Bring On The Night

[Transcript of "Buffy The Vampire Slayer" episode Bring On The Night at buffyology.com.]

Prologue

INT. SUMMERS HOME-- LIVING ROOM-- NIGHT

XANDER sweeps the broken glass on the living room floor while BUFFY, WILLOW, ANYA and DAWN research The First. ANDREW sits nearby, unconscious and tied to a chair.

XANDER

(exasperated)
It's a loop... like the mummy hand. I'm doomed to replace these windows for all eternity. You know, maybe we should just board these up until things are less Hellmouthy.

Anya holds up several books.

ANYA

Nothing and nothing, Cliff Notes to nothing, nothing abridged...

WILLOW

Yeah, my search isn't turning anything up either. (to Buffy) Are you sure this thing called itself The First?

BUFFY

Pretty sure. It claimed to be the original evil, the one that came before anything else.

ANYA

Please, how many times have I heard that line in my demon days? "I'm so rotten, they don't even have a word for it. I'm bad. Baddy bad bad bad. Does it make you horny?" (off their looks) Or terrified. Whatever.

BUFFY

It wasn't a line. When I came up against this thing, I felt it. It was ancient and enormous. It nearly got Angel to kill himself. And if we don't rescue Spike soon, god only knows what The First will get him to do.

XANDER

(re: Andrew)
I wish Sleeping Ugly would come to. He's been out all night.

ANYA

Yes, he was just starting to squeal when the spooky SWAT attacked. Said The First was held up at the Seal of... Danzar something?

Dawn stands and crosses over to Andrew.

DAWN

Hmm. Maybe he's just faking so he doesn't have to answer any more questions.

She punches him in the face and stands back to observe.

DAWN

Hmm. Or maybe he's in a fugue state.

She raises her hand to punch him again but Buffy stops her.

BUFFY

Dawn.

DAWN

What?

BUFFY

He'll come to when he comes to. Keep reading. If we're going to rescue Spike, we need to figure out how to fight this thing.

DAWN

(pouts)
Anya gets to hit him.

Willow looks up from her computer screen, excited.

WILLOW

Hey! Here, the First... Bank of Delaware. Sorry.

BUFFY

(sighs)
Hand me the Watchers' Codex again.

Willow hands her an ancient leather-bound book.

JOYCE

Can I get you anything else, baby? How about some tea?

Buffy looks up in shock to find her mother JOYCE standing next to her, smiling.

BUFFY

Mom? (closes her eyes) You're not real.

JOYCE

Okay, is that slang, like you're not for real or--

BUFFY

You're The First.

JOYCE

Oh, baby, you're so tired, you're not making sense. Maybe you should get some sleep.

BUFFY

No.

JOYCE

You can't win against this thing. Not if you don't rest.

BUFFY

Stop. Stop being like this. It's a lie.

JOYCE

I don't want to scare you but I want you to take care. You need to wake up.

BUFFY

What?

XANDER

You're dreaming. Buff, wake up.

She starts awake. Her mother is gone.

BUFFY

Did you see it?

XANDER

There's nothing to see. You were just doing a little dream talking, that's all.

BUFFY

Oh.

XANDER

You okay? What'd you see?

BUFFY

Nothing. It was nothing.
CUT TO:

INT. UNDERGROUND CAVERN-- NIGHT

The Bringers chant in Latin in the background as the TUROK-HAN drags SPIKE along the dirt floor of the cavern. The runic wounds carved into his chest still bleed profusely. He looks around, disoriented, as the Turok-han lets go of him and steps back as THE FIRST enters, appearing as Spike himself.

THE FIRST/SPIKE

(to Turok-han)
Go on. Give it a kick, then. (to Spike) You always liked that, didn't you?

The First morphs and turns into Spike's former lover, the insane vampire DRUSILLA.

THE FIRST/DRUSILLA

Kick a dolly when he's down. That was always your style.

She kneels to watch as the Turok-han kicks Spike in the ribs. He glares angrily at the Turok-han. The ancient creature hisses and growls in return.

THE FIRST/DRUSILLA

Has buckets of energy, poor dear. He's been laying in wait for his moment since before the bug walked. (to Turok-han) There, there, pet. Soon as the moon comes, you'll have your carnage. Little girls tear so easily, like pink paper. Till then, we'll have our way with this one. Got it coming, he does.

The Turok-han goes back to kicking Spike unmercifully. Spike screams in agony.

Opening credit sequence.

Act I

INT. SUMMERS HOME-- LIVING ROOM-- DAY

Water splashes in Andrew's face. He stirs but doesn't come around. Dawn and Anya look down on him; Anya holds an empty cup.

ANYA

That was something.

DAWN

Maybe if you threw hot water on him?

ANYA

(excited)
Good thinking.

They head for the kitchen but detour to the sofa when Buffy enters.

ANYA

Whoa! Hey.

DAWN

Hi. (beat) Nothing.

BUFFY

What?

DAWN

(nervous)
Oh, I thought you were going to ask us what we were doing.

BUFFY

No, was going to ask--

Andrew coughs and sputters.

DAWN

Oh! Look who's awake.

ANYA

Silly Andrew, you drooled all over yourself.

ANDREW

(to Buffy)
I'm... I was about to be dead. You saved me.

BUFFY

For the time being. But if you don't tell us what we need to know, then I'm going to offer you to The First on a platter and let him chop you into tiny pieces.

ANDREW

The first what?

ANYA

The name of the evil thing that pretended to be Warren to get you to kill Jonathan.

ANDREW

Oh. Not very ominous sounding.

DAWN

No, it is if you understand the context.

ANDREW

No, an evil name should be like Lex or Voldemort or--

BUFFY

Hey, I was intimidating here!

ANDREW

Oh, sorry. Go ahead.

BUFFY

(sighs)
Forget it. Where's the seal?
CUT TO:

INT. SUNNYDALE HIGH-- BASEMENT-- DAY

Buffy, Dawn and Xander follow Andrew through the catacombs of the school basement.

ANDREW

It's around this corner, I think.

BUFFY

You better be right this time.

ANDREW

I told you, I'm not sure.

INT. SUNNYDALE HIGH-- BASEMENT-- BOILER ROOM-- DAY

Andrew leads Buffy, Dawn, and Xander into the boiler room. The Seal of Danthazar lies exposed in the center of the room.

XANDER

Maybe you should get sure. I'm sick of all the runaround with you-- (re: seal) Whoa. Check out the goat-heady badness.

BUFFY

What's it do?

ANDREW

I don't know. Something not good. It didn't work 'cause there wasn't enough blood. Okay...

He turns to leave but Buffy stops him. Dawn walks over to the torture wheel hanging from the ceiling.

DAWN

There's blood on this. Lots. Looks like The First made another sacrifice. Or a music video.

BUFFY

The seal could have been activated. I bet that's what The First needed Spike for.

ANDREW

That wasn't there before. I had nothing to do with that.

XANDER

Thanks for clearing that up 'cause otherwise we might've thought you were up to no good here at the satanic manhole cover. You killed your best friend!

ANDREW

He's in a place of joy and peace. He told me.

Buffy rolls her eyes in exasperation.

XANDER

No, nobody told you. You got tricked by a fake ghost.

BUFFY

Boys, can we save the encounter session? We need to cover this thing up.

She finds shovels stacked against the wall and passes one to each of them.

BUFFY

Whatever it does, we can't leave it exposed like this.

They all begin shoveling dirt into the hole over the seal.

CUT TO:

INT. SUNNYDALE HIGH-- BASEMENT-- DAY

Later. The group heads out of the basement, Xander and Andrew in the lead, followed by Buffy and Dawn.

ANDREW

Man, this place gives me the creeps. It's like in Wonder Woman, issue 297/299.

XANDER

"Catacombs"... yeah, with the skeletons.

ANDREW & XANDER

(unison)

That was cool.

Xander suddenly frowns and shoves Andrew, not happy that they share the same tastes.

XANDER

Move it. This way.

DAWN

(to Buffy)
So what next? We found the seal but no Spike.

BUFFY

(sighs)
I don't know. The First was camped underground last time I found him but--

PRINCIPAL WOOD suddenly appears in a cross corridor, holding a shovel, his suit rumpled and tie askew.

WOOD

Buffy?

BUFFY

(surprised)
Hey.

WOOD

Hey. I thought that you were...

DAWN

Sick? She was. Vomiting and oozing from various places and--

WOOD

Yeah, I remember so please don't go on.

DAWN

Oh, but now, it's amazing. The doctor gave her some cream--

BUFFY

Pills. (covers) And a cream. And I'm all better.

She looks pointedly at Wood's shovel.

WOOD

Oh, yeah... apparently somebody left this in the courtyard and I was just returning it.

BUFFY

That's some full-service principaling.

WOOD

I try.

He looks just as pointedly at the shovel in Buffy's hands.

BUFFY

Oh, I was down here helping Dawn with a school project.

DAWN

For science.

BUFFY

We buried a... time capsule.

DAWN

"Hello, people of the future. Kids of today like Red Bull and Jackass."

BUFFY

We better go.

WOOD

Buffy? You know, if you are feeling better, I could really use you back at work. I've been wait-listing kids who really want to see you.

BUFFY

Oh, yeah. I'm sorry, you know, I was just-- I've been ill and stuff.

WOOD

No, no, it's fine and I understand. It's just things are starting to back up.

BUFFY

Well I'll be there tomorrow. No problem. One hundred percent ooze-free.

WOOD

Good.

BUFFY

Okay.

Buffy and Dawn head off in one direction, Principal Wood in the other. Buffy glances back over her shoulder suspiciously only to find Wood doing the same.

CUT TO:

INT. SUMMERS HOME-- DINING ROOM-- DAY

Anya sets a candle down on the dining room table in front of Willow and Willow lights it. Dawn sits at the other end of the table using Willow's laptop. Buffy and Xander watch anxiously.

XANDER

(to Buffy)
How's it going?

BUFFY

Dawn's trying to find out anything she can about the Seal of Danthazar. Will's about to do a locator spell, see if we can find The First.

She stifles a yawn.

XANDER

Why don't you go get some rest. You haven't slept for like two days. We'll call you if we find anything.

BUFFY

No, I couldn't sleep. Too much going on.

XANDER

It'll be okay, Buff. We've faced this kind of stuff before.

Willow pours a sandy mixture on the table before her.

BUFFY

You didn't see The First. I did. I felt it. It was like--

Magickal energy suddenly radiates outward, hurling Anya backward against the wall. Willow's spell bowl glows red as Dawn shrieks and leaps away from the table. The eldritch light surrounds Willow and slips easily into her body.

Her eyes go jet black and her head snaps backward. An apparition of The First shoots out of Willow's mouth and lunges for Buffy. It's a huge, horned demon with baleful red eyes and razor-sharp teeth.

BUFFY

Will!

Buffy rushes forward as the demon retreats back into Willow. She stands and energy bolts leap from her mouth and slam into Buffy, throwing her back across the room and out into the foyer.

A deep guttural voice booms from inside Willow.

WILLOW

You only make me stronger!

Xander seizes the glowing bowl from the table and throws it against the dining room wall, shattering it. Willow collapses in a moaning, twitching heap. While Xander checks Anya, Buffy kneels at Willow's side, holding her head in her lap.

BUFFY

Will!

WILLOW

It's still in me. I feel it!

BUFFY

No, it's not. It's gone. You're okay.

WILLOW

I don't want to hurt anybody. Please, Buffy, don't let it make me. Oh, god!

BUFFY

We won't. I promise, okay? I promise. We won't use magick to fight this thing until we know what we're doing.

WILLOW

I can't... I can't. I'm sorry.
CUT TO:

INT. SUMMERS HOME-- LIVING ROOM-- DAY

Anya and Dawn sit on the couch with Willow while Buffy shrugs on her coat on, preparing to leave.

XANDER

At least let me come with you.

BUFFY

I'm going alone.

XANDER

You said yourself, you don't know how to fight The First, or even where it is.

BUFFY

It's out there. It's hurting my friends. I'll find it.

Buffy opens the front door but stops short when she finds GILES standing on the threshold.

GILES

Buffy.

BUFFY

Giles?

Buffy moves to hug Giles but is pushed back by three girls, ANNABELLE, MOLLY and KENNEDY, as they step around Giles and walk into the house. Annabelle looks around critically. She speaks with a heavy British accent.

ANNABELLE

Nice place. Bit of a mess.

Kennedy stops in front of Buffy and looks her up and down appraisingly.

KENNEDY

This is a Slayer? Huh...

GILES

Sorry to barge in. We have a slight apocalypse.
FADE OUT

Act II

INT. SUMMERS HOME-- LIVING ROOM-- DAY

The three new girls stand in a row against the wall while Dawn looks them up and down.

DAWN

They're all Slayers?

GILES

Potential Slayers. Waiting for one to be called. There were many more like them all over the world, but now there's just a handful and they're all on their way to Sunnydale.

BUFFY

(realizes)
The others were murdered.
FLASH TO:

EXT. ISTANBUL, TURKEY-- NIGHT

A young girl is attacked by several Bringers. They hold her down while one stabs her to death with a ceremonial dagger.

FLASH TO:

INT. FRANKFURT, GERMANY-- NIGHT CLUB-- NIGHT

A beautiful teenage girl dressed in black leather with candy-apple red hair runs desperately through the deserted hallways of the office building over a bustling night club. The First's Bringers attack her. She puts up a valiant fight but she's outnumbered and ultimately killed.

CUT TO:

INT. SUMMERS HOME-- LIVING ROOM-- DAY

GILES

In cold blood. As well as their Watchers. We always feared that this day would come, when there would be an attack against not just an individual Slayer but against the whole line.
FLASH TO:

INT. LONDON, ENGLAND-- ROBSON'S FLAT-- DAY

Giles looks around for Robson and finds him slumped against a chair in the next room. He kneels beside the man, checking for a pulse.

GILES

You too? Dear god, I thought you--

The Watcher's eyes snap open. He speaks in a strangled whisper with the last of his strength.

ROBSON

Gather them. It's started.
CUT TO:

INT. SUMMERS HOME-- LIVING ROOM-- DAY

BUFFY

The First. That's what it wants.

GILES

Yes, to erase all the Slayers in training and their Watchers along with their methods.

BUFFY

And then Faith, and then me. And with all the potentials gone and no way of making another, it's the end. No more Slayer. Ever.

WILLOW

But we haven't found any information on The First. No documentation--

GILES

That's because it predates any written history and it rarely shows its true face. The only record I know was in the Council library.

ANYA

What about the Council? What do they say about this?

GILES

Gone.

Buffy recoils in shock.

WILLOW

What?

GILES

Obliterated. They were in session, and there was an explosion.

WILLOW

That means all the Council's records are destroyed?

Giles looks to one of the girls.

GILES

Annabelle?

She unzips her bag and removes several books and a stack of files and sets them on the coffee table in front of Willow.

GILES

That's what's left.

Willow, Anya, Dawn and Buffy each take some of the new material and look through it.

GILES

The mystic secrets of the Watchers and whatever I could find on The First. When I learned what was happening, I... I stole them.

ANYA

And you blew the Council up? See? This is what happens when you're all stuffy and repressed. You overreact.

GILES

No! I didn't. It must have been an agent of The First. After my little burglary session. The knowledge contained in these files had to be protected and there wasn't time for bureaucracy or debate. The Council knows no other way.

ANDREW

And it cost them their lives! (off their looks) Go on.

BUFFY

(to Xander)
Can we gag him?

Xander nods and goes to where Andrew is tied to the chair and duct tapes his mouth.

BUFFY

But what do these records say about The First?

GILES

Very little. It can change form. It only appears in the guise of someone who has passed away.

WILLOW

Our ghosts.

GILES

Also it's not corporeal. It can't touch or fight on it's own. It only works through those it manipulates. And its followers, the Bringers.

KENNEDY

Those freaks in the black robes.

MOLLY

Yeah, with the hoodies and the crazy alphabet eyes. I never saw 'em, I just heard--

ANNABELLE

Shh! Molly, Mr. Giles doesn't need us prattling on.

GILES

The First is unlike anything we've faced before. I mean, there's evil and then there's the thing that created evil, the source.

BUFFY

And that's what this thing claims to be?

GILES

That's what it is. It has eternities to act, endless resources. How to defeat it... (sighs) I honestly don't know. But we have to find a way. If the Slayer line is eliminated, then the Hellmouth has no guardian. The balance is destroyed. I'm afraid it falls to you, Buffy. Sorry. I mean, we'll do what we can but you're the only one who has the strength to protect these girls-- and the world-- against what's coming.

XANDER

But no pressure.

KENNEDY

That's it? That's the plan? I don't see how one person, even a Slayer, could protect us. I saw what those Bringer guys can do. They tore apart my Watcher!

GILES

Of course we'll use all our resources--

KENNEDY

And if this thing is the root of all evil, isn't the Hellmouth its number one vacation spot? I mean, don't you think we should be hiding our asses on the other side of the globe?

ANNABELLE

Kennedy!

BUFFY

No, she's not wrong. We need more muscle. That's why we need to find Spike.

ANYA

Yeah, he'll help. You know, if he's not crazy or off killing people or dead. Or, you know, all of the above.
CUT TO:

INT. UNDERGROUND CAVERN-- DAY

The Turok-han thrusts Spike's head underwater and he struggles ineffectually against the ancient vampire's overwhelming strength.

The First paces nearby, still in the form of Drusilla. When Spike stops struggling, the Turok-han pulls him out of the pool and throws him to the ground. He coughs up a lungful of water and lies on his back, gasping.

THE FIRST/DRUSILLA

That's why our kind make such good dollies. Hard to kill. Tried to enlighten little Buffy, didn't you? Spilled, spilled, spilled our secrets like seed.

She pulls up her skirt, tantalizing him.

THE FIRST/DRUSILLA

But you forgot, I say what you tell and what you know. I say when this is over. And I'm not done with you yet. Not nearly.

On her command, the Turok-han lifts up Spike and slams his head into the pool again.

CUT TO:

EXT. SUNNYDALE STREETS-- NIGHT

Pan across store windows filled with Christmas decorations to Buffy and Giles walking side-by-side down the street.

GILES

This place you originally saw The First-- you say it was in a Christmas tree lot?

BUFFY

Under it. There was a hidden cavern. Just happened to be under a tree lot. The Bringers were doing some kind of ritual. Giles, this is bad, isn't it? A new kind of bad.

GILES

Just in time for Christmas.

BUFFY

You know, I didn't even realize it was December. Maybe when we get home, we should decorate the rubble. (smiles) Think you'll ever show up for a real visit? The kind where the world isn't about to end?

GILES

If we survive this, I promise.

BUFFY

Good. 'Cause I miss you.

GILES

I miss you, too.
CUT TO:

INT. SUMMERS HOME-- LIVING ROOM-- NIGHT

Andrew, still tied to the chair, talks with Xander.

ANDREW

So how long have you followed Buffy?

XANDER

I don't follow her. She's my best friend.

ANDREW

Huh. She seems like a good leader. Her hair is shiny. Does she make you stab things?

Kennedy follows Willow around while she makes up the couch for one of the proto-Slayers. She grabs a stack of bed sheets and heads for the stairs.

WILLOW

Okay, so Annabelle can sleep down here, Molly can sleep in Dawn's room--

KENNEDY

Not if Dawn actually wants to sleep. Molly will talk her ear off.

WILLOW

Okay, then Molly down here, you with Dawn and Annabelle in my room.

KENNEDY

Bad idea. Annabelle snores.

Willow hands the sheets to Kennedy.

WILLOW

You want to do the sleeping arrangements?

Kennedy starts up the stairs then turns to face Willow with a mischievous gleam in her eye.

KENNEDY

Okay. You better not hog the covers.

She winks then disappears up the stairs, leaving Willow uncharacteristically flustered.

Dawn enters from the kitchen.

DAWN

Does she want to eat?

WILLOW

What? Huh? Oh, she's... she's new.

DAWN

Well, Annabelle and Molly are starved and I totally burnt the mac and cheese. Oh, I'll put hot sauce on it, tell 'em it's an American thing, say it's blackened.

They both go back into the kitchen.

INT. SUMMERS HOME-- KITCHEN-- NIGHT

Anya scrapes the burnt mac and cheese out of the pot into the garbage can.

ANYA

Actually, it's not blackened so much as ruined.

WILLOW

Or we can order pizza.

ANNABELLE

As long as it's plain. I'm veggie.

MOLLY

Cracked, you mean.

ANNABELLE

Just because you'll eat any kind of trash--

Molly comes across a box of cookies.

MOLLY

Brill! Biscuits! (to Dawn) You don't mind do you? I've got a case of the nerves after Mr. Giles's lecture.

DAWN

Knock yourself out. I feel a cookie problem coming on myself.

Dawn, Annabelle, Willow and Molly share the cookies while Anya cleans the dishes and mutters in the background.

CUT TO:

EXT. SUNNYDALE CHRISTMAS TREE LOT-- NIGHT

Buffy and Giles enter the empty tree lot. Lights are strung but there are no trees and the lot is deserted.

GILES

So the entrance to the cave was above ground here?

BUFFY

Yeah, I'm pretty sure it was around here somewhere.

GILES

Well, we'll just keep--

A crunch of wood breaking. Giles turns to find Buffy has disappeared.

BUFFY

(o.s.)
Ah! Found it!

Giles looks down to find Buffy standing about 30 feet down in an underground cavern.

GILES

Good lord. Are you all right?
CUT TO:

INT. UNDERGROUND CAVERN-- NIGHT

Buffy stands and dusts herself off while talking to Giles up above.

BUFFY

Peachy, except my knees bend backward now. Okay, Giles, stay up there. I'm going to check it out.

She cautiously walks deeper into the cave.

GILES

(o.s.)
Right.

As Buffy moves among the rock formations, as shadowy figure passes back and forth behind her, stalking her. She spins around but there's nothing there. When she turns back, the Turok-han hisses in her face. Buffy recoils and the Turok-han punches her so hard she flies across the cavern and impacts the far wall where she lands in a crumpled heap. The creature presses its attack, putting Buffy on the defensive. It's all she can do to block its mighty blows and it forces her backward, keeping her off-balance.

She retreats around a rock formation and regains her composure. She launches an attack of her own but the creature easily blocks or avoids all her blows. It punches her again, sending her reeling. She jumps to her feet, readies a stake and, with a lightning-quick move, slams it into the Turok-han's heart.

Rather than explode into dust, it merely looks down at the stake, rips it free with a bellowing cry. Buffy's eyes go wide with shock and fear.

FADE OUT

Act III

INT. UNDERGROUND CAVERN-- NIGHT

Resume. As Buffy stares at the Turok-han in shock, it decks her and attacks her with her own stake. Buffy barely manages to avoids its blows. She is clearly outmatched she bravely tries to fight back. She throws a punch but the ancient vampire seizes her fist in mid-swing and crushes her hand. It twists her arm down and around and seizes her by the throat, lifting her off her feet. She gasps and looks around desperately for anything to use as a weapon. Her flailing arms find a stalactite hanging from the cave's ceiling and she snaps it off and slams it into the Turok-han's head. The blow momentarily stuns it and she drops to the ground.

Before it can attack again, Buffy makes a run for it. She scales the cave wall and pulls herself up and out the hole in the tree lot. Before she can pull her legs free, the Turok-han seizes her ankle and starts dragging her back down. She kicks it in the head as Giles appears, backlit by the rising sun. When the sunlight strikes the Turok-han it hisses and releases Buffy, then drops back down into the darkness.

CUT TO:

INT. SUMMERS HOME-- KITCHEN-- DAY

Buffy and Giles enter through the back door and find the three potential Slayers already up and eating breakfast.

BUFFY

(to Giles)
... the others just yet. It'll give us a chance to--

KENNEDY

Sorry about the British invasion.

MOLLY

We've been up for hours.

ANNABELLE

Four P.M. London time.

KENNEDY

Are you all right? You look...

BUFFY

Oh. Yeah, I'm okay. I just got into a fight is all. (to Giles) You want to tell me with what?

GILES

Yes, Buffy, but don't you think we should discuss this privately?

BUFFY

You mean not in front of the next generation? No time to coddle them, Giles. (to girls) Welcome to the war room, guys.

Annabelle takes out a notepad, her pen poised and ready.

GILES

What you fought was a vampire but it was something more than that. It was a Turok-han. As Neanderthals are to human beings, the Turok-han are to vampires. Primordial, ferociously powerful killing machines, as single-minded as animals. They are the vampires that vampires fear. An ancient and entirely different race and, until this morning, I thought they were a myth.

BUFFY

So The First shows up and now this? You think it's a coincidence?

GILES

I think it's more likely that the Turok-han is here as an agent of The First.

ANNABELLE

(to Buffy)
Did you slay it?

BUFFY

No, it's still out there, somewhere.

MOLLY

What's it want?

BUFFY

All of us dead. But for now it looks like sunlight is keeping this Turok-han at bay.

GILES

So until sunset I suggest you get some rest. A few hours sleep will do a world of difference.

BUFFY

No sleep today. Can't.

GILES

Oh, come on. You're exhausted.

BUFFY

It comes with the gig. Somehow I don't think taking on prehistoric evil comes with nap time. Sorry, potential guys. I know you came a long way and you want to get into it but the best thing you can do right now is just sit tight, wait it out. I'm going to go to work, see what I can find out. I'll be back before sunset.

GILES

How do you plan to research something as ill-defined as The First?

BUFFY

I have the best plan ever.
CUT TO:

INT. SUNNYDALE HIGH-- ADMIN OFFICE-- DAY

Buffy sits at her desk, talking on the phone and working on her computer. She types evil into her web browser's search engine.

BUFFY

(into phone)
Yeah, well, I already re-checked the basement. Wait, hold on, I'm going to try something. Maybe The First isn't ready for modern technology. (beat) Displaying results 1 through 10 of 900,517. Okay, I gotta narrow this down. I'll call you back? Yeah.

She hangs up then re-enters her search as Principal Wood approaches and looks over the wall of the cubicle at her screen.

WOOD

(reads)
Manifestations of evil...

Buffy quickly types more in the search field to cover.

WOOD

...in the movies. You're searching for evil movies?

BUFFY

I know it's not the all-time most kosher use of my office hours but, you know, looking at some down time. And what can I say? I just love those evil, evil movies. Like Exorcist, Blair Witch...

WOOD

Hmm. As opposed to Rob Schneider's oeuvre?

BUFFY

Different kind of evil.

He steps into her cubicle and sits down.

WOOD

Yeah. Buffy, you know I'm not that big a fan of scary movies, even the hokie ones. Sometimes they go to a place that I think kids could stand to avoid.

BUFFY

Well, it's not for the kids.

WOOD

(serious)
Yeah, yeah, I'm only saying that once you see true evil, it can have some serious afterburn and then you can't unsee what you saw. Ever. That's just one opinion. I better get back to work.

He stands and leaves.

BUFFY

What kind of movies do you like?

WOOD

Oh, me? Mysteries. I love finding out what's underneath it all at the very end.
CUT TO:

INT. UNDERGROUND CAVERN-- DAY

Spike sits propped against a rock, beaten and haggard. One of his eyes is swollen shut. The First stands over him, leering.

THE FIRST/DRUSILLA

Think of it as a game. A fun, funny game. Without all the rules or any of the bothersome winning part. But still, there are sides. You have to choose a side, Spike. Then we can fly, be free and visit all our friends as they come squirming up from out the earth. I know you like a good wriggle and a giggle and a squiggle.

SPIKE

You're not Drusilla.

THE FIRST/DRUSILLA

(laughs)
No, I'm really not.

SPIKE

She was crazier than you.

THE FIRST/DRUSILLA

Oh, daddy. No kicking. It's almost Christmas day today and you've gone spoiling it. I've been so very good all year. But I could be bad if you like.

Spike looks away but the Turok-han punches him in the head.

THE FIRST/DRUSILLA

Bad daddy. Needs a caning. Never learned his headmaster's lesson while all the school bells ring and ring and ring and ring and ring... (whispers) Choose a side. Choose our side. You know that it's delicious. What do you say?

SPIKE

Dru, luv...

THE FIRST/DRUSILLA

Hmm?

SPIKE

Get bent.

THE FIRST/DRUSILLA

(pouts)
Stupid, stubborn daddy.

She walks away as the Turok-han begins beating Spike again.

THE FIRST/DRUSILLA

Ringing, ringing, ringing...
CUT TO:

INT. SUNNYDALE HIGH-- BATHROOM-- DAY

The school bell rings as Buffy washes her face in the sink. She touches a sore spot on her face, then inspects bruises on her arms as well.

WIPE TO:

INT. SUMMERS HOME-- BUFFY'S ROOM-- DAY

She looks up as her mother helps her with her wounds.

JOYCE

Buffy, what happened?

BUFFY

Oh, it's okay, mom.

JOYCE

I tried to warn you but... right. The last thing you need now is one of Helpful Mom's guilt trips. I'll get you some ice.

BUFFY

No. Mom, I can't.

JOYCE

Buffy, you have to heal.

BUFFY

I don't have time.

JOYCE

Are you worried about the sun going down? Because there's some things you can't control. The sun always goes down, the sun always comes up.

BUFFY

Everyone's counting on me.

JOYCE

Well, they do that and I'm sorry, Buffy, but these friends of yours put too much pressure on you. They always have.

BUFFY

Something evil is coming.

JOYCE

Buffy, evil isn't coming. It's already here. Evil is always here. Don't you know? It's everywhere.

BUFFY

And I have to stop it.

JOYCE

How are you going to do that?

BUFFY

I don't know yet but--

JOYCE

Buffy, no matter what your friends expect of you, evil is a part of us. All of us. It's natural. And no one can stop that. No one can stop nature, not even--
SMASH CUT TO:

INT. SUNNYDALE HIGH-- ADMIN OFFICE-- DAY

The school bell rings and Buffy starts awake at her desk with a student sitting across from her.

BUFFY

Oh... I'm sorry. What were we talking about?

ROGER

Only my life. You're just like all the others.

BUFFY

No. No, I'm different. I'm hip. I relate to the young people.

He stands to leave.

BUFFY

No, don't go... umm...

ROGER

Roger.

BUFFY

Roger. See? I knew that!

He just glares at her and leaves. She slumps back down, her head in her hands. Unnoticed by her, Principal Wood watches through his office window.

CUT TO:

INT. SUMMERS HOME-- LIVING ROOM-- DAY

Dawn and Willow take weapons from the chest while Giles paces. Xander nails plywood across the living room window behind the proto-Slayers who are huddled on the couch.

GILES

This day's almost over and the sun will go down in 17 minutes.

XANDER

Hey, junior Slayers, don't look so worried. I mean, sure, we don't know where Spike is or how to fight The First or if and when the super-style vampire is going to attack us all. However, house: boarded up. Now all we gotta do is trap this Turok-han in a pantry and it's game over.

WILLOW

Xander, newbies. Let's ease them in to the whole "jokes in the face of death" thing.

XANDER

Who's joking? That pantry thing could work. Are you saying M. Night Shyamalan lied to us?

BUFFY

(to Slayers)
You'll be okay.

Willow hefts a mace and tries to put on a brave front.

WILLOW

Okay or even better. It's like our guarantee. (to Buffy) Buffy, I just want you to know that I'm really sorry for letting you down. You know, here before with the magick going all aah and me going all eeee and everything getting all rrrr. I wish I could help out.

BUFFY

No one expects you to make everything right.

WILLOW

So I can't do everything but I should at least be able to do something. I have so much power but when I try to use it--

BUFFY

Don't, okay?

WILLOW

Okay but you need help, Buffy. I know you and I know you'll never admit it but you need help.

BUFFY

I'll be okay. Okay or better. It's like my guarantee.

KENNEDY

(to Buffy)
Hey, are we getting weapons? Trained fighters? Patton is coming? I've heard worse ideas.

ANNABELLE

We'll be armed when the Slayer feels we're ready.

MOLLY

I feel ready.

ANNABELLE

You're frightened. You must learn to control your fear.

KENNEDY

(to Annabelle)
Hey, you know what would help with that? (to Buffy) Weapons.

BUFFY

I don't know about that--

KENNEDY

We're sitting ducks without them.

ANNABELLE

We're with the Slayer. Safe as houses.

KENNEDY

Do you see the house we're in?

ANNABELLE

(to Buffy)
It'll come straight for us, won't it?

BUFFY

(considers)
We should load them up, Giles.
CUT TO:

INT. SUMMERS HOME-- DINING ROOM-- DUSK

Andrew calls to Xander as he passes through the dining room.

ANDREW

Listen to me, man. I've got a bad feeling about this.

XANDER

Of course you've got a bad feeling, dude. You're tied to a chair.

ANDREW

No. Yeah, but above and beyond that. I'm telling you that my spider-sense is tingling. This is going to get hairy. I'm talking weird with a beard. Better untie me.

BUFFY

And that'll help us how?

ANDREW

Okay, I know what you're thinking. Andrew, bad guy. You think I'm a super-villain like Dr. Doom or Apocalypse or The Riddler. But I admit I went over to the dark side but just to pick up a few things and now I'm back. I've learned. I'm good again.

BUFFY

And when were you good before?

She and Xander don't even wait for the answer; they turn and walk out of the room.

ANDREW

Okay, technically, never. TouchÈ. But I'm like Vader in the last 5 minutes of Jedi with redemptive powers minus a redemptive struggle of epic redemption which chronicles... (beat) These ropes itch.
CUT TO:

INT. SUMMERS HOME-- LIVING ROOM-- DUSK

Buffy stares pensively out the window. She turns as Giles approaches.

BUFFY

How're we doing on time?

GILES

Sunset should be any minute now. Done everything we can. And don't worry, everyone here understands that you're calling the shots.

BUFFY

I just hope I'm calling the right ones.

GILES

You have all my faith. And they're depending on you.

BUFFY

Giles, that's not exactly what I needed to hear right now.

Molly pokes her head in the room.

MOLLY

Guys? Annabelle split.
CUT TO:

EXT. SUNNYDALE STREETS-- NIGHT

Annabelle runs down the dark alley, glancing fearfully over her shoulder. As she passes a garbage dumpster, the Turok-han leaps out and seizes her by the throat, lifting her off the ground. Her cross pendant falls to the ground as her neck snaps like kindling.

FADE OUT

Act IV

EXT. SUNNYDALE STREETS-- NIGHT

Tracking Annabelle, Buffy enters the alley and finds Annabelle's corpse lying next to the garbage bin.

Visibly upset, she takes a moment to gather her thoughts. The moment she's distracted, the Turok-han attacks her from behind, knocking her to the ground. She crawls away, crouching beside the dumpster, then leaps up and attacks. She kicks, it ducks. She punches, it blocks. Then it decks her, sending her reeling to the ground. It lifts her up by the neck and chokes her but she spits blood in its face and breaks its hold. She takes off running with a limp toward a nearby factory. The Turok-han eagerly licks the blood off its face and pursues her.

CUT TO:

INT. SUNNYDALE IRONWORKS-- NIGHT

Inside the factory, Buffy desperately looks for somewhere to hide.

The Turok-han makes its way between the pipes and catwalks, searching for her. Buffy springs from the shadows and wallops it in the head with a steel pipe but the blow barely fazes it. The creature rips the pipe from her grasp and tosses it aside.

The Turok-han lays into her with a devastating series of blows. She flies backward into a metal support beam. Stunned, she's nearly helpless as the ancient vampire punches and kicks her with punishing force. Her head snaps back, her ribs break. The beast picks her up, backhands her in the face, then punches her so hard she flies 25 feet and impacts the cement wall with a thud, where she collapses in a broken heap.

As the Turok-han stalks toward her, Buffy looks up and notices a pulley connected to a pallet of steel bars. She kicks the control lever, freeing the pulley and sending the tons of steel crashing down on the Turok-han, flattening it. Buffy stands up and limps slowly away. She stops and turns at the sound of the metal clanking against metal. Her eyes widen in shock as the Turok-han rises from the pile of steel bars unscathed. It leaps out of the rubble and sprints after her.

She tries to run but it's too quick. It seizes her from behind and throws her into the wall again. Then it uses the wall to slingshot a kick to her head, sending her reeling to the ground. The creature hauls her up by the arm, semi-conscious, and whips her around and through a cinderblock wall. The blocks collapse on top of her and the ceiling caves in, burying her in rubble.

CUT TO:

Later. Blackness. Xander's voice coming as if from a great distance.

XANDER

(o.s.)
Buffy!

He lifts a piece of sheet metal revealing Buffy's still form. Her face is covered in blood and bruises. Horrified, Xander turns to Willow and Giles.

XANDER

Oh, god almighty...
CUT TO:

INT. UNDERGROUND CAVERN-- NIGHT

The First is still with Spike, growing rather impatient with him.

THE FIRST/DRUSILLA

Do you know why you're alive?

SPIKE

Never figured you for existential thought, luv. I mean, you hated Paris.

THE FIRST/DRUSILLA

You're alive for one reason and one reason only. Because I wish it. Do you know why I wish it? Because I'm not done with you.

SPIKE

Give it up. Whatever you are, whatever you got planned, I'm out. You can't pull this puppet's strings anymore.

THE FIRST/DRUSILLA

And what makes you think you have a choice? What makes you think you will ever be any good at all in this world?

SPIKE

She does. Because she believes in me.
CUT TO:

INT. SUMMERS HOME-- LIVING ROOM-- NIGHT

Bruised and battered, Buffy sits curled in a fetal position, staring blankly and listening to the others talk in the dining room.

GILES

(o.s.)
We could make plans as we always do but the truth is, Buffy was our plan. There is no back up.

WILLOW

(o.s.)
Giles, she looks bad.

GILES

(o.s.)
She does. I'm afraid there may be internal bleeding.

WILLOW

(o.s.)
What does that mean? Will she--

GILES

(o.s.)
Die? I don't think so. I don't know.

WILLOW

(o.s.)
What do we do if she can't fight, if she can't beat this thing?
CUT TO:

INT. SUMMERS HOME-- DINING ROOM-- NIGHT

Giles paces while he talks. The mood is somber, everyone is gathered: Dawn, Anya, Willow, Xander, Molly and Kennedy.

GILES

We're back at square one.

XANDER

Which square would that be, exactly?

GILES

I'm not sure. The First predates everything we've ever known or can know. It's everywhere. It's pure. I don't know if we can fight it.

Everyone looks up surprised as Buffy appears in the doorway.

BUFFY

You're right. We don't know how to fight it. We don't know when it'll come. We can't run, can't hide, can't pretend it's not the end, because it is. Something's always been there to try and destroy the world. We've beaten them back but we're not dealing with them anymore. We're dealing with the reason they exist. Evil. The strongest. The First.

GILES

Buffy, I know you're tired...

BUFFY

I'm beyond tired. I'm beyond scared. I'm standing on the mouth of hell and it is going to swallow me whole. (beat; hard) And it'll choke on me. We're not ready? They're not ready. They think we're going to wait for the end to come, like we always do. I'm done waiting. They want an apocalypse? Oh, we'll give 'em one. Anyone else who wants to run, do it now because we just became an army. We just declared war. From now on, we won't just face our worst fears, we will seek them out. We will find them and cut out their hearts one by one until The First shows itself for what it really is. And I'll kill it myself. There is only one thing on this earth more powerful than evil and that's us. Any questions?
FADE TO BLACK
END