

Flustered, he loses his balance and falls off his perch.

CUT TO:

INT. CONSTRUCTION SITE-- FOREMAN'S OFFICE-- DAY

The foreman shakes Xander #2's hand.

FOREMAN

Congratulations, Harris. You and your girl should go out and celebrate.

XANDER #2

I already have an idea how.
CUT TO:

EXT. APARTMENT COMPLEX-- NIGHT

The "For Rent" sign is gone.

CUT TO:

INT. XANDER'S APARTMENT-- NIGHT

Xander #2 fills out forms while the manager looks on. Xander #2's wardrobe is out of character for him. He's dressed very nice, his manner suave and self- confident.

BUILDING MANAGER

I was going to call you, Mr. Harris, let you know your credit checked out fine, but... I really didn't think you'd be back.
CUT TO:

INT. APARTMENT COMPLEX-- CORRIDOR-- NIGHT

Xander #1 listens in, crouching on the floor, his ear to the door.

XANDER #1

"Mr. Harris." Yeah, right.
CUT TO:

INT. XANDER'S APARTMENT-- NIGHT

BUILDING MANAGER

I'm sure you'll like the building... (smiles) I think someone said you're currently in your parents' basement?

XANDER #2

Right. There comes a point where you either have to move on or just buy yourself a Klingon costume and go with it.

The manager laughs flirtatiously. She gathers up the application forms.

BUILDING MANAGER

Well, I hope you'll be happy here, Mr. Harris. We're certainly happy to have you.

XANDER #2

Thank you.

He flips the disc between his fingers again.

BUILDING MANAGER

And if you need anything... day or night... please. Call me.

She hands him her card.

BUILDING MANAGER

I'm leaving my home number here. Call me. Even for, you know, non-business stuff. Maybe we could do something?
CUT TO:

INT. APARTMENT COMPLEX-- CORRIDOR-- NIGHT

XANDER #1

She's coming on to him... me! Please, lady, that is so not me. He's too clean for one thing. And his socks are all matchy

He leaps aside and bolts around the corner as the door opens.

BUILDING MANAGER

Remember... any time.

She closes the door and walks off.

CUT TO:

INT. XANDER'S APARTMENT-- NIGHT

Xander #2 picks up the phone and dials.

XANDER #2

Anya, you there? Look, I know you're still mad but... I figure you're probably sitting there pretending you're not home but listening anyway.
CUT TO:

INT. ANYA'S HOME-- BEDROOM-- NIGHT

Anya stands by the machine in her bathrobe, listening to Xander #2.

ANYA

Am not.
CUT TO:

INT. XANDER'S APARTMENT-- NIGHT

XANDER #2

Look, I have something to show you. Meet me at the apartment.
CUT TO:

INT. ANYA'S HOME-- BEDROOM-- NIGHT

XANDER #2

(on machine)
You know the one. Nine o'clock.

Anya looks surprised but interested.

CUT TO:

INT. APARTMENT COMPLEX-- CORRIDOR-- NIGHT

The apartment door opens and Xander #2 walks out. As he closes the door and locks it, Xander #1 runs around the corner and leaps on Xander #2's back, yelling. Xander #2 throws him off and they both stare at each other in shock. Xander #2 punches Xander #1 in the face and he goes down, clutching his nose.

XANDER #1

I won't let you do this!

NEIGHBOR

(o.s.)
What's going on down there?

XANDER #1

You can't do this to me!

Xander #2 turns and runs off as Xander #1 groans and clutches his face.

XANDER #1

Oh, man, I need Buffy.
CUT TO:

EXT. SUNNYDALE-- AERIAL-- NIGHT

A thunderstorm rolls in, drenching the town.

CUT TO:

EXT. GILES' APARTMENT-- COURTYARD-- NIGHT

Xander #1 runs across the courtyard, soaking wet.

XANDER #2

(o.s.)
No, no. He looked exactly like me.

Xander #1 goes to the window and sees Xander #2 talking to Riley, Buffy and Giles.

XANDER #2

It stole my face. We have to find it and we have to kill it.

XANDER #1

(to himself)
She sees it's not me. Please, Buffy... resist his spell. Do this for me.

BUFFY

(to Xander #2)
Don't worry, Xander. Whatever stole your face, it has to deal with the Slayer now.

Xander #1's eyes go wide with fear.

FADE OUT

ACT III

INT. UC SUNNYDALE-- DORMITORY-- WILLOW'S ROOM-- NIGHT

Willow enters, carrying some books. A moment later the door bursts open and Xander #1 rushes in, thoroughly drenched.

XANDER #1

Don't be scared, Will. Just listen. It's me, Xander.

Willow puts her books on the bed, confused.

XANDER #1

And I can prove it.

WILLOW

Um... okay.

He paces back and forth.

XANDER #1

Let's see... stuff only you and me know. Okay! On my seventh birthday I wanted a toy fire truck and I didn't get it and you were real nice about it and then the house next door burnt down and then real fire trucks came and for years I thought you set the fire for me. And if you did, you can tell me. (beat) For a while last year, I thought I was lactose-intolerant but it was just some bad brie. Oh! Every Christmas we watch Charlie Brown together and I do the Snoopy dance.

He jumps around like a happy Snoopy, wearing a desperate grin. Willow watches for a moment and then gets up.

WILLOW

(smiles)
Xander... stop dancing.

XANDER #1

Aha! You called me Xander!

WILLOW

Xander, shut up! Why wouldn't I think you were Xander?

XANDER #1

Oh. Huh.

WILLOW

What's goin' on?

XANDER #1

(sighs)
Okay. I woke up in the dump this morning.

WILLOW

Xander, the basement isn't a dump. It's more like a really nice hovel.

XANDER #1

No. The dump. The city dump. I got hit last night, fall down boom, woke up this morning.

WILLOW

No! We walked you home last night, remember?

XANDER #1

You walked? Will. Did I do anything weird? Did I wave any shiny things around?

WILLOW

Shiny things? What are you talking about?

XANDER #1

Last night, that wasn't me. There's a double out there. Some... thing has stolen my face and it's going around pretending to be me and it's hypnotizing people. It even got to Buffy and Giles and Riley. It's over there right now and they have no idea.
CUT TO:

INT. GILES' APARTMENT-- COURTYARD-- NIGHT

The group tries to decide on a course of action.

GILES

What's intriguing me is that there are any number of demons with the ability to mimic a simple form but... this sounds like more than that.

XANDER #2

Hold up. Do we really have to figure out what it is? Let's just go kill it.

RILEY

Yeah. When the imposter's killed, the body'll probably turn back into whatever it really is and then we'll know.

BUFFY

Toth!

They all turn to her.

BUFFY

The demon with the creepy stick-thing.

XANDER #2

Toth...

BUFFY

It's gotta be! He hit Xander with that blast and somehow it allowed him to take Xander's form. Couldn't that be what the creepy stick-thing did?

GILES

Yes... I suppose. Yes, yes, it makes sense. A shape-shifting device.

XANDER #2

It does make sense. It must be Toth.
CUT TO:

INT. UC SUNNYDALE-- DORMITORY-- WILLOW'S ROOM-- NIGHT

Willow and Xander #1 sit side-by-side on the bed. He wrings out his wet clothing.

XANDER #1

(angry)
It's a robot. It's an evil robot constructed from evil parts that look like me, designed to do evil.

WILLOW

Uh-huh. Or it's Toth.

XANDER #1

Or it's Toth.
CUT TO:

INT. GILES' APARTMENT-- COURTYARD-- NIGHT

BUFFY

I was going to look for Toth anyway. Guess now I start... looking for you.

XANDER #2

Should I go with you? I told Anya to meet me at my new place. I'd feel a whole lot better knowing she's safe from this creep.

BUFFY

(nods)
Go be with her. I mean, if you were out there looking for the double too... let's just say that I wouldn't want to run into you and kill the wrong one.

XANDER #2

Good thinking. When you kill this thing, you better make sure you got the one's who's actually--
CUT TO:

INT. UC SUNNYDALE-- DORMITORY-- WILLOW'S ROOM-- NIGHT

XANDER #1

--a demon. A demon has taken my life from me and he's living it better than I do.

Xander wrings out his shirt and Willow winces as the water sprays her.

WILLOW

Well, we're working on it. There has to be a way to get to Buffy to... un-hypnotize her. I'll find a spell to snap her out of it.

XANDER #1

(sour)
Right. Whatever.

WILLOW

Xander, you sound a little... you have to help me figure this out, you know.

XANDER #1

But I never help. I get in trouble and Buffy saves me.

WILLOW

That's not true! Sometimes we all helped save you. (beat) And sometimes you're not in trouble.

XANDER #1

I'm just... another great humiliation. But this time it's even worse. This demon, he's like taking my life and everyone's treating him... everyone's treating him like a grown-up! Will, I'm starting to feel like...

WILLOW

Like what?

XANDER #1

Like he's doing everything better. He's smarter and... I don't know. Maybe I should just let him have it. Take my life, please.

WILLOW

Xander, no! You're just tired, and... and all soggy. That's why it seems so hard. But you can't let him just take your whole existence.

XANDER #1

Why not? It's not like I was doing anything so great with it. When I get to the Pearly Gates I'm sure the guy is not going to go, "Hey, what a kick-ass comic book collection, come on in!" No, what have I got that's even worth-- Anya!

WILLOW

You think he's after her?

XANDER #1

She won't know. He can just... no! No way! (jumps up) No way. He can take anything but he can't have her. I need her.

WILLOW

(dubious)
Really?

XANDER #1

(desperate)
He could be with her right now! Figure out a spell. Something... revealy. I gotta find her.

WILLOW

Xander... you already knew he was taking over your life and you didn't think about Anya till just now?

XANDER #1

Hey, wait till you have an evil twin. See how you handle it.

He bolts out the door leaving Willow to her books.

WILLOW

(to herself)
I handled it fine.
CUT TO:

INT. ANYA'S HOME-- BEDROOM-- NIGHT

Xander #1 bursts in, panicked.

XANDER #1

Anya? An?

He looks around. No one there. He notices the answering machine blinking and pushes the button.

XANDER #2

(on machine)
Meet me at the apartment. You know the one. Nine o'clock.

Xander #1 looks around and runs to Anya's bureau, starts rummaging through the drawers.

XANDER #1

It's gotta be here. Where is it?
CUT TO:

INT. XANDER'S APARTMENT-- NIGHT

Xander #2 gathers together a bottle of wine and two glasses. Anya stands in the living room on a blanket spread on the floor. A picnic basket is at her feet.

ANYA

You're lying. It's a trick.

XANDER #2

No. Trust me.

He walks over with the wine and puts it on the floor next to the basket.

ANYA

You really got this apartment?

XANDER #2

I really did. And do you know why?

ANYA

The ceiling fans? Very attractive.

XANDER #2

No. It's because I knew you wanted it. It's all for you.

She smiles and moves closer to him; they kiss.

XANDER #2

Anya, you didn't see me today, did you? I mean, we didn't talk?

ANYA

What do you mean? I just got your phone message, that's all.

XANDER #2

Good.

They kiss some more, kneel, then sit on the blanket.

ANYA

So... what happens next?

XANDER #2

Well, at some point we take off our clothes.

ANYA

I mean what happens next in our lives? When do we get a car?

XANDER #2

(confused)
A car?

ANYA

And a boat. No, wait... I don't mean a boat. I mean a puppy. Or a child. I have a list somewhere.

XANDER #2

What are you talking about?

ANYA

Just... we have to get going. I don't have time just to let these things happen.

XANDER #2

There's no hurry.

ANYA

Yes, there is. There's a hurry, Xander. I'm dying.

He looks at her, shocked.

ANYA

I may have as few as fifty years left.

XANDER #2

Fifty years? What is thi-- oh, wait a minute. This is about this.

He touches her injured arm.

ANYA

What about the sling?

XANDER #2

You haven't been hurt like this since you became human. Maybe it's finally hitting you what being human means.

ANYA

(pouts)

No, that's not it.

XANDER #2

Yes, I think it is. You were going to live for thousands of years and now you're going to age and die. That must be terrifying.

ANYA

You don't understand what it's like.

XANDER #2

Being suddenly human? I think I can get what that would be like. And we can get through it together.

ANYA

You can't make it any different. I'm going to get old. And you can't promise you'll be with me when I'm wrinkly and my teeth are artificial and stuck into my wrinkly mouth with an adhesive.

XANDER #2

No, I can't promise that. But it doesn't sound terrible. And that's saying something. I promise you, Anya. Very soon you won't be thinking about getting older.

As they lean together in a kiss, the door bursts open and Xander #1 staggers in. Xander #2 and Anya look up in shock.

XANDER #1

Get away from her!

ANYA

Xander!

Anya and Xander #2 stand up.

ANYA

(to Xander #2)
Xander!

XANDER #2

(to Xander #1)
Get out. You don't belong here.

XANDER #1

Anya. It's me.

Anya looks in confusion from one to the other. She starts to walk toward Xander #1 but Xander #2 stops her.

XANDER #2

It's a demon. He stole my face, he's trying to trick you.

Anya looks from one to the other, bewildered.

XANDER #2

Anya, you know I'm me, right?

XANDER #1

No!

Anya looks at Xander #1 again and moves closer to Xander #2.

ANYA

What is it? Make it go away.
CUT TO:

INT. GILES' APARTMENT-- NIGHT

Riley looks at a map while Giles checks his books.

RILEY

So you're thinking we split up?

BUFFY

Yeah, you check the places where he might try and go and blend in as Xander. I'll check the places where Toth might hang out.

The door opens and Willow enters.

GILES

I swear, this time I know I had that locked.

WILLOW

Buffy, Toth looks like Xander.

RILEY

We already know. We're on our way.

BUFFY

Wait a second, how did you know about this?

WILLOW

He came to me. I mean Xander did. And he's in terrible shape, we need to help him.

RILEY

He came to us, too.

WILLOW

No. We each had a Xander. I mean... you didn't have a Xander, you had a demon in a Xander suit.

BUFFY

What makes you so sure that yours is the right one?

WILLOW

He knew stuff! He did the Snoopy dance. Buffy, it was Xander and he needs us.

GILES

(re: book; to himself)
Oh, dear lord.

RILEY

Buffy, our Xander, did he seem a little--

BUFFY

He seemed kind of forceful and confident.

WILLOW

That's not Xander.

GILES

I said, "Oh, dear lord."

BUFFY

You always say that.

GILES

Well, it's always important! Neither Xander is a demon.

WILLOW

Um... is one of them a robot?

GILES

What? No. The rod device, it's called a ferula-gemina. It splits one person in half, distilling personality traits into two separate bodies. As near as I can tell, Toth was attempting to split the Slayer into two different entities.

BUFFY

Two Buffys?

GILES

Yes. One with all the qualities inherent in Buffy Summers and the other one with everything that belongs to the Slayer alone... the strength, the speed, the heritage. And when it hit Xander, I think it separated him into his strongest points and his weakest.

RILEY

But which one's the real one?

GILES

They're both real. They're both Xander. Neither one of them is evil. There's nothing in either of them that our Xander doesn't already possess.

RILEY

I still don't get the original plan. I mean, why do it? The Slayer half would be like Slayer concentrate, pretty unkillable.

GILES

But the two halves can't exist without each other. Kill the weaker Buffy half and the Slayer half dies.

BUFFY

So the same goes for the Xanders. We lose one, we lose them both.
CUT TO:

INT. XANDER'S APARTMENT-- NIGHT

Xander #1 is desperate to save Anya from what he believes is a demon.

XANDER #1

He's the demon! Or possibly a robot. Look at me. Look in my eyes. Can't you see it's me?

Anya looks from one to the other, still completely befuddled.

ANYA

I don't know!

XANDER #1

(desperate)
Please! Look at him! Listen to him! He's all smooth. You have to know it's me!

XANDER #2

Don't worry, Anya. I'll get rid of this thing. I'm thinking this is going to last about fifteen seconds.

Xander #1 reaches inside his shirt, pulls out a gun and levels it at Xander #2.

XANDER #1

I'm thinking less.
FADE OUT

ACT IV

INT. XANDER'S APARTMENT-- NIGHT

Resume. Anya rushes forward and pushes Xander #1's arm to the ceiling. Xander #2 reaches for the gun and soon all three are grappling for it.

ANYA

No! Don't shoot him!
CUT TO:

INT. GILES' BMW-- NIGHT

Riley drives, Buffy in the passenger seat.

BUFFY

Can't this thing go any faster? Ultimate driving machine, my ass.

RILEY

We're pushing 70.

BUFFY

Riley, do you wish--

RILEY

No.

BUFFY

No? You don't even know what I was going to say.

RILEY

Yes, I do. You wanted to know if I wished you got hit by the ferula-gemina, got split in two.

BUFFY

Well, you have been kind of rankly about the whole Slayer gig. Instead of having Slayer Buffy, you could have Buffy Buffy.

RILEY

Hey. I have Buffy Buffy. Being the Slayer's part of who you are. You keep thinking I don't get that but--

BUFFY

It's just... I know how un-fun it can be. The bad hours, frequent bruising, cranky monsters...

RILEY

Buffy... if you led a perfectly normal life, you wouldn't be half as crazy as you are. I gotta have that. I gotta have it all. I'm talkin' toes, elbows, the whole bad-ice-skating-movie obsession, everything. There's no part of you I'm not in love with.

Buffy looks up at him and smiles, then glances out the window.

BUFFY

We better get there soon. If Xander kills himself, he's dead. (frowns) You know what I mean.
CUT TO:

INT. XANDER'S APARTMENT-- NIGHT

The Xanders and Anya struggle with the gun.

XANDER #1

Let go! I have to kill the demon-bot!

The gun falls to the floor and Xander #2 snatches it up.

XANDER #2

Anya... get out of the way.

Anya stands in front of Xander #1 as Buffy and Riley charge through the door.

BUFFY

Xander!

XANDER #2

All right, Buffy. I have him.

XANDER #1

No! Buffy! I'm me! Help me!

ANYA

My gun! He's got my gun!

RILEY

You own a gun?

BUFFY

Xander... gun-holding Xander. Give me the gun.

Xander #2 hesitates, then flips the barrel up and opens the cylinder, allowing the rounds to drop onto the floor. He flips it shut and hands it to Buffy, who looks at him, impressed. She hands the gun to Riley.

ANYA

Buffy, which one's real?

XANDER #1

I am.

XANDER #2

No, I am.

They try to attack each other but Buffy steps between them. She flings Xander #1 across the room; he crashes up against the kitchen counter.

XANDER #2

Thank you.

Buffy grabs him and shoves him over next to Xander #1.

XANDER #2

Ow!

Anya, Riley and Buffy examine the two Xanders side-by-side.

RILEY

Wild.

BUFFY

Yeah. Okay, Xander... Xa... (sighs) You've been split in two. But you're both Xander. And you can't kill each other. Well, you could but it would be really bad.

The Xanders look at each other in horror.

XANDER #2

No way.

XANDER #1

He can't be me. He's all... fancy.

RILEY

We can prove that you're both Xander.

BUFFY

Yeah! (to Riley) How?

RILEY

Well, there has to be a way.

BUFFY

Oh! What number am I thinking of?

RILEY

I don't think that's going to do it.

XANDERS

(unison)
Eleven and a half.

BUFFY

Wrong. Oh! But see?

The Xanders frown.

XANDER #1

No. We're not the same. We're all different.

RILEY

Different properties went into each of you but you're both Xander.

ANYA

Different properties?

XANDER #1

What different properties?

BUFFY

You know, sense of direction. Good night vision, stuff like that.

XANDER #1

Oh, but he has a thingie! In his pocket. A shiny disk that stuns and disorients!

XANDER #2

What disk?

XANDER #1

Cover your eyes!

XANDER #2

This?

XANDER #1

It'll melt your brain!

Buffy takes the disc from Xander #2.

BUFFY

(to Xander #1)
Look.

XANDER #2

It's a nickel someone flattened on the railroad track. I found it on the construction site and I thought it was cool. It's not magick.

Xander #1 takes the disc from Buffy.

XANDER #1

No, I... it is kinda cool. Washington's still there but he's all smushy. And he may be Jefferson.

ANYA

Okay, isn't anyone going to tell me why there are two Xanders?

BUFFY

I will on the way to Giles'. Let's go.

They all turn to leave just as the door smashes inward and Toth strides in.

BUFFY

Oh, great. Rod Boy.

TOTH

I will not miss again, Slayer.

XANDER #1

The gun! Pick up the little gun pieces!

Toth raises the weapon as Buffy and Riley dive away in opposite directions. Toth fires at Buffy and misses, tearing a charred hole in the floor.

XANDER #2

Hey, I just made a small cleaning deposit!

Riley jumps on Toth from behind, causing him to drop the rod. He throws Riley off and flings him aside. Buffy attacks with a flurry of kicks and punches. Toth picks her up and body-slams her to the floor. She's up again immediately and lands a kick to Toth's head. Stunned, he staggers as Buffy presses her advantage, driving him to the floor.

BUFFY

Sword!

Riley grabs the sword from Buffy's weapons bag and throws it to her. She catches it and runs Toth through. He screams in agony and dies.

Buffy stands up, panting, as Anya and the Xanders gather around the corpse.

XANDER #2

Oh, yeah. That cleaning deposit's gone.

XANDER #1

(gasps)
I was thinking the same thing! Hey, do you suppose we're both Xander?
CUT TO:

INT. THE MAGIC BOX-- NIGHT

The two Xanders stand side-by-side, both dressed in identical Hawaiian shirts. Xander #1's shirt is a dirty mess whereas Xander #2's is clean and wrinkle-free.

XANDER #1

Look and admire, ladies.

Willow, Buffy and Anya stare at the Xanders, fascinated. Giles kneels on the floor, marking it with chalk.

Buffy points at Xander's forehead.

BUFFY

Look, there's a scar there and there's the same one right there.

WILLOW

It's all double. This zit and this... kinda funny dippy thing. And this weird little hair that grows in the wrong way.

XANDER #1

Okay! Back off, ladies.

RILEY

Psychologically, this is fascinating. Doesn't it make everyone want to lock them in separate rooms and do experiments on them? (off everyone's looks) Just me, then.

ANYA

So... you Xanders really do have all the same memories, all the same... physical attributes?

XANDER #2

We're completely identical.

XANDER #1

Yeah, we checked out some stuff in the car on the way over. (off Anya's look) Fingerprints!

ANYA

(to others)
Well, maybe we shouldn't do this re-integration thing right away. See, I can take the boys home and we can all have sex together and... you know, just slap 'em back together in the morning.

Giles tries his best not to look appalled as Buffy and Riley smile, amused.

XANDER #2

She's joking.

XANDER #1

No she's not! She entirely wants to have sex with us together. Which is... wrong and it would be very confusing.

Giles stands up.

GILES

We just need to light the candles. Also, we should continue to pretend we heard none of the disturbing sex talk.

WILLOW

Check. Candles and pretense.

ANYA

It's not like it'd be cheating. They're both Xander.

XANDER #1

Now, hold on a sec. If you weren't putting a whammy on people with the shiny thing, how'd you do it? How'd you get the promotion?

XANDER #2

Well, I'm good at that stuff.

XANDER #1

I am?

XANDER #2

Yeah.

XANDER #1

And hey, how about that lady, huh? The apartment manager.

XANDER #2

How weird was it when she called me "mister"?

The Xanders grin goofily at each other.

WILLOW

We're ready. We should do it now.

ANYA

What'll we do if this doesn't work?

XANDERS

(unison)
Kill us both, Spock!

They both crack up at their own joke.

BUFFY

They're... kinda the same now.

GILES

Yes, he's clearly a bad influence on himself.

XANDER #1

Hey, summon the goddess. Chant the chant. Let's do it.

Willow positions them both inside the rune on the floor.

WILLOW

Actually, it's not that hard. Your natural state is to be together. Toth's spell is doing all the work of keeping you apart. I just have to break it. So you two... stand right here, side by side. We don't want you to end up with two fronts, now do we?

XANDER #1

Are you sure you know how to do this?

WILLOW

Here we go. Brace yourselves.

The two Xanders close their eyes and prepare.

WILLOW

Let the spell be ended.

CU on Xander, eyes still closed.

XANDER

You gotta be kidding. "Let the spell be ended"? That's not going to work.

He opens his eyes, looks around and realizes there's only one of him.

XANDER

Oh!

Willow smiles proudly.

ANYA

I liked it the other way. Put him back.
CUT TO:

INT. HARRIS HOME-- BASEMENT-- DAY

Moving day. Xander and Riley carry boxes out. Anya sits on a stool reading a magazine. Xander pauses to look around.

RILEY

Getting nostalgic?

XANDER

I don't know. At first it's just a place, then you start to make memories and... then you're like that's where Spike slept and there, that's where Anya and I drowned the Pargo demon. Oh, and right there, that's where I got my heart all ripped out. (beat) I really hate this place.

Buffy enters and picks up another box, passing Anya.

BUFFY

Anya. I see you've joined the non-sling-wearing crowd.

ANYA

(smiles)
Yes, I'm feeling better. And I anticipate many years before my death, excepting disease or airbag failure.

BUFFY

That sounds nice.

Xander holds out a box to Anya.

ANYA

Oh! Presents?

XANDER

Not unless you want my collection of Babylon 5 commemorative plates... which you cannot have. I just thought you could help carry a little.

ANYA

Me? (pout) Buffy has super strength. Why don't we just load her up like one of those little horses?

XANDER

Anya. Please.

ANYA

Fine. I'm just your slave.

She takes the box and stalks out. Xander watches her go, amazed.

XANDER

How is it that she can always make me feel Suave Xander's left the building?

RILEY

You two have your friction but... she digs the whole package. It's obvious.

XANDER

Still, I do envy you sometimes. (off Riley's look) I mean for the sanity. Not that I'm still into Buffy. Not that I ever was.

RILEY

(grins)
Hey, I'm well aware of how lucky I am. Like lottery lucky. Buffy's like nobody else in the world. When I'm with her it's like... it's like I'm split in two. Half of me is just on fire, going crazy if I'm not touching her. The other half is so still and peaceful, just perfectly content, just knows: this is the one. (beat) But she doesn't love me.

Xander stares at him, not knowing what to say. Buffy comes back and goes over to Riley and kisses him.

BUFFY

Got something else for me to carry?

RILEY

You can help me pack this.

BUFFY

Sure.

They both begin packing as Xander watches, thoughtfully.

FADE TO BLACK
END