Entropy

[Transcript of "Buffy The Vampire Slayer" episode Entropy at buffyology.com.]

Prologue

EXT. SUNNYDALE CEMETERY-- NIGHT

Two vampires run through the cemetery, one carrying a flat, round, metallic disk. They glance nervously behind them as they go. They are pursued by WARREN, ANDREW and JONATHAN on three all-terrain vehicles, weaving among the headstones. They hold long stakes like jousting spears. Warren whoops with excitement as the chase goes on.

ANDREW

They're getting to the gate!

WARREN

I see it, I see it!

One vampire grabs onto an overhanging branch of a passing tree. The branch breaks off and the creature throws it at the ATVs. It hits Andrew in the face and he loses control of his vehicle and falls off as Jonathan roars up behind him.

Jonathan and Warren swerve to avoid hitting Andrew. Jonathan sideswipes a headstone, shattering it, and barrels head-on toward Warren. They both tumble off their vehicles and onto the ground. Andrew limps over to them.

ANDREW

We're gonna lose 'em.

The vampires reach the large gate at the entrance to the cemetery.

JONATHAN

We need that disk.

The vampires run through the gate and into the street, only to be instantly attacked by BUFFY. She decks the first vampire and seizes the second but he twists out of her grip and the disk clatters across the pavement.

The second vampire kicks Buffy but she blocks, punches him and hurls him against the gate. He drops to the ground as Buffy turns to the first vampire.

The Trio watches from behind cover.

WARREN

(to Andrew)
Wait.

As the second vampire gets to his feet and prepares to attack Buffy, he suddenly rises up off the ground and dangles in mid-air.

Pull back to reveal SPIKE sitting atop one of the stone pillars flanking the gate, holding the vampire off the ground by the collar of his shirt.

The Trio stealthily approaches.

Spike watches patiently as Buffy takes the first vampire in a strangle-hold, preparing to stake him.

Warren crawls across the ground toward the disk. He reaches out, grabs it and retreats. Andrew and Jonathan run off with him, unseen by Buffy and Spike.

Buffy's vampire throws her to the ground and reaches for her throat.

SPIKE

(to Buffy)
How're you doin'?

BUFFY

(struggling)
Oh, fine. You know, same old same old.

SPIKE

Here, I could take care of this guy if you want.

BUFFY

Whatever. Your call.

Buffy kicks the vampire off of her and flips to her feet.

SPIKE

I mean, sure he don't look like much...

VAMPIRE

Hey!

SPIKE

... but I'd wager he could give you a bit o' nasty. Save you the staking. All you gotta do is--

BUFFY

I am not telling my friends about us.

SPIKE

Right, I'll just be dropping him down to you, then.

BUFFY

You want to tell them so badly? Go ahead.

She finally manages to get a hand free and stakes the creature. As it disintegrates, Buffy stands up and approaches the gate, looking up at Spike and the second dangling vampire.

BUFFY

You know why? I tried to kill my friends, my sister, last week... and guess how much they hate me. Zero. Zero much. (shrugs) So I'm thinking, sleeping with you? They'll deal.

She turns to go and Spike lets vampire drop. He falls to the ground and charges Buffy from behind.

SPIKE

In that case, why won't you sleep with me again?

The vampire pauses and looks back at Spike, confused.

VAMPIRE

Huh?

Buffy turns around, stakes the vampire and glares at Spike.

BUFFY

Because I don't love you.

She walks off into the night. Spike glares at her, annoyed.

SPIKE

Like hell.
CUT TO:

INT. XANDER'S APARTMENT-- NIGHT

The apartment is dimly lit with a red light. Sad music plays. XANDER sits on the floor holding a bottle of beer. He takes a sip and stares blankly at the wall. After a beat, he shuts off the music, puts on his jacket and leaves.

CUT TO:

EXT. XANDER'S APARTMENT/STREETS-- NIGHT

Xander leaves the building and heads down the street. Pull back to reveal ANYA standing behind the bushes, watching him go.

Opening credit sequence.

ACT I

EXT. UC SUNNYDALE-- LECTURE HALL-- CORRIDOR-- DAY

WILLOW stands in the hall, her arms full of books as a tide of students flows past her. TARA exits a nearby classroom and Willow rushes to intercept her, smiling. She taps Tara on the shoulder.

TARA

Hey!

WILLOW

Hey. Look at you. All coming out of class and everything.

TARA

(smiles)
I do that sometimes. Usually at the end part of the class.

WILLOW

Right.

TARA

So how's your... you know, after the whole basement deal?

Tara points at Willow's neck.

WILLOW

It's between a hitch and a kink, with a side of twinge. It's okay.

TARA

And Buffy's okay, too? Enjoying the refreshing sanity and so forth?

WILLOW

Ha, yeah! Refreshing san... that's funny. She's okay. A little freaked. I'm glad she didn't hurt you.

TARA

You, too. (beat) So this is becoming kind of a regular thing, you and me after class.

WILLOW

(nervous)
I didn't...

TARA

Only this time you stuck around.

WILLOW

Um... various sounds of hesitation...

TARA

She was just a friend.

WILLOW

(relieved)
Friends are nice!

TARA

You rushed off before I could, you know, explain.

WILLOW

Well, officially I have to say I have no idea what you're talking about.

TARA

Unofficially?

WILLOW

We should have some coffee some time. Maybe some day... this week after class?

TARA

I'm free tomorrow.

WILLOW

You could bring your friend.

TARA

(surprised)
I wasn't going to... I mean, if you have a friend--

WILLOW

No! I'm... I'm friendless.

TARA

Yeah, yeah, no friends. I mean, I have friends--

WILLOW

Right, many dear friends, yeah.

Tara sighs and smiles.

TARA

Coffee.

WILLOW

With us. Who are... just friends.
CUT TO:

EXT. SUNNYDALE BUSINESS DISTRICT-- DAY

People walk the sidewalks, window shopping. Among them are Buffy and DAWN.

BUFFY

Okay, how about this store?

DAWN

Three pairs of earrings, a coin purse and a toothbrush.

BUFFY

You stole a toothbrush?

DAWN

(defensive)
A mother-of-pearl handle. Very fancy.

BUFFY

Yeah, but you stole a toothbrush. As far as rebellious teenagers go, you're kinda square.

DAWN

Dental hygiene is important.

BUFFY

Guess this was kind of a lame sister's day out, huh? I make up for trying to kill you by taking you to places you can't go in.

DAWN

No, it's my bad. I'm the one that got caught taking stuff.

BUFFY

Hey, how about the pet store? You didn't take anything from there, did you?

DAWN

A pocketful of goldfish. It didn't work out. (beat; off her look) No!

BUFFY

(laughs)
Okay, good. We can go and we can look at all the puppies.

DAWN

Yuck! It's so awful! There's puppy mills and keeping them in cages and people poking at them all day.

BUFFY

Yeah, but puppies... cute! Come on, you used to love the pet store.

DAWN

Yes, when I was in my fives and sixes. (off her look) Oh, come on. We'll go look. Besides, I don't think there's another store here where I can show my face.

BUFFY

It'll pass. You've returned all the stuff that you still had and we're paying for the rest.

DAWN

I'm paying for the rest.

BUFFY

We'll figure it out.
CUT TO:

INT. NERD HIDEOUT-- DAY

CU: the disk recovered from the vampires at the cemetery. It is covered with runic symbols drawn in concentric rings. It sits on a table leaning against a small glass jar filled with yellow liquid.

JONATHAN

Get back.

Jonathan sits at the table holding a glass mortar and pestle. An array of test tubes and jars filled with liquids of various colors surround him. Warren peers over Jonathan's shoulder.

JONATHAN

You don't want to make me rush this.

WARREN

I'm not impressed, Padawan. When do we hit pay dirt?

JONATHAN

If something goes wrong, it's going to surge and we'll be deader than an ex-girlfriend.

WARREN

What did you say?

JONATHAN

Just let me work!

WARREN

All right, all right. You do what you need to do. You get us to the goods and then watch out! It's going to be like... it'll be like the whole world just spread open and gave it up for you, man.

JONATHAN

And then we're done, right? We each take our share and we call it a day.

WARREN

You that ready to get rid of us? Huh?

Andrew nonchalantly eavesdrops on them from across the room.

WARREN

Don't worry. We pull this off, you can go buy any tropical island you want. Aw, cheer up, Short Round. You're about to get us everything we ever wanted.

Jonathan nods dubiously and turns back to the chemistry set. After a moment, Warren heads over to Andrew.

WARREN

(sotto)
He's almost done.

ANDREW

I sorta feel... kinda sorry for him.

WARREN

That's a weakness.

ANDREW

Um... okay.

WARREN

Look at him.

ANDREW

He's got that same look on his face, the one he had that time I highlighted in his Babylon 5 novels.

Andrew smiles at the memory, then suddenly realizes something.

ANDREW

Right before he told his mother on me! Warren! I don't think we can trust him.

WARREN

We don't have to. Not for that much longer.

ANDREW

Is it going to be that soon?

WARREN

The milk. In the fridge. How long till it expires?

ANDREW

Well, we got it on Friday and I remember noticing that there wasn't a full two weeks on it but we did get it in the fridge pretty quick, unless I'm thinking of the 2% milk--

WARREN

(annoyed)
Forget it. It was a thing. It's going to be soon.

ANDREW

(confused)
Oh. Wow.
CUT TO:

INT. XANDER'S APARTMENT-- NIGHT

Xander enters and closes the door behind him, then stops when he sees Anya sitting at the kitchen table. She stands up quickly.

XANDER

Oh, my god.

He walks quickly toward her. She backs away, twisting her hands nervously.

XANDER

How are you?

ANYA

Ducky. You?

XANDER

Ah... please. Let me explain. I know there's nothing that I can say or do to make up for what I did. I can't. Sometimes when I wake up in the morning, I'm like, "Oh god, is this my life? Was that me?"

ANYA

Me, too.

XANDER

But you gotta believe me, please. I want to make up for it. I want to take away the hurt. I love you so much. (beat) I may have practiced that a couple of times in front of the mirror.

ANYA

I just... don't understand what happened.

XANDER

I do. I'm an idiot. All I had to do was say something earlier. I could have spared you from that... that nightmare.

ANYA

Said something about what?

XANDER

No, no! I mean, you know, if I were like more... self-aware. Because with the whole idiot thing.

ANYA

If you had been more self-aware, you would have what? Been able to stop the wedding?

XANDER

No, it's not like that. That's not what... (sighs) Okay, see, I didn't practice this part.

ANYA

Do you still want to get married?

Xander hesitates, unsure.

ANYA

Oh.

XANDER

An, it's a very complicated question.

ANYA

No, actually, it's really not. It's kind of an either/or deal. Do you want to get married?

XANDER

Someday, yes, very much. When we're ready. I don't want you to take this as a bad thing. It's good. I love you. I love you so much. I'm just trying to be honest with you.

ANYA

(angry)

Yes, honesty now. Congratulations, Xander, on being honest now. I wonder what the medal will say.

XANDER

Okay, clearly I'm not handling this well.

ANYA

Well, duh!

XANDER

All I want is for us to be together. I love you, I just wish we could just go back to the way things were before.

Anya turns her back to him. Her face morphs and she becomes Anyanka, the vengeance demon.

ANYA

And I wish you were never born!
FADE OUT

ACT II

INT. XANDER'S APARTMENT-- NIGHT

Resume. Anya stands with her back to Xander. Nothing happens.

XANDER

I know this is all coming out wrong.

Anya changes back to her human form, frowning in confusion. She turns back to Xander.

ANYA

(angry)

I wish you felt the pain of a thousand searing pokers boiling your heart in its own juices!

XANDER

I know, honey. I totally deserve that.

ANYA

I... I wish you had tentacles where your beady eyes should be! I wish your intestines were tied in knots and ripped apart inside your lousy gut!

XANDER

They are.

ANYA

(hopeful)
Really? (he nods) Right now? Does it hurt?

XANDER

God, yes. It hurts so bad, it's killing me. Anya... I love you. I want to make this work.

ANYA

(annoyed)
Those are metaphor intestines! You're not in any real pain! What's wrong with me?

XANDER

No, honey, it's not you. It's me. That--

ANYA

Oh!

She shoves past him and storms out the door.

XANDER

An! An! Wait, please. An!
CUT TO:

INT. THE ESPRESSO PUMP-- DAY

HALFREK and Anya sit at a table, talking over coffee. Anya fidgets, not really listening to Halfrek.

HALFREK

So there was no child support in like eleven years-- not a single check-- so now every time he picks up a piece of paper that isn't a check for the child? Paper cut. I mean, you know how I hate to toot my own horn but now his hands are just covered in all these tiny little bandages. Like a quilt. You know, made of bandages.

ANYA

Hmm?

HALFREK

Okay, did they not teach listening skills in Human World?

ANYA

I'm sorry. I know. I'm just distracted.

HALFREK

About this thing with Xander? Don't worry, you'll figure out a way to--

ANYA

No, that's just it. I've tried everything. I tried every curse I know. Nothing's worked.

HALFREK

Wait. Did you try to curse him yourself?

ANYA

Well, yeah. I am the wronged party here. Of course I--

HALFREK

You can't exact justice against someone on behalf of yourself, silly! (laughs) How long have you been away?

ANYA

I haven't been scorned by a man in like a thousand years. I never had to make a wish for myself. There has to be some way around that.

HALFREK

Well... you could try getting someone to make the wish for you, I suppose.

Anya considers and a smile creeps across her face.

CUT TO:

INT. SUMMERS HOME-- KITCHEN-- DAY

Dawn enters and stares at the kitchen island.

DAWN

Um... did we open a chain?

There are two place settings, bowls of fruit, four bottles of syrup. Buffy stands by the stove holding a spatula and frying pan. Several cereal boxes are lined up on the counter next to her.

DAWN

Are we the international house of something?

BUFFY

Nope. Got up early and it felt like a breakfast kind of morning. Okay, what kind of syrup do you want on your pancakes?

DAWN

Syrups have kinds?

BUFFY

Oh! Also, you know, I was thinking after the mall yesterday, maybe we shouldn't go out tonight, you know, maybe we could stay in and... (takes toast from the toaster) Ow! Get a pizza or rent a movie?

DAWN

Um...

BUFFY

Also, I didn't know if, you know, if you had plans this weekend but I thought maybe we could--

DAWN

Hey, Buffy? I'm going to be okay with the basement thing. Really. You weren't you.

BUFFY

This isn't guilt. I want us to spend time.

DAWN

Okay. Good. I love spending time.

BUFFY

But I'm cramping your teenage style.

DAWN

No--

BUFFY

Yes, I am. (alarmed) I'm the embarrassing mom who tries too hard. When did this happen?

DAWN

No, you're not. It's not that. It's just... what if instead of you hanging out with me, maybe I could hang out with you. Why don't I come patrolling with you tonight?

BUFFY

Oh. And then maybe we can invite over some strangers and ask them to feed you candy.

DAWN

Well, you guys went out patrolling every night when you were my age.

BUFFY

True... but technically you're one-and-a-half. (off her look) See I thought a little levity might... but okay, also no.

DAWN

I just... I just think I could help.

BUFFY

I'm sure you could but it's a little more dangerous than I had in mind.

DAWN

But--

BUFFY

Dawn., I work very hard to keep you away from that stuff, okay? I don't want you around dangerous things that can kill you.

DAWN

Which would be a perfectly reasonable argument if my sister was chosen to protect the world from tax audits. But see, my sister is you and dangerous things that want to kill me seem to find me.

BUFFY

But you don't need to go looking for them. Now eat up. You're going to be late for school.
CUT TO:

INT. THE ESPRESSO PUMP-- DAY

Tara and Willow sit at a table with large cups of coffee in front of them deep in conversation.

TARA

Okay, wait, it was under her wig?

WILLOW

Well, it was this thing, it just came out from inside her head.

TARA

That's disgusting! What did it look like?

WILLOW

Well, let's put it this way. If I wasn't gay before...

TARA

(laughs)
God, and this was after the invisible ray?

WILLOW

Yep.

TARA

Okay, I'm gone for a couple of months--

WILLOW

Oh, did I tell you about the demon eggs?

TARA

See now I know you're just trying to make me jealous.

WILLOW

(grins)
So what, no rollicking adventures in the dorms?

TARA

It's not the same. It's not like living with a house full of family or sharing a room with someone you...

WILLOW

...are friends with?

They gaze into each other's eyes as Anya approaches.

ANYA

Hi.

WILLOW

Oh, my god. You're back.

She stands up and hugs Anya.

TARA

We've been so worried.

ANYA

Yeah, sorry. I just needed to, you know... I couldn't stay here. Not after... everything that happened.

TARA

No, no, we totally understand.

WILLOW

But you're back now, right?

ANYA

It's complicated, you know, and there's a lot to deal with.

WILLOW

Well, if there's anything we can do, just let us--

ANYA

Actually, there is an eensy something I could use a little help with. You're lesbians so the hating of men will come in handy. Let's talk about Xander.
CUT TO:

INT. THE MAGIC BOX-- DAY

Anya and Dawn sit at the counter in the shop, talking.

DAWN

He feels awful.

ANYA

You think it's anywhere close to what I feel?

DAWN

No, but--

ANYA

What if it were you, Dawn? What if all you dreamed about was that magickal day? The day when the one person you loved with all your soul would promise to cherish and protect your heart for the rest of his life but instead he shatters it into a million jagged pieces?
CUT TO:

INT. THE ESPRESSO PUMP-- DAY

TARA

Well, it's not really so much about hating the men...

WILLOW

We're more centered around the... girl-on-girl action.

ANYA

And men really like to watch that kind of stuff, don't they? Men like Xander.
CUT TO:

EXT. SUMMERS HOME-- FRONT PORCH-- DAY

Anya and Buffy talk on the front porch.

BUFFY

I don't think he could feel any worse.

ANYA

Let's test that theory.

BUFFY

Anya, Xander's my friend. I know what he did was wrong and if it had happened to me, I'd--

ANYA

(hopeful)
Wish his penis would explode?
CUT TO:

INT. THE MAGIC BOX-- DAY

DAWN

I never use that word anymore.

ANYA

Coagulate?

DAWN

W-i-s-h.

ANYA

Oh, wish! As in "I wish Xander..."

DAWN

Right! That word. There's vengeance demons out there that are still active, remember? Any "I wish" could totally end in horrible grossness.

ANYA

Gimme a for-instance?
CUT TO:

EXT. SUMMERS HOME-- FRONT PORCH-- DAY

BUFFY

I don't really think I should.

ANYA

Did I mention the whole left-at-the-altar thing? Didn't leave that out, did I?

BUFFY

No. Look, I know what he did was wrong. God, if it happened to me, I... it must have been torture.

ANYA

(excited)
Okay! Let's talk about torture!
CUT TO:

INT. THE MAGIC BOX-- DAY

Dawn looks dubiously at Anya.

ANYA

So. Tell me more about wishing Xander's guts-brains and brains- guts would go blooey.

DAWN

I didn't say that.

ANYA

Yes, you did.

DAWN

No, I didn't.

ANYA

I heard you.

DAWN

I swear, I didn't say that.

ANYA

Didn't say what?

DAWN

I just saw you were back and wanted to talk to you about working off my debt. You know, my whole sticky-fingers, grabby-hands thing?

ANYA

Oh, right! The mad thieving. Good, yes, there's much to do. (stern) I'm going to put you to work, missy! (beat) So back to Xander's brains and guts...
CUT TO:

EXT. SUMMERS HOME-- FRONT PORCH-- DAY

ANYA

Squish, squish, squish! Guys have been running roughshod over you for years.

Buffy nods, pouts and reluctantly agrees.

ANYA

Torturing that perky little ticker. Aren't you sick of it? Don't you wish guys like that--

BUFFY

Whoa! Guys? There have only been four-- three! Three! Three guys. That's barely plural.

ANYA

And didn't each of them rip your heart out? Don't men like that, as to pick an example, Xander, deserve to be punished?
CUT TO:

INT. THE ESPRESSO PUMP-- DAY

WILLOW

Well, Xander is a guy so... it's kinda not the surprise that he likes to watch... girls. Why are we talking about this?

ANYA

(annoyed)
We're comforting me!

TARA

Well, I guess it's... natural for guys to be interested in--

ANYA

God! What kind of lesbians are you?! If you love men so much, go love men!

Anya jumps up, grabs her coffee and storms off.

CUT TO:

EXT. SUMMERS HOME-- FRONT PORCH-- DAY

Anya stands up and starts to storm off.

BUFFY

Anya, I know you're hurting but--

ANYA

What? Xander doesn't deserve to suffer for what he did 'cause he's your friend and I'm not, right? I get it.

BUFFY

No. That's not what I'm saying at all. What he did was wrong. He knows that.

ANYA

It just... it hurts. He hurt me so much.

BUFFY

He really did. Look, I wish that--

XANDER

(o.s.)
Anya?

Xander approaches up the front walk.

ANYA

Well, congratulations. They all still love you. Even after what you did to me.

She walks off and Xander starts to follow but Buffy stops him.

XANDER

Anya, wait...

BUFFY

Okay. Not crazy about that idea.

XANDER

What are you doing? I have to go after her.

BUFFY

Or, in the land of the sane, you could give her some space, let her cool down.

XANDER

That's not Proactive Guy. (paces) That's Sit Around and Watch the Rest of Your Life Turn to Crap Guy.

BUFFY

True, but at least Crap Guy gets to keep all of his appendages.

XANDER

And I'm supposed to what? Walk away? That shouldn't be too hard. It's what I'm good at, right?

Xander kicks out in frustration, smashing a garden gnome.

BUFFY

Okay, see that's exactly why a heart-to-heart is probably not your best course of action right now. When you're both angry and upset and... what the hell is that creepy little thing doing in my yard?

Buffy bends down and inspects the bits of gnome.

BUFFY

Did Willow put that there when I was dead? 'Cause if I had known, I would have crawled out of the grave sooner to--

XANDER

Buffy.

He points to a tiny camera inside the gnome's head.

BUFFY

Oh, my god.

XANDER

Looks like someone's been keeping an eye on all your ins and outs.

BUFFY

What the who?

XANDER

Well, now. Let's see. Who's obsessed with Buffy? Who likes to hang out in her yard and keep an eye on her? Who's in love with you and not getting any?
CUT TO:

INT. SPIKE'S CRYPT-- NIGHT

Spike inspects the camera, then looks up at Buffy.

SPIKE

What's this?

BUFFY

It's a camera.

SPIKE

Yeah, I got that part. Why am I holding it?

BUFFY

Someone was using it to spy on me. On my house. Xander thinks it's you.

SPIKE

Oh, the great Xander thinks so! Shudder gasp! It must be true!

BUFFY

Spike...

SPIKE

That ponce has always had it for me. Every chance he gets, he sticks it-- (beat) You believe him, don't you? You think I was spying on you. You think I could do that?

BUFFY

Because you don't lie or cheat or steal or manipulate...

Spike gives her back the camera.

SPIKE

I don't hurt you.

BUFFY

I know.

SPIKE

No, you don't. I've tried to make it clear to you but you won't see it. Something happened to me. The way I feel... about you... it's different. And no matter how hard you try to convince yourself it isn't, it's real.

BUFFY

I think it is. For you.

Buffy turns to go, then pauses by the door.

BUFFY

I know that's not what you want to hear. I'm sorry. I really am. But Spike, you have to move on. You have to get over--

SPIKE

Get out.

She waits for a moment, then leaves.

CUT TO:

INT. THE MAGIC BOX-- NIGHT

Anya stands behind the counter talking to Halfrek.

ANYA

No! They're all, "Oh, poor Xander! It took so much out of him, all that running away he did." I just don't understand what's wrong with these people.

HALFREK

Did you really think they were the ones who would help you?

ANYA

Well, but--

HALFREK

Do you want retribution, Anyanka?

ANYA

I want Xander good and cursed.

HALFREK

Then you know what you have to do.

ANYA

Get a wish from someone who doesn't freaking love him.

HALFREK

Exactly.

ANYA

Yeah, but my social circle is a little limited here. What am I supposed to do, just stumble upon someone who doesn't give a fig's ass if Xander gets hurt?

The bell over the shop door jingles as Spike enters. He slams the door shut and strides toward Anya.

SPIKE

Hey. I need a thing.
FADE OUT

ACT III

INT. THE MAGIC BOX-- NIGHT

Resume. Halfrek and Anya stare at Spike.

ANYA

So. What's your pleasure?

SPIKE

Fresh of out of pleasure. That's why I'm here. I need something. Numbing spell, maybe.

ANYA

Uh huh. Hang on.

Halfrek smiles and gets up as Anya walks to the end of the counter. Halfrek with her so they can talk privately.

ANYA

Oh, my God. Spike hates Xander. Maybe I could get him to wish... dammit, if only he were a woman. (thinks) Got it! If I can somehow get someone to wish that Spike were a woman, then I could go to him-- well, he'd be a her by then-- then I could go to her and get her to--

HALFREK

Anyanka, there's an easier way. Now I know you have this whole female-power, take back the night thing... I think that's cute. But I've been telling you for decades, men need a little vengeance now and then, too.

ANYA

Oh.

HALFREK

Maybe this is a good chance to try it out.

Halfrek gives a cheerful little wave at Spike and heads for the door.

HALFREK

Good luck with that. Ta-ta!

She leaves and Anya smiles nervously at Spike.

SPIKE

Sorry to bust up the little girls' night out.

ANYA

That's okay. I'm ready to do some business.

SPIKE

Right, then. Got something that'll dull the ache a bit?

ANYA

Actually, yes. Giles left a couple of supplies here and I think... this might help.

She rummages around in the cabinet beneath the cash register.

ANYA

Eases the hurt... makes the sun shine a little brighter, even makes boring people seem more interesting. Ah. Here.

She produces a bottle of Jack Daniels whiskey and sets it on the counter. Spike grins.

CUT TO:

INT. SUMMERS HOME-- DINING ROOM-- NIGHT

The dining room table is strewn with various colored wires and pieces of electronics. The camera from the garden gnome is there with several wires attached. Willow attaches it to her laptop computer.

BUFFY

How's it coming? Can you see who's getting the camera's signal?

WILLOW

Should have something once I get tapped into the fiber-optic network. We're going to use the feedback relay to get their signal routed into our system.

XANDER

Okay, if it's not Spike-- and I'm not saying I believe him-- but if it's not Spike, I think we already know who's behind this.

WILLOW

Makes sense.

BUFFY

(intense)

I want... to find... these guys.

CUT TO:

INT. NERD HIDEOUT-- NIGHT

Jonathan's chemistry set bubbles and percolates. He lights a candle on the table next to the test tubes while Warren and Andrew stand watching.

An old map of Sunnydale is spread out on the floor a few feet away. Jonathan holds a short wooden rod with the magick disk attached to the end over the candle and sprinkles a powder over it. The disk glows red-hot and gives off a purple smoke.

JONATHAN

Uncover.

A beam of purple light shoots from the candle, through the disk and onto the map, highlighting one specific area of town.

JONATHAN

There. That's it. That's where we have to go.

WARREN

Well, now that we've found out where we're supposed to go--

The map suddenly bursts into flame, scaring them all. Jonathan yelps and runs out.

CUT TO:

INT. THE MAGIC BOX-- NIGHT

Spike sits at the counter with Anya. They are both downing shots of whiskey.

SPIKE

(angry)

So then this girl says, "Real for you."

ANYA

Right. But getting back to Xander...

SPIKE

Xander. Let's not waste any more breath on that wanker.

ANYA

But he made a fool of me. And nobody seems to care enough to do anything!

SPIKE

I care. What he done to you? I've never stooped that low and I'm an "evil, soulless thing". According to some people.

ANYA

But shouldn't he pay? Don't you wish he had to pay in some horrible way?

SPIKE

Absolutely. Take him on myself if it wasn't for my little handicap.

ANYA

Right. So... hypothetically, what do you wish you could do to him?

SPIKE

You name it, pet. You're the wronged party. Something... gruesome, how 'bout?
CUT TO:

INT. NERD HIDEOUT-- NIGHT

Andrew and Warren stomp out the fire as Jonathan runs in with a fire extinguisher. Warren grabs a blanket off the sofa and tosses it on the fire.

JONATHAN

Hey! That's my blanket!

WARREN

Well, makes sense. It was your fire.

Above Warren's head a red lightbulb suddenly illuminates.

CUT TO:

INT. SUMMERS HOME-- DINING ROOM-- NIGHT

Willow looks up from her laptop.

WILLOW

Hey, hey! I think I've got something.
CUT TO:

INT. THE MAGIC BOX-- NIGHT

Spike and Anya sit together at the reading table. Anya cardigan sweater is off, leaving just a tank top over her skirt.

ANYA

(angry)

Thing about it is, none of this was my idea. I didn't ask to be human.

SPIKE

Right! And I didn't ask for this bloody chip in my head.

ANYA

To tell you the truth, all I wanted was to use him and lose him. I hadn't had a good tumble in a thousand years.

SPIKE

Me, too. The using part. I just wanted to know what I was missing, move on.

ANYA

Yeah... and he was all bumpy in the right places. And nice to me.

SPIKE

She was so raw. I've never felt anything like it.

ANYA

Next thing you know, I'm changing to please him. I care if he cares!

SPIKE

(nods)
Right.

ANYA

And I'm off my guard. Happy! I'm singing in the shower and doing my sexy dance!

SPIKE

Exactly. (beat) I... have no dance.
CUT TO:

INT. SUMMERS HOME-- DINING ROOM-- NIGHT

Willow types quickly.

BUFFY

Talk to me, Will.

WILLOW

Technology's pretty sophisticated. Lots of booby traps and firewall stuff.

BUFFY

But can you get us a location?

WILLOW

Well, hey, I'm still me. Just one-- whoa!

BUFFY

What?

WILLOW

There are other cameras.
CUT TO:

INT. THE MAGIC BOX-- NIGHT

Anya sits on the reading table, more inebriated than before.

ANYA

Screw 'em!

SPIKE

To the rafters!

They clink their glasses together and drink.

ANYA

I did everything for that man. Was it ever enough?

SPIKE

Never! I was always going above and beyond. I saved the Scoobies how many times? And I can't stand the lot of you.

ANYA

Me, either! I hate us! Everybody's so nice. Nobody ever says what's on their mind.

SPIKE

You do. That's why you're the only one of them I wouldn't bite if I had the chance.

ANYA

(giggles)
Really?

SPIKE

Absolutely. I have nothing but respect for a woman who is forthright. Drusilla was always straightforward. Didn't have a single buggering clue about what was going on in front of her but she was straight about it. That's a virtue.

ANYA

Xander didn't think so. He thought I was rude.

SPIKE

That's because he's one of them. Uptight. Repressed.

ANYA

You think?

SPIKE

Please. It's no wonder they couldn't deal with the likes of you and me, luv. We should have been dead hundreds of years ago... and we're the only ones who are really alive.

Anya smiles at him and he smiles back.

CUT TO:

INT. SUMMERS HOME-- DINING ROOM-- NIGHT

The exterior of the Doublemeat Palace appears on the screen of Willow's computer.

WILLOW

Oh, my god! The Doublemeat Palace? The Bronze? My classrooms on campus... Xander's site...

BUFFY

What?

XANDER

They've been spying on all these places?

WILLOW

I can tell there are more feeds. I'm just having a harder time pinpointing 'em. Here, let me...

She types furiously, working the keyboard.

CUT TO:

INT. THE MAGIC BOX-- NIGHT

Anya sits closer to Spike than before. The bottle is nearly empty. Spike picks it up with a sigh, pours the last of it into one shot glass. He holds it out for her.

SPIKE

Here. Ladies last.

ANYA

Thank you.

SPIKE

Take it quick or my chivalry will run out.

She puts her hand on Spike's.

ANYA

No... thank you.

Spike puts the glass down and moves a little closer to her.

ANYA

This is the first time since... It feels good to be with someone who understands.

SPIKE

Intimately.

ANYA

This whole time I've been coming on all... hell bent and mad. Wanting his head, you know?

SPIKE

Yeah.

ANYA

(sobs)
When really I... can't sleep at night, thinking it... has to be my fault somehow.

SPIKE

Shh...

ANYA

What if it was just pretending? What if he never really wanted me the way I wanted him? Oh, god. I'm sorry.

SPIKE

Now, now.

Spike gently brushes the hair out of her face, then cups her cheek in his hand.

SPIKE

He would have to be more than just the git he is, Anya. He'd have to be deaf, dumb and blind not to want a woman like you.

ANYA

(whispers)
Then why?

SPIKE

The two of them... they're weak, is all. (beat) But I'll tell you what, though. They're going to miss the water now that the well's gone dry.

Anya leans her face into his hand.

ANYA

Too hot to handle.

SPIKE

Too hot...

He leans forward and rests his forehead against hers.

ANYA

Just one more question.

SPIKE

Hmm?

ANYA

Can I see your sexy dance?

SPIKE

I'll show you mine...

He smiles and leans in to kiss her.

ANYA

Wait. Wait. What are we doing?

SPIKE

Moving on.

They kiss passionately.

CUT TO:

INT. SUMMERS HOME-- DINING ROOM-- NIGHT

WILLOW

Here! I think there are a couple more transmitters on the network. I just... I've almost got a picture on 'em.
CUT TO:

INT. THE MAGIC BOX-- NIGHT

Anya pulls back from the kiss.

ANYA

You know I'm only doing this 'cause I'm... I'm lonely and drunk and you... smell really good.

SPIKE

See? Forthright.

She grins and nods and resumes the kissing.

CUT TO:

INT. NERD HIDEOUT-- NIGHT

The red light flashes, accompanied by a loud alarm.

ANDREW

It tapped into our feed! Something's wrong!

The trio runs toward the bank of computers along the wall.

CUT TO:

INT. THE MAGIC BOX-- NIGHT

The kissing continues as Anya climbs onto Spike's lap, straddling him. He pushes his hands up underneath her blouse, revealing a lace-black bra.

Spike sweeps the table clear, then lifts Anya onto the table. She lies back, panting, as he moves on top of her, between her legs.

CUT TO:

INT. SUMMERS HOME-- DINING ROOM-- NIGHT

WILLOW

I think I've got the Magic Box. (beat) Whoa!

She stands up quickly, staring at the screen in shock.

CUT TO:

INT. NERD HIDEOUT-- NIGHT

Andrew and Jonathan type frantically.

WARREN

Shut it down, shut it all down!

ANDREW

I'm trying! I can't find--

Jonathan reaches across Andrew's keyboard.

JONATHAN

Here, dorkface.

ANDREW

I'll get it myself!

WARREN

Guys, we have to... oh, holy crap.

They all freeze, staring at one monitor. It shows a full-color view of Spike and Anya having sex on the reading table in the Magic Box.

JONATHAN

Oh, my god.

WARREN

What is that? Porn?

JONATHAN

Oh, my god.

WARREN

Is that the cam in the Magic Box?

JONATHAN

Oh, my god.

ANDREW

What are they... oh.

WARREN

Is that...?

JONATHAN

Spike.

Andrew stares at Spike dreamily.

ANDREW

He is so cool. (off their looks) And, I mean, the girl is hot, too.

Warren shakes his head at Andrew in disgust.

WARREN

Dude...
CUT TO:

INT. THE MAGIC BOX-- NIGHT

CU: a display case near the reading table. A human skull is sits on the shelf, the camera in its eye clearly visible.

CUT TO:

INT. SUMMERS HOME-- DINING ROOM-- NIGHT

Buffy and Xander, alarmed by Willow's expression, get up and gather around the computer screen.

WILLOW

Xander, don't look! Wait, Xander, no...

XANDER

Oh, god.

Buffy stares at the screen, stunned but trying not to show it.

The front door opens behind them and Dawn enters. She sees the others in the dining room and heads over to them.

DAWN

Hey, guys. What's up?

She looks at the screen and gasps. Willow quickly puts her hand over Dawn's eyes.

WILLOW

Whoa, whoa, whoa.

XANDER

I... what is she...

Willow looks at Xander with concern, then at Buffy.

WILLOW

Buffy?

BUFFY

That's enough.

Buffy storms out and Xander walks off in a daze. Willow quickly starts typing again.

WILLOW

Here, let me just... you know, we aren't even really sure what we're just seeing here. There could be something--

Dawn rolls her eyes and follows Buffy.

WILLOW

There. Got it.

Willow looks up and realizes she's alone.

WILLOW

Xander?

She goes to the foyer and finds the front door standing open, then looks into the living room where the weapons chest is open and ransacked.

CUT TO:

EXT. SUNNYDALE STREETS-- NIGHT

Xander strides down the street, determined and grim, carrying a short-handled axe.

FADE OUT

ACT IV

EXT. SUMMERS HOME-- BACKYARD-- NIGHT

Buffy sits in a lawn chair, staring blankly out at the night. Dawn stands nearby, her arms folded across her chest.

DAWN

So, this is it? This is the stuff you've been protecting me from? You and Spike?

BUFFY

And a lot of monsters.

DAWN

Uh-huh.

BUFFY

But it's over. Spike.

DAWN

I wish you'd told me.

BUFFY

I kinda didn't want to admit it to myself.

DAWN

I get that. (beat) I know it must hurt. To feel like you have to hide, to keep secrets from everybody.

Willow runs out the back door of the house.

WILLOW

Buffy, Xander's gone. And he took your axe.
CUT TO:

INT. THE MAGIC BOX-- NIGHT

Books and candles are scattered across the floor. The bench lies on its side.

Anya, wearing her blouse again, picks up her sweater. Spike fastens his belt and looks over at her. She seems ashamed and embarrassed. Spike heads for the door but pauses and nods to her. She nods back and he leaves.

EXT. THE MAGIC BOX-- NIGHT

Spike exits and immediately ducks as a short-handled axe plunges into the wall where his head was. Xander struggles to pull the axe free, then gives up and grabs Spike by his shirt and throws him to the ground.

Buffy turns the corner and runs toward them.

Xander picks Spike up and throws him against the wall again, then punches him in the gut.

XANDER

Get up. Get up!

Spike glares up at him but doesn't move.

XANDER

You're just gonna sit there? Do nothing?

Xander grabs him, pulls him to his feet and slams his head against a pillar.

XANDER

That the kind of man you are?

SPIKE

I'm not going to fight you. Chip.

Xander knees him in the gut and Spike doubles over again.

XANDER

Too bad.

Xander takes a stake from his pocket just as Anya opens the door of the shop.

ANYA

Xander, no! Stop it! Stop it!

Anya reaches him just as Buffy does. She runs up behind and shoves him aside. Xander pants and glares at Buffy.

ANYA

Xander, I...

XANDER

Don't even try to deny it. 'Cause I saw it all. The whole beautiful show.

ANYA

How? (beat) It was just... it was just a thing. I... I felt bad and he was just... there.

BUFFY

(to Spike)
Didn't take long, did it?

Spike shoots her a withering look.

XANDER

Oh, okay! You had to do it. Because he was there. Like Mount Everest. Like I used to be.

ANYA

(angry)

And then you weren't. You left me, Xander. At the altar. I don't owe you anything.

XANDER

So you go out and bang the first body you can find? Dead or alive?

ANYA

Where do you get off judging me?

XANDER

When this is your solution to our problems. I hurt you and you hit me back? Very mature.

ANYA

No, the mature solution is for you to spend your whole life telling stupid, pointless jokes so that no one will notice that you are just a scared, insecure little boy!

XANDER

(bitter)
I'm not joking now. You let that evil, soulless thing touch you. You wanted me to feel something? Congratulations, it worked. I look at you and I feel sick... because you had sex with that.

SPIKE

It's good enough for Buffy.

XANDER

Shut up and leave her out of...

Xander stops and both he and Anya look over at Buffy.

ANYA

Buffy?

BUFFY

Xander...

Xander shakes his head in denial and drops the stake.

XANDER

I don't want to know this. I don't want to know any of this.

He walks off into the night. Buffy glares at Spike, then turns to follow him.

SPIKE

Bloody Xander, mucking up everything. You know, I wish--

ANYA

Don't.

Spike looks at her, surprised. Anya grimaces in self-disgust and they both head off in opposite directions.

CUT TO:

INT. THE MAGIC BOX-- NIGHT

Anya walks into the store and stares down at the mess on the floor. She picks up the bench and rights it and glumly starts to clean up the store.

CUT TO:

INT. SUMMERS HOME-- MASTER BEDROOM-- NIGHT

Willow lies on the bed, doing homework. She looks up, surprised, as Tara appears in the doorway.

WILLOW

Tara?

TARA

Things fall apart. They fall apart so hard. You can't ever... put them back the way they were.

WILLOW

Are you okay?

TARA

I'm sorry, it's just... you know, it takes time. You can't just have coffee and expect--

WILLOW

I know.

TARA

There's just so much to work through. Trust has to be built again on both sides. You have to learn if... if we're even the same people we were, if you can fit in each other's lives. It's a long and important process and... can we just skip it? Can you just be kissing me now?

A look of pure delight passes over Willow's face. She jumps off the bed and into Tara's arms and kisses her passionately.

FADE TO BLACK
END