Life Serial

[Transcript of "Buffy The Vampire Slayer" episode Life Serial at buffyology.com.]

Prologue

INT. SUMMERS HOME-- FOYER-- NIGHT

The front door opens and BUFFY enters holding a bucket under her arm. She tosses her keys on the side table.

BUFFY

(calls)
Hello?

WILLOW

(o.s.)
Buffy?

WILLOW's voice comes from the dining room and Buffy turns in that direction.

INT. SUMMERS HOME-- DINING ROOM-- NIGHT

BUFFY

Oh. Yep, it's me and I brought dinner. Deep fried chicken parts. Hope you're...

TARA, GILES, and DAWN sit around the table with Willow finishing their meal. Giles holds a half-full wine glass.

BUFFY

...hungry. You already ate.

GILES

No! Well, yes, obviously.

DAWN

We didn't know when you'd be coming back.

BUFFY

(shrugs)
It's okay. More for me.

Buffy puts the bucket of chicken on the table and sits.

TARA

I don't know about everybody else but I would love some chicken.

GILES

Yes. As would I.

DAWN

I'll take a drumstick.

WILLOW

I'm a breast girl myself. (to Tara) But then again, you knew that.

Giles frowns at the comment as they pass the bucket of chicken around the table.

DAWN

So...

BUFFY

What so?

DAWN

So how was it? Seeing Angel... him seeing you. Was it weird?

Buffy is clearly uncomfortable.

BUFFY

It was... intense.

WILLOW

Well, if you want to talk about it...

BUFFY

I don't. It's... not important. Past. I'd just rather keep this one to myself, if that's okay.

DAWN

Sure, whatever.

GILES

Buffy, there was some discussion in your absence about what you're going to do now. You know, your plans.

BUFFY

Oh, I've been giving that a lot of thought, actually. I think I've figured it out, what I should do.

WILLOW

That's good, that's good!

BUFFY

Yeah. I figure if I hold off paying the plumber, I can pay the utility bill and then I can wait to re-shingle the roof until we get the refund back--

GILES

I meant with your life.

BUFFY

Oh. Life plans. Well... I have no idea. I guess, well, I left school, you know, when Mom got sick but I always figured I'd go back and then she... (beat) So I was thinking about re-enrolling but I missed the registration cutoff. Busy being dead and all.

WILLOW

Well, if it's too late for late registration and too early for early, you can always come to classes with Tara and me.

TARA

Right. You can audit for the rest of the semester until registration.

BUFFY

Audit. I guess I could do that. Yeah, that sounds like a good plan. What do you think, Giles?

Giles nods rather half-heartedly.

CUT TO:

EXT. EVIL NERDS' GARAGE-- DAY

JONATHAN paces in front of the garage. He frowns sternly as he talks.

JONATHAN

The Slayer always knows what she's doing. Sharp. Decisive. Always with a plan. We're never going to become the crime lords of Sunnydale with her always one step ahead of us.

WARREN

Well, that's why we're throwing these tests at her, seeing which one of us can shake her up the most, maybe find a weakness or two.

WARREN lies on his back on a rolling platform. He rolls backward out from under a black van and looks up at Jonathan.

WARREN

She's ready.

JONATHAN

Sweet. Run me through it.

Warren gets up and opens the van's side door. It's completely filled with electronics equipment on both sides, also a bean-bag chair or two and a couple of wheeled computer chairs.

WARREN

We got nine high-resolution surveillance cameras hooked in, super-wide angle, infrared, auto-iris, plus six types of audio matrix monitoring that's filtered through a dual quad DVS system and a--

JONATHAN

Yeah, yeah, fine. Just tell me, are you sure with all of this stuff that we'll be able to watch Buffy without her noticing us?

WARREN

Absolutely. I mean, she'll never even know--

They move around to the other side and find ANDREW spray-painting a huge Death Star mural on the side panel.

WARREN

What the hell is that?

ANDREW

Death Star, dude! Wicked, huh?

JONATHAN

(derisive)
Thermal exhaust port's above the main port, numb-nuts.

ANDREW

For your information, I'm using the Empire's revised designs from Return of the Jedi.

JONATHAN

That's a flawed design!

WARREN

Guys! Okay, the thing is since we're messing with the Slayer-- who could pummel the three of us into a sludgy substance-- it might be a good idea for us to not draw attention to ourselves!

ANDREW

I could paint over it if you want.

WARREN

Yeah, well do that! Because this time tomorrow, the games begin. And the Slayer will never even know what hit her.

Opening credit sequence.

ACT I

INT. UC SUNNYDALE-- CORRIDOR-- DAY

Students mill in the corridors on their way to classes. Buffy walks with Willow and they enter a classroom.

INT. UC SUNNYDALE-- SOCIOLOGY CLASS-- DAY

BUFFY

This is going to be great. I thought it might be a little weird being back. I mean, it is weird but like a good kind of weird.

The classroom has long tables set up in a rectangle. They walk around the perimeter and find empty seats.

WILLOW

There's the teacher, Mike.

MIKE is dressed casually, writing on the blackboard.

WILLOW

You'll like Mike.

BUFFY

You call your teacher Mike? Boy, school sure has changed since my day.

Mike turns from the blackboard and addresses the class.

MIKE

Social Construction of Reality. Who can tell me what that is? (hands go up) Rachel?

RACHEL

A concept involving a couple of opposing theories, one stressing the externality and independence of social reality from individuals.

Buffy stares at Rachel like she's speaking Farsi.

MIKE

And the flip side? Steve?

STEVE

That each individual participates fully in the construction of his or her own life.

MIKE

Good, and who can expand on that? Chuck?

CHUCK

Well, those on the latter side of the theoretical divide stress...

BUFFY

(whispers; to Willow)
Will, I'm not following this too well.

WILLOW

Oh, the trick is to get in the rhythm, kinda go with the flow.

She raises her hand.

BUFFY

Flow-going would be a lot easier if your classmates weren't such big brains.

WILLOW

Buffy, that's ridiculous! They are no smarter than you or me.

MIKE

Willow?

WILLOW

Because social phenomena don't have unproblematic objective existences. They have to be interpreted and given meaning by those who encounter them.

MIKE

Nicely put. So Ruby, does that mean there are countless realities?

Buffy stares at Willow like she just grew a third eye.

WILLOW

What?
CUT TO:

INT. UC SUNNYDALE-- CORRIDOR-- DAY

WILLOW

You're not dumb. Just rusty.

BUFFY

Maybe I should ease back in with some non-taxing classes like Introduction to Pies or maybe Advanced Walking.

Tara joins them.

TARA

Hey! How'd it go?

WILLOW

She did fine! Sociology not a big fave.

TARA

She didn't like Mike?

BUFFY

No, look, it's fine. I just need to spend a little more time re- acclimating. You know, to get back into the swing of things.

A guy bumps Buffy as he walks past them. His hand brushes her clothing and leaves behind a tiny metal object. Buffy almost falls over but Willow and Tara catch her.

WILLOW

Hey! You could at least say sorry, rude-o!

TARA

Everybody's in a hurry.

The girls exchange an annoyed look and continue walking.

CUT TO:

The guy ducks around a corner. It's Warren. He looks up and sees a surveillance camera on the ceiling, turns away from it and speaks into the collar of his sweatshirt.

WARREN

Francis 7, this is Logan 5. I'm in position, do you copy?
CUT TO:

INT. EVIL NERDS' VAN-- DAY

Various images flicker on a bank of computer monitors. Jonathan sits in front of them with a microphone ear-piece headset on. Andrew stands behind him, watching over his shoulder.

JONATHAN

(into com)
Yeah, Warren, we copy that. And you're up on the monitor.

ANDREW

(into com)
Hey, Warren, this is working great.

The monitors show Warren as he smiles and waves at the camera.

WARREN

(over com)

Runner is tagged, inhibitor is on. Repeat, inhibitor is on. Initiate omega pulse sequence.

CUT TO:

EXT. UC SUNNYDALE-- VAN-- DAY

A small satellite transmitter emerges from the top of the van and swivels into position.

CUT TO:

INT. UC SUNNYDALE-- CORRIDOR-- DAY

Buffy and Tara walk through the halls together.

TARA

My Art Appreciation class doesn't start for another twenty minutes so we've got some time to kill. Here. (hands book to Buffy) You'll like it, it's very mellow.

Buffy opens the book and looks at the different paintings. A strange buzzing noise, like static on TV, attracts her attention. She frowns and looks up.

TARA

...didn't think she liked my cooking until I realized that that was her yummy face. You know how her nose--

Buffy starts and turns to find Tara sitting on a bench nearby instead of standing next to her.

BUFFY

What was that?

TARA

What was what?

BUFFY

(confused)
That noise. What was that about, about cooking? Whose yummy face?

TARA

Willow. Wow, you really got engrossed in that Renaissance book.

BUFFY

I guess. I... must have spaced out.

Buffy gives the book back to Tara and goes over to a drinking fountain.

TARA

Oh, I do that sometimes. Once, Willow and I were watching Spongebob Squarepants...

As Buffy drinks, the buzzing noise sounds again.

TARA

Buffy? Are you coming?

Tara is now all the way down the hall by a set of double doors.

TARA

We're going to be late for class.

BUFFY

What the f--
CUT TO:

INT. EVIL NERDS' VAN-- DAY

Warren opens the door and climbs in, shutting it behind him.

WARREN

(excited)
Is it working? Is it doing it?

JONATHAN

Dude, it's doing it.

ANDREW

And it's wicked cool.
CUT TO:

INT. UC SUNNYDALE-- CORRIDOR-- DAY

Tara walks into a crowded classroom, pauses just inside the door and turns as Buffy comes running around the corner.

BUFFY

Tara! Tara!

The classroom doors close in her face. The halls are now empty and Buffy looks around in dismay.

Buzzing.

Students begin pouring out of the classrooms into the hallways. Tara walks up behind Buffy.

TARA

Buffy, where have you been? You missed art class.

BUFFY

Missed? Tara, something freaky's going on. It's like I'm--

Buffy looks over at a wall clock. The hands on the clock zip from 11:50 to 12:10.

BUFFY

(points)
Look, there! There! Did you see--

She looks around to find Tara gone. The halls are deserted again.

BUFFY

Crap!

She heads for the exit.

CUT TO:

EXT. UC SUNNYDALE-- DAY

Buffy exits the building and runs down the stairs. Students mill about in various directions.

BUFFY

Tara!

Tara is a ways off.

BUFFY

Tara, wait!

Buffy's POV: the students zip around the quad in a fantastic blur. They flow around her, to fast for the eye to follow. One of them knocks her down.

Buffy starts crawling toward a stone picnic table. Another student hits her and she falls over on her back, moaning in pain. She finally makes it under the safety of the table and huddles there, thinking.

INTERCUT:

INT. EVIL NERDS' VAN-- DAY

The trio eagerly watches Buffy on the monitors.

BUFFY

That noise. There's something on me.

She begins examining her clothing and takes off her sweater.

WARREN

Oh, no.

ANDREW

Uh-oh.

JONATHAN

She found it.

The image of Buffy on the monitor tilts from side to side as she examines her sweater.

She finds the tiny metal device attached to her sweater and removes it, holds it in the palm of her hand and stares at it in confusion.

ANDREW

Oh, this is bad, this is bad.

JONATHAN

Self-destruct! Self-destruct!

ANDREW

I don't know. I--

WARREN

No!

Warren reaches over and flips up a plastic casing that covers a large red button. He hesitates a moment, then pushes the button.

END INTERCUT

The device disintegrates in Buffy's hand and she looks around warily as the people around her return to normal speed.

CUT TO:

INT. EVIL NERDS' VAN-- DAY

Warren plops down in the bean-bag chair.

WARREN

Okay, score me.

JONATHAN

Rrrright. Fifty points for ingenuity, another thirty since it involved actual contact.

ANDREW

Very smooth, by the way.

JONATHAN

On the freak-o-meter, I'd say she was at a six.

WARREN

Oh, come on! It's an eight, easy!

Jonathan and Andrew confer quietly for a moment.

JONATHAN

We'll split the diff, call it a seven. Which is good for a 140, giving you a grand total of...

ANDREW

Two hundred and twenty.

WARREN

Beat that!

ANDREW

Oh, I will. I will.
FADE OUT

ACT II

EXT. INDUSTRIAL CONSTRUCTION SITE-- DAY

Massive machinery and men in hardhats move all about the site. Buffy and XANDER, also wearing hardhats and tool belts, walk through the site. Buffy carries a lunchbox, her hair in pigtails.

BUFFY

This is going to be great. Diving into the workforce, being a bread-winner, building things with my hands.

XANDER

Actually, you won't be building so much as lifting and toting.

BUFFY

Toting?

XANDER

It's just a temp gig, Buff. You know, unless it tanks. Since you're not union, I had to call in a few favors to get you on a crew.

BUFFY

Well, I appreciate it. Muchly. You saved me from having to accept Giles' offer to work at the Magic Box. I mean, retail? Yeee. (shudders) I'd rather be dead. Again.

XANDER

Uh-huh. So Giles have any thoughts about your little fast- forward freak-out at school?

BUFFY

No. Well, he implied that maybe it was stress-related. Like I was imagining it or something. I don't know. Maybe. I guess I could have been blacking out but... there was this thing on my sweater, you know? And then it just blew away or went poof. Maybe it was lint. (excited) Maybe it was evil lint!

XANDER

Okay, first tip of the day. When I introduce you to Tony the foreman? You might want to leave out stuff about blacking out and evil lint.

They approach TONY and a group of guys standing around looking at blueprints.

XANDER

Hey, Tony. This is Buffy. You know, that friend I told you about.

Buffy offers her hand.

BUFFY

Nice to meet you, Tony.

Tony doesn't shake, just scowls at Xander. Buffy awkwardly pulls her hand back and looks around at the other men.

BUFFY

Guys.

Hard stares all around.

TONY

(to Xander)
You gotta be kiddin' me. We're a week behind, I got two men out on the DL and now you want us to babysit some little girl?

BUFFY

Excuse me, but I--

TONY

Hang on, Gidget! (to Xander) This stinks, Harris. What am I supposed to do with her?

XANDER

Give her a chance. She's stronger than she looks.

Tony sneers and turns back to the blueprints.

XANDER

That's the spirit! (to Buffy) Don't mind him. He may seem pig- ignorant, rude and a little hostile... (beat) Have fun!

He pats Buffy on the shoulder and turns to leave.

BUFFY

Whoa, where are you going?

XANDER

Upstairs. I need to supervise the sheetrock hangers. Don't sweat it. I'll be back to check on you later.

Xander heads into the skeletal building.

TONY

Okay, Danny, finish puttin' in those J-boxes. Vince, Marco, I need you to haul the steel inside.

MARCO chuckles and shakes his head.

MARCO

Gee, I don't know, Tone. I don't want to get in trouble with those affirmative action lawyers, you know what I'm sayin'? Why don't you put little Britney here on hauling duty?

BUFFY

It's Buffy.

TONY

Okay, princess, you're on it. Try not to break a nail.

The guys laugh nastily. Buffy shoots Tony a withering look and walks toward a pile of large steel girders. VINCE joins her.

VINCE

Don't worry about it. And don't let them hassle you into doing something stupid and hurting yourself. These beams weigh quite a few hundred pounds.

Buffy effortlessly picks up a massive beam and swings it onto her shoulder.

BUFFY

Which way?

The men are speechless. Vince points toward the half-finished building.

BUFFY

Thanks!

She casually carries the beam into the structure.

CUT TO:

Later. Buffy is still ferrying girders back and forth. She sets one down on a pile while chatting with DANNY, a welder.

BUFFY

So basically I'm just trying to learn everything I can, you know? 'Cause I don't want just a job, you know? I want a career, something I can grow into.

She helps Danny lift a massive support beam into position.

BUFFY

I mean, I never thought I'd be working in construction... but when you think about it, it kinda makes sense.

DANNY

Hey. We get paid by the hour. You want to ruin it for the rest of us? Slow down.

Buffy nods and Danny stalks off. Tony watches in the b.g.

CUT TO:

INT. EVIL NERDS' VAN-- DAY

POV: the construction site seen through binoculars. Focus in on Buffy.

WARREN

Ah! Got visual of subject, four o'clock.

Warren and Jonathan sit in the passenger seat of the van, looking out the window. Warren holds the binoculars up to his face.

JONATHAN

That's not four o'clock.

WARREN

Well, it is if you're facing the front of the van.

JONATHAN

But we're not facing the front of the van. We're facing out that way. That's twelve, so she's at two o'clock.

WARREN

Look, she's over there, okay?

JONATHAN

(annoyed)
Okay.

Warren lifts the binoculars to look again. Jonathan turns to the back of the van. Andrew sits on the floor reading a comic.

JONATHAN

You're up.

Andrew tosses the comic aside and picks up a set of wooden pipes. He begins to play them, blowing air across the tops.

CUT TO:

EXT. INDUSTRIAL CONSTRUCTION SITE-- DAY

Buffy heads over to the water cooler and takes a cup. She suddenly straightens up and looks around in confusion. Seeing nothing out of the ordinary, she shrugs and turns back to fill her cup.

A hand picks up a wrench and approaches Buffy from behind. She senses him and stands up quickly, spilling water on herself.

BUFFY

Oh! Oh.

It's just Tony, the foreman.

TONY

Jumpy? What's the matter? I scare ya?

Buffy launches herself at him and shoves him aside as a massive green demon in a long trenchcoat attacks. She tosses her hardhat aside and squares off in a fighting stance. Two more demons drop down from above and surround Buffy.

The fight is fast and furious, Buffy somersaulting, flipping and landing devastating blows on her opponents. She picks up a shovel from the floor and pounds one of demons to the ground, then drives it through the creature.

The creature's body instantly dissolves into a greenish slime, which then evaporates, leaving only an oily stain.

The other two demons pursue the construction workers.

MAN

No, don't hurt me! Please! Help me!

BUFFY

Hey!

The demons turn and attack Buffy. She fights off one and strangles the other with a length of wire. It falls to the ground and disintegrates.

Buffy kicks the third demon back against a compressor, then picks the creature up and shoves its head into intake. She pulls out a cable and the pneumatic machinery begins to compress, crushing the demon's head. It's body twitches for a moment, then goes limp and evaporates.

CUT TO:

INT. EVIL NERDS' VAN-- DAY

The trio watches through the window with the binoculars.

ANDREW

Oh, man. She took 'em out.

WARREN

Let me see.

He grabs the binoculars.

ANDREW

Okay, give it back now.

WARREN

No, I'm still looking.

ANDREW

No, you had your turn, now give me--

WARREN

No, I'm still--

ANDREW

Give me--

Andrew grabs for the binoculars and Warren shoves him away. He falls and his elbow hits the horn, which blasts the them to Star Wars.

CUT TO:

EXT. INDUSTRIAL CONSTRUCTION SITE-- DAY

Buffy hears the honking and peers curiously outside. She sees the black van sitting on the street beyond the fence.

CUT TO:

INT. EVIL NERDS' VAN-- DAY

All three dive for the floor. Jonathan and Warren crawl backward and glare angrily at Andrew.

ANDREW

Hey. All you said was lose the mural.
CUT TO:

EXT. INDUSTRIAL CONSTRUCTION SITE-- DAY

The workers help each other up as Xander runs over to Buffy.

XANDER

Oh, my god! Buffy, what... what happened? How... aw, Buffy, I know these guys can be jerks but was it really necessary--

BUFFY

I didn't do this!

Tony approaches, holding a rag to his bleeding forehead.

TONY

I'll tell you what she did. I came over to tell your friend I was impressed by the job she was doing, liking the way she handles herself, and all of a sudden she goes berserk and attacks me.

BUFFY

(outraged)
Wha--? I saved you from the--

She pulls Xander aside.

BUFFY

The demons! There were these three big apey things!

XANDER

No. No, not here. Not at my job. That's your job.

BUFFY

I can't help where the Forces of Darkness attack me, Xander.

XANDER

Buffy, would you look at this mess? Do you have any idea how much it's going to cost to repair this? And what am I supposed to say to the clients? Should I just show them the demon bodies and say it's all their fault?

BUFFY

(pouts)
You can't. They melted. But... there are witnesses! Vince! Vince! You'll tell him, right? How I jumped in and protected you from those... things?

VINCE

Hey, I don't know what you're talking about. All I know is you were losin' it or something. That time of the month, huh?

BUFFY

What? You were huddled in a corner! Crying! Like a baby!

VINCE

Hey, hey. No way. Me, crying?

Furious, Buffy stalks off past Vince and Tony.

VINCE

You're trippin', sweetie. (to Tony) What's her problem?

Xander sighs and follows Buffy.

CUT TO:

Outside. Buffy has her hardhat on again.

BUFFY

I didn't imagine this, Xander.

XANDER

I know. I believe you. In fact, I'm starting to think between this attack and the school thing that somebody's messing with you.

BUFFY

Really? You think they're connected?

XANDER

Well, there's something going on. I think it's worth checking out and I don't mean later. You need to see Giles and get on it right away. I'd start with IDing those demons.

BUFFY

You're firing me, aren't you?

XANDER

Big time. The whole melty thing ought to help narrow it down.

Buffy takes off her hardhat and gives it to him.

XANDER

Try sketching them-- that always helps-- and then maybe, when I get off work, I'll help you go through the mug shots.
FADE OUT

ACT III

INT. THE MAGIC BOX-- DAY

Buffy and Anya move through the store together.

BUFFY

This is going to be great. You know, I've always been interested in... interested in retail.

They descend the stairs and Anya heads toward the counter. Giles carries a large stack of books to the reading table and sets them down next to several other piles.

BUFFY

Is this all research or just some kind of stress test for the table?

GILES

I just want to be thorough. This time anomaly and then the demon attacks could be completely unrelated events but if they're not, you might be in some danger.

BUFFY

So situation normal, then.

Giles sits down and opens a book. Anya comes over with a three-ring binder.

ANYA

(to Buffy)
Let's review. You record returns here. These are the slips for special orders. You ship them wherever the customer wants. And these are the hold slips.

GILES

Fill out two hold slips for each item.

ANYA

Oh, and be sure to remove the items from the shelf. I can illustrate with an amusing story about a crystal.

CU: a shelf behind the table with a human skull and candle resting on it. A tiny camera is mounted in one of the skull's eyes.

CUT TO:

INT. EVIL NERDS' VAN-- DAY

A monitor shows the view from the skull-camera.

ANYA

(on screen)
See there was this certain customer who wanted to purchase a sapphire. Sapphire... well, ding-dong. Right? And so anyway, I...

Warren yawns with boredom as he watches. He turns down the volume.

WARREN

This is so dull I might actually have fallen asleep and be dreaming you guys.

ANDREW

Why is the Slayer here anyway? She's a student, she's a construction worker and now she's some kind of... selling stuff person?

WARREN

It's like she's completely without focus. (beat) Should we check the other channels for free cable porn?

JONATHAN

(o.s.)
Guys, I'm ready.

Jonathan sits on the floor. The other two join him, forming a triangle. Jonathan holds a piece of paper in one hand and a cigarette lighter in the other.

JONATHAN

I need you to hold hands.

Warren holds out his hand to Andrew, who recoils.

ANDREW

With each other?

WARREN

Well, you know what homophobia really means about you, don't you?

Warren picks up a piece of bone and points it at Andrew.

JONATHAN

Stop touching my magick bone!

Warren puts the bone down as he and Andrew burst out giggling.

JONATHAN

(annoyed)
Shut up. (beat) Okay.

Warren grabs Andrew's hand as Jonathan sets the paper on fire.

JONATHAN

Okay, it's in Latin, so don't laugh. It's supposed to sound like this.

He puts the burning paper down and picks up the bone. A triangle is painted in red on the floor, a bowl in the center with the burning paper inside it. Jonathan waves the bone over it.

JONATHAN

Opus orbit est, et ea in medio, tempus ad calcem intendit.

Clouds of smoke begin to rise from the bowl. Jonathan grins at the other guys.

CUT TO:

INT. THE MAGIC BOX-- SALES FLOOR-- DAY

Buffy is bored. In the b.g. behind Buffy, outside the shop window across the street, the black van's doors pop open and smoke billows out. The nerds fall out onto the street, coughing and sputtering.

Giles approaches Buffy as a customer enters.

GILES

Buffy, a word in your ear. While I was running the store, I found it useful to imagine myself back in the library. You know, if you concentrate on service and not on making a sale, you're more likely to have a satisfied customer.

BUFFY

Guess I'll have to find my own style.

GILES

Yes, quite right.

ANYA

(to Buffy)
That woman. Go sell her something.

Anya smiles, pats Buffy on the back and walks off. As Buffy hesitantly approaches the WOMAN, another CUSTOMER stops her. He's looking at a display of scented candles.

CUSTOMER

Miss? Which candle creates a more romantic atmosphere?

Buffy picks up a candle, sniffs it, looks at the sticker on the bottom.

BUFFY

Hmm. "Lemon Seduction."

She puts it down, picks up another and sniffs it, makes a wrinkled face.

BUFFY

Ew! (looks at sticker) "Essence of Slug."

She hands the first candle to the customer.

BUFFY

Here you go.

CUSTOMER

Thank you.

BUFFY

Yeah. (to woman) May I help you?

WOMAN

I need something for a prosperity spell. I heard you have it. The mummy hand?

BUFFY

Yeah, actually, I saw one downstairs. It's kinda hairy, though. Maybe it was a daddy hand.

She smiles but the customer doesn't get the joke.

BUFFY

I'll just get it.

She turns and heads for the basement.

CUT TO:

INT. THE MAGIC BOX-- BASEMENT-- DAY

Buffy walks around looking for the mummy hand. She examines the jars lining the shelves.

BUFFY

(reads)
Petrified hamster... yuch! Eyeballs and honey. Dagger of Lex...

She finds the mummy hand sitting atop a wooden crate.

BUFFY

Hmm. Ancient mummy hand.

She reaches out to pick it up when it suddenly springs to life. It leaps at her and grabs her by the throat. She wrestles with it, pulls it off and tosses it back onto the crate. She grabs the Dagger of Lex from the shelf and stabs it into the back of the mummy hand. The hand continues moving for a moment and then finally stops. Buffy stares at it, panting.

CUT TO:

INT. THE MAGIC BOX-- SALES FLOOR-- DAY

The woman reacts with dismay as Buffy holds up the dagger with the mummy hand impaled on it.

BUFFY

And you get the Dagger of Lex for free with it! See the inlaid mother-of-pearl... underneath the black oozing goo?

WOMAN

This hand is dead. The power is gone. I'm not giving you money for this!

BUFFY

Oh, it's just playing dead. (swats it) Little scamp.

She looks at the woman hopefully.

The bell above the door jingles and the woman enters-- again.

Buffy turns around. She no longer holds the dagger or the mummy hand. She's back where she was a few minutes ago. Giles comes up behind her.

GILES

Buffy, a word in your ear. While I was running the store, I found it useful to imagine myself back in the library. You know, if you concentrate on service and not on making a sale, you're more likely to have a satisfied customer.

Buffy frowns in confusion and turns to Giles.

BUFFY

Huh? What? Huh? We did this just now. Giles, something is happening.

GILES

(not listening)
Yes, quite right.
CUT TO:

INT. EVIL NERDS' VAN-- DAY

The evil nerds watch Buffy and Giles on the monitors.

WARREN

You did it! Dude, she's looping! What'd you do, enchant the hand thing?

JONATHAN

Well, not exactly. I made it so she had to satisfy a customer with a task that resists solving. (beat) Maybe I should have done more.

ANDREW

Like what?

JONATHAN

I don't know. Like make her kind of itchy?
CUT TO:

INT. THE MAGIC BOX-- SALES FLOOR-- DAY

Giles walks away as Buffy turns to the woman.

ANYA

Go help the lady who just came in.

BUFFY

Wait--

ANYA

Don't worry, don't be nervous. Do what I do: just picture yourself naked.

As Anya pushes her toward the customer, the man by the candles stops her.

CUSTOMER

Miss--

BUFFY

Here.

Buffy grabs the lemon candle, hands it to him and continues on her way.

WOMAN

Hi. I'm looking for something really specific. I heard you carry it.

BUFFY

A mummy hand. (off her look) You look like the mummy hand type. Sorry, I can't get that for you.

WOMAN

I called here twenty minutes ago and someone said you had one.

BUFFY

Yeah, but... there's a thing happening.

WOMAN

You have one and I was told I could buy it and I'm sorry but I'm really going to have to hold you to that. I'm not leaving until I get a mummy hand.

BUFFY

(reluctant)
Okay... I guess I'll have to get it for you.
CUT TO:

INT. EVIL NERDS' VAN-- DAY

WARREN

Smart. She's figuring out the game. Satisfy the customer. Well, she might just have you beat there, Stretch.

JONATHAN

No way. It hasn't even started yet.

ANDREW

I just hope she solves it faster than Data did on the ep of TNG where the Enterprise kept blowing up.

WARREN

Or Mulder in that X-Files where the bank kept exploding.

ANDREW

Scully wants me so bad.
CUT TO:

INT. THE MAGIC BOX-- BASEMENT-- DAY

The mummy hand dances around on the crate tapping its fingers.

Buffy approaches with a knife in one hand and a set of tongs in the other. She prepares to attack.

CUT TO:

INT. THE MAGIC BOX-- SALES FLOOR-- DAY

The woman peers into a paper bag with a look of disgust.

BUFFY

Fingers sold separately.

The door bell jingles as the woman walks in-- again.

Buffy sighs and heads toward her.

ANYA

Where are you going?

BUFFY

(points)
Lady needs a mummy hand.

ANYA

What? You haven't even talked to her yet.

BUFFY

I could explain but you would just forget it.

ANYA

I'm worried about you. Retail is a fast-paced and exciting world. I mean, this whole day-- has it gone by too quickly for you?

BUFFY

No. No, I don't think that's exactly the problem.

Buffy starts toward the customer again as Giles approaches.

GILES

Buffy, a word in your ear. If you think of the store as a library, it'll help you to concentrate on service rather than selling.

BUFFY

Yes. And then I'm going to marry Bob Dole and raise penguins in Guam.

GILES

Yes, quite right.

Giles puts his glasses back on and turns away. Buffy rolls her eyes and starts toward the customers. She grabs the lemon candle.

CUSTOMER

Miss, I--

Buffy shoves the candle into his hand and continues toward the woman.

BUFFY

Mummy hand, right? You got it, lady.

Buffy doesn't even stop, just heads for the basement.

CUT TO:

Later. Buffy pulls at the mummy hand which is trying to strangle the woman. She pries it loose only to have it latch onto the woman's throat again. Her eyes bulge as the hand strangles her.

The bell jingles again.

Buffy stalks to the front, completely ignoring the male customer.

CUSTOMER

Miss...

Buffy strides over to the front door, pulls it open and steps outside... only to emerge in the store again at the rear. Giles, Anya and the two customers stare at her.

CUSTOMER

Miss?

WOMAN

Hi.
CUT TO:

INT. THE MAGIC BOX-- BASEMENT-- DAY

Buffy sits in the basement with her chin resting on her hand, watching idly as the mummy hand plays with the tongs. The bell jingles and she looks up.

CUT TO:

INT. THE MAGIC BOX-- SALES FLOOR-- DAY

Buffy goes over to the front door and rips the bell from the wall. She smiles, satisfied.

The bell jingles as the door opens and woman enters again.

Buffy strides toward the front and tosses the male customer the slug-scented candle.

BUFFY

Ya like slug? Go with slug. She's not going to sleep with you anyway.
CUT TO:

INT. EVIL NERDS' VAN-- DAY

WARREN

(mocking)
This mummy hand has ceased to be!

ANDREW

It is an ex-mummy hand!

Warren smacks Andrew in the face with a rubber hand.

CUT TO:

INT. THE MAGIC BOX-- SALES FLOOR-- DAY

The door opens. Giles approaches Buffy.

GILES

Buffy, a word in your ear.

Buffy grabs Giles' glasses, throws them to the floor and stomps on them again and again.

The door jingles. Buffy looks desperate.

The woman looks at the merchandise. Buffy runs over to her and grabs her by the front of her jacket.

BUFFY

It's you. You're doing this!

Buffy hustles her toward the door.

The bell jingles. Buffy turns to the door, resigned.

The male customer doubles over as the candle hits him in the stomach. The bell jingles.

Buffy sobs with frustration.

The bell jingles.

BUFFY

(to woman)
I know we promised you a mummy hand, it's just... I can't get it for you. There's something wrong with it. It's defective.

WOMAN

Defective? Are you sure? There must be something you can do.

BUFFY

But there's no way to get--

Buffy suddenly stops as she realizes the solution to the problem. A smile spreads across her face.

BUFFY

--to get that hand. But I can special-order one. We can deliver it anywhere you want.

WOMAN

(smiles)
Really?

Buffy rings the woman up and closes the sale.

BUFFY

Thank you for shopping at the Magic Box.

The woman hands Buffy the special-order slip and leaves.

CUT TO:

INT. EVIL NERDS' VAN-- DAY

JONATHAN

Oh, ho! Yes!

They laugh and high-five each other.

ANDREW

So... Warren had 220 and I had that bonus for getting her fired...

JONATHAN

But the biggest component has to be how long it took to finish. Mine took the longest.

ANDREW

Only from a perspective external to the time-loops. From Mr. Giles' perspective, it was shortest of all.

JONATHAN

So what do we do?

WARREN

Oh, it's obvious. I mean, it's not over.
CUT TO:

INT. THE MAGIC BOX-- SALES FLOOR-- DAY

Buffy finishes up the paperwork as Anya and Giles approach, smiling.

GILES

Buffy, your first sale! Congratulations.

Buffy smiles. Anya takes the invoice and examines it.

ANYA

You didn't charge for delivery.

GILES

Oh. Well, your first day, you know, these things happen.

ANYA

Yeah, I'll just take it out of your pay.

Buffy shoots her a sour look.

GILES

Yes, I'm sure Buffy would understand that.

Buffy moves out from behind the counter and slaps something down on it as she passes.

BUFFY

Absolutely.

CU: the counter. Buffy's name tag:

Hello! My name is BUFFY

Ask me about curses!

Buffy disappears out the front door.

FADE OUT

ACT IV

INT. SPIKE'S CRYPT-- NIGHT

Buffy and SPIKE sit on a coffin together. Spike smirks as Buffy holds up a shot glass full of whiskey.

BUFFY

This is gonna be great.

She pours the shot down her throat and makes a horrible face.

BUFFY

Blaaah!

Spike lifts his own shot glass to his mouth and slams it down.

BUFFY

Life is stupid.

SPIKE

I have a dim memory of that, yeah. And I didn't figure you were here cadging my whiskey 'cause life's all full of blood and peaches.

BUFFY

No. There's this thing... someone's doing stuff to me. Messing up my life. Except that it was kind of pre-messed already. You know, with school and jobs... pretty bad even without the evil.

SPIKE

So you just what? Gonna let this whoever play you till it figures out what kills you?

BUFFY

(shrugs)
Giles is working on it.

SPIKE

(laughs)
Oh, good, 'cause Giles wields the mighty force of library books.

BUFFY

You'd do better?

SPIKE

Damn right! I'd hit the demon world.

Buffy begins refilling their glasses from Spike's flask. She's slightly tipsy by now.

SPIKE

Ask questions, throw punches, find out what's in the air. Hmm? It's fun, too.

BUFFY

It's not my kind of fun.

SPIKE

Yeah. It is. (beat) And your life's going to get a lot less confusing when you figure that out.

BUFFY

You have had so too much to drink at this point, I am cuttin' you off.

They both empty their glasses again.

BUFFY

Blaaah!

Spike watches with a smile.

SPIKE

You're not a schoolgirl. You're not a shop girl.

Buffy empties the flask into her glass.

SPIKE

You're a creature of the darkness. Like me. Try on my world. See how good it feels.

BUFFY

Are there drinks in your world?

Spike grins.

CUT TO:

INT. SEEDY RUNDOWN BAR-- NIGHT

Loud rock music blares, people drink to excess. Spike enters, followed by Buffy. She grimaces.

BUFFY

Your motorcycle is loud.

BARTENDER

Sssspike.

The BARTENDER's forked tongue flickers in and out. Spike nods a greeting to him and counts out several bills.

SPIKE

The usual, Dave, and one for the lady. (to Buffy) We're heading for the back room, pet. It's where the real action is.

The bartender sets out two shot glasses and fills them but Buffy grabs the bottle out of his hand, removes the pour-spout and drinks straight from the bottle.

BUFFY

Blaaah!

Spike sighs, peels off a few more bills and hands them to the bartender. He takes the two shot glasses and heads toward the back.

CUT TO:

INT. SEEDY RUNDOWN BAR-- BACK ROOM-- NIGHT

Spike and Buffy enter. Buffy looks around and sways, slightly off-balance.

SPIKE

These lowlifes know everything happens in this town.

BUFFY

(loud)
Oh, good. These are the lowlifes.

The four demons sitting around a card table look up at them.

SPIKE

Fine. A little louder. (to demons) Boys, what's the game?

One demon has a multitude of EYES, another has scaly skin and a several dreadlock-like TENTACLES, the third has a GREEN face and horns and the last has loose folds of SKIN.

GREEN

You know the game, Spike. You in?

EYES

He kills our kind. Don't let him in.

Spike grabs Eyes demon by the front of his jacket and yanks him up out of his chair.

BUFFY

Oh, ask him if he's heard--

SPIKE

Later.

Spike shoves the demon toward the door and sits down in his seat.

BUFFY

(disbelief)
You're going to play cards?

SPIKE

(to demons)
I need a moment with my lady.

They shrug and Spike gets up and pulls Buffy aside.

BUFFY

You want to play, that's fine. Okay? I am sticking to the original plan. (re: demons) Which one do I kill for information?

SPIKE

Listen. These guys talk while they play. We'll get more information out of their mouths than out of gaping holes in their corpses.

Buffy frowns but finally rolls her eyes in agreement and Spike returns to his seat. She sits nearby, removes her jacket and holds the bottle of whiskey in her lap.

SPIKE

I'm in. Everybody okay with that?

SKIN

Ante up.

All three demons reach under their chairs and produce a small kitten. They put the squirming kittens in a basket in the center of the table.

BUFFY

(incredulous)
You play for kittens?

SPIKE

So who's going to advance me a tiny tabby, get me started? (beat) Come on, someone's gotta stake me.

BUFFY

I'll do it!

Spike shoots her a sour look.

BUFFY

What, you thought I was just gonna let that lie there?

She takes a swig from the bottle.

BUFFY

Blaaah!
CUT TO:

INT. EVIL NERDS' VAN-- NIGHT

The black van moves slowly down the street, Warren at the wheel.

JONATHAN

Where're we going?

WARREN

To Final Jeopardy. Where Buffy's the one in jeopardy.

ANDREW

We are really super-villains now like... like Dr. No.

WARREN

Yeah, back when Bond was Connery and movies were decent.

JONATHAN

Who remembers Connery? I mean, Roger Moore was smooth.

WARREN

You're insane. You're short and you're insane.

ANDREW

I like Timothy Dalton!

Warren smacks Andrew upside the head.

ANDREW

Hey!

WARREN

Don't make me pull over, okay?
CUT TO:

INT. SEEDY RUNDOWN BAR-- BACK ROOM-- NIGHT

Spike looks at his cards, grins, and puts them down on the table. He has a straight: 4-5-6-7-8 of clubs. The other demons groan and throw down their cards.

Spike smiles and stands up. The table is now covered with kittens and Spike opens the lid of a basket and begins dropping the kittens inside.

GREEN

You're lucky today, Spike.

SPIKE

(re: Buffy)
Got my good-luck charm with me.

Buffy smiles and takes a swig.

BUFFY

Blaaah!

TENTACLES

You cleaned us out. No one's that lucky.

SKIN

Yeah. I'm starting to think you cheat.

SPIKE

Me? I cheat? (re: Tentacles) He's got X-ray vision!

TENTACLES

I'm not using it.

SKIN

We are not the ones who are cheating!

A tense moment. An ace of spades pops out of the folds of his skin.

SKIN

I had no idea that was there! I could have leaned on that days ago.

GREEN

You better go, Spike. Things could get ugly.

TENTACLES

Got ugly the second he walked in. Him and his human.

SKIN

Her skin's so tight, I don't even know how you can look at her.

Spike stands up angrily.

GREEN

Leave your winnings and get out. We'll forget this whole thing.

SPIKE

Ah, so it's a setup, isn't it? Squeeze a few quid outta the vamp. Well, I'll tell you what you didn't count on. (re: Buffy) Me and the bird.

BUFFY

Blaaah!

SPIKE

You want to fight? You face the two of us.

Buffy is very drunk now, her words slurred.

BUFFY

What? I'm not getting into a bar fight! I'll beat 'em up for information, great, but not to defend your right to gamble for kittens! Which, by the way, is stupid currency.

GREEN

They're delicious!

SPIKE

Come on, Slayer! A big fight's just what you need.

BUFFY

Forget it. I'm not playing by anyone else's rules any more. I'm done.

She staggers drunkenly over to the table, opens the basket and tips it over, setting the kittens free. The demons howl in protest.

SKIN

Hey, I won those two!

BUFFY

Be free, kittens!

TENTACLES

They're getting away!

Buffy leaves as the demons frantically try to re-capture the kittens. Spike runs after Buffy.

CUT TO:

INT. SEEDY RUNDOWN BAR-- NIGHT

Buffy heads out, slipping into her jacket. Spike grabs her shoulder, turns her around.

SPIKE

What's wrong, luv?

BUFFY

What's wrong? You were going to help me! You were going to beat heads and fix my life! But you're completely lame!

She gestures wildly with her arms, swaying slightly.

BUFFY

Tonight sucks! And look at me! Look at stupid Buffy! Too dumb for college and freak Buffy, too strong for construction work. And my job at the magick shop? I was bored to tears even before the hour that wouldn't end! And the only person I can even stand to be around is a... neutered vampire who cheats at kitten poker!

SPIKE

Oh, you saw the cheating, did you?

BUFFY

Also? I think you're drunk.

She whirls around and storms out of the bar.

CUT TO:

INT. EVIL NERDS' VAN-- NIGHT

All three file into the rear of the van and sit down.

WARREN

(to Andrew)
Connery is Bond. He had style.

JONATHAN

Yeah, but Roger Moore was funny.

WARREN

Moonraker? The gondola turns into a hovercraft? It's retarded. Besides, the guy had like no edge.

ANDREW

Dalton had edge. In Licence to Kill he was a rogue agent. That's edgy. And he was amazing in The Living Daylights.

JONATHAN

Yeah, which was written for Roger Moore, not Timothy Dalton!

WARREN

Okay, this is stupid! We're wasting time. End of discussion.

The other two nod and turn to their consoles, begin typing. Long beat.

WARREN

I mean, there's a shot of like pigeons doing double-takes when the gondola blasted by! Moonraker is inexcusable.
CUT TO:

EXT. SEEDY RUNDOWN BAR-- NIGHT

Spike comes out of the bar and nearly bumps into Buffy who stands in the street, arms crossed, staring at the black van.

BUFFY

That van.

SPIKE

You want to steal a van, I'm with you, luv, but we have got the motorcycle.

BUFFY

I've seen it before. At the construction site.

She moves toward it.

CUT TO:

INT. EVIL NERDS' VAN-- NIGHT

WARREN

Connery is the only actor of the bunch.

ANDREW

Timothy Dalton should get an Oscar and beat Sean Connery over the head with it!

WARREN

Okay, that's it.

Warren spins around and seizes Andrew in a headlock.

JONATHAN

Hey! Stop it! Guys!

Jonathan tries to break them up, looks up at the monitors and gasps.

JONATHAN

Look!

Buffy walks toward the van.

ANDREW

She's coming over here! What do we do?

WARREN

Jonathan, grab your magick bone.

Warren and Andrew burst into giggles again.

CUT TO:

EXT. SEEDY RUNDOWN BAR-- NIGHT

Buffy approaches the van, frowning.

A large DEMON comes around the rear of the van and roars at Buffy. He has red skin, curved horns and wings and wears a loincloth.

DEMON

You have discovered me! But do not try to defeat me for I have been testing you and I know your weaknesses. Ha ha ha!

The demon suddenly looks over in dismay as the van starts up and drives off.

Buffy tries to punch the demon but misses due to her intoxication. She backs up and kicks the demon square in the groin. It doubles over in pain and Buffy falls backward onto her butt.

Spike tries to help her up.

BUFFY

I'm okay! I'm fine! Get off me!

DEMON

(voice breaks)
I am well struck! I call on the misty portal to my demon dimension where I will lay my head and gently die.

The demon throws something on the ground and a shower of sparks and smoke rises into the air giving him cover to run away.

Buffy and Spike cough and wave the smoke away.

BUFFY

He blew up. Did you see that?

SPIKE

Yeah, I saw. He's gone.

BUFFY

(shrugs)
Gotta love it, you know. It makes you feel all powerful. Strong. (beat) Kinda sick.
CUT TO:

EXT. EVIL NERDS' VAN-- NIGHT

The van is parked on a dark side street. The demon runs up on the driver's side, panting.

DEMON

She hurt me all over.

WARREN

Someone will see you! Get in the back.

DEMON

I won't fit.

ANDREW

Well, do the... thing.

DEMON

Oh, right. Let the spell be ended!

The demon shrinks and shifts back into Jonathan, holding the loincloth around his waist. He groans in pain and hobbles to the back of the van. He opens the rear door and climbs in.

INT. EVIL NERDS' VAN-- NIGHT

JONATHAN

Ahh! Ow.

Warren wraps a blanket around Jonathan. He falls into a chair, still groaning.

JONATHAN

Next time I do that spell, one of you guys has to look like the demon.

ANDREW

(awed)
The Slayer touched you.

JONATHAN

(sour)
Yeah, it was sexy the way she touched me real hard with her fists. I only looked big. I actually had the proportional strength of... me.

WARREN

Guys, think about this. We took on the Slayer. I mean, we've got all kinds of stuff in the computer now... speed, strength, reaction time. We're getting what we need to really become a threat to her. We tested her, faced her... and we survived.

JONATHAN

Unless I have internal injuries that will eventually kill me.

ANDREW

Oh, of course, but barring that, Warren's right. We did good!

WARREN

The Trio versus the Slayer. It's not over.

ANDREW

Plus, look what Warren and me discovered by accident before we drove away!

Andrew jumps up and gets into one of the chairs and fiddles with the equipment. The other two watch over his shoulder.

JONATHAN

What?

ANDREW/WARREN/JONATHAN

(unison)
Free cable porn!
CUT TO:

INT. SUMMERS HOME-- CORRIDOR-- NIGHT

Giles stands in the hallway outside the bathroom holding a glass of water. The bathroom door opens and Buffy comes out, walking gingerly. Giles hands her the glass.

GILES

Feel any better?

BUFFY

I think at one point, I actually turned completely inside out. But yeah, better.

INT. SUMMERS HOME-- BUFFY'S ROOM-- NIGHT

GILES

I'm sorry I didn't find this demon with my research.

She sits on floor next to the bed.

BUFFY

It's okay. It wasn't much of a fight. I got lucky. (beat) I'm really screwing up, Giles.

GILES

What? Come on. You were being tested-- sequentially-- by some unknown demon. I don't call that screwing up.

BUFFY

No, it completely is. I let the demon set the rules.

GILES

Go easy on yourself, will you? I mean, you don't have to figure the whole thing out at once, you know. Job and everything. You're pushing yourself too hard.

BUFFY

The nice people at the phone company? Seem to think it's not hard enough.

GILES

Well, maybe there's something I can do about that.

He takes a piece of paper from his pocket and hands it to her.

GILES

This is... it's for you.

BUFFY

A check?

She unfolds it and looks at the amount, stunned.

BUFFY

This is too much. I can't take it.

GILES

Well, tear it up, then.

He reaches for it and she snatches it away.

BUFFY

No! I was just being polite. (smiles) I'm taking the money. This is... this is great. This is more than great.

Giles puts his hand on her shoulder and she looks up at him.

BUFFY

I don't... really know how to say this but it's a little like having Mom back.

GILES

In this scenario, I am your mother?

BUFFY

Want to be my shiftless absentee father?

GILES

Is there some sort of rakish uncle?

BUFFY

(serious)

I'm just saying... thank you. So much.

Buffy tries to get up and groans in pain. Giles helps her stand.

BUFFY

I'm going to show this to Dawn. She loves it when things get easy.

She walks to the door and pauses, looking back at Giles.

BUFFY

I just want to tell you that... this makes me feel safe. Knowing you're always going to be here.

Giles smiles and nods but as soon as Buffy leaves the room, his smile changes to a worried frown.

FADE TO BLACK
END