I Was Made To Love You

[Transcript of "Buffy The Vampire Slayer" episode I Was Made To Love You at buffyology.com.]

Prologue

INT. THE MAGIC BOX-- TRAINING ROOM-- DAY

BUFFY takes out her Spike frustrations on a punching bag while GILES watches in the b.g.

BUFFY

Spike! Spike wants me. How obscene is that?

GILES

Well, it is very strange. I can't imagine what he's thinking. Not that you're not... attractive.

BUFFY

I feel gross, you know, like dirty.

More punches.

GILES

That's ridiculous. You can't be responsible for what Spike thinks or feels.

BUFFY

Well, aren't I responsible? I mean, something about me had to make him feel that, right? Something that made him say, "Woof, that's the one for me!"

Her blows become more violent. She finishes by delivering a vicious knee-kick to her target.

GILES

Buffy, I think you should perhaps calm down.

XANDER

Me, too.

Reveal that Buffy's punching bag is actually XANDER in a huge padded suit and fencing mask.

BUFFY

Oh! Puffy Xander, I'm sorry. I got... guess I got carried away. Are you okay?

XANDER

I'm alive. I can tell because of the pain.

BUFFY

Do you want to sit down?

XANDER

I'm not that bendy. (points at the wall) I could lean.

GILES

I'll get some ice.

Buffy helps Puffy Xander waddle over to the wall and lean against it.

BUFFY

Here. Comfy?

XANDER

Oh, yeah. This leaning? This is the stuff.

BUFFY

That's my secret to attracting men. You know, it's simple really. You slap 'em around a bit, you torture 'em, you make their lives a living hell--

XANDER

Buff...

BUFFY

--and sure, the nice guys, they'll run away, but every now and then you'll meet a real prince of a guy like Spike who gets off on it.

XANDER

Buffy... stand me up.

Buffy helps him stand up straight. He loses his balance and tips toward Buffy, who puts her hands out to stabilize him.

XANDER

The problem is not you. Don't do this to yourself, please.

BUFFY

It's just... I just want to know that there's going to be another good one. One that I won't chase away.

XANDER

There will be. Promise. He's out there. He could come along any minute.

BUFFY

Yeah, and the minute after that I can terrify him with my alarming strength and remarkable self-involvement.

XANDER

What? I don't think you're like that.

BUFFY

Maybe I could change. You know, I could! I could work harder. I could spend less time slaying. I could laugh at his jokes. I mean, men like that, right? The joke-laughing-at?

XANDER

Or maybe you could just be Buffy. He'll see your amazing heart and he'll fall in love with you.

Buffy smiles at him, touched.

BUFFY

Xander, that's... aw!

She wraps her arms around Xander and rests her head on his huge chest.

XANDER

This is the day you choose to hug me? (beat) Buffy?

BUFFY

Mmm?

XANDER

You ever think maybe the reason you haven't found a great relationship on the Hellmouth is because it's a Hellmouth? Seems to me it's a pretty terrible place to try to build anything.

Buffy closes her eyes, enjoying the peace.

BUFFY

Mmm.
CUT TO:

EXT. SUNNYDALE STREETS-- BUSINESS DISTRICT-- NIGHT

A car turns the corner and pulls to the sidewalk. The passenger door opens and APRIL, a very attractive young woman, gets out and closes the door. She leans in to the DRIVER of the car.

APRIL

Thank you for picking me up. I'm very grateful for the ride.

DRIVER

You sure you want to get out here? I mean, this place is kinda... what are you looking for in Sunnydale, anyway?

April's face lights up in a beatific smile.

APRIL

True love.

Opening credit sequence.

ACT I

INT. SUMMERS HOME-- LIVING ROOM-- DAY

JOYCE stands before Buffy and DAWN, modeling a black evening gown. She spins around for them.

BUFFY

I might like it more than the others. Can you spin around again?

She does and Buffy smiles.

DAWN

Oh, I'm not sure. Once more.

Joyce spins again, smiling at them.

BUFFY

Now could you go the other way?

Joyce starts to spin, then stops and looks at them, suspiciously.

JOYCE

You're messing with me!

Dawn laughs.

BUFFY

We just wanted to see how many times we could get you to do it.

DAWN

Was that five or four and a half?

JOYCE

So is anyone going to talk about my dress?

DAWN

I like it.

JOYCE

You sure? I mean, it's not too mom-ish?

DAWN

Oh. That was why I liked it.

BUFFY

You're both crazy. It's not mom-ish at all. It's sexy. It screams, "Randy sex kitten, buy me one drink and I'll..." (beat) Oh, wait. That's not really good either.

Dawn hastily agrees.

JOYCE

Oh, god. What time is it?

Buffy checks her watch.

BUFFY

Four twenty-three. You have lots of time until seven. Vast acres of time in which you could plant crops. Now tell me about this Brian and what his intentions are.

DAWN

Maybe he's a gigolo. Was his shirt all shiny?

JOYCE

No! He works for a publishing house. He's a nice normal guy, okay?

BUFFY

I think I've heard of those.

JOYCE

He came to the gallery... my first day back, when I was, you know, kinda shaky, starting over. And he asked a question about these antique cameos and I was so lost because Carol had been doing the ordering while I was sick. Well, it turned out that he didn't know anything about them either, so we had a lot to talk about.

DAWN

(smiles)
So what's the plan for tonight?

JOYCE

(anxious)
Dinner and then a movie. (frowns) Or maybe it was a movie and then dinner, which might be better because, you know, then we could talk about the movie. Or maybe a movie isn't a good idea at all because, well, you know, you can't talk during and then, you know, what's the point of any of it? Oh, and about the restaurant. Do you think that it should be one with candles and romantic music or is that pushing it? Buffy, what do you think? Should I, you know, try to make things romantic or... sorta let him set the pace?

Buffy shakes her head and stands up.

BUFFY

Oh, no. Love Doctor Buffy is not in. I am not qualified to give dating advice. I've had exactly two boyfriends and they both left. Really left. Left town left.

JOYCE

Honey, you just had some bad luck.

DAWN

(to Buffy)
Well, you're going to that spring break party tonight. Maybe you'll find someone there.

BUFFY

Or maybe Brian has a son and Mom and I can go on some unspeakably awkward double dates.

JOYCE

Oh, god... Brian. What time is it now?

BUFFY

Four twenty-four.

JOYCE

(nervous)
You sure the dress is okay?

DAWN

Hmm. Spin again. Real fast this time.
CUT TO:

EXT. UC SUNNYDALE-- CAMPUS COMMONS-- DAY

TARA and ANYA walk together through the UC Sunnydale campus.

TARA

Willow's good at all that computer stuff but me not so much. Do you really understand all that?

ANYA

Oh. Well, at first it was confusing. Just the idea of computers was like, "Whoa, I'm eleven hundred years old." I had trouble adjusting to the idea of Lutherans.

TARA

I go online sometimes but everyone's spelling is really bad and it's... depressing.

ANYA

But you have to try online trading. It's great! The secret is avoiding the tech companies everyone was jumping on and going with the smaller firms that supply the basic components.

TARA

Uh-huh.

ANYA

Anyway, I took the money from working for Giles and I tripled it.

TARA

Tripled? Like first money, then money money money?

ANYA

Yes. I'm thinking about buying something very expensive. Maybe an antelope.

The girls stop as April approaches them, a pleasant smile on her face.

APRIL

Hi.

Anya and Tara look at each other, unsure what to make of such forthrightness.

ANYA

Hi.

APRIL

I'm looking for Warren. Do you know where Warren is? And if you do, could you tell me?

TARA

I don't think we know a Warren.

Anya shakes her head.

APRIL

Well, all righty. No harm in asking. Thanks!

She walks off, still smiling and approaches the next person she meets in the same way.

APRIL

(to student)
Hi, do you know Warren? I need to find him.

STUDENT

Uh, sorry.

Tara and Anya resume walking.

TARA

You can do all this stuff with a regular computer?

ANYA

I'll show you. You can also see the web site I designed for the magick shop. Huge photo of me.
CUT TO:

INT. UC SUNNYDALE-- STUDENT CENTER-- NIGHT

A raucous party is in full swing. Music, decorations, lots of drinks, lots of people moving around, talking. BEN stands by the punch bowl, chatting with a couple of people. Buffy and Xander are dancing.

XANDER

How you doing? Having o' the fun?

BUFFY

You know, I am. Dancing with you is way better than trying to hook up with some good-looking guy.

XANDER

I think I liked it better when you were kicking me in my puffy groin.

Pan over to Tara, WILLOW and Anya sipping punch and watching Xander and Buffy.

ANYA

I let them do that. Dance together. That was me.

TARA

Very nice of you.

WILLOW

A good deed.

ANYA

Yes. I'm expecting a big karmic reward any second now.

The song ends and Xander bows to Buffy.

BUFFY

Thank you.

As Xander walks off, Buffy spots Ben still standing by the punch bowl, talking to someone. The other person leaves and Ben looks around, uncomfortable.

Buffy walks over to him and leans against a nearby pillar, pretending not to see him. Ben turns toward her and notices her.

BEN

Buffy...

BUFFY

(feigned surprise)
Ben! Hey. I didn't even know you were here. And again with the non-medical clothing.

BEN

Well, actually, these are orthopedic pants. (off her look) Man, that sounded so funny in my head.

Buffy laughs naturally, then completely over-compensates with a loud fake laugh. Ben is taken aback.

BUFFY

It's very, very funny. It's funny in my head, too.

BEN

(nods)
You having a good time?

BUFFY

Yeah, I am. I was dancing earlier and, you know, my friends are here so... but I mean, not that it's all about me. Are you enjoying yourself?

BEN

I am now.

BUFFY

So... do you maybe... want to dance?

BEN

(nervous)
I'm not really good. You know, rhythm. (off her look) Sure. I'd love to. (re: his drink) Let me just dump this. I'll be right back.

BUFFY

Okay.

Ben moves off leaving Buffy by herself for the moment.

CUT TO:

Xander and Anya investigate the munchies. Anya is amazed by the Chex Mix.

ANYA

Look at these tiny grain patties. They're woven. That's craftsmanship.

XANDER

They aren't hand-woven, you know.

ANYA

Then how?

XANDER

Well, it's a machine and it's... it sorta... it presses.

He's suddenly distracted by something across the room. Reveal April walking into the party, smiling happily.

XANDER

And there may be a mold of some sort... who's that?

April looks around the room.

APRIL

Warren?

One of the guys in the crowd looks up nervously. He's the WARREN that April is seeking.

ANYA

(to Xander)
Oh, that girl. Tara and I met her.

As Anya talks to Xander, Warren quickly slips away.

ANYA

She speaks with a strange evenness and selects her words a shade too precisely.

XANDER

Well, some of us like that kind of thing in a girl.

Anya smiles happily at him.

APRIL

Warren?

Warren moves quickly through the crowd, taking his girlfriend KATRINA by the hand.

KATRINA

Hi, did you get me a drink?

WARREN

We gotta go. She's going to see me.

KATRINA

She who? What's up, Warren?

WARREN

It doesn't matter. Come on.

He pulls her toward the door.

April approaches random partygoers.

APRIL

Is Warren here?

Willow walks up to Anya and Xander.

WILLOW

(to Anya)
I thought you were getting the crunchies.

ANYA

Xander got hypnotized by the strange girl. I am remaining calm, however.

XANDER

No, I'm right with you. You don't know what you're talking about. (sotto; excited) Here she comes.

April approaches them, her smile plastered to her face.

APRIL

I heard that Warren was here. Is Warren here?

XANDER

Warren who?

APRIL

He's... Warren and he's looking for me. He lost me.

She walks away as Tara comes back with punch.

TARA

It's that girl again. Is she still looking for Warren? Weird, it's been like all day.

WILLOW

There's something strange about her. She talks funny.

ANYA

Some men find that appealing.

TARA

I just hope she finds him.

XANDER

Somehow I don't think a girl that looks like that's going to be lonely for too long.

Willow looks at April appreciatively.

WILLOW

Definitely not.

Willow grins, then notices Tara, who frowns and folds her arms.

WILLOW

Oh, not me. I was just saying, a pretty girl like that, there's always someone lurking around, looking for some action.

Tara's not buying it. She shoots Willow a playfully nasty look.

CUT TO:

Buffy stands alone, waiting for Ben to come back. Suddenly, SPIKE appears next to her. He smirks, looks her up and down, and just stands there until Buffy notices him.

SPIKE

Small world. (off her glare) Oh, dear. If looks could stake. You having fun, pet? You... trolling for your next ex? I gotta say, you can do better.

BUFFY

I told you, I wa--

SPIKE

Thought I was going to leave town? It's a free country. Free party. If you want me to leave, you can put your hands on my hot, tight little body and make me.

He leers suggestively at Buffy and she turns away, disgusted.

BUFFY

Get away from me.

Spike decides not to push it and saunters off as Ben comes back.

BEN

Was that guy bothering you? Should I offer to get inappropriately violent or something?

BUFFY

(smiles)
No.

BEN

Good, 'cause honestly, I don't want to.

Spike watches Buffy and Ben chatting from across the room, his jealously mounting.

BUFFY

So are you ready to dance?

BEN

First...

He holds up a small piece of paper.

BUFFY

What's that?

BEN

My phone number. I was going to try to subtly work it into the conversation but it didn't pan out and I thought I should try to give it to you before you see me dance.

He holds it out and Buffy takes it with a grin.

BEN

You know, in case you want to get coffee.

BUFFY

Thank you. I just... I think you should know that I... (sighs) I kind of have this bad history in which, you know, we go get coffee and, well, it all ends with you leaving town and you just got here and everything...

BEN

Apparently we'd be risking a tragic chain reaction but... I just really like coffee. I think coffee might be worth it. And I would like to get to know... coffee better.

BUFFY

(smiles)
Then I'll call you.

Annoyed, Spike walks off. He comes upon April talking to another girl.

APRIL

Have you seen Warren?

GIRL

No, sorry.

SPIKE

(to April)
And who are you, darlin'?

APRIL

I'm April.

Spike looks over at Buffy talking to Ben.

APRIL

I'm looking for my fella.

SPIKE

Maybe you just found him.

APRIL

(excited)
Really? Where?

Spike grins, leans in, and whispers in her ear. April's smile disappears and she seizes Spike by the front of his shirt and lifts him over her head.

SPIKE

Hey! Hey! Hey!

Buffy and Ben and the rest of the party-goers stare at April and Spike in amazement.

APRIL

That would be wrong. You are not my boyfriend!

She hurls Spike through a picture window and out onto the lawn.

FADE OUT

ACT II

INT. UC SUNNYDALE-- STUDENT CENTER-- NIGHT

Resume. Spike stands up, broken glass falling all off of him. He looks around himself in disbelief than back inside at April, furious.

SPIKE

Bloody hell! You threw me through a window! What's that about?

APRIL

You do not make those suggestions to me. I have a boyfriend. Warren is my boyfriend.

SPIKE

You know what? My bleeding sympathies to Warren.

Spike stalks off, seething. April turns away from the window and the onlookers move back a bit.

APRIL

No one but Warren can touch me.

She starts to leave but Buffy intercepts her.

BUFFY

Excuse me. Hi. Maybe you and I could talk. You know, 'cause, throwing Spike through a window, (beat, smiles) well, that's really good... but, you know, generally speaking--

APRIL

Do you know my boyfriend?

BUFFY

Okay. I think you need to take a second and stop looking for your boyfriend.

April seizes Buffy by the shoulders and hurls her backward. She lands hard on the floor and holds her arm in pain.

APRIL

I have to find him.

April walks over to Buffy and smiles down at her.

APRIL

If I hurt you just now, I'm sorry. And I hope that your boyfriend will take good care of you.

April leaves as Ben, Xander, Willow, Anya, and Tara rush over to Buffy.

CUT TO:

INT. UC SUNNYDALE-- STUDENT LOUNGE-- NIGHT

Buffy paces, still clutching her arm in pain. The gang is gathered around her, concerned.

BUFFY

Ow. I don't know about you guys but I've had it with super- strong little women who aren't me.

TARA

Well, at least she didn't do too much damage.

XANDER

Are you kidding? Double-glazed windows ain't cheap. And the jamb needs to be completely repaired. (beat) Oh, dear god, I'm the grownup who sees the world through my job. I'm like my Uncle Dave, the plumber. I must be shunned.

WILLOW

Okay.

BUFFY

So what do you guys think she is? I mean, this may sound nuts but I kinda got the impression that she was a--

TARA

Robot.

Everyone nods in complete agreement.

XANDER

Oh yeah. Robot.

BUFFY

Yeah, I was going to say robot. What do you think she wants?

TARA

Warren. Whoever that is.

XANDER

It's gotta be the guy that built her.

WILLOW

It's an unusual name. There's hardly any except... Warren Beatty and, you know, President Harding. It's probably not either of them.

BUFFY

Will, can you track down this guy with only a first name?

WILLOW

(nods)
Given enough time. I can get a list of the Sunnydale students named Warren tonight but... then we'll have to call them or go to their dorms, so we probably can't start narrowing it down till tomorrow.

ANYA

She could do a lot of damage by then.

XANDER

To who? Spike? See how vigorously I don't care. She was looking for this Warren but it didn't sound like she wanted to hurt him. She said he's her boyfriend.

WILLOW

I agree. I'm not sure this is a Code Red. Hey, is there a Code Pink? We need more codes.

BUFFY

Okay. We'll track down Warren tomorrow. Tonight I better go rescue Giles. He's been watching Dawn while my mom's out on her date and I have a feeling there's only so much he can take.

TARA

Oh, Giles and Dawnie? I bet they ended up having a blast.
CUT TO:

INT. SUMMERS HOME-- FOYER-- NIGHT

Giles stands with Buffy at the front door, happy to be leaving for the night.

GILES

Dear god, Buffy, there's only so much I can take. We're going to have to change the system. A fourteen-year-old's too old to be babysat and it's not fair on her.

BUFFY

(grins)
What'd she make you do?

GILES

Well, we listened to aggressively cheerful music sung by people chosen for their ability to dance... then we ate cookie dough and talked about boys.

BUFFY

(laughs)
I'm sorry. I'm very, very sorry... but if it makes you feel any better, my "fun time Buffy party night" involved watching a robot throw Spike through a window, so if you want to trade... (beat) No, wait... I wouldn't give that memory up for anything.

GILES

A robot? Sounds interesting.

BUFFY

We're going to work on it in the morning. I mean, unless you want to stay for a while and then you and I could--

Joyce appears behind Giles, arriving home with an elated smile.

JOYCE

Who wants to hear everything?

BUFFY

--listen to my mom talk about boys.

GILES

Right, must go. See you tomorrow. Bye, Joyce.

JOYCE

Bye, Rupert.

Joyce closes the door behind Giles, then turns and gives Buffy a huge smile.

JOYCE

Gosh, I'd forgotten how much fun dating can be.

BUFFY

I don't know. I was standing right here. I didn't see Prince Charming. I didn't even see a goodnight kiss.

Joyce smiles and walks past Buffy to put her purse down.

BUFFY

It all looked pretty tame to me.

JOYCE

Well, I suppose by your standards it could seem pretty... (beat) Oh, dear...

BUFFY

What?

JOYCE

I left my bra in his car.

Buffy's eyes go wide, horrified.

BUFFY

Mother!

JOYCE

I'm joking.

BUFFY

Good god, that's horrible. Don't do that.

JOYCE

I left it in the restaurant.

Buffy puts her hands over her ears and starts running up the stairs.

BUFFY

No more! No more! No more!

JOYCE

(yelling after her)
On the dessert cart!

BUFFY

(o.s.)
I can't hear you!
CUT TO:

EXT. SUNNYDALE-- RESIDENTIAL NEIGHBORHOOD-- NIGHT

April stands on the front porch of a house, knocking on the door. The porch light comes on and a very sleepy man opens the door.

RESIDENT

Yeah? What?

APRIL

Hi! Does Warren live here?

RESIDENT

What the hell... what are you doing? It's 3:30!

APRIL

(big smile)
Yes, it is! Does Warren live here?

The guy shoots her an angry look and slams the door in her face.

APRIL

Okay, then. Bye.

She walks down the steps, across the lawn, and over to the next house on the street. She knocks on that door as well.

CUT TO:

INT. THE MAGIC BOX-- DAY

Buffy and the gang are gathered around Willow while she performs her computer magic.

GILES

(to Buffy)
And you're certain she was a robot?

BUFFY

Absolutely.

TARA

Well, she practically had "Genuine Molded Plastic" stamped on her ass. (off Willow's shocked look) Just tryin' a little spicy talk.

ANYA

She was looking for someone named Warren.

BUFFY

Willow's already checked the Sunnydale enrollment.

WILLOW

And got nothin'. I found one Warren but he moved out of the country a year ago. I'm checking nearby schools.

XANDER

Whoever he is, he knows his stuff. That girl, well... that was a nice-looking girl.

ANYA

It's okay for him to say that because I know that he really loves me only.

Xander smiles and takes Anya's hand.

GILES

Is there something the rest of us could be doing?

XANDER

What can we do?

TARA

Oh, do you have any books on robots?

GILES

Oh, yes, dozens. There's an enormous amount of research we should do before... no, I'm lying. I haven't got squat. I just like to see Xander squirm.

XANDER

Funny. Charming and funny.

WILLOW

Hey! I think I found him. A Warren Mears. He went to Sunnydale High with us for a semester and then he went to the tech college over in Dutton. I've got a local address where his folks still live.

She writes it down for Buffy.

TARA

He's probably home for spring break.

BUFFY

Well, I'll go talk to him.

GILES

No, wait. We don't know what you're walking into. We have no idea what his motive is for building this thing.

TARA

Um... don't you think she's just...

WILLOW

Yeah, she's just sort of a...

XANDER

She's a sexbot. (to Giles) I mean, what guy doesn't dream about that?

Disgusted, Giles goes to help a customer.

XANDER

(wistful)
Beautiful girl with no other thought but to please you... willing to do anything...

He comes out of his reverie to find Buffy, Tara, Anya and Willow staring at him like he's a particularly vile type of mold. He laughs nervously.

XANDER

Too many girls. I miss Oz. He'd get it. He wouldn't say anything but... he'd get it.

ANYA

Why would anyone do that if they could have a real live person?

WILLOW

Maybe he couldn't. Find a real person.

BUFFY

Oh, come on. The guy's just a big wedge of sleaze. Don't make excuses for him.

Giles finishes helping the customer and returns to the table.

WILLOW

I'm not. I'm just saying people get lonely and maybe having someone around, even someone you made up... maybe it's easier.

TARA

But it's so weird. I mean, everyone wants a nice normal person to share with but this guy, if he couldn't find that, I guess it's... kinda sad.

Buffy looks away, feeling the sting of their words.

CUT TO:

INT. THE MAGIC BOX-- TRAINING ROOM-- DAY

Buffy enters the workout room, looking down at the piece of paper with Ben's phone number on it. She sighs, picks up the phone, puts it down, picks it up again.

CUT TO:

INT. GLORY'S MANSION-- BEDROOM-- DAY

GLORY gasps, struggling for breath, a light sheen of sweat on her forehead. The phone begins to ring as Glory's face and body suddenly shift and she becomes Ben. He gasps, trying to catch his breath just like Glory was. He looks around, confused for a moment, then picks up the phone.

BEN

Hello?
INTERCUT WITH:

INT. THE MAGIC BOX-- TRAINING ROOM-- DAY

BUFFY

Hey. Ben. It's Buffy. Is this a bad time? I know it's kinda early.

BEN

No, I just... I just got in is all. Night shift at the hospital. I'm glad you called.

BUFFY

Well, I found your number in my pocket and, you know, figured I'd pick up the phone a couple of times and then hang up and then finally call and see if maybe you wanted to get that cup of coffee or...

BEN

Yeah... yes. Coffee would be great. Tomorrow night? Sure. Bye.
END INTERCUT

He hangs up the phone, smiling, then puts his hands on his hips, frowns and looks down at himself.

Wide shot of Ben standing in the middle of the bedroom wearing a short, strapless, skin-tight red dress.

BEN

(annoyed)
Fine.
CUT TO:

INT. WARREN'S HOUSE-- DAY

Warren stuffs piles of clothing into a bag as Katrina anxiously watches.

KATRINA

But we just got here. If you don't want to be here, why didn't we just stay in Dutton? Or we could have gone to my sister's.

WARREN

Katrina, I don't want to hear about your sister's place again. Pack your stuff now.

KATRINA

Why the rush? It's real early. Are we even going to say goodbye to your mom?

WARREN

You can call her.

KATRINA

Warren. Is something going on you don't want me to see?

WARREN

Katrina, if you don't want to pack, that's fine. We can buy new stuff. Now let's just go!

He grabs the bag and Katrina's hand and pulls her toward the front door.

Warren opens the door to find Buffy standing on the porch with her fist raised to knock.

BUFFY

(to Warren)
I have to talk to you.

KATRINA

(to Warren)
Who's this?

WARREN

(to Buffy)
Is this about her?

BUFFY

Yes.

KATRINA

Her who? Warren, something's going on here. Strange girls--

WARREN

Katrina, please be quiet, okay? This is important. Wait in the kitchen.

KATRINA

And I'm not important? Warren, just tell her to go away.

WARREN

I can't.

KATRINA

You're keeping secrets from me. Other girls and who knows what else?

WARREN

(frustrated)

Trina, shut up.

KATRINA

That's it. Forget it, Warren. I'm gone.

She pushes past Buffy and leaves.

WARREN

No, Katrina! Ahhh...

Buffy shrugs and walks inside.

BUFFY

My name is Buffy Summers. We were at Sunnydale High together. Do you know who I am?

WARREN

Yes, I know. April... did she hurt someone?

BUFFY

Not yet. (beat) Well, no one that matters.

WARREN

She's looking for me. You know, she followed me here.

BUFFY

Okay, kind of figured that out.

WARREN

No, there's more. There's something you need to know about her.

BUFFY

I know.

WARREN

No, wait, this is important.

BUFFY

Believe me, I worked it out.

WARREN

No, this is something that you can't possibly know.

Buffy folds her arms and nods for him to continue. Warren takes a deep breath and looks at Buffy gravely.

WARREN

She's a robot.

Buffy looks at him, bored with this.

BUFFY

Uh-huh.
FADE OUT

ACT III

INT. THE MAGIC BOX-- DAY

Willow, Dawn, Tara and Xander come out of the training room and into the store proper.

DAWN

A robot? Really? Was it Ted? 'Cause I always said there could have been more than one of him.

WILLOW

Nope, whole new robot. This one was a girl.

XANDER

(to Dawn)
Buffy's busy tracking down the guy that made her so I'll drop you off at school and if she's not finished, then--

Xander opens the front door and Spike charges through, covered by a flaming blanket.

SPIKE

Coming through! Coming through.

Everyone jumps backward as he barrels into the store. Giles and Anya rush forward as Spike drops the blanket on the floor and stomps out the fire.

SPIKE

Fire! Fire!

The others stare at the vampire in amazed shock as Giles steps forward.

SPIKE

Hello, all. What's going on then?

GILES

Spike, you're not welcome here.

WILLOW

(to Spike)

Yeah, and by the way, we're working on a way to de-invite you from here. (off his look) Even if it is a public place.

XANDER

Nah, forget it. Letting him in is good, 'cause then we get to toss him out.

ANYA

Oh, can we throw him out the window like the robot did? 'Cause that was neat.

SPIKE

Robot? That's what she was? Knew something wasn't right. (to Dawn) Hey. Someone's glad to see me, aren't you, lil' bit?

DAWN

Stay away from me.

Tara steps in front of Dawn protectively and crosses her arms.

TARA

I think you better go.

SPIKE

Okay now, I was afraid of this. Misrepresentations, misunderstandings, slurs and allegations. I don't know what Buffy told you but the thing is, the Slayer and I worked together, side by side, to get rid of Dru who was up to no good. And I don't mind telling you--

Giles steps up to Spike with quiet menace.

GILES

Spike... listen to me.

SPIKE

It's just... I'm trying to explain. She might have said some things that sounded like I expressed some kind of feeling--

Giles shoves Spike backward into a bookshelf.

GILES

(hard)
We are not your friends. We are not your way to Buffy. There is no way to Buffy.

Giles picks up the charred blanket and slams it into Spike's chest. He leans in close and looks Spike in the eye.

GILES

Clear out of here. And Spike... this thing? Get over it.

Spike stares at Giles for a moment, then his lip curls in a sneer.

SPIKE

I don't know what you mean.

GILES

Yes, you do. Move the hell on.

Spike takes in the group, one by one, receiving nothing but cold stares all around. He finally puts the blanket over his head and exits.

CUT TO:

EXT. THE ESPRESSO PUMP-- PATIO-- DAY

April approaches a group of four young men sitting at a table.

APRIL

I'm looking for my boyfriend Warren.

GUY #1

What?

APRIL

He comes from here and I need him. But... it's confusing and I've already walked a really long way. I'm sure he's nearby.

GUY #1

Oh, Warren! You're looking for Warren?

APRIL

Yes! Do you know him? Do you know where he is?

GUY #1

Man, let me think.

APRIL

Please think.

GUY #1

Geez, this is too bad. You just missed him.

APRIL

Yes? Where did he go?

GUY #1

Warren? He headed out. (points) That way. Hurry, you might catch him.

APRIL

(relieved sigh)
Oh, thank you. I was getting very tired. Thank you.

She hurries off and the guys watch her go appreciatively.

GUY #2

Who's Warren?

GUY #1

Hell if I know.

They all laugh, enjoying the joke.

CUT TO:

INT. WARREN'S HOUSE-- DAY

Buffy sits on the sofa while Warren paces.

BUFFY

So you have girl troubles. They're not talking to you, you're not gettin' dates... you start thinking, "Hey, this isn't fair."

WARREN

Yeah, I mean, I felt like I deserved to have someone. You know, everyone deserves to have someone.

BUFFY

So naturally you turned to manufacturing.

WARREN

Kinda.

BUFFY

And how long did it take to build yourself that little toy?

WARREN

Oh, no, she's not a toy. I mean, I know what you're thinking but she's more than that.

BUFFY

I'm sure she has many exciting labor-saving attachments.

WARREN

No, I made her to love me. I mean, she cares about what I care about and she wants to be with me. She listens to me and supports me. I didn't make a toy. I made a girlfriend.

BUFFY

A girlfriend. Are you saying... are you in love with her?

WARREN

I really thought I would be. I mean, she's perfect. I don't know, I... I guess it was too easy and predictable. You know, she got boring. She was exactly what I wanted and I didn't want her. I thought I was going crazy.

BUFFY

Really? You?

WARREN

Then something happened. Katrina was in my engineering seminar and she was really funny and cool. You know, she was always giving me a hard time. Real... unpredictable. She builds these little model monorails that run with magnets and... (beat) Anyway, I fell in love with Katrina.

BUFFY

Swell. Romance and magnetic trains. But first you decided to take April out of the box, play with her for five minutes, and then what? You got bored, decided to dump her, tell her to go away?

WARREN

Kinda.

BUFFY

And she got mad. She didn't go, huh?

WARREN

Okay, I didn't really dump her as much as I went out and didn't come back. I left her. I left her in my dorm room.

BUFFY

(angry)
You left her in your dorm room?

WARREN

Well, I figured I could just kinda get away until her batteries gave out. Which should have been days ago.

BUFFY

Did you even tell her? I mean, did you even give her a chance to fix what was wrong?

WARREN

I didn't need to fix anything. I mean, her batteries were supposed to run down. Really, they should be completely dead by now.

BUFFY

So why aren't they?

WARREN

I don't know. I mean, maybe... she must be recharging them somehow.

BUFFY

Warren, this is important. Is she dangerous?

WARREN

She's only programmed to be in love.

BUFFY

Then she's dangerous. Do you have any idea how to find her?

WARREN

Well, she's looking for me, so my guess is she's probably pretty close.
CUT TO:

EXT. SUNNYDALE PARK-- PLAYGROUND-- DAY

April intercepts Katrina who is still fuming from her argument with Warren.

APRIL

Hi!

Katrina stares, then tries to move around April. April blocks her path.

APRIL

Do you know where Warren is? I need to get to Warren.

KATRINA

This is getting insane. How many of you are there?

APRIL

There's only me. April.

KATRINA

April. Fine. (angry) Listen up, April. Warren is my boyfriend. Mine. And you others probably oughta figure that out.

April seizes Katrina by the arm.

KATRINA

Ow. Ow! Let go!

APRIL

Don't go. You have to stay and tell the truth.

April pulls Katrina toward her, turns her around and wraps her arms around Katrina. She locks her hands together over Katrina's stomach and squeezes. Katrina gasps for air.

APRIL

You're lying. He cannot be your boyfriend. Say that he's my boyfriend.

KATRINA

(gasps)
I can't... I can't breathe. Let go!

APRIL

You have to stop lying.

Katrina starts to pass out.

CUT TO:

INT. SPIKE'S CRYPT-- UNDERGROUND CHAMBER-- DAY

Spike dismantles his Buffy Shrine and angrily throws the pictures into a cardboard box. He grabs the blonde wig off of the mannequin and tosses it-- along with Buffy's blue cashmere sweater-- into the box as well.

SPIKE

Bloody right, I'll move on.
CUT TO:

EXT. SUNNYDALE STREETS-- DAY

Buffy and Warren walk along the street. Warren periodically calls out to April.

WARREN

April! April, are you there? (to Buffy) If the batteries are still working and she hears my voice, then she'll answer.

BUFFY

She's voice-activated?

WARREN

Well, I made it so that if she heard me and she didn't answer, it causes this kind of feedback.

BUFFY

Wait... if you call her and she doesn't answer, it hurts her? You're one creepy little dweeb, Warren.

WARREN

April!
CUT TO:

April hears Warren's voice and instantly responds.

APRIL

Warren!

Buffy and Warren turn and their eyes widen in shock.

WARREN

April.

Reveal April in the playground, holding Katrina off the ground by the neck. Katrina looks dead.

APRIL

(to Warren)
Where have you been? I couldn't find you and this girl kept lying to me and... then she went to sleep.
FADE OUT

ACT IV

EXT. SUNNYDALE PARK-- PLAYGROUND-- DAY

Resume.

WARREN

April, what did you do?

APRIL

Please don't be angry, Warren. I'm trying very hard to make you happy.

BUFFY

April. I want you to put the girl down.

APRIL

Warren? What should I do?

Warren hesitates.

BUFFY

(to Warren)
Talk to her!

WARREN

Pu-put her down!

APRIL

Okay.

WARREN

This is Buffy. Give Katrina to Buffy.

April lowers Katrina. Buffy and Warren carry Katrina to a nearby bench and lie her down.

APRIL

Is she broken?

Buffy feels Katrina's neck for a pulse.

BUFFY

She's alive.

APRIL

Warren, honey, what's going on? Why did you go away? Is it a game?

WARREN

No. No, this isn't a game.

APRIL

Did I do something wrong? I waited a long time and you never came back. A long time. I made you five sweaters.

WARREN

That's great. You could go back and get them. So you could wait there and--

BUFFY

Warren! You have to tell her. And do it right.

APRIL

What is she saying, Warren? What do you need to tell me?

WARREN

April, I made a mistake.

APRIL

(laughs)
You can't make mistakes.

WARREN

No, I did.

APRIL'S POV: Warren's face floats in a circle in the middle of a screen of flowing hierarchical menus.

BACK TO SCENE

WARREN

I thought that I made you everything that I wanted but it wasn't really what I wanted. I'm sorry, but it's over.

APRIL

But... I can be whatever you want. I love you. I'll do whatever you want. Would you like a neck rub?

She moves forward reaching for Warren's neck and he backs off.

WARREN

No, hey, no. See, I know that you love me but the truth is, I can't love you. I mean, it's not your fault but... I don't love you.

APRIL'S POV: The display blurs for a moment, then reappears with the locate_warren list. A red dot appears on the image of Warren's face and at the bottom of the screen in red letters the words COMBAT MODE ENABLED flash urgently. The display turns green and a shrill alarm begins to sound. Warren's face in the center of the display looks fearful.

BACK TO SCENE

WARREN

I love her!

He quickly dives out of her way and April focuses on Buffy behind him, sitting on the bench.

An inhuman growl emanates from within April.

BUFFY

She growls? You made her so she growls?

WARREN

Well...

April grabs Buffy and hurls her across the playground. She lands on the grass and stands up as April approaches.

April takes the see-saw and rips it in half. She swings the huge piece of wood at Buffy, who manages to grab onto it and they grapple. Buffy kicks April in the gut and she stumbles backward releasing the wooden beam. Buffy swings it at April who ducks out of the way. The wood slams down on the bench, awaking Katrina,

who sits up, aching and confused. Buffy swings again and connects with April's abdomen, tearing away her dress and exposing the complex circuitry within.

KATRINA

What's going on?

WARREN

No, no, Trina. Get away.

Katrina gets up and backs away from the fight.

Buffy swings the beam at April again and she grabs it, yanks it out of Buffy's hands, tosses it aside and punches Buffy, hard. Buffy flies backward and flips onto her back and up to her feet again in one fluid movement. She ducks a punch and lands one of her own on April.

KATRINA

What is... what... that's a robot!

WARREN

(defensive)

She wasn't just for sex.

KATRINA

Is that... is that your ex-girlfriend?

WARREN

I--

KATRINA

No! Get the hell away from me!

Katrina runs off and Warren dashes after her.

Buffy kicks April, who falls down in the sand next to the swing set. Buffy takes the swing chains and uses them for support while she kicks April in the face, then hits her with the swing itself. Unfazed, April seizes Buffy by the throat and lifts her off the ground as Buffy struggles and gasps for air.

APRIL

You took my man. I'm going to kill you. I'm going to... I can't... can't crush! So... tired.

April lets go of Buffy, who coughs and gasps for air.

APRIL

(anxious)
Warren? Where are you? What's happening to me?

Her hand slowly drops to her side with the sound of a machine powering down. Buffy watches with wonder.

CUT TO:

Later. Buffy and April sit on the swings, side by side. The swing chain is the only thing holding April upright.

BUFFY

Can you cry? Sometimes I feel better when I cry. But... there might be rust issues.

APRIL

Crying is blackmail. Good girlfriends don't cry.

BUFFY

Oh.

APRIL

I rechecked everything. I did everything I was supposed to do. I was a good girlfriend.

BUFFY

I'm sure you were.

APRIL

I'm only supposed to love him. If I can't do that, what am I for? What do I exist for?

BUFFY

I don't know. It isn't fair. He wasn't fair to you.

APRIL

It's getting dark.

Buffy looks around at the park bathed in sunlight.

APRIL

It's so early to be dark.

BUFFY

(sotto)
Yeah.

APRIL

What if he comes back and he can't find me in the dark?

BUFFY

I'm here. I'll make sure that he finds you.

APRIL

(smiles)
Maybe this is a girlfriend test. If I wait here patiently this time, he'll come back.

BUFFY

I'm sure he will. And he'll... he'll tell you how sorry he is. (beat) You know, he told me how proud he was of you and how impressed he was with how much you loved him and how you tried to help him. He didn't mean to hurt you.

APRIL

He's going to take me home and things will be right again.

BUFFY

It'll be fine.

April's words start to slur and slow as her batteries drain.

APRIL

When things are sad, you just have to be patient. Because... because every... cloud has a silver lining. And... when life... gives you lemons... make... lemonade.

BUFFY

Clouds and lemonade, huh?

APRIL

Yes. And... and... things are... always... darkest... before...

She stops, frozen with a smile on her face, her eyes open but seeing nothing. Buffy looks down pensively.

CUT TO:

INT. UC SUNNYDALE-- STUDENT CENTER-- DAY

Xander fixes the window shattered by Spike. He pushes small chips of wood beneath the bottom of the new window.

XANDER

See, you construct the wood jamb and frame the glass into it and that's what you set into the opening.

BUFFY

Yeah?

XANDER

One of the cool things about that, you see is the jamb can be shimmed to be square, even if the opening isn't.

BUFFY

Shimmed? Is that even a real word? Do you have any idea what you're talking about?

XANDER

Yeah, I do. (smiles) Scary, isn't it? I think I've actually turned into someone you want around after a crazed robot attack.

BUFFY

And if you ever start your own business, you have your slogan right there. (beat) And she wasn't crazed.

XANDER

Yeah?

BUFFY

She devoted everything to making this one person happy. And then it was like, with him gone, there was just... no reason for her to exist any more.

XANDER

Robots are the strangest people.

BUFFY

No, people are the strangest people. I mean, look at me obsessing about being with someone. It's like I don't need a guy right now. I need me. I need to get comfortable being alone with Buffy.

XANDER

Well, I'll say this: she's a pretty cool person to be alone with.

BUFFY

(smiles)
Thank you.

Xander turns back to his work as Buffy takes out the piece of paper with Ben's phone number on it.

CUT TO:

Later. Xander still works on the window while Buffy talks on a pay phone.

BUFFY

(into phone)
Hi, it's Buffy. I hope this is your machine. There wasn't a message. Anyway, about coffee. I just... I don't think this is the best time for me to be drinking...
CUT TO:

INT. GLORY'S MANSION-- BEDROOM-- DAY

Buffy's voice comes from the answering machine on the bedside table.

BUFFY

(on machine)
...coffee. I'm sorry. And... bye.

Pan across to Glory, listening in confusion.

GLORY

What the hell?

JINX appears behind her.

JINX

If I may, your inconceivableness, it sounds to these humble ears like our Ben tried to make a date with the Slayer.

GLORY

A date with the Slayer? No. No, he is planning something. He's working against me.

Glory frowns and looks down at the answering machine.

GLORY

She turned us down?
CUT TO:

INT. WARREN'S HOUSE-- DAY

Warren talks on the cordless phone while packing.

WARREN

Trina, no, wait, listen, listen, I'm so sorry. I guess I asked-- no, no, just give me a chance to explain. I... yes! No, but she-- no, no, listen, listen, I'll do anything, just-- no, no, don't hang up!

He sighs and hangs up the phone, then gasps in shock as he turns to find Spike standing behind him, holding his box full of Buffy stuff.

WARREN

How'd you get in here?

SPIKE

Your mum let me in. I'm placing an order.

WARREN

Oh, no. I'm not making any more girls.

SPIKE

Sure you are.

He shoves the box into Warren's hands.

SPIKE

Here's your specs. You're going to make her real good for me.
CUT TO:

INT. SUMMERS HOME-- FOYER-- DAY

Buffy walks in, calling out cheerfully.

BUFFY

Hey, Mom.

She turns to find a vase of flowers on the table beside the door.

BUFFY

Oh!

She opens the card which reads:

Thank you for a lovely evening. See you soon? Brian.

BUFFY

(to herself)
Still a couple of guys gettin' it right.

She puts down her jacket and turns to call up the stairs.

BUFFY

Hey! Flower-gettin' lady. Want me to pick Dawn up from school?

Buffy frowns and looks down the hall toward the kitchen.

BUFFY

Mom?

She turns and looks in the living room. Her mother is lying on the couch.

BUFFY

What are you doing?

She walks into the living room, then stops cold.

Joyce lies on her back on the sofa. One arm hangs loosely over the edge of the sofa. Her eyes are open, staring sightlessly at the ceiling. Dead eyes.

Buffy's voice trembles, the voice of a little girl lost.

BUFFY

Mom? Mom... Mommy?
FADE TO BLACK
END