Shadow

[Transcript of "Buffy The Vampire Slayer" episode Shadow at buffyology.com.]

Prologue

INT. SUNNYDALE HOSPITAL-- NEUROLOGY LAB-- DAY

JOYCE lies back on a steel table, dressed in a hospital gown. The table slides backward into a CAT scan machine and she waits nervously for the machine to do its job.

CUT TO:

INT. SUNNYDALE HOSPITAL-- CORRIDOR-- DAY

DAWN waits anxiously for her mother's tests to be completed. BUFFY hands her a soda and sits down next to her.

DAWN

What is the CAT scan, exactly?

BUFFY

I don't know. It's some X-ray, I guess.

DAWN

Where do they get the "CAT" scan from? I mean, do they test it on cats or... or does the machine sort of look like a cat?

BUFFY

Dawn, I'm really--

She stops when she sees the fear in Dawn's eyes and pulls her sister close and kisses the top of her head. Buffy has no idea to what to say to comfort Dawn because her fear is just as great.

CUT TO:

INT. THE MAGIC BOX-- DAY

TARA and GILES admire the new ad for the store in the phone book.

TARA

(reads)
"You're one-stop spot to shop for all your occult needs." Catchy.

GILES

Think so?

TARA

Uh-huh. In a hard-to-read sort of way-- but I think it's great.

GILES

Oh.

The door bell jingles and ANYA, WILLOW and XANDER enter.

XANDER

I'm just saying, I think it's rude.

WILLOW

I wouldn't call it rude.

XANDER

Rudish, rudesque... whatever you want to call it. When a person makes a "destroy all vampires" date, it's simple courtesy to wait for your co-destroyers. Am I right, Giles?

GILES

I'm almost certain you're not but, to be fair, I wasn't listening.

TARA

(to group)
Oh, the new phone book's in with Mr. Giles' ad.

WILLOW

Oh, nice.

Anya bolts over to see the ad.

ANYA

Yay! Am I mentioned?

GILES

Not as such.

ANYA

(disappointed)
Oh.

XANDER

(to Giles)
Okay, we were supposed to hook up with Riley this morning to take on a nest-o-vamps holed up in a tomb. So we get there and guess what? Tell him, Will.

WILLOW

Tomb go boom.

XANDER

Yep, Captain America blowed it up real good. All by his Lone Wolf lonesome.

GILES

Hmm, rather reckless of him.

XANDER

I'd say very rather.

GILES

All that aside, I should think you'd be pleased to avoid the confrontation.

ANYA

That's what I've been saying. I mean, I for one didn't want to start my day with a slaughter. (beat) Which really just goes to show how much I've grown!

GILES

In any event, since you're all here, Tara and I could use your help researching Buffy's mysterious woman.

XANDER

Ah, yeah. This has been fruitful. Trying to look up something you never saw and don't know the name of.

The group moves over to the reading table and its mountain of books.

ANYA

(to Xander)
Just do what I do. Flip through the pages and look busy.

WILLOW

It'd be nice if we knew where she was... where she's hiding out.

XANDER

No doubt lurking around some sewer or condemned church or rat- infested warehouse. You know, the usual haunts.
CUT TO:

INT. GLORY'S CONDO-- DAY

An elegantly furnished luxury condominium. DREG, a demon in monk robes, kneels before GLORY, who lies on her bed, trying on shoes. Hundreds of shoe boxes are piled on the floor beside the bed. Dreg holds up an ancient scroll.

DREG

Most beauteous and supremely magnificent one, this dark spell I hold in my worthless and scabby hand is our gift to you, most holy and wonderful Glorificus.

GLORY

Please. Call me Glory. And get up. Looking at you is hurting my neck.

DREG

Forgive me, shiny, special one. I beg of you to rip out my inadequate tongue.

Glory holds out her hand.

GLORY

Gimme.

Dreg hesitantly approaches and sticks out his tongue but Glory snatches the scroll from him instead.

DREG

Oh! (laughs) I thought... (beat) You should know, your elaborate marvelousness, that this dark incantation has been lost for eons and great dangers have been faced to--

Glory tries on a shoe.

GLORY

Does this pump make my ankle look bony?

DREG

No. No, your terrifically smooth one. It is the epitome of ankles. To touch such an ankle would be-- but I'm not touching! I'm backing away.

Glory flips the shoe off her foot and it smacks Dreg in the head.

DREG

Ow! Thank you.

GLORY

Dreg, isn't it?

DREG

Yes, Dreg. Your creamy coolness has honored me by speaking my name. Your voice is like a thousand sweet songbirds that--

GLORY

(sarcastic)
Yeah, I never tire of hearing that. Look, just so we're clear... this spell's going to work right? (Dreg bows) I mean, nothing worse than a gift that doesn't work. Then I'd have to get all mad and kill you. It's this whole big thing.

DREG

It will work, your extremeness. Provided you have the other items you need.

GLORY

Don't worry. I'll have them, all right.

She rips the ad for Giles' store out of the phone book.

GLORY

I'll have it all.

Opening credit sequence.

ACT I

INT. SUMMERS HOME-- DAY

Establishing. RILEY mounts stairs to the front porch and finds the front door ajar. He enters the house with a knock.

INT. SUMMERS HOME-- FOYER-- DAY

RILEY

Hello? Buffy?

Riley continues on into the house. He bends and picks a burlap sack off the floor, looking at it curiously. The sound of footsteps upstairs draws his attention and he heads up to investigate.

CUT TO:

INT. SUMMERS HOME-- BUFFY'S ROOM-- DAY

SPIKE holds one of Buffy's sweaters up to his nose and inhales deeply. Riley enters to find him sniffing Buffy's clothes.

RILEY

What are you doing in here?

Spike whirls around and tries to hide the sweater behind his back.

SPIKE

What? Me? I was... what are you doing here?

RILEY

Looking for the girl who's going to rip your arms off when she finds out you were in her bedroom.

SPIKE

Oh, yeah? Well... me, too.

Despite Spike's feeble attempt to hide the sweater, Riley spots it in his hands.

RILEY

Were you smelling her sweater?

SPIKE

No. (beat; off Riley's look) Well, yeah. All right, I did. It's a predator thing. Nothing wrong with it. Know your enemy's scent, whet the appetite for the hunt. (smells sweater) Ahh, that's the stuff. Slayer musk... it's bitter and aggravating.

Riley grabs the sweater from Spike.

RILEY

Out.

He takes Spike by the arm and hauls him out of Buffy's room. On the way out, Spike manages to snag a pair of Buffy's panties without Riley noticing.

CUT TO:

INT. SUMMERS HOME-- FOYER-- DAY

SPIKE

Hey, watch it! Easy. You're bruising the leather. Look, I know for a bleedin' fact that the Slayer wouldn't mind me being here.

RILEY

Right. What's a little sweater-sniffing between sworn enemies?

SPIKE

Your girl in the habit of buying her enemies drinks? 'Cause she spent the better part of last night with me, doing just that.

RILEY

'Cause you guys are such tight pals? That's good. Tell me another.

SPIKE

Okay, how about this one? Twice in recent memory she's had her lover-Wiccas do a de-invite on the house-- keep out specific vamps. Ever ask yourself why she's never taken my name off the guest list?

RILEY

(uncomfortable)
Because you're harmless.

SPIKE

Oh, yeah. Right. Takes one to know, I suppose. At least I still got the attitude. What you got? A piercing glance? Face it, whitebread, Buffy's got a type and you're not it. She likes us dangerous, rough, occasionally bumpy in the forehead region. Not that she doesn't like you, but sorry, Charlie, you're just not dark enough.

Riley has had enough. He seizes Spike by his leather coat and drags him through the front door into the sunlight.

SPIKE

Hey. Hey!

RILEY

Am I dark enough for you now?

SPIKE

Bloody pull me back in, you sod! I'm startin' to sizzle!

RILEY

You don't know anything about Buffy. You never did. I'm the one that knows what she needs.

SPIKE

Oh, yeah? That's why you're with her at hospital right now? Giving her what she needs?

Riley hauls him back inside.

RILEY

What are you talking about?

SPIKE

Don't you know? Didn't she tell you?

RILEY

You tell me.

SPIKE

Her mum is sickly. Buffy took her to hospital for a bit of prod and probe. Bite-sized one went, too. You know, it's funny her not calling you about that. I've known since last night.

Riley heaves Spike back out the door and into the daylight.

SPIKE

(o.s.)
Blanket! Blanket!

Riley kicks the burlap sack out after him, then slams the door, fuming.

CUT TO:

INT. SUNNYDALE HOSPITAL-- CORRIDOR-- DAY

Buffy waits anxiously outside her mother's examination room. She starts when Riley puts his hand on her shoulder.

BUFFY

Riley.

RILEY

Sorry. I heard. I thought maybe you might need...

She hugs him desperately and he wraps his arms around her.

BUFFY

I do. I do. I'm glad. I just... I didn't... I mean, until we knew what it was--

RILEY

I understand. How's she doing?

BUFFY

Well, she just had a CAT scan. I was about to go in and find out. Will you sit with Dawn while I talk to Mom? She's in the waiting room.

RILEY

Yeah, yeah, you got it.

Buffy nods and goes into the examination room while Riley heads off to find Dawn.

CUT TO:

INT. SUNNYDALE HOSPITAL-- EXAMINATION ROOM-- DAY

Buffy enters the darkened room to find her mother and DR. ISAACS going over her scan results.

BUFFY

Hey. May I come in?

JOYCE

Oh, of course, baby. Come on in. Where's Dawn?

BUFFY

She's with Riley. They're watching TV in the waiting room.

DR. ISAACS

(to Joyce)
Excuse me. I'm just going to check on the status of the OR.

Buffy looks alarmed.

BUFFY

The OR?

JOYCE

Dr. Isaacs says I'm lucky there's one available on such short notice. Some people wait for days, sometimes weeks.

BUFFY

Mom, what did they find?

JOYCE

A shadow. I've got a shadow somewhere... (re: scans) over there. He showed it to me but they have to do a biopsy to find out exactly what it is.

Buffy hugs her mother tight.

JOYCE

The doctor says it's too early to be concerned.

BUFFY

Right. No concern.

JOYCE

Right. Just a shadow.

Buffy smiles bravely but turns to look back at the scans again, worried.

CUT TO:

INT. THE MAGIC BOX-- DAY

The gang researches while the day's customers mill about, browsing among the shelves and display tables.

WILLOW

I just wish we knew what we were dealing with. It feels like we're going around in circles.

XANDER

Our circles are going around in circles. We've got dizzy circles here, Giles.

A customer approaches the register with a statuette and Giles rings him up.

GILES

Ah, weeping Buddha. Shoulders your spiritual burden. Makes a lovely paperweight, too.

TARA

(to Willow)
Maybe she's not in the books.

WILLOW

What do you mean?

TARA

I mean, what if she's not a demon or a sorceress or a spirit or whatever these books cover? What if she's something else altogether?

Giles hands the customer his purchase and comes out from behind the counter, concerned.

GILES

Thank you, come again. (to Tara) Something new, you mean?

TARA

Something old. So old it pre-dates the written word.

WILLOW

Giles, the Dagon Sphere... you said that was created to repel--

GILES

That Which Cannot Be Named.

WILLOW

So I'm thinking, maybe she...

GILES

Pre-dates language itself?

Willow nods and Xander snaps his book shut.

XANDER

Well, hey, if it means I don't have to read anymore-- woo! And might I add a big hoo.

GILES

If Tara's right, then we're blind. There's no way we can determine her moves, her habits, where she'll turn up next--

He turns around to find Glory standing behind him, holding up two items for purchase.

GILES

Oh! I beg your--

GLORY

Uh-huh. I want these.

GILES

Yes, of course.

He takes the items behind the counter and rings her up.

GILES

You find everything all right?

GLORY

No problemo.

She hands him a credit card and he makes out a sales receipt, then packages up her purchases.

GILES

Your receipt... and thank you.

Glory takes the package with a curt smile and leaves.

GILES

(to gang)
She could be anywhere. But if she's as powerful as Buffy says, I imagine it won't be long before she makes herself known.
CUT TO:

INT. SUNNYDALE HOSPITAL-- CORRIDOR-- DAY

Dawn sleeps in a chair and Riley drapes his coat over her. He stands and moves over to Buffy, sits beside her, comforting her. She sees Dr. Isaacs and goes over to meet him.

DR. ISAACS

Everything went fine. They're moving her into recovery now.

BUFFY

Do we have the results yet?

DR. ISAACS

Let's sit down over here for a minute.

BUFFY

No. Excuse me, no. I don't mean to be rude, it's just that I've been sitting for hours. I don't want to sit. I just-- tell me, please.

DR. ISAACS

Your mother has-- the term is low-grade glioma. It's a brain tumor. The clinical name is oligodendroglioma. It's in the left hemisphere of the cerebrum. In your mother's case, the tumor seems to have started there. In other words, it hasn't spread from another part of the body, which, in a way, is good news...

The doctor's words fade out as we close in on Buffy's stunned expression.

FADE OUT

ACT II

INT. SUNNYDALE HOSPITAL-- CORRIDOR-- DAY

Resume. Buffy struggles to take in the news.

DR. ISAACS

I know this is very difficult and because of the nature of your mother's illness, unfortunately things may progress very quickly.

BUFFY

Things? What things?

DR. ISAACS

Symptoms. There's a variety that might present-- loss of vision or appetite, lack of muscle control, mood swings--

BUFFY

But what can we do?

DR. ISAACS

Well, not much until we determine if the tumor's operable... which we are working on.

He leads Buffy over to the chairs where they sit.

BUFFY

Is there something that I-- I mean, can I help?

DR. ISAACS

Well, there's some literature you might want to look at. If we aren't able to go in surgically, there are a number of new treatments that are very promising. Your mother's prognosis is a lot better today than it would have been only a year ago. Even if the tumor's not operable, she has a real chance.

BUFFY

What's a real chance?

DR. ISAACS

Nearly one out of three patients with this condition does just fine.

Buffy is floored. She can't believe she's just been told her mother has over a sixty percent chance of dying. It's all she can do to maintain her composure.

DR. ISAACS

Now let me ask, does your mother's insurance company require copies of the MRI and pathology reports?

BUFFY

I'm not sure.

DR. ISAACS

Well, just let me know as soon as possible. And I could use some information regarding your mom's lifestyle and home environment. For instance, does she use a cell phone?

BUFFY

I think so. Yeah, she has one of those ear things.

DR. ISAACS

Okay. Is your house near any power lines, chemical plants, waste disposal facilities?

BUFFY

I don't know... maybe.

DR. ISAACS

Well, the more we know...

BUFFY

I'm sorry.

The intern, BEN, approaches and speaks softly to the doctor.

BEN

Excuse me, doc, but they told me you're needed in ICU.

DR. ISAACS

Excuse me, Miss Summers.

BUFFY

Uh... it's okay.

The doctor leaves and Ben smiles at Buffy and sits down next to her.

BEN

Thought you looked like you needed a break. Guy's great but he doesn't have that bone in his head that tells him when to back off.

BUFFY

You... I mean, they didn't need him?

BEN

Well, I'm sure someone does somewhere. They always do. He really is a good doctor. Your mom's in good hands.

BUFFY

Thank you. It's Ben, right?

BEN

Right.

BUFFY

He was just telling me that there's nothing I can do.

BEN

And I'm going to tell you the same thing. Give yourself a break. Listen, your mom's going to be unconscious for at least another six, seven hours.

BUFFY

A break?

BEN

I mean, just go out, get some air. Come back later on this evening, talk to the doc then if you want. My unsolicited advice of the day.

He leaves her alone and she lets out an agonized sigh. Riley enters and she embraces him.

RILEY

Buffy...

BUFFY

It's bad.

RILEY

I know.

Buffy gathers up her things, suddenly preoccupied.

BUFFY

I... I have to do something.

RILEY

Do something?

BUFFY

Yeah, like, you know, magick. Like a healing spell.

RILEY

Buffy, people get sick. I don't think magick--

BUFFY

That attitude's not helping. I have to try.

RILEY

Okay.

BUFFY

I have to talk to Giles. Will you do me a favor and drop Dawn off at school and tell her I'll meet her at the magick shop when she gets off?

RILEY

Of course. Whatever you need me to do.

Buffy starts to head out.

RILEY

Buffy... what do you want me to tell Dawn about your mom?

Buffy looks over at Dawn sleeping serenely.

BUFFY

Tell her we don't know anything yet.

She turns and leaves.

CUT TO:

INT. THE MAGIC BOX-- DAY

Anya goes over the day's receipts when one in particular catches her eye.

ANYA

Hey. (louder) Hey. (yells) Hey!

Xander, Giles, Willow and Tara run over to see what the problem is.

GILES

Anya, your "heys" are startling the customers.

XANDER

And pretty much the state.

ANYA

(agitated)
You sold someone a Khul's Amulet and a Sobekian blood stone.

She holds out the receipt to Giles.

GILES

Yes, I believe I did.

ANYA

Are you stupid or something?

GILES

Allow me to answer that question with a firing.

XANDER

(to Giles)
She's kidding! (to Anya) An, we

talked about

the

employee/employer vocabulary no-no's. That was number five.

ANYA

(to Giles)
You never sell these things together. Ever. Bad news. Don't you know about the Sobekites?

WILLOW

Oh, I do. It was an ancient Egyptian cult, heavy into dark magick.

TARA

And the Khul's Amulet-- wasn't that a transmogrification conduit?

ANYA

Damn straight!

GILES

Be that as it may, I still see no reason for concern. I mean, the Sobekian transmogrification spells were lost thousands of years ago and besides, the young woman to whom I sold them would have to have enormous power...

The realization suddenly hits him.

WILLOW

Young woman?

GILES

Oh, dear lord...

The three girls share his look of concern but Xander is still clueless.

XANDER

What?
CUT TO:

EXT. SUNNYDALE PARK-- CAROUSEL-- DAY

Dawn and Riley sit on a park bench while the carousel spins before them. Dawn picks morosely at a cup of ice cream but doesn't eat any of it.

RILEY

You're melting.

DAWN

Oh... guess I'm not hungry.

RILEY

Maybe I'm not making this any better.

DAWN

No, I just... this is better. (beat) I had my tenth birthday party here.

RILEY

Really?

DAWN

We'd just moved to Sunnydale and Mom rented the carousel for an entire hour for just me and my friends. Except I hadn't made any friends yet so it was just me and Mom and Buffy riding it by ourselves, over and over and over again... for the whole hour, just so Mom felt like we'd gotten our money's worth. (beat) She's... she's not going to get better, is she?

RILEY

Absolutely she will. Summers women are tough.

DAWN

I'm really glad you're here.

RILEY

Thanks.

DAWN

Buffy's glad, too.

RILEY

Yeah?

DAWN

She sure cries a lot less with you than she did with Angel.

RILEY

Angel made her cry a lot, huh?

DAWN

Everything with him was all "yeee-eee", you know?

RILEY

All...?

DAWN

You know, "my boyfriend's a vampire" crazy, crazy. Every day was like the end of the world. She doesn't get all worked up like that over you. I think you've been really good for her.

Riley smiles half-heartedly; that is the last thing he wanted to hear.

CUT TO:

INT. THE MAGIC BOX-- DAY

After hours; the shop is closed and Buffy fills the group in on her mother's problem.

BUFFY

So I figure there has to be some kind of mystical cure, right? I mean, like a potion or a spell or something? We have to look.

WILLOW

We can look. I mean, we will but I haven't seen anything.

GILES

The truth is, the mystical and the medical aren't meant to mix, Buffy. Sorry. The human mind is very delicate. Too much could go wrong.

TARA

Yeah, I've heard stories about people trying healing spells. If we did something, it could make things a lot worse, Buffy.

ANYA

We've done just about enough making things worse for one day, haven't we?

BUFFY

Why? What do you mean?

XANDER

(covers)
Nothing. Anya broke a bippity-boppity-boo. A thing. Don't worry about it.

ANYA

I did not. I didn't break--

GILES

Anya, Buffy doesn't need to hear about your clumsiness right now.

ANYA

My clumsiness! I mean, that is so... (off Willow's look) like me. Slippery, slippery, butterfingers.

BUFFY

(to Giles)
What happened?

GILES

Nothing to concern you.

BUFFY

Giles!

GILES

(hesitant)
The demon-woman was here, the one who attacked you.

WILLOW

It's no biggie. She just got an amulet and a blood stone.

ANYA

That can create a monster.

WILLOW

Okay, biggie.

BUFFY

My god... are you guys okay, though? I mean, no one got hurt, right?

GILES

No, no. Thankfully, no violence to speak of.

BUFFY

(perplexed)
Okay, so that's... good. How did she get away with this bad mojo stuff?

Everyone looks around, uncomfortable. Finally, Anya whispers to Buffy.

ANYA

Giles sold it to her.

GILES

(defensive)
I didn't know! I mean, how could I? If it's any consolation, I may have overcharged her.

TARA

And Anya figured out what the demon-lady's up to.

ANYA

(to Buffy)
A few thousand years ago, there was this cult-- the Temple of Sobek.

BUFFY

Sobek?

ANYA

Reptile demon. Sobekites were reptile worshippers.

XANDER

Just once I would like to run into a cult of bunny worshippers.

ANYA

Great! Thank you very much for those nightmares!

XANDER

Sorry.

ANYA

Anyway, their high priest, Khul, had great mystic powers. He forged an amulet with a transmogrifying crystal.

WILLOW

(to Buffy)

Transmogrifying is changing a living thing into a different kind of thing.

GILES

We've managed to decipher the markings that were on the blood stone that I sold-- that she left with-- and a... cobra. She's going to transmogrify a cobra.

BUFFY

Okay, so she's making a monster. What for? What does it do?

GILES

That's the part... we're working on it.

BUFFY

Well, you keep working on it. I'll go kill it.

She abruptly gets up and heads for the door.

GILES

Buffy?

BUFFY

What? I'm going.

XANDER

Buffy, this chick creamed you last time.

BUFFY

That's because I wasn't ready for her last time. I am now.

WILLOW

But you--

BUFFY

But what? Will, I can't just sit here. I have to do something.

She turns and walks out the door.

CUT TO:

EXT. SUNNYDALE ZOO-- DAY

Establishing.

CUT TO:

INT. SUNNYDALE ZOO-- REPTILE HOUSE-- DAY

The reptile exhibit is dark and dimly lit, like the interior of a cave. Glass display tanks are set into the walls, each with a deadly species of snake inside.

GLORY

From the mud, from the rot, arise holy serpent and be bathed, cleansed in the shadow of Sobek.

Glory stands before the king cobra's tank. She punches through the glass and removes the hissing serpent.

GLORY

Chill, worm. I'm gonna make you a star.

As Dreg looks eagerly on, she lowers the snake into an earthen jar in the center of the room. Dreg hands her the blood stone.

GLORY

(to Dreg)
Chant!

Dreg hastily opens the scroll and begins the incantation while Glory holds up the blood stone.

DREG

Asoorati aaniyatun min jadlldin Khulqat. Firihaabi malkutinal iraadatu uu'tiyat... (The form is vessel, rendered new. The base is stone, bathed in blood. The gem is fire and elements rarefied...)

Dreg continues chanting while Glory invokes Sobek, the reptile god.

GLORY

Sobek! Grant the power that it may mold this wretched creature, that it may be reborn, that it may serve-- ah! Dark incantations. Always overwritten. Why can't they just cut to the--

Buffy tackles Glory and drives her into the wall.

BUFFY

Fight?

GLORY

No fair! Attacking when I wasn't even looking. Help...

Buffy viciously kicks Glory in the face and slams her head into the stone wall but the blows only seem to annoy Glory, not injure her. Buffy throws another punch but Glory seizes her arm, pins it and twists, then throws Buffy into the wall.

GLORY

This is no good. I'm out of the moment and you're not giving me anything I can use. Dreg! I'm not hearing chanting.

Dreg hurriedly resumes the incantation while Glory continues to take Buffy apart.

DREG

Yes, Glory!

Buffy is clearly no match for her. Glory hauls her up by her coat and hurls her into the wall again.

GLORY

(to Buffy)
Hey! Hey, work with me here.

She drives her knee into Buffy's face.

GLORY

There! That feels more real. Don't ya think?

She picks Buffy up and smashes her in the face.

GLORY

Even if I do have to carry your performance.

She heaves Buffy across the room and into one of the reptile tanks, shattering the glass. Buffy lands, dazed, inside the tank.

GLORY

Scene!

Glory turns her attention to the trembling urn on the floor.

DREG

Sir hayyan win-hud!

GLORY

Arise... arise...

DREG

Sir hayyan win-hud!

GLORY

Arise!

With one final spasm, the jar explodes from within and a monstrous creature emerges. Ten feet in height, with the head and body of a cobra and arms like a man. It hisses and spits menacingly.

Dreg is awestruck.

DREG

He is arisen!

GLORY

(smiles)
'Bout damn time.
FADE OUT

ACT III

INT. SUNNYDALE ZOO-- REPTILE HOUSE-- DAY

Resume. Buffy pulls herself out of the display tank and runs out. Glory turns to the monstrous creature hissing in the center of the room.

GLORY

Spawn of Sobek!

The creature rounds on her and she smiles brightly.

GLORY

The power is yours, to see what is unseen, to find what is shrouded in shadow. Already you know what I seek. I have given you form. Now find for me the Key. Seek it out in the holy places. (the snake growls) Yes, yes, yes! Let your vision guide you to its hiding place and then return to me and tell me where it lies.

The creature doesn't move, just stands there hissing and drooling.

GLORY

Now would be good.

With a sibilant hiss, the demon turns and slithers out the door. Glory smiles and claps her hands, pleased.

GLORY

Fun, fun, fun!
CUT TO:

INT. THE MAGIC BOX-- DAY

Giles attends to a customer.

GILES

Aleister Crowley Sings? Sadly no, I don't carry that but I do have some very nice whale sounds.

Riley enters and approaches Giles and Xander.

GILES

(to customer)
Excuse me for a moment.

RILEY

Where is Buffy?

GILES

She left a while ago.

RILEY

What? Where?

XANDER

That creepy demon-woman's conjuring come kind of monster.

RILEY

And you let Buffy go after her? Alone?

GILES

"Let" isn't really a factor when she sets her mind to something and you know that.

Giles returns to his customer.

RILEY

(to Xander)
She could get herself killed. It's crazy.

XANDER

Yeah. Crazy. Going off alone, half-cocked, instead of waiting for much-needed backup. Charging in with a big old hand grenade... oh, wait.

RILEY

This is different.

XANDER

Yeah, it is. Buffy needs something she can fight. Something she can solve. I don't know what kind of action you're looking for. Do you? (off Riley's look) Hey, I'm not trying to get--

RILEY

It's cool.

XANDER

You okay?

RILEY

Just a little crazed.

XANDER

I hear ya.

Riley heads for the door.

RILEY

If... she needs me...

Xander nods and he walks out.

CUT TO:

INT. SUNNYDALE CATHOLIC CHURCH-- DAY

The Sobekite demon makes its way among the pews of the church, hissing spitting, searching for the Key.

CUT TO:

INT. THE MAGIC BOX-- DAY

The phone rings as Giles hands a customer her change.

GILES

(into phone)
Magic Box. Your one-stop spot to shop--

BUFFY

(o.s.)
Giles, it's me.

GILES

Buffy, are you all right?
BEGIN INTERCUT:

INT. SUNNYDALE HOSPITAL-- CORRIDOR-- DAY

Buffy presses an ice pack to her shoulder while she talks.

BUFFY

No, I'm really not. I couldn't stop her. I couldn't even slow her down.

GILES

Where are you?

BUFFY

Sunnydale Memorial.

GILES

Are you badly hurt? I'll come right over.

BUFFY

No. No, I just wanted to warn you that that thing she conjured-- it's loose. It's a big snake-thing. Not Mayor-big but it's pretty lethal-looking.

GILES

Do you know why she raised it?

BUFFY

I don't know yet.

GILES

I'll warn the others. We'll get weapons, we'll fan out--

BUFFY

Wait! Wait a second. What time is it?

GILES

Half-past four. Why?

BUFFY

School's out. Dawn's on her way over to you. Giles...

GILES

Understood. We'll keep her safe here until you arrive.

BUFFY

Thanks. And Giles?

GILES

Yes?

BUFFY

Dawn's kind of fragile right now, about Mom. She doesn't know how bad it is.

GILES

We'll not say a word.

BUFFY

Well, my mom's going to wake up soon and I should be there when the doctors tell her.

GILES

She's in good hands, Buffy. There's really nothing else you can do.

BUFFY

Okay. Bye.

GILES

Bye.
END INTERCUT

Buffy hangs up the phone and makes her way stiffly down the corridor toward the waiting room.

CUT TO:

INT. WILLY'S DEMON BAR-- NIGHT

Riley sits at the bar, drinking alone.

DISSOLVE TO:

INT. SUNNYDALE HOSPITAL-- WAITING ROOM-- NIGHT

Buffy sits alone, waiting for her mother to wake up.

DISSOLVE TO:

INT. THE MAGIC BOX-- NIGHT

Dawn sits at the reading table alone, her homework in front of her but her mind elsewhere.

DISSOLVE TO:

INT. WILLY'S DEMON BAR-- NIGHT

SANDY, a beautiful brunette vampire, approaches Riley and sits down next to him.

DISSOLVE TO:

INT. SUNNYDALE HOSPITAL-- JOYCE'S ROOM-- NIGHT

Buffy sits with her mother as Dr. Isaacs delivers the results of her biopsy. Joyce is devastated but tries to put on a brave front for Buffy's sake.

DISSOLVE TO:

EXT. WILLY'S DEMON BAR-- ALLEY-- NIGHT

Riley and Sandy embrace. She nuzzles his neck, then looks up at him, the demon in her ascendant.

Riley bares his neck for her and she gently slips her fangs into his flesh, drinking deeply. Riley holds her there, a look of pleasure drifting across his features.

Suddenly, Sandy breaks off, a look of shock in her eyes, before she crumbles to dust, leaving Riley alone in the alley with nothing but a stake in his hand and his troubled thoughts.

CUT TO:

EXT. SUNNYDALE PARK-- CAROUSEL-- NIGHT

The Sobekite approaches the carousel. It stops at the park bench where Dawn and Riley were sitting earlier. Its eyes flash a demonic red and it bolts off into the night.

CUT TO:

EXT. THE MAGIC BOX-- NIGHT

Buffy walks down the sidewalk, lost in thought. She pauses for a moment, then enters the store.

CUT TO:

INT. THE MAGIC BOX-- NIGHT

Dawn stands up as Buffy enters and the two sisters embrace.

DAWN

Is she awake yet?

BUFFY

Yeah. She's waiting for us.

DAWN

Can we take her home now?

BUFFY

We'll see. Go get your stuff.

Dawn goes to the reading table to gather up her things. Buffy turns to Giles and Willow.

BUFFY

So... any monster reptile sightings?

GILES

None.

WILLOW

Tara and I did a mini-patrol earlier but the biggie snake was nowhere to be--

The picture window at the front of the store shatters in a hail of glass as the Sobekite crashes into the store with a guttural hiss. It slams a bookshelf over on top of Buffy, pinning her to the floor and heads directly for Dawn.

Terrified, Dawn screams for her life but the creature does not attack. It merely stares at her as if marking her in its memory, then turns and shoots back out the broken window and into the street.

FADE OUT

ACT IV

INT. THE MAGIC BOX-- NIGHT

Resume. Xander rushes over to Dawn.

XANDER

Are you okay?

WILLOW

(to Tara)
Why was the big snake afraid of Dawn?

Giles helps Buffy up.

BUFFY

(to Giles; worried)
It knows.

She turns and runs out of the store after it. Giles hesitates a moment, then follows her.

CUT TO:

EXT. SUNNYDALE STREETS-- NIGHT

The Sobekite slithers down the center of the street, frightened pedestrians fleeing before it.

Buffy races after it on foot while Giles runs off in the opposite direction.

Buffy chases the snake at top speed but the creature is too fast for her. She looks back at the sound of an approaching car to find Giles pulling up behind her in his BMW. She gets in and he punches the accelerator, resuming the chase.

The snake uses its tail to whip a garbage dumpster into their path. Giles swerves to avoid it and slams into a pile of stacked garbage.

BUFFY

I've got to stop this monster before it gets back to Glory.

GILES

Glory?

BUFFY

That's what he called her. Giles, she's going to know Dawn's the Key if we don't--

GILES

We will.

He slams the car into reverse, pulling free of the dumpster, and takes off after the cobra again.

CUT TO:

INT. GLORY'S CONDO-- NIGHT

Glory pelts Dreg with shoe boxes.

DREG

Please! Please, mistress. Perturbed yet ultimately merciful one! Please, no!

GLORY

What is taking so long, Dreg? You told me snaky-waky would find my Key! Now why isn't he back here with a beautiful message for me?

DREG

I grovel like a bug, most silky and effervescent Glorificus.

She throws more shoe boxes at him.

DREG

Glory! Glory! Your most fresh and cleanness, it's just a matter of time.

GLORY

Everything takes time! What about my time? Does anyone appreciate that I'm on a schedule here? Tick-tock, Dreg. Tick- frickin'-tock!
CUT TO:

EXT. SUNNYDALE STREETS-- NIGHT

The cobra shoots down a residential street with Giles in hot pursuit. It smashes through a chain-link fence and darts off into the underbrush.

The BMW pulls up and Buffy hops out.

CUT TO:

EXT. SUNNYDALE PARK-- NIGHT

Buffy chases the snake into a small wooded park, running for all she's worth to catch it. She snatches a length of chain from a gate post as she goes.

As the snake slithers between several boulders, Buffy charges up the side of one of the rocks and launches herself onto the demon's back, wrapping the chain around its throat from behind and pulling it tight.

The creature bucks and writhes with rage and pain, trying to throw her off, but she holds on tight, choking the life from it. Its struggles become weaker and weaker until they finally stop altogether and the beast goes limp. Buffy lets the chain go slack and it falls to the ground. Suddenly, the cobra springs back to life and knocks her to the ground.

Buffy jumps to her feet and delivers a vicious blow to its head, stunning it, then pins it to the ground and rains blow after blow down on the hapless monster until it is dead. Still, she doesn't stop; she continues hitting it over and over again, her pent-up emotions spilling out in cathartic release.

Pull back to reveal Glory's condo sitting on a hill in b.g.

CUT TO:

INT. GLORY'S CONDO-- NIGHT

Glory waits by the window for the cobra's return. Eventually, she gives up and lets the drapes fall back across the window.

CUT TO:

INT. SUNNYDALE HOSPITAL-- JOYCE'S ROOM-- NIGHT

Buffy stands by her mother's bed.

BUFFY

Do you want me to stay?

JOYCE

No, I'm fine. I think I should talk to Dawn alone.

BUFFY

Okay.

JOYCE

Oh! Do I have bad hair? I don't look like Scary Mom, do I?

BUFFY

No. You look beautiful.

Buffy and her mother share a heartfelt moment, then Joyce takes a deep breath.

JOYCE

Okay. Let's do this. Stay close.

BUFFY

I will.

Buffy goes to the door and lets Dawn in, then retreats to the hall.

INT. SUNNYDALE HOSPITAL-- CORRIDOR-- NIGHT

She watches a moment as Dawn and Joyce embrace, then turns as Riley approaches.

RILEY

Buffy... you okay? You look pretty beat up.

Buffy's eyes brim with tears.

BUFFY

Minimal damage of the fighting kind. It's all the other kind.

RILEY

Come here.

He pulls her close and holds her.

RILEY

It's okay. Just let it out. I'm right here.

BUFFY

I can't.

She withdraws from him.

BUFFY

Not now. They need me. If I start now, I won't be able to stop.

Riley reaches up to wipe away her tears.

JOYCE

(o.s.)
Buffy?

Buffy turns and goes to her mother without another word, leaving Riley alone once again.

FADE TO BLACK
END