Help

[Transcript of "Buffy The Vampire Slayer" episode Help at buffyology.com.]

Prologue

INT. SUNNYDALE FUNERAL PARLOR-- NIGHT

A dead woman lies in her coffin in the funeral parlor's showroom. A pair of workers put the finishing touches on the body.

WORKER #1

You did good work on her. She looks good.

WORKER #2

Thanks. She's all set for the service tomorrow.

WORKER #1

Good.

WORKER #2

All right, then. I'll see you in the morning.

WORKER #1

Good night.

They turn off the lights on the way out.

Two of other coffins open and BUFFY and XANDER climb out, out of breath for having been shut up inside the caskets. Buffy shines her flashlight in Xander's face.

XANDER

Hey!

BUFFY

Sorry.

XANDER

Thirty-three minutes. Since when do we go to all this trouble for one lousy vampire? Excuse me. One lousy potential vampire?

BUFFY

Vampire by vampire. It's the only way I know how.

A frantic knocking comes from inside a small coffin next to them. Buffy hurries to open it. DAWN sits up gasping for air.

DAWN

I think this thing has a fricking child-lock on it.

She climbs out while Buffy shushes her.

DAWN

You know, I'm not the shortest one here. I don't know why I had to be in the kid coffin.

BUFFY

Look, I know it's my job--

XANDER

No, I'm sorry. I want to help. I guess I've been a little bit stressed out lately. I'm sorry I took it out on you.

BUFFY

No big. Been kinda stressed myself.

DAWN

Well, the whole Willow sitch is not un-stressifying. I mean, she's here but not "part of the gang" here and hopefully not "under my feet here" in another time dimension... here.

BUFFY

There's Willow, there's the looming humungo bad and it's a school night. I should be home in bed, cuddling up to my insomnia and worrying about how I'm going to mess up tomorrow.

DAWN

You'll be fine. You'll be a great counselor.

BUFFY

It's my first week actually talking to the kids. What if their problems are weird and tricky?

XANDER

Well, I think you understate your familiarity with the world of weird and tricky. This job's perfect for you.

BUFFY

Check out perfect me. Taking my sister on an educational outing to the--

She shines her light on the dead woman.

DAWN

Dead body.

XANDER

I don't know, amateur opinion here, but she looks dead. I mean, like natural causes dead.

BUFFY

The paper said she had unusual cuts and contusions on her neck.

Buffy pulls down the woman's collar, revealing sutured twin puncture marks on her neck.

XANDER

Maybe she cut herself shaving and then died naturally of embarrassment.

DAWN

She looks...peaceful.

The woman's eyes snap open, a hateful yellow. Her fangs descend and she scowls up at them.

VAMPIRE

I am not peaceful!

BUFFY

That I can help with.

She plunges her stake into the vampire's heart and it explodes into dust.

BUFFY

I always thought closed caskets were more tasteful, anyway.

Opening credit sequence.

Act I

INT. SUNNYDALE HIGH-- ADMIN OFFICE-- DAY

Buffy has everything neatly arranged on her desktop. She sits at her desk sharpening pencils.

AMANDA

(o.s.)
Hello?

Buffy looks up. AMANDA, a young brunette, stands before her.

BUFFY

(smiles)
Come in! Hi.

AMANDA

(nervous)
Mr. Miller sent me here.

BUFFY

Do you know why?

AMANDA

I'm not sure. Maybe 'cause this guy was picking on me.
INTERCUT:

TOMAS paces before her desk.

TOMAS

I don't want to talk to you.

BUFFY

Okay, that's fine.

TOMAS

I'm serious. I don't want to talk.

BUFFY

Okay.
INTERCUT:

The school jock, PETER NICHOLS, leans against Buffy's desk and smiles.

PETER

You know, I hate to miss Bio but I thought it was best I come speak with you.

BUFFY

So what's on your mind?

PETER

On my mind?

BUFFY

Are you worried about... school? Friends, girls, your parents--

PETER

Yeah, yeah, that's it. My parents.

BUFFY

So what about them?

PETER

Issues of... divorce.
INTERCUT:

Back to Amanda.

BUFFY

You know, it's awful being teased. But the thing is, you know, with bullies like this, they're really just--

AMANDA

Insecure?

Buffy winces, embarrassed to be caught in a clichÈ.

AMANDA

Yeah, everyone says that. You know, I'm really tired of everyone being so insecure.
INTERCUT:

Tomas sits down across from Buffy and stares silently at her.

INTERCUT:

Peter listens to Buffy but seems to be checking her out more than anything else.

PETER

Divorce is terrible. My parents got divorced when I was a kid.

PETER

My parents are happily married. (covers) It's hard. I feel left out. But I'm also concerned about girls.

He sees she's not buying it.

PETER

Okay, I'm just bored. Maybe I should get back to Bio?

Buffy nods and smiles icily at him.

INTERCUT:

Back to Amanda.

BUFFY

You have to stick up for yourself, Amanda. You need to show this bully that you're not going to take anymore of his sh-- guff. Umm, any guff.

AMANDA

'Cause that's what I did. I stuck up for myself. The other day after class, I jumped him in the parking lot and I slammed his stupid-ass insecure face right into the pavement.

BUFFY

(shocked)
You what?

AMANDA

I guess that's another reason Mr. Miller wanted me to see you. Do you think I should pound on him some more?
CUT TO:

EXT. SUNNYDALE CEMETERY-- DAY

Xander and WILLOW walk together along a path by a lake.

XANDER

I bet she's giving them great advice.

WILLOW

Absolutely! Those kids are lucky to have Buffy looking out for them. I just wish she believed it. She's still stressing over the whole "dropped out of college, not actually qualified" thing. Plus the salivating Hellmouth underneath her feet and the whole...

XANDER

"From beneath you, it devours." It's not the friendliest jingle, is it? It's no "I like Ike" or "Milk: it does a body good."

WILLOW

I know. It's gonna be bad. It's gonna be real bad. And I wonder, will I... well, if it comes-- when it comes-- will I be able to help?

XANDER

I think so.

WILLOW

I don't know. I don't know what I can do. I mean, frankly, I'm...I'm scared of what I might do.

XANDER

Yeah, I get that. Figuring out how to control your magick seems a lot like hammering a nail. (off her look) Well, hear me out. So you're hammering, right? If you hold the end of the hammer, you have the power but no control. It takes like two strokes to hit the nail in... or you could hit your thumb.

WILLOW

Ouch.

XANDER

So you choke up. Control but no power. It could take like ten strokes to knock the nail in. Power, control. It's a tradeoff.

WILLOW

That's actually not a bad analogy.

XANDER

Thanks.

WILLOW

Except I'm less worried about hitting my thumb and more worried about going all black-eyed baddy and bewitching that hammer into cracking my friends' skulls open like coconuts.

XANDER

Right. Ouch.

WILLOW

Sorry. (beat) Xander, being back here... I don't know...

XANDER

It'll take time. Are you sure you're ready for this?

Willow nods and steps forward. Xander hangs back. She passes several grave markers, then stops before one in particular and looks down. After a moment, she sets a handful of stones on the headstone and kneels in front of it, tracing the name engraved on the face.

WILLOW

Hey. It's me.
CUT TO:

INT. SUNNYDALE HIGH-- ADMIN OFFICE-- DAY

Tomas sits with Buffy. He's talking now, opening up.

TOMAS

I'm scared. I don't want to be left all alone. My brother's joining up with the Marines. Whew. You know, if he knew I was making a fool of myself, he'd smack me in my head. I guess I'm just being stupid.

BUFFY

Sounds like your brother's pretty tough.

TOMAS

Yeah, he's a man. I'm just all messed up right now.

BUFFY

You are not messed up. It is not messed up to worry about your brother.

TOMAS

What if he doesn't come back? What if he gets blown up?

BUFFY

Have you talked to him? Have you told him how you feel?

TOMAS

No. No, I don't want to talk to him. I don't want to do that. I don't want to talk to him.

BUFFY

Okay.

TOMAS

You understand?
INTERCUT:

Now JOSH, a nerdy boy sits before Buffy.

BUFFY

So Josh, what's on your mind?

JOSH

Well, I'm worried that I'm... gay.

BUFFY

Okay, first of all, I think it's great that you would come and talk to me about this. And second of all, you should know that there is nothing shameful about being gay. Nothing.

JOSH

I know. It's just... I'm not positive so I was thinking that... why don't you go on a date with me so I can be sure.

Josh smiles dreamily at Buffy and she shakes her head in disbelief.

INTERCUT:

Buffy has yet another student before her.

BUFFY

It sounds like it's difficult for you. Like maybe your sister makes it hard for you to establish your own identity. You said she's controlling, she doesn't let you make your own decisions...

Reveal Dawn.

DAWN

Yeah, and she borrows my clothes without asking.

BUFFY

I understand. That must be hard.
INTERCUT:

CASSIE NEWTON sits with Buffy now. She's cute in an unconventional way, wearing a black t-shirt with purple streaks in her blonde hair.

BUFFY

So you're not doing your homework?

CASSIE

I guess not. It all just... seems kind of ... whatever.

BUFFY

I know high school can seem kind of frustrating. But if you just get through it, then you can go to college, you know, or you can join the French Foreign Legion or anything you want.

CASSIE

(smiles)
Yeah, well, I'm not gonna do all that stuff.

BUFFY

Okay, no Foreign Legion. I get that. I mean all the changing your name and being indentured for all those years and occupying Algeria...

CASSIE

(laughs)
It's just that I'm not graduating from high school.

BUFFY

Why not?

CASSIE

I really like that shirt. Where'd you get it?

BUFFY

Cassie, don't change the subject. Why won't you graduate?

CASSIE

(somber)

Because next Friday I'm going to die.

FADE OUT

Act II

INT. SUNNYDALE HIGH-- ADMIN OFFICE-- DAY

Resume. Buffy stares at Cassie, shocked.

BUFFY

What?

CASSIE

Can we talk about something else?

BUFFY

No, we have to talk about this.

CASSIE

Just... never mind.

BUFFY

Cassie, what makes you feel like this?

CASSIE

Feel like what?

BUFFY

Like you want to hurt yourself.

CASSIE

Oh, I'm not going to commit suicide if that's what you're saying. No way.

BUFFY

(confused)
Okay, then. What are you saying?

CASSIE

Look, I don't mean to be a pain. You seem really nice and I know you're just trying to help. But I'm wasting your time.

BUFFY

No, you're not. This is why I'm here. Cassie, please tell me, why do you think you're going to die?

CASSIE

I don't think it, I know it. I just know.

BUFFY

What do you mean, you know? Are you saying that someone's going to hurt you? Has someone threatened you?

CASSIE

No. (beat) No, I just know that next Friday I'm going to die. Some things I just know. I don't know how, I just do. Like I know there will be coins...

BUFFY

Coins?

CASSIE

(nods)
Lots of coins. Weird ones. And I know that you'll go someplace dark underground. I don't know.

BUFFY

What do you mean underground?

CASSIE

And I know you'll try to help...

BUFFY

Cassie, I don't understand what you're saying.

CASSIE

But you can't, okay? I gotta go.

She stands up and gathers her things.

CASSIE

Trig. I don't want Mr. Corrigan sending me Principal Wood again.

BUFFY

Cassie, please...

CASSIE

Thanks for being so nice. I really do like that shirt. You should put a sweater on so it doesn't get stained. I gotta go.

BUFFY

Cassie, wait, please...

CASSIE

Gotta go.
CUT TO:

INT. SUNNYDALE HIGH-- WOOD'S OFFICE-- DAY

PRINCIPAL WOOD listens calmly to Buffy's concerns about Cassie.

BUFFY

What am I supposed to do?

WOOD

Well, you did what you were supposed to do. You reported the situation to me.

BUFFY

And...?

WOOD

Listen, Buffy, it's hard. Kids this age... they're hurting, they're pissed off and they say things. Sometimes they say awful things. When I was in high school, I had a thing with this guy, right? Real bully. I kept telling everyone that he'd better sleep with one eye open 'cause I was going to bust his ass. Well, I got suspended. Talk like that is taken pretty seriously where I come from.

BUFFY

The hood?

WOOD

Beverly Hills... which is a hood.

Buffy tries to hide her embarrassment.

WOOD

Listen, the point is, I was talking big because I was scared. I couldn't bust a move back in high school, let alone someone's ass. Most of the time, that's what it is when these students act out. Fear, pain...

BUFFY

But sometimes it's not just talk, right?

WOOD

Every time there's a threat like this, we do the same dance. Inform teachers, search lockers, but we can't... we can't know what's going to happen and we can't search their brains. We just do what we can.

BUFFY

It's not enough. I need to fix this. I don't usually get a heads up before somebody dies.

WOOD

What do you mean usually?

BUFFY

No. No, not since... I mean, I'm sure it's not usual to get a chance to stop something like... I just I need to do something, okay? I have to make this better.

She trips and spills coffee on her shirt.

BUFFY

Oh! Oh, shoot.

Buffy looks down at the coffee stain on her shirt and remembers Cassie words earlier.

CUT TO:

INT. SUNNYDALE HIGH-- CORRIDOR-- DAY

Dawn's opens her locker and starts when she shuts the door again to find Buffy standing there watching her.

BUFFY

I have a job for you.
CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- DAY

Dawn hides behind one of the library stacks, eavesdropping on a conversation between Cassie and her friend MIKE HELGENBERG.

MIKE

What're you drawing?

CASSIE

Don't you have a history test to study for?

MIKE

When are you going to design me a tattoo?

CASSIE

A tattoo? Oh, right. I could imagine that.

MIKE

Come on. Design something. I mean, maybe we could get matching tattoos. How about like a snake with fire coming out of its mouth.

CASSIE

Hmm... or a sexy hula girl who wiggles when you flex?

MIKE

Yeah, now you're talking. Sexy hula girl. But a sexy snake hula girl.

Dawn pretends to read a book while casually making her way toward their table.

CASSIE

You are so ridiculous.

MIKE

So I was thinking... maybe we should go to that dance after all.

CASSIE

What do you mean "after all"? I told you I don't want to go.

MIKE

Well, I assumed you were kidding.

CASSIE

It would probably be lame anyway.

MIKE

Well, yeah, but lame is funny and, you know, maybe fun if, you know, we're hanging out together.

CASSIE

We hang out together all the time.

MIKE

Right. And therefore we should hang out together at the winter formal.

Dawn approaches and interrupts.

DAWN

(to Cassie)
Hey. I'm in ceramics class with you. I'm Dawn Summers. I forgot if we had an assignment last week. I spaced.

CASSIE

Right. Hey, Dawn. Yeah, you know we did have an assignment but I didn't write it down. I think something to do with glazes...

MIKE

As scintillating as the pottery talk is, I'd better actually go study. (to Dawn) I'm Mike, by the way.

DAWN

Hi, Mike. I'm sorry. I didn't mean to...

MIKE

Oh, don't worry about it. I better go hit the books if I'm going to ace this test. Nice meeting you, though. Cass, I'll see you later?

CASSIE

Yep. Hey, Mike, you're going to get a B.

MIKE

Oh, A+, baby, A+.

Dawn sits with Cassie and notices her book: Kurt Vonnegut's Slaughterhouse Five.

DAWN

So is that any good?

CASSIE

Yeah. Actually, yeah.

DAWN

What do you have to read it for?

CASSIE

Oh, just for me, I guess. I kinda stopped reading my homework assignments. I just... read what I want.

DAWN

That's so cool. I'd do that but my sister'd be down my neck in a second.

CASSIE

Summers... hey, are you the counselor's little sister?

DAWN

No. She's my sister. Lucky me, huh?

CASSIE

No, she's really nice. I actually just saw her this morning.

DAWN

Oh, really? What about? (beat) I'm sorry, that's none of my business.

CASSIE

No, I don't care.

DAWN

So Mike's a cutie. Are you guys going to that dance?

CASSIE

No, I don't think so.

DAWN

Oh. I mean, didn't he ask you?

CASSIE

Like 105 times.

DAWN

And you said no?

CASSIE

One hundred six times. No, I can't go. I'm not going to be around that night.
CUT TO:

INT. SUMMERS HOME-- DINING ROOM-- DAY

Buffy and Xander stand behind Willow who types on her laptop.

BUFFY

Cassie's records all show the same thing. Good grades, good kid, then all of a sudden not so good grades, absenteeism, comments about apathy and depression...

XANDER

So the question is, what changed?

BUFFY

Right. If she did have some sort of psychic vision, that would explain it.

WILLOW

Do you really think this girl is some kind of precog?

BUFFY

I don't know. I told you about the shirt, right?

XANDER

Buff, you spilled a cup of coffee. I'm not saying you don't have Slayer grace but it's not the first time.

WILLOW

I mean, maybe, just maybe, you're trying so hard to help that you're seeing paranormal when there's just normal.

BUFFY

Maybe. But maybe not.

WILLOW

Want me to check her medical records?

BUFFY

Her doctor already sent them.

Buffy hands the file to Xander who flips through it.

XANDER

Strep throat. Ear infections. Yeast infections. None of my business... no real info here.

WILLOW

Have you Googled her yet?

XANDER

Willow, she's 17.

WILLOW

It's a search engine. Look. (types) Okay, let's see what "Cassie Newton" pulls up. (beat) Hey, look. Check this. She's got her own site.

XANDER

A day and a half of researching and we finally try looking up her.

Cassie's website is artsy and eccentric. The graphics resemble old-style ransom notes with letters cut from newspapers and pasted together to form words.

BUFFY

Wow, that's a lot of poems.

XANDER

Poems. Always a sign of pretentious inner turmoil.

WILLOW

(reads)
The sheets above me cool my skin Like dirt on a mad woman's grave. I rise into the moonlight white And watch the mirror stare.

Pale fish looks back at me, Pale fish that will never swim. My skin is milk for no man to drink, My thighs unused, unclenched.

This body is not ready yet But dirt waits for no woman And coins will buy no time. I hear the chatter of the bugs.

It's they alone will feast.

The front door opens and Dawn enters.

XANDER

Okay, death is really on her brain.

DAWN

We all deal with death.

XANDER

This girl isn't just dealing, she's giving death a long, sloppy word-kiss. She has a yen for the big dirt-nap.

WILLOW

I don't know. I mean, a lot of teens post some pretty angsty poetry on the web. I mean, I even posted a melodramatic love poem or two back in the day.

XANDER

Love poems?

WILLOW

I'm over you now, sweetie.

XANDER

Love poems!

WILLOW

Look, all I'm saying is that this is normal teen stuff. You join chat rooms, you write poetry, you post Doogie Howser fan-fic. (off their looks) It's all normal, right? Let's see what other sites there are.

DAWN

You guys are way off track. I got a hunch on this one.

WILLOW

Oh, wait. Here's something. No, that's Philip Newton.

BUFFY

No, that's her dad. Open it.

DAWN

Guys, I'm telling you. I got this case cracked wide-open. I got the perp fingered. I told you about Mike Helgenberg, right?

BUFFY

That's the guy that asked her to the dance?

DAWN

Right. The one that keeps asking her to the dance. I'm thinking, who likes to be rejected? Nobody. I'm thinking some people can't handle the rejection. I'm thinking that--

WILLOW

Hey, I got something. Whoa, drunk and disorderly, disturbing the peace... there's a lot of charges here.

BUFFY

Her dad's a drunk?

XANDER

A violent drunk?

BUFFY

We'd better find out. I have his address right here. Got your keys?

XANDER

Yeah.

Buffy and Xander leave without acknowledging Dawn.

DAWN

Guys, I'm telling you, I'm liking Mike Helgenberg for the perp. Let's collar him before he... (dejected) lawyers up.
CUT TO:

EXT. PHILIP NEWTON'S HOUSE-- NIGHT

Buffy and Xander stand on Philip Newton's front porch, ringing the doorbell.

BUFFY

Buffy the Vampire Slayer would break down this door.

XANDER

And Buffy the counselor?

BUFFY

Waits.

PHILIP NEWTON answers the door and peers out suspiciously.

BUFFY

Mr. Newton?

NEWTON

That's right.

BUFFY

I work at your daughter's school. I need to talk to you.
CUT TO:

INT. PHILIP NEWTON'S HOUSE-- NIGHT

Inside the house, Buffy and Xander continue their conversation with Mr. Newton.

NEWTON

So is she screwing up her grades again? Because she's not the sharpest apple in the barrel.

BUFFY

She's got some problems. But it's... it's kind of you we wanted to talk about.

NEWTON

What about?

BUFFY

We know you've been picked up by the police a couple of times. We wanted to know if you still... drink a lot.

She looks pointedly at the counter top, cluttered with alcohol bottles.

NEWTON

What's that got to do with Cassie?

BUFFY

Frankly, we were worried that you might... drink too much and hurt Cassie. That's all.

NEWTON

Oh. Oh, I see. That's all. You just come in here in the middle of the night, into my home, and start accusing me of beating on my daughter? That's all?

BUFFY

We just want to make sure that Cassie's--

NEWTON

Well, that's a lie! Who told you this? Did Cassie's mother put you up to this, 'cause I pay my support, okay? To the dime! She just wants to take away the one weekend a month I get to be with my girl.

BUFFY

Which is when?

NEWTON

What?

BUFFY

Which weekend is it?

NEWTON

I just had her last weekend. (beat) Look, I may not be the greatest dad in the world but I don't beat up my daughter.

BUFFY

So you won't be seeing her this Friday, then?

NEWTON

Not unless my ex-wife gets a personality transplant.

BUFFY

Okay.

NEWTON

Okay, what? Okay, now you'll get out of my house?

BUFFY

Yeah, we will.
CUT TO:

EXT. PHILIP NEWTON'S HOUSE-- NIGHT

As Buffy and Xander head for the car, Cassie pulls into the driveway.

CASSIE

It's not him. He's not the one who does it. Thank you for trying but I probably shouldn't have told you anything. You're making such a big deal out of it and I want it to all to just go away.

XANDER

Are you talking about killing yourself?

CASSIE

No, of course not.

BUFFY

Then fight. Try.

CASSIE

There's no point. I told you...

BUFFY

This doesn't sound like someone who really wants to live.

CASSIE

You think I want this? You think I don't care? (cries) Believe me, I want to... be here, do things. I want to graduate from high school and I want to go to the stupid winter formal. I have this friend and it would be fun to go with him. Just to dance and hear lame music, to wear a silly dress and laugh and stuff. I'd like to go. There's a lot of stuff I'd like to do. I'd love to ice skate at Rockefeller Center. And I'd love to see my cousins grow up and see how they turn out 'cause they're really mean and I think they're going to be fat. I'd love to backpack across the country or, I don't know, fall in love, but I won't. I just never will.

BUFFY

You will. Cassie, you will. You just have to tell us what you know. You have to tell us everything. Please, help us.

CASSIE

I can't. I just know it's going to happen. I don't know why and I don't know how but something out there is going to kill me.
CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- NIGHT

Seven hooded figures stand in a circle holding candles and chanting softly in Latin. A circle of coins marks the floor in front of them with a ceremonial bowl filled with papers in the center. One dips his candle and lights the papers; a picture of Cassie begins to char and turn black.

FADE OUT

Act III

INT. SUNNYDALE HIGH-- ADMIN OFFICE-- DAY

Buffy sits at Willow's computer, reading Cassie's web site as Principal Wood approaches.

WOOD

Hey, how're we doing? (Buffy starts) Oh, I'm sorry. I didn't mean to scare you.

BUFFY

Oh, no, that's okay. I just didn't get much sleep last night.

WOOD

It's been a long week, huh? Well, thank god it's Friday. (beat) I can't believe I just said that. See you later.

As Wood walks away, Buffy turns back to the computer.

BUFFY

(reads)
I sit alone at my window sill Trees crackle, sunshine blares...
CUT TO:

EXT. SUNNYDALE HIGH-- COURTYARD-- DAY

Cassie picks up where Buffy left off over a scene of students outside, eating lunch and enjoying the day.

CASSIE

(v.o.)
...And children laugh like death, Their sharp happiness is a knife to me. One jealous snake on a window sill...
CUT TO:

INT. SUMMERS HOME-- DINING ROOM-- NIGHT

Buffy, Xander, Willow and Dawn sit around the dining room table, frantically researching. Papers strewn everywhere, yearbooks, the laptop, etc.

CASSIE

(v.o.)
They will be here. Trees and sun and children with canes And pruney skin.

When I am but a memory, A laugh in the trees of time. I sit alone and try to love them I sit alone, a snake.

CUT TO:

INT. CASSIE'S BEDROOM-- NIGHT

Cassie sits on her bed, writing more poetry. Her walls are covered with sketches and pastel drawings.

CASSIE

(v.o.)
I sit alone and try to love them. I sit alone and laugh.
CUT TO:

INT. SUNNYDALE HIGH-- BASEMENT-- DAY

Buffy moves through the shadows looking for Spike. She finds him crouched on the floor staring into the dark. She waves her hand in front of his eyes. He doesn't respond. She snaps impatiently.

BUFFY

Spike, what are you doing?

SPIKE

Nothing. If I don't move, if I don't think, if I don't listen to the voices, then I won't hurt... much.

BUFFY

I need to ask you something.

SPIKE

Don't.

BUFFY

There's a girl, she's in danger, and she needs your help. Now. Time is running out. It's Friday, the day Cassie said she's going to die.

SPIKE

I can't. I can't hear you.

BUFFY

Is there something evil in the school? Down here, maybe. Spike, please, do you know anything?

SPIKE

(sighs)

Yes. There's evil. Down here. Right here. I'm a bad man. William is a baaad man. I hurt the girl.

Spike punches himself violently in the face. Buffy grabs his wrist and stops him.

BUFFY

Spike, stop it! What did you do?

SPIKE

I hurt you, Buffy, and I will pay. I am paying because I hurt the girl.

BUFFY

Spike. No. It's not me. It's a different girl, okay? Her name is Cassie Newton. Please, do you know anything specific?

Spike shakes his head and Buffy sighs. She turns to leave when Spike calls out softly after her.

SPIKE

Don't... don't leave me. Stay here and help me be quiet.

BUFFY

I think it's worse when I'm here.

SPIKE

Don't let him hurt the girl.
CUT TO:

INT. SUNNYDALE HIGH-- CORRIDOR-- DAY

Buffy watches Principal Wood and a security guard are conducting locker inspections.

WOOD

(to guard)
Well, there's nothing in this one. What've you got?

Mike walks by and Buffy stops him.

BUFFY

Where's your hall pass?

MIKE

No hall pass. I've got a free period.

BUFFY

You seem kind of upset. Something on your mind?

MIKE

No, not really.

He holds up a graded paper.

MIKE

Well, I got a lousy B in Egyptian history. Knew this stuff cold so that, you know, that pisses me off.

BUFFY

You get pissed off a lot?

MIKE

No, I--

BUFFY

Let me cut to the chase. I hear you can't get a date for the winter formal.

MIKE

Oh, whoa, look, I know it's your job to talk to kids with problems but honestly I don't have any. I'm fine. (off her look) All right, look, it's really no big deal. I have a friend that I really wanted to take. I don't know, I guess she doesn't see me that way. (laughs) She makes me crazy.

BUFFY

Crazy?

MIKE

Yeah, sometimes I jus... that's funny. You're Dawn's sister, right?

BUFFY

That's right. Dawn is my sister.

MIKE

Oh, that's so weird. I was just thinking about her. Yeah, I was thinking if, you know, Cassie won't budge, maybe I'll ask Dawn.

BUFFY

You aren't mad at Cassie, with her rejecting you like that?

MIKE

Nah, she's a girl, right? Making boys crazy is like your job description.

BUFFY

You're asking my sister to the dance and she's your second choice?

Behind Mike, Principal Wood and the security guard open a locker and dozens of coins tumble out onto the hall floor.

BUFFY

(distracted; to Mike)
I'll be keeping an eye on you.

WOOD

Seems like someone's got quite a coin collection, huh?

Buffy picks one up; it's unusual. She looks at the number on the locker door: 281.

CUT TO:

INT. SUNNYDALE HIGH-- ADMIN OFFICE-- DAY

Buffy has MARTIN WILDER, the owner of locker 281, in her cubicle, questioning him.

MARTIN

You wanted to see me?

BUFFY

You have locker number 281?

MARTIN

Yeah, why?

She holds up a coin.

BUFFY

I want you to tell me what this is and what this has to do with a girl named Cassie Newton.

MARTIN

(fidgets)
I don't know. It's late. I'm going to miss my bus.

BUFFY

I know it's late. That's why I don't have time to mess around so you need to talk to me. Now.

MARTIN

Believe me, if I knew anything, I'd tell you. I just... don't.

BUFFY

Do you know why I came back to Sunnydale High?

MARTIN

To creep me out?

BUFFY

To help. I'm a counselor here because I want to help. I know what it's like to walk these halls and feel lost, alone. I just want to make things better, connect. (hard) And I'm going to connect with your face if you don't stop wasting my time and help me do my job.

MARTIN

I... please, I...

BUFFY

A girl could die.

MARTIN

I guess I know who you're talking about. She's some weirdo suicidal poet girl. These guys I know want to mess with her. They've got this plan...
CUT TO:

EXT. SUNNYDALE HIGH-- MAIN ENTRANCE-- DAY

Students stream out of the school, leaving for the day. Dawn and Cassie walk out together.

CASSIE

Well, I guess this is goodbye.

DAWN

No. I mean, let me walk you home.

CASSIE

Oh, don't worry about it. I'm going to my Mom's. It's kinda far.

DAWN

Far is good.

CASSIE

Dawn, I know what's going on here.

DAWN

What?

CASSIE

Buffy told you about me, right? She told you to pretend to be my friend?

DAWN

No. Maybe. Cassie, she was scared. She wanted to help you.

CASSIE

Well, she can't.

DAWN

Maybe she can. She's not like you think. She's got powers... of helping. And look, she was worried and now I'm worried and I wasn't pretending at all. I really wanted to be your friend.

CASSIE

(laughs)
You are my friend.

DAWN

I am?

CASSIE

Yeah. Just remember, I'm not as dumb as I look.

DAWN

I'm glad.

Peter Nichols walks by and calls out to Dawn.

PETER

Hey, Summers!

CASSIE

Listen, Dawn, whatever happens now, it's not your fault, okay?

Dawn is caught between the two conversations.

DAWN

Um... what's up, Peter?

PETER

I was just wondering if anyone had asked you to winter formal.

She smiles flirtatiously at him, flattered.

DAWN

What? Oh, no. Not exactly.

PETER

Well, I was just doing a poll. (laughs) I'll see you.

DAWN

(to Cassie)
That guy is such an ass.

But Cassie is already gone.

DAWN

Cassie? Cassie? Cassie!
CUT TO:

INT. SUNNYDALE HIGH-- LIBRARY-- NIGHT

Red-robed and hooded figures, Latin chants. The head of the cult pulls his hood back to reveal Peter Nichols.

PETER

All present?

ALL

All present.

PETER

Then we begin. (giggling) Mandel, shut up.

MANDEL

Sorry, dude, it's... it's just so cool. I mean, we're going to be rich!

PETER

Keep your shorts, all right. We have to do the ritual if we want to score. Oh, Keith, did you take care of the fire exits?

KEITH

Yeah. Anybody tries to bust in here's going to get a nasty surprise. I set up this booby trap my cousin Ben always used to do.

PETER

Then nobody is getting in.

He yanks Cassie to her feet, blindfolded, bound and gagged.

PETER

...and nobody is getting out.

MANDEL

Dude.

Cassie whimpers through the duct tape on her mouth as Peter takes off her blindfold and hefts a large meat cleaver.

PETER

This is our sacrifice. (to Cassie) It's nothing personal. It's just that you have this death-kick suicidal vibe going. I figure if you disappear, everybody'll just assume you threw yourself in a river somewhere. (to cult) Extinguish.

Everyone puts out their candles.

PETER

All mighty Avilas... please accept our sacrifice. Please appear before us, oh mighty soldier of the dark. Please appear before us and grant us with infinite riches and we will pay you with our sacrifice. We kneel before you with the gift of flesh.

One of the robed worshippers suddenly stands and the red cloak drops to the floor. It's Buffy.

BUFFY

Okay, that is going on your permanent record.

PETER

Wait, this is the counselor! What the hell is she doing here?

MANDEL

(points)
It was his idea!

Peter wields the cleaver menacingly.

PETER

Back off. Get back! Get back, you stupid bitch!

Buffy kicks him in the face and he falls backward. He gets back up and yells, raising the cleaver high.

PETER

You're gonna die!

Buffy kicks him again, in the crotch, and he falls in agony, dropping the weapon.

BUFFY

Do you know how lame this is? Bored teenage boys trying to raise up a demon. Sorry it didn't show. I bet it's 'cause you forgot the boom box playing some heavy metal thing, like Blue Clam Cult. I think that's the key to the raising of lame demons.

PETER

(points)
That lame demon?

Buffy turns around to find the demon Avilas towering over her. Seven feet tall with a curved horn coming out of each side of his head, scaly brown skin, very muscular, with fins jutting from his shoulders. A circular cavity opens where his abdomen should be.

FADE OUT

Act IV

INT. SUNNYDALE HIGH-- LIBRARY-- NIGHT

Buffy grabs the cleaver from the floor in front of Peter and hurls it at the demon. It embeds itself in its chest but the wound doesn't phase the demon at all. Buffy attacks but it effortlessly hurls her across the room.

KEVIN

(to Peter)
Dude, help!

The demon rips the cleaver out of its chest and throws to the floor where it lands near Peter. It attacks Buffy, who desperately tries to kick it off. Peter grabs the cleaver and goes after Cassie.

BUFFY

No!

Peter wrenches Cassie's head back and holds the cleaver to her neck. Buffy decks one of the cult members as the demon attacks her again, tossing her into a bookcase. She collapses to the floor and the demon steps on her chest.

BUFFY

No! Ow!

Suddenly the demon turns, distracted, to find Spike standing behind him with a lit torch. Spike shoves it into the demon's back and it roars in pain.

BUFFY

Spike?

SPIKE

Here to help. No hurting the girl.

BUFFY

(re: Cassie)
Untie her. I'll take care of this.

Buffy takes the torch from Spike and wields it at the demon while Spike goes to Cassie. He punches Peter, knocking him to the ground as Buffy jabs the torch into the cavity in the demon's abdomen.

Spike straddles Peter, pummeling him ferociously. With each punch, Spike's pain chip flares and he moans in agony.

PETER

(terrified)
Who are you?

SPIKE

I'm a bad man.

Spike finally knocks Peter unconscious and uses the cleaver to cut the ropes binding Cassie's hands. Buffy rams the torch into the demon's body again and this time it catches fire. The creature howls in agony as the fire consumes it, leaving nothing but a burnt shell. Spike takes the tape from Cassie's mouth and she looks up at him, sobbing.

CASSIE

She'll tell you. Someday she'll tell you.

Spike stares at Cassie, confused, as Buffy kneels beside them and helps her up.

BUFFY

Are you okay?

Spike walks off while Buffy inspects the rope burns on Cassie's arm.

CASSIE

Uh-huh. Ow...

Nearby, Peter comes to and crawls across the floor to the demon's flaming carcass.

PETER

You can't be dead. Where are my infinite riches?

Suddenly the demon lunges at him and bites into his shoulder.

PETER

Ahh! It bit me!

The demon falls back to the floor and explodes into dust. Buffy shields Cassie from the raining demon debris.

BUFFY

(to Cassie)
C'mon.

PETER

Help! Help me, please! I'm bleeding.

Buffy ignores him and walks out the door.

BUFFY

Sorry. My office hours are ten to four.
CUT TO:

INT. SUNNYDALE HIGH-- CORRIDOR-- NIGHT

Buffy emerges from the library with Cassie.

BUFFY

It's all okay now. I hope you're not too disappointed.

When Buffy opens the main door, a booby trap triggers a crossbow mounted overhead. Buffy snatches the bolt out of the air, its point mere inches from Cassie's eyes.

Buffy snaps the arrow in two and drops it.

BUFFY

See? You can make a difference.

Cassie smiles and tenderly pushes Buffy's hair back from her face.

CASSIE

And you will.

Cassie suddenly gasps and collapses to the floor. Shocked, Buffy kneels down next to her. She listens for a heartbeat and checks her pulse.

BUFFY

Cassie? No, come on. Cassie. Cassie!

Cassie's eyes stare sightlessly up at the ceiling. She's dead.

Tears of frustration stream down Buffy's face.

CUT TO:

INT. SUMMERS HOME-- LIVING ROOM-- NIGHT

Xander sits with Buffy, Willow and Dawn in silence. Willow finally breaks the quiet.

WILLOW

How is her mom?

BUFFY

Okay. (beat) As okay as... she told me that her family had a history of heart irregularities but she never told Cassie.

WILLOW

Cassie didn't know? Then it was fate?

XANDER

I think she was going to die no matter what, wasn't she? Didn't matter what you did.

BUFFY

She just knew. She was special. I failed her.

DAWN

(tears)
Uh-uh. No. You didn't, 'cause you tried. You listened and you tried. She died because of her heart, not because of you. She was my friend because of you. I guess sometimes you can't help.

BUFFY

So what, then? What do you do when you know that? When you know that maybe you can't help?
CUT TO:

INT. SUNNYDALE HIGH-- ADMIN OFFICE-- DAY

Buffy sits at her desk, back at work, trying to make a difference.

FADE TO BLACK
END