First Date

[Transcript of "Buffy The Vampire Slayer" episode First Date at buffyology.com.]

Prologue

INT. ENGLAND‚ ROBSON'S FLAT (FLASHBACK)‚ DAY

GILES kneels over the wounded ROBSON.

ROBSON

Gather them. It's started.

GILES

It's all right. I understand. I'll take care of it--

Robson sees the Bringer rising up behind Giles but passes out before he can warn him.

The Bringer's blade arcs down toward the back of Giles' head. His arm shoots out and stops the axe inches short of its mark. He wrenches it from the Bringer's grasp and swings it around in one fluid motion, neatly decapitating the acolyte.

FADE TO:

EXT. SUNNYDALE CEMETERY‚ NIGHT

BUFFY, Giles, KENNEDY, AMANDA and a new potential Slayer, CHAO-AHN, patrol the cemetery. The younger girls all have stakes in their hands but they aren't focused on the dangerous darkness around them. They listen, riveted, as Giles continues his exciting story.

GILES

It was extraordinary good luck, of course, and training-- years of training. Chao-ahn, keep up. You're new here, Chao-ahn, so take notes. Remember about training. (to others) But I honestly feel the largest part of it was instinct. Instinct and reflexes. There's a sort of wary watchfulness I've developed over the years. It's like another sense--

Giles is suddenly blindsided, tackled to the ground by SPIKE.

BUFFY

Spike!

Spike and Giles untangle themselves and get to their feet.

SPIKE

GILES

Hey! You're not The First! Hey! You're not in pain!

GILES

(confused)
What?

SPIKE

Anya said you were The First. Said you were evil. You're supposed to be all... go-through-able.

GILES

Then why the hell did you tackle me, you berk? What was that supposed to do?

SPIKE

Yeah... didn't think of that.

GILES

And, more importantly, you just hit me! Why didn't your chip go off?

Everyone looks to Spike and Buffy who look away, uncomfortable.

SPIKE

Yeah, well...

BUFFY

Well, when we were at the Initiative...

SPIKE

...there was a choice.

BUFFY

Right. To either repair the chip or to remove it.

GILES

(incredulous)
You had it removed? You removed the chip?

BUFFY

Yeah.

SPIKE

Had to make a choice.

BUFFY

It really is okay.

A beat of stunned silence.

AMANDA

What's a chip?

KENNEDY

They removed the chip?

CHAO-AHN

(Cantonese; subtitle)
I don't understand a word you are saying.

Opening credit sequence.

Act I

INT. SUMMERS HOME‚ BUFFY'S ROOM‚ DAY

Buffy dresses before the mirror, trying on earrings, as Giles enters and stands in the doorway.

GILES

You know this is very dangerous.

BUFFY

You've just heard horror stories. Wear hoops, they'll catch on something, rip your lobe off, lobes flying everywhere.

GILES

That's not what I'm talking about.

BUFFY

You mean Spike not having a chip. Free-range Spike.

GILES

I have to ask. Why on earth did you make that decision?

BUFFY

I guess it was instinct, like you were talking about.

GILES

I made that up! I knew the Bringer was there because his shoes squeaked. Buffy, it's crucial that we keep these girls safe and I can't count the dangers: The First, the Bringers, random demons and now Spike?

BUFFY

And the principal.

GILES

What?

BUFFY

Oh, nothing much. He was in the school basement holding a shovel, acting kind of evasive. Plus he's got that whole "too charming to be real" thing going on. I'm looking into it.

GILES

Well, that sounds very responsible of you. Balances out the vampire-on-the-loose issue.

BUFFY

Nothing's changed, Giles. Spike had a chip before, remember? When The First had him kill and sire all those people.

GILES

We have no idea if his chip was working then. A new chip might restrain him should The First attempt to activate him again.

BUFFY

Spike has a soul now. That's what's going to stop him from hurting people.

GILES

Buffy...

BUFFY

He can be a good man, Giles. I feel it. But he's never going to get there if we don't give him the chance.

GILES

(somber)
Buffy, I want more for you. (off her look) Your feelings for him are coloring your judgment. I can hear it in your voice. And that way lies a future filled with pain. I don't want that for you.

BUFFY

We haven't... things have been different since he came back.

GILES

It doesn't matter if you're not physical with each other anymore. There's a connection. You rely on him, he relies on you. That's what's affecting your judgment.

BUFFY

You think I'm losing sight of the big picture but I'm not. When Spike had that chip, it was like having him in a muzzle. It was wrong. We can't beat evil by doing evil. I know that.

Buffy heads for the door.

GILES

Well, I hope you're right. You're gambling with a lot of lives.
CUT TO:

INT. HARDWARE STORE‚ LUMBER YARD‚ DAY

A circular saw cuts through a length of metal pipe, sending up a shower of sparks. A number of customers stand around wearing protective eyewear and watching the demonstration. One of them is XANDER. After a moment, his attention is drawn to LYSSA, a very attractive young woman, who is considering a rope display, trying to make a decision about which kind she needs.

Xander smiles, removes the goggles, and approaches her,.

XANDER

Hi, can I help? You seem kind of confused.

LYSSA

You aren't wearing a green apron.

XANDER

Confused but sort of randomly observant.

LYSSA

Sorry. I just mean you don't work here, right?

XANDER

No, right. Just helpful. I'm Xander.

LYSSA

Lyssa. And I guess I could use some advice. I can't even figure out if I've got the right kind of rope.

XANDER

That depends what you need it for. Something like functional around the house or, you know, recreational? (winces) By which I mean, for example, boating or mountain climbing, not for tying someone up for sexy funky fun.

Lyssa laughs and Xander plays off his embarrassment.

XANDER

In conclusion, rope can be useful in various ways.

LYSSA

I have a kayak.

XANDER

And again with the random. I like it.

LYSSA

Sorry. I need to store my kayak. So I was thinking maybe I could, sort of, suspend it from the ceiling in the garage with ropes and a pulley or a... winch-thing?

XANDER

Not a bad plan. You'll need stronger rope than that. Want have coffee with me later?

LYSSA

What?

XANDER

Oh, you're the only one who gets to be random?
CUT TO:

INT. SUNNYDALE HIGH‚ ADMIN OFFICE‚ DAY

Buffy moves stealthily from her cubicle into Principal Wood's office.

INT. SUNNYDALE HIGH‚ PRINCIPAL'S OFFICE‚ DAY

Buffy inspects Wood's domain: the files on the desk, the diplomas and awards on the walls, the books on the shelves.

BUFFY

Now, if I were a sign of being evil, where would I be?

She notices a large wood-paneled cabinet mounted on the wall. She's about to open it when the door suddenly opens and WOOD enters.

WOOD

Buffy?

BUFFY

Oh, Principal Wood. It's you.

WOOD

You looking for something?

BUFFY

File folders. And mechanical pencils. I wanted to write on a file folder with a mechanical pencil.

WOOD

The supply cabinet in the outer office has those things.

BUFFY

Oh... so this isn't a supply cabinet? My bad. Okay. Thanks.

Buffy awkwardly heads for the door. She almost makes it when he stops her.

WOOD

Hey, Buffy.

BUFFY

Yeah?

WOOD

What are you doing tonight?

BUFFY

Preparing for tomorrow's counseling sessions.

WOOD

No, really.

BUFFY

Watching a reality show about a millionaire.

WOOD

Well, then I'd like to take you out to dinner if that's all right with you.

Buffy is taken aback and hesitates.

WOOD

I mean, you don't have to. I'm certainly not saying "come to dinner if you enjoy having a job." (beat) You know, I may have to make up a little document saying I didn't just say that and have you sign it.

BUFFY

Sure, I'd be happy to have dinner with you.

WOOD

Great. I'll draw up the paperwork.

Buffy exits, looking a little dazed and Wood closes the door behind her. After a moment, he removes an ornate knife from inside his suit coat and uses a handkerchief to wipe it clean of blood. He goes over to the cabinet on the wall, the one Buffy was interested in, and opens it. Inside is a dry- erase board with school budget figures written on it. Wood looks around one more time, then releases a switch beneath the frame and the dry-

erase board slides up to reveal a dozens of mounted knives, axes and swords.

Wood slips the knife in his hand into an empty holder and closes the panel again.

FADE OUT

Act II

INT. SUMMERS HOME‚ LIVING ROOM‚ DAY

Buffy talks with Willow while she folds laundry.

WILLOW

So he asked you out to dinner?

BUFFY

Yeah. Isn't that weird? He's a principal. He's a young hot principal with earrings but he's a principal. Why do you think he asked me out? He could be interested, right?

WILLOW

Yeah, sure. You're a frisky vixen.

BUFFY

Or it could be work-related. Maybe I'm getting promoted for doing such a good job.

Willow laughs out loud, then catches herself.

WILLOW

Oh. Right. That would make sense, too.

BUFFY

Or maybe he knows that I suspect he's up to something and he's taking me out to kill me.

WILLOW

Well, you'll have to dress for the ambiguity.

BUFFY

You know, it's not even that he's acting that suspicious. It's just there he is, on the Hellmouth, all day every day. That's got to be like being showered with evil, only from underneath.

WILLOW

Not really a shower.

BUFFY

A bidet, then. Like a bidet of evil.

WILLOW

Buff, if he really is interested... are you interested back?

BUFFY

I don't know. He's good-looking and he's solid, he's smart, he's... normal, so not the wicked energy, which is nice, 'cause I don't want to only be attracted to wicked energy... or what if he is wicked, in which case, is that why I'm attracted to him?

WILLOW

I'm going to wait for that sentence to come around again before I jump on.

BUFFY

You know what? Yeah, I think I like him. And it would be good for me.

WILLOW

Right. Help you move on.

Buffy looks at her sharply.

BUFFY

Why does everybody in this house think I'm still in love with Spike?

WILLOW

No, I meant move on from this imposed super-self- reliance. Let somebody get close.

BUFFY

Oh...

The front door opens.

BUFFY

(quick)
Hey, someone's here!

Xander enters, clearly excited.

XANDER

Guys! Guess what happened?

WILLOW

Buffy got a date!

XANDER

No, I did! (beat) Fine. Way to steal my thunder.

BUFFY

Sorry. If it makes you feel any better, it's Principal Wood and I think he's aligned with The First.

XANDER

Also, like ten years older than you, right?

WILLOW

Which is like a hundred years younger than your type.

BUFFY

Yay, someone who doesn't remember the Industrial Revolution.

WILLOW

I think they're going to end up making out. "Oh, Principal Wood," she'll gasp, "I love your lack of wicked energy."

Buffy throws a sock at her.

BUFFY

Watch it or I'm going to make you talk about your new girlfriend who you hold hands with under the dinner table and think we don't notice.

WILLOW

(quick)
How 'bout yours, Xander? She evil?

XANDER

Well she's interested in me, so there's a good chance but I'm hoping for the best. We're going for coffee, she has a kayak--

Giles enters through the front door with Chao-Ahn, both carrying shopping bags.

GILES

Dear lord, I hate that mall. The shop assistants are rude and everything in the food court is sticky.

WILLOW

Looks like you found her some stuff.

GILES

Oh, hello. Yes.

XANDER

That's got to be rough, getting just like pulled out of your home, being told you're a potential Slayer, not being able to bring anything...

GILES

Yes, and the language barrier is formidable. I was concerned that my Mandarin is a little thin but, as it turns out, she speaks Cantonese, which is... thinner. But we muddled though. And, as I suspected, ice-cream is a universal language.

CHAO-AHN

(Cantonese; subtitle)
Like many from Asia, I am lactose-intolerant. I'm very uncomfortable.

BUFFY

(to Giles)
What did she say?

GILES

She is grateful to be in the land of plenty. (to Chao-Ahn) Let's go put away your new clothes.

Chao-ahn shakes her head, resigned, and they head upstairs.

BUFFY

Hey, Will, do you think you can do a computer check on Principal Wood? See if you can find anything out?

WILLOW

Yeah, sure. Want me to check your girl out while I'm at it, Xand?

XANDER

Nope. I'm going in blind. I'm going to be an optimist about this. Why go looking for trouble? If it's going to find you, it's going to find you.
CUT TO:

INT. SUMMERS HOME‚ KITCHEN‚ DAY

Andrew reads the instructions manual for a new microwave oven, trying to set the clock.

ANDREW

"Getting the most out of your new microwave." Oh, nice. "Clock, comma, setting the" ... page 3.

THE FIRST/JONATHAN

(o.s.)
You don't need a manual. It's intuitive.

Andrew spins around, startled, to find his dead friend JONATHAN standing behind him in the kitchen. After a moment of shock, Andrew realizes it's The First and not really Jonathan.

THE FIRST/JONATHAN

There's a button marked "clock set," for pity's sake. What kind of a nerd are you? No wonder you crashed your jet pack.

ANDREW

Oh! Get thee behind me! I rebuke thee!

Andrew fumbles in his pocket and takes out a small cross, thrusting it at Jonathan.

ANDREW

Take that, The First!

THE FIRST/JONATHAN

(sighs)
Look, you monkey...

Jonathan passes his hand through the cross.

THE FIRST/JONATHAN

(sarcastic)
Oh! Ahh... it burns as it ineffectually passes through me. I'm not corporeal, remember? Also, not a vampire, so... a cross?

Andrew puts the cross down, dejected.

ANDREW

What do you want from me, Jonathan-slash-The First?

THE FIRST/JONATHAN

I have an assignment for you.

ANDREW

I follow Buffy's orders now. I'm redeeming myself for killing you... I mean, for killing Jonathan.

THE FIRST/JONATHAN

Really? Why? So you can earn a spot on her little pep squad? You think she'll ever let you in? You're a murderer.

ANDREW

Confidentially, a lot of her people are murderers. Anya and Willow and Spike...

THE FIRST/JONATHAN

Interesting. And you're the only one that she makes seek redemption? Does that seem fair to you?

ANDREW

I guess not.

THE FIRST/JONATHAN

You know we're headed toward a fight, don't you?

ANDREW

Yeah.

THE FIRST/JONATHAN

What do you think the world's going to be like after that? News flash. There's not going to be a Slayer-gang anymore. But there is going to be evil. And as long as there is evil, I live. And as long as I live, you can dwell at my side.

ANDREW

That sounds nice.

THE FIRST/JONATHAN

And your assignment won't be hard. They're just little girls.

ANDREW

You want me to hurt the girls?

THE FIRST/JONATHAN

No, not all of them. Not Dawn, not Anya. Not Willow and not your friend Buffy. Just the potential Slayers.

ANDREW

That's horrible! I'm going to scream and get Buffy in here.

THE FIRST/JONATHAN

She can't see me. I'll still be here and I'm going to keep talking till you hear what I have to say so listen up, okay? The girls must die.

ANDREW

I could never do that. All those girls, all that blood. I didn't like the stabbing before.

THE FIRST/JONATHAN

You don't have to stab. This'll be easy. Andrew, now I want you to think. Willow brought something to this house. Something good. Something you can use.

ANDREW

The new microwave?

THE FIRST/JONATHAN

The gun. I want you to think hard. Where did they put the gun?
CUT TO:

INT. SUMMERS HOME‚ BATHROOM/HALLWAY‚ DAY

Wearing her bra and jeans, Buffy watches while Anya scrubs out a stain on her blouse.

ANYA

I don't think it's really a date, that's what I think.

BUFFY

Well, it is unclear. That's why I chose a top that says, "I'm comfortable in a stodgy office or a swingin' casual setting or killing you if you're a demon."

ANYA

It also says "I sometimes get blood on my shoulder." Or it might be pizza. I don't think I can fix it.

She hands the blouse back to Buffy.

BUFFY

Thanks for trying.

ANYA

And I wasn't talking about your date, anyway. I was talking about this sham date of Xander's. I think it's part of a plan to make me jealous.

BUFFY

(wry)
Well, it's not working.

ANYA

Are you nuts? Of course it's working! Observe my bitter ranting. Hear the shrill edge of hysteria in my voice.

BUFFY

Uh-huh. I should really go find something else to wear.

ANYA

Fine, go. Leave me here to stew in my impotent rage.

Buffy hesitates, not sure whether to leave or not.

ANYA

I'm also going to pee, so you should probably go.

Buffy exits into the hall, carrying her blouse. She runs into Spike and stops, slightly uncomfortable in her half-dressed state, then relaxes when she realizes he's seen much more than that.

SPIKE

You look nice.

BUFFY

Oh, thanks. Traditionally, one wears something over this.

SPIKE

Heard you got a date.

Buffy casually covers herself with the stained blouse.

BUFFY

Well, it's unclear. I have this whole theory about a promotion. Or he's evil.

SPIKE

Buffy, I'm all right.

BUFFY

You don't have to...

SPIKE

What? Be noble? I'm not. I really am all right. You think I still dream of a crypt for two with a white picket fence? My eyes are clear.

Buffy can't help but feel slightly hurt.

BUFFY

(covers)
Good. I'm glad. Thank you.

SPIKE

Never much cared for picket fences, anyway. Bloody dangerous.

BUFFY

You should try this, too. The going-out thing, I mean. There was that girl you brought to Anya and Xander's not- a-wedding.

SPIKE

Oh, yeah, right. There's always girls who like the look. Bad boy, you know, does it for some of them.

BUFFY

Yeah, I can see that. (beat) I... should go. I don't want to be late.
CUT TO:

INT. THE ESPRESSO PUMP‚ NIGHT

Xander sits at a table, drumming his fingers nervously and looking at the clock. When he looks back toward the door, he's clearly surprised when he sees Lyssa approaching.

XANDER

Lyssa, hi! I was afraid you weren't coming.

LYSSA

We said 8:30, right? Did you think I was going to stand you up?

XANDER

Well, it would be kind of karmic.

LYSSA

What?

XANDER

Forget it. I'm just glad you're here. You're going to love the coffee. Got myself a Red Eye: black coffee with a shot of espresso. It's kind of rough if you're not used to that sort of thing--

She picks up his cup and tastes it.

LYSSA

It's hot cocoa.

XANDER

(covers)
Well, sometimes I don't sleep too good.

She nods knowingly.

XANDER

I just lost macho points, didn't I?

LYSSA

Hey, who wants macho? I like that you like hot cocoa. (to waiter) Red Eye, please. (off his look) Sounded good.

She smiles sweetly at him and smiles nervously back.

CUT TO:

INT. SUMMERS HOME‚ LIVING ROOM‚ NIGHT

Willow sits at the computer with Dawn, Kennedy and Amanda looking on. Kennedy leans on Wi1low's shoulder with a casual familiarity.

DAWN

Nothing? No records or certificates... college transcripts?

AMANDA

Looks like the only stuff in the system about Principal Robin Wood is super-recent. Like since he moved to Sunnydale.

WILLOW

I've Googled till I just can't Google no more. He's not in there.

KENNEDY

Well, that's suspicious.

Anya enters in a huff with Giles.

GILES

Anya, calm down. They're educational.

She marches over to Willow and hands her a stack of large white cards.

WILLOW

What's this?

ANYA

Giles made them for Chao-Ahn and now she's locked herself in the bathroom. There's other girls up there and they're starting to complain.

GILES

Those are flashcards. I made them to facilitate her training. Chao-Ahn never had a Watcher and with the language problem...

WILLOW

(shocked)

You showed her these?

Willow holds up two of the cards... they have rudimentary, almost childlike drawings of what it means to be a Slayer. Bringers, vampires, victims, etc. They are also extremely bloody and violent.

GILES

I wanted her to understand the seriousness of her situation.

Dawn picks up another labeled "Turok-han" and looks at it. It shows the a huge vampire standing over a girl who lies in two pieces at his feet in a pool of blood.

DAWN

Holy crap!

GILES

Perhaps I'll rethink the approach.

WILLOW

In the meanwhile, you want to help us get researchy? We're trying to invade Buffy's date's privacy.

GILES

Buffy has a date?

ANYA

Yes, didn't you hear? Everybody has a date. Buffy has a date, Willow's been completely making out with this girl...

She points at Kennedy.

KENNEDY

Hey!

ANYA

...and Xander's out with some hardware store whore. It's Datefest 2003.

WILLOW

Buffy's actually investigating Principal Wood. It's not a date.

GILES

Really?

WILLOW

It might be a date.

GILES

For god's sake! How can anyone think about their social life? We are about to fight the original, primal evil and these girls are all in mortal danger! Didn't you see the flash cards? This isn't right.

Pan over to the doorway where Andrew watches them surreptitiously.

CUT TO:

EXT. SUNNYDALE STREEETS‚ ALLEY‚ NIGHT

Robin Wood and Buffy turn into a shadowy alley. Buffy hesitates.

BUFFY

This isn't right.

WOOD

I know it doesn't look promising but I swear this place is great. The best kept secret in town. It's just right down this way.

BUFFY

Well, it is one of the nicer dark alleys.

WOOD

I promise you, it's just a little further.

BUFFY

Okay...

Suddenly, three vampires leap out in front of them, snarling and ready to attack. Two more vampires emerge from the shadows behind them. They find themselves surrounded.

The front three charge Buffy who vaults over one to land on the back of another. She stakes it through the back and drops to all fours as it disintegrates beneath her. She jumps to her feet, stake at the ready, as the other two press their attack.

She rams the stake through the chest of one but is blindsided by the other and lands flat on her back. She sits up as it lunges at her, holding her stake out and letting the creature impale itself on it.

When the dust clears, she turns to Wood.

BUFFY

You set me up! You son of a... what?

She watches in amazement as Wood fights the two other vampires like a pro. Stake in hand, he dispatches them, fast and efficient.

When they're both dead, he walks over and helps Buffy up. He acknowledges her shocked expression with a nod.

WOOD

I guess we should talk.
FADE OUT

Act III

EXT. SUNNYDALE STREETS‚ ALLEY‚ NIGHT

Resume. Wood helps Buffy to her feet and she dusts herself off.

WOOD

The restaurant's right there.

He points. Buffy looks and sure enough, there really is a nice-looking little bistro just around the corner at the end of the alley. He leads her toward it as she tries to make sense of the events of the last few minutes.

CUT TO:

INT. THE ESPRESSO PUMP‚ NIGHT

Xander and Lyssa continue their date. The table in front of them holds several empty cups of coffee.

LYSSA

And you still have to see her like every day?

XANDER

Yeah, but I guess that's good.

LYSSA

How is that a good thing? I mean, it seems like she never lets you forget what happened.

XANDER

Well, it's on her mind a lot right now, I think, because our anniversary is coming up. I mean, it would've been our anniversary. And maybe I shouldn't be allowed to forget it. I did... it was a bad thing. It hurt her real bad.

LYSSA

And if you'd gone ahead with it, married her even though you had doubts... that would have been better?

XANDER

I guess not.

LYSSA

It sounds to me like, in the long run, you're both better off. (smiles) I know it turned out good for me and that's what really matters, right?

XANDER

(smiles)
I should have taken you on a nicer date than this.

LYSSA

Well... I can think of something fun to do.
CUT TO:

INT. BISTRO‚ NIGHT

Buffy and Wood are seated at an intimate candle-lit table in the romantic little French restaurant. The waiter hands them menus.

WOOD

Thank you.

BUFFY

This place is nice. How the hell did you do that?

WOOD

(laughs)
I've had a little practice. Never took on two at once before but I've taken out a vamp here or there and some demons.

BUFFY

So you're... freelance?

WOOD

Freelance. I guess that's a good way to put it.

BUFFY

And you know who I am?

WOOD

You're the Slayer.

BUFFY

Right, okay. So... I'm guessing that you don't work in an office about 15 feet above the Hellmouth because you enjoy educational administration.

WOOD

I actually do enjoy the work but, yeah, you're right. I maneuvered myself into that school, that office, just like I maneuvered you there. The Hellmouth draws the bad things in close and now we're headed for something big, Buffy, really big, and I need to be here when it happens. I want to help.

BUFFY

So you didn't hire me for my counseling skills?

Wood laughs, then stops when he sees her look.

WOOD

They're valuable, too.

BUFFY

Why didn't you tell me about you?

WOOD

I wasn't sure about things yet.

BUFFY

You didn't think you could trust me?

WOOD

No. I wasn't sure I was ready yet. Ready to jump into this fight.

BUFFY

And now you are?

WOOD

Well, now the fight is starting or it's starting to start and I don't have time to worry anymore. I have to do something.

BUFFY

(considers)
So you knew who I was before you even came here.

WOOD

Yes.

BUFFY

How? How do you know about Slayers?

WOOD

Right. Okay. See, when I was a little boy, my mother was one. The one, actually. The Slayer.

BUFFY

(taken aback)
You're... mother? Wow. I didn't know that any Slayers had children.

WOOD

I don't know of any others. She was killed when I was four. I still remember her but it's a little fuzzy, you know?

BUFFY

Something got her? A demon ...

WOOD

A vampire. Man, I went through this whole "avenging son" phase in my 20's but I never found him. So now I just dust as many of them as I can find. Figure eventually I'll get him. That's probably why we got jumped outside. I'm not very popular with the bumpy-forehead crowd. I bet you aren't, either.

BUFFY

No, not most of 'em. So do you have Slayer powers? I'm sorry, I'm just... so floored, I have no idea what to ask.

WOOD

No, I don't have powers. No super-strength or mythic responsibilities. I'm just a guy with a few skills because her Watcher took me in and raised me.

BUFFY

So you decided to tell me.

WOOD

That's right.

BUFFY

In a darkened little romantic French restaurant.

WOOD

Yeah. Not really sure how that happened but yeah.
CUT TO:

INT. SUMMERS HOME‚ LIVING ROOM‚ NIGHT

The First is with Andrew again in the living room.

THE FIRST/JONATHAN

Did you find the gun?

ANDREW

Yes. It was in Buffy's underwear drawer. She has nice things.

THE FIRST/JONATHAN

Show me.

ANDREW

Well, I didn't take them but there were thongs and regular underpants--

THE FIRST/JONATHAN

Show me the gun.

ANDREW

Yeah, here.

Andrew holds out a paper bag and opens it so Jonathan can look inside. The semi-automatic pistol is there.

ANDREW

Willow tried shooting Kennedy with that.

THE FIRST/JONATHAN

Great. There's going to be panic and fleeing when you start firing, so you're going to have to get them trapped someplace, like the basement.

ANDREW

And we're killing them because...

THE FIRST/JONATHAN

Because they're the future of the Slayer line. When they're gone, the line is gone.

ANDREW

Uh-huh. So why not have Spike do it? He's the one with the trigger.

THE FIRST/JONATHAN

It's not time for him yet. You can wait for the next time they're training in the basement. But don't just rely on a locked door to keep them in. You'll need more.

ANDREW

Okay. Say, do you have any weaknesses I should know about if I'm going to work for you? Like Kryptonite or allergies?

THE FIRST/JONATHAN

What are you asking?

Andrew tries to be super-casual but comes off sounding phony, rehearsed and nervous.

ANDREW

Oh, nothing. Are you made out of the evil impulses of humans? So like if everyone was unconscious at the same time, you would fade away?

Jonathan stares at him suspiciously.

THE FIRST/JONATHAN

You're asking a lot of questions.

ANDREW

(nervous)
Yes, well, because I'm evil and I want to do the best I can at that so I want to know stuff. Like when do we kill Buffy?

THE FIRST/JONATHAN

Are you wearing a wire?
CUT TO:

INT. SUMMERS HOME‚ BASEMENT‚ NIGHT

Willow, Kennedy, Amanda and Dawn sit at a table in stacked with listening equipment: wireless receiver, tape machine, etc. Willow wears headphones and frowns, concentrating. She suddenly jumps and rips the headphones off.

KENNEDY

What? What's going on?

WILLOW

The First. It screamed... I think it knows about the wire.

DAWN

I didn't hear that. They're just in the next room.

AMANDA

But you heard it over the wire?

WILLOW

Only that. The whole rest of the time Andrew's voice is fine but in between is just silence or static.

DAWN

I guess that's what you'd expect.

AMANDA

Poor Andrew. He must be scared.
CUT TO:

INT. SUMMERS HOME‚ LIVING ROOM‚ NIGHT

Jonathan stares at Andrew, furious.

THE FIRST/JONATHAN

You think you can trick The First? You think you can squirm free? I hold you, Andrew. I made you do this.

Jonathan presses his hands to his belly, then turns them palms out to Andrew. They are coated with blood.

THE FIRST/JONATHAN

Jonathan suffered. He was your friend and he trusted you and now he spends eternity in pain because of what you did.

ANDREW

No!

Andrew stares at Jonathan, terrified.

ANDREW

What's happening to you?

Jonathan's skin starts to turn a dark, putrid gray, his body decomposing before Andrew's eyes.

THE FIRST/JONATHAN

This is what you did to him. Took away everything he was and left him like this. You started down a road with that action. You have to keep going.

Andrew stares at Jonathan, steeling himself. He makes a decision and when he speaks, his voice is calm, measured.

ANDREW

Stop looking like Jonathan. You're not him. You're The First and you're trying to get me to shoot innocent girls but I won't do it. I'm good now and when the fight is over, I'm going to pay for killing Jonathan.

THE FIRST/JONATHAN

You're going to pay for more than that. Know why? Because the biggest, baddest, First Evil in the world is angry with you.
CUT TO:

INT. SUMMERS HOME‚ BASEMENT‚ NIGHT

Willow puts the headphones back on as a ghostly whispering fills the room. It's Jonathan's voice but altered‚ raspy, spooky.

THE FIRST/JONATHAN

(v.o.)
You think this was smart?

WILLOW

I'm hearing something.

THE FIRST/JONATHAN

(v.o.)
You think you can trick me, women?

Kennedy takes the headphones off Willow.

KENNEDY

It's not in the headphones. It's out here.

THE FIRST/JONATHAN

(v.o.)
You only hear what I want you to hear. You only see what I want you to see.

Jonathan suddenly appears in front of them, truly hideous now, his skin blotchy and rotting, one eye a pus-filled sac. Amanda screams.

THE FIRST/JONATHAN

So many dead girls. There will be so many.

Jonathan fades away and the basement is silent again.

CUT TO:

INT. SUNNYDALE HIGH‚ BASEMENT‚ NIGHT

Xander, his face bruised, is bound spread-eagled on the sacrificial wheel The First used to torture Spike. Lyssa stands to the side, working the ropes and hoisting the wheel up so that it's suspended over the Seal of Danthazar.

Lyssa has changed clothes also, now wearing the costume of a native ceremonial dark-priestess. She pulls on the rope with no effort, raising Xander and the device by brute strength. It's not difficult for her at all.

XANDER

(resigned)

I knew it. See, I knew it.

LYSSA

Thanks for your help selecting the ropes. The one I picked out wasn't strong enough.

XANDER

Yeah. That would've been bad. Listen, is this because I'm friends with Buffy?

LYSSA

Who's Buffy?

XANDER

The Slayer.

LYSSA

(impressed)
You know the Slayer?

XANDER

This can't just happen. It can't just keep happening that demon women find me attractive! There's gotta be a reason.

LYSSA

You just seemed like a nice guy, that's all. And I wanted to get to know you.

XANDER

And kill me?

LYSSA

Sure. Do the ropes hurt?

XANDER

Yes.

LYSSA

Good.
CUT TO:

INT. SUMMERS HOME‚ LIVING ROOM‚ NIGHT

Willow, Kennedy, Amanda, Dawn and Andrew brief Anya, Spike and Giles on their experience with The First.

WILLOW

So we're thinking it didn't go too well.

Andrew holds his shirt up while Dawn peels the tape and wire off his chest.

DAWN

You should have let me do this fast.

ANDREW

No, I hate that. Oh, ow!

SPIKE

You tried to record the ultimate evil? Why? In a complex effort to royally piss it off?

KENNEDY

Guess we succeeded pretty good, huh?

ANDREW

Oh, god. I never should've gone in wired. Redemption is hard.

GILES

Getting back to Spike's question. Why did you try to record it?

WILLOW

To study it, to see if we could figure something out from what it was saying. Because, guys, we have to face it. We know nothing about The First.

ANYA

Well, we know not to record it. So that's something.

SPIKE

Why did it appear to this one, then? Thought it was supposed to be pulling my strings.

ANDREW

It said it wasn't time for you yet. I'm frightened and my chest hurts where the tape was.

DAWN

It's okay, Andrew. You did good. You stood up to it. That's really amazing.

ANDREW

Thank you. You're a peach.

ANYA

Yeah... what did it want you to do, anyway?

ANDREW

Shoot all the girls.

DAWN

Shoot girls?

ANDREW

Not you. Just the potentials.

DAWN

(relieved)
Oh, well, that's something anyway. (off their looks) Something tragic.

GILES

This proves my point. This time is crucial. We should be circling the wagons instead of doing things like going out on dates when gunplay is imminent. Willow, call Buffy, get her back here. We need to dispose of the gun and figure out our next move.

SPIKE

I'll go get her.

WILLOW

I'll call.

Willow takes her phone out and is about to dial when it rings.

AMANDA

Bet that's her. Sometimes you're thinking about calling someone‚

WILLOW

No. It's a text message. Oh, it's from Xander. It's one of our signals.

AMANDA

Signals?

WILLOW

We have a system we set up a while back. Like codes. This one's either "I just got lucky, don't call me for a while," or "my date's a demon who's trying to kill me."

KENNEDY

You don't remember which?

WILLOW

It was long time ago.

DAWN

Well, if we play the percentages...

GILES

...something's eating Xander's head.

ANYA

Say, that's gratifying.

ANDREW

Buffy will know what to do.

SPIKE

I'll go get her.

Willow is already dialing the phone.

WILLOW

That's okay. We don't even know where she went.

She punches in the last digit and a phone immediately starts ringing in the room with them. They find Buffy's phone lying near the sofa.

WILLOW

That's not good.

SPIKE

I'll go get Buffy. I can probably still track her scent. She'll be worried about the boy.
CUT TO:

INT. BISTRO‚ NIGHT

Buffy and Principal Wood share a dessert.

BUFFY

Oh... oh, my god. That might be the best thing I've ever had in my mouth.

WOOD

Isn't it good? They soak the pears in brandy. Here, you need a bite with the sauce.

He loads up his fork and offers it across the table to her. She leans in and takes a bite. The fork is still in her mouth when she becomes aware of someone standing at the table over her shoulder. It's Spike.

BUFFY

(mouth full)
What are you doing here?

WOOD

Is there a problem?

Spike ignores Wood and keeps his eyes on Buffy.

SPIKE

It's Xander.
CUT TO:

INT. SUNNYDALE HIGH‚ BASEMENT‚ NIGHT

Xander hangs about six feet above the seal, facedown. Lyssa stands beneath him, looking up and smiling.

XANDER

Look, I've... I know what happens if that seal down there gets all excited. I don't think you understand what you're getting yourself into.

LYSSA

The seal opens up and a vicious feral vampire creature comes out.

XANDER

Well, then you do understand but what makes you think that's like a good idea?

LYSSA

The end is coming. The final fight. And everyone is hearing the drumbeat. It's telling us to pick our partners, align ourselves with the good or the evil.

Lyssa turns away and picks up a sword. When she turns back her eyes are a feral yellow, catlike.

She thrusts the sword up into Xander's gut and he screams in agony. His blood runs down the sword and drips onto the seal.

LYSSA

Couldn't have done it without you, Xander. Thanks for the great date.

She smiles, then viciously rips the sword back out of him.

FADE OUT

Act IV

INT. WOOD'S CAR‚ NIGHT

Wood drives with Buffy next to him. Spike rides in the back.

BUFFY

(to Spike)
Are you sure he's in the high school?

SPIKE

Willow did a locator spell. Useful stuff.

WOOD

I'm not surprised. That school's at the center of everything.

BUFFY

How much longer till we get there?

WOOD

Ten minutes. (beat) So how do you two know each other?

BUFFY

(awkward)
He works with me. You know, in the struggle against evil.

WOOD

Hmm... cool.

No one has anything else to say; an awkward silence descends over the car.

CUT TO:

INT. SUNNYDALE HIGH‚ BASEMENT‚ NIGHT

Xander's blood oozes down onto the seal as Lyssa looks on, her eyes still a creepy yellow. As the seal starts to glow and shift, the door slams open and Buffy charges in.

BUFFY

Xander!

XANDER

(weak)
Buffy?

The kick sends Lyssa flying backward into Spike. He grabs hold of her but Lyssa turns it around on him and wraps him up in a vicious bear hug, crushing him in her arms.

As Wood makes his way across the room to Xander, he looks back at Spike just in time to see his face shift and the vampire in him rise to the surface.

WOOD

(to himself)
He's a vampire...

XANDER

(to Wood)

Oh, god... hurry.

As Buffy charges in to free Spike, Wood stands on the seal and starts cutting the ropes binding Xander to the torture wheel. His blood continues to drip down and pool around Wood's feet.

The seal begins to hum as pieces of it shift and crack open. An intensely bright light shines out of the aperture.

Lyssa hurls Buffy across the room with a devastating backhand and kicks Spike away, sending him reeling to the ground.

Wood staggers as a triangular piece of the seal cracks open and the arm of a Turok-han snakes out and grabs for Wood's leg.

Wood manages to free Xander at the last moment and push him away from the seal, cutting off the blood flow and interrupting the spell.

The triangular piece of the seal slams shut, severing the creature's arm and sealing it inside with a lingering scream.

Buffy and Spike rally against Lyssa. Spike's face is cut and bleeding but they are working well together. Spike launches himself at Lyssa, hitting her high and knocking her backward. Buffy is ready and when Lyssa leaps to her feet, Buffy swings her blade, neatly slicing Lyssa's head off at the shoulders. Her headless body morphs into a scaly demonic form, then collapses and dies.

Wood kneels over Xander on the floor, checking his wound but also watching carefully as Buffy goes to check on Spike. He notes her first priority is Spike's well-being, not his or Xander's. Spike does the same for her... looking into her eyes. It's a brief moment, but very intimate.

Wood recognizes it for what it clearly is. Buffy and Spike have some kind of attachment. His jaw clenches, disappointed and disgusted. Then Buffy moves toward him and he puts on a neutral expression.

WOOD

I think your friend's going to be okay.

Spike joins them and notices as Wood moves pointedly away. Buffy brushes back Xander's hair.

BUFFY

Hey, Xand. I'm here.

XANDER

(weak)
So how's your date going?
CUT TO:

INT. SUMMERS HOME‚ LIVING ROOM‚ NIGHT

Dawn stands just inside the open front door, looking out anxiously. Inside, Willow and Andrew watch Anya pace worriedly.

ANYA

Where are they? It's after two. I can't believe Buffy hasn't brought him home yet. His slut ate him up.

WILLOW

His slut didn't eat him up. Besides, I thought you were all angry at him.

ANYA

My feelings are changeable but intense.

ANDREW

I understand your fear, Anya. I know fear myself because, you know, I enraged that primal force.

Giles enters carrying a glass of milk.

GILES

Are they not back yet?

ANYA

I'm worried. I think we should go find them. Xander could be injured or trapped or eaten up...

GILES

It is late. A little reconnaissance might be helpful.

Chao-Ahn enters wearing her bathrobe, a frightened look on her face.

CHAO-AHN

(Cantonese; subtitle)
Why is everyone up? Are the flashcard monsters attacking?

GILES

She says she can't sleep. (to Chao-Ahn) I made myself some warm milk. You can have it.

Chao-Ahn looks at the milk with alarm and turns to go.

CHAO-AHN

(Cantonese; subtitle)
You're trying to kill me!

GILES

(to others)
She's shy.

DAWN

They're back! Here they come!

Anya rushes forward.

ANYA

Is Xander all right?

DAWN

He looks okay.

ANYA

Damn him!

Buffy, Spike and Xander enter. Xander is clearly fine. A makeshift bandage covers his abdomen but he's not weak or disoriented. The others surround him except for Anya, who sulks on the sofa.

WILLOW

What happened?

XANDER

What do you think happened? Another demon woman was attracted to me. I'm going gay. I've decided I'm turning gay. Willow, gay me up! Come on, let's gay!

WILLOW

What?

XANDER

You heard me. Just tell me what to do. I'm mentally undressing Scott Bakula. That's a start, isn't it?

ANDREW

(dreamy)
Captain Archer...

XANDER

Come on, Willow, let's get this gay show on the gay road. Help me out here.

BUFFY

(amused)
What if you just start attracting male demons?

DAWN

Clem always liked you.

ANYA

(mutters)
Would serve you right.

GILES

Children, enough.

XANDER

I'll need some stylish new clothes...

GILES

Enough!

They turn and stare at Giles.

GILES

Have you learned nothing from tonight's assorted chaos? There's no time for fun and games and quips about orientation.

Giles gets the flashcards lying on the table and holds them up.

GILES

These aren't a joke. This happens. Girls are going to die. We may die. It's time to get serious.
CUT TO:

Later. The room is dark and everyone is gone except Buffy. She sits on the sofa, deep in thought, as Spike enters and sits down next to her.

SPIKE

Anybody tell you about what happened around here tonight?

BUFFY

Willow did. The First is back in the mix.

SPIKE

It talked to the little boy. Said it wasn't time for me yet. (beat) I should move out. Leave town. Before it is time for me.

BUFFY

No. You have to stay.

SPIKE

You got another demon fighter now.

BUFFY

That's not why I need you here.

SPIKE

Is that right? Why's that, then?

BUFFY

Because I'm not ready for you to not be here.

SPIKE

And the principal? How's he fit in?

Buffy looks uneasily at him but doesn't answer.

CUT TO:

INT. WOOD'S APARTMENT‚ BATHROOM‚ NIGHT

Wood washes his face in the sink when he senses someone behind him. He turns to find his mother, the Vampire Slayer NIKKI, standing there, just as young and cool as she was nearly three decades earlier when she was killed in a New York City subway car.

THE FIRST/NIKKI

You look good.

Wood stares at her, calm and expressionless.

WOOD

You're not my mother.

THE FIRST/NIKKI

I give you a compliment and you don't say thank you? Did I raise you that way?

WOOD

You didn't raise me at all.

THE FIRST/NIKKI

Well, I was dead.

Wood casually walks right through her and stops in the doorway, looking back. She hasn't moved, yet she's now facing him once again.

WOOD

So you're The First. Why are you here? Why now?

THE FIRST/NIKKI

Because you've been coming up in the world. Taking the demons out. Makes a mother proud.

WOOD

Yeah? Well, think how pleased she'll be when I help take you out. Until it's time for that, I've got no use for you.

Wood starts to turn away but Nikki stops him.

THE FIRST/NIKKI

Would you like to know who killed me? I know you went looking for him.

WOOD

You don't know anything.

THE FIRST/NIKKI

Is that right? Well, you can check it out after I tell you. Check the timing, reread what the witnesses said, and the people in the subway station--

WOOD

Who is it?

THE FIRST/NIKKI

You met him. You know him. You fought at his side.

WOOD

(realizes)
Spike.

THE FIRST/NIKKI

(smiles)
Now... what do you say?

WOOD

(soft; reluctant)
Thank you.
FADE TO BLACK
END