Dirty Girls

[Transcript of "Buffy The Vampire Slayer" episode Dirty Girls at buffyology.com.]

Prologue

INT. FOREST-- NIGHT

SHANNON, a terrified young teen girl, runs for her life, careening through the forest as three hooded Bringers chase her wielding wicked-looking ceremonial daggers. She bursts out of the woods and into the path of an oncoming pickup truck, waving her arms desperately at the driver.

SHANNON

Help! Stop! Stop, please!

The truck screeches to a halt and she runs up to the passenger side window, looking beseechingly in at the driver, CALEB. He's dressed all in black, wears a Catholic-style minister's collar and speaks with a pronounced Southern twang.

CALEB

What's goin' on?

SHANNON

Please, get me out of here!

CALEB

Was someone hurt? What is it?

She doesn't have time to answer. She just jumps in the truck and slams the door.

SHANNON

Drive!

Caleb guns it and takes off just as the Bringers dash out of the forest after Shannon. Caleb looks out the back window, then over at Shannon as she tries to catch her breath.

CALEB

Well, that was... (sighs) Are you all right?

SHANNON

(nods)
Thank you. Thank god you were there.

CALEB

Well, let's not give him credit for everything. (beat) No, I'm funnin' ya. I don't believe in coincidence. I also don't believe young girls should be out in the woods late at night. They should be tucked in bed.

SHANNON

Wish I was.

CALEB

I expect you do at that. Look, I don't mean to pry but those boys, they looked like... well, you didn't happen to fall in with devil worshippers, did you? (no answer) No, I'm sorry. You... you look like you've been traveling a while. I don't think that. Is there someplace you'd like me to drop you? You heading someplace?

SHANNON

Sunnydale.

CALEB

I'm going there myself. I ain't never been but I expect we could find a police station or--

SHANNON

I just need to get to Revello Drive. Thanks, Father...?

CALEB

Call me Caleb. Never was nobody's daddy.

SHANNON

I'm Shannon.

CALEB

Well, Shannon, you feel like telling me why those freaky joes were after you?

SHANNON

(evasive)
I'm not sure.

CALEB

Well, do you ever think that maybe they were chasing you because you're a whore?

SHANNON

(shocked)
What?

CALEB

(smiles)
Now I know what you're thinking. Crazy preacher-man, spoutin' off at the mouth about the Whore of Babylon or somesuch. That ain't me. I'm not here to lecture you. I mean, what's the point?

He reaches down and pushes in the cigarette lighter.

CALEB

My words just curdle in your ears. Wouldn't take in a thing. Head filled with so much filth that there ain't no room for words of truth.

Shannon looks around nervously, realizing she's gone from one bad situation to another.

CALEB

Well, you know what you are, Shannon? Dirty.

SHANNON

What? I'm not! What--

CALEB

Now, now, now... there's no blame here. You were born dirty. Born without a soul. Born with that gaping maw that wants to open up and suck out a man's marrow. It makes me puke to think too hard on it.

Shannon tries the open the door but the handle turns uselessly. She's locked in.

CALEB

Yeah, that there door's problematical. Don't know as I could recommend steppin' out at this speed, anyway. You're like as not to tumble some. Then of course there's my boys back there. They hate to miss a mark.

SHANNON

Your boys?

CALEB

Well, they ain't exactly my blue-eyed boys but they're hard workers. And they don't truck with Satan. That was just me havin' fun. Satan is a little man.

Shannon looks around and assesses her options, then lunges for the steering wheel. Caleb easily bats her aside and slams her back against the seat.

CALEB

Now I don't like backseat drivers.

He reaches down and pulls out the cigarette lighter. The tip glows red-hot. He presses it against the surface of a ring on his right hand, heating it up.

SHANNON

Please... don't hurt me.

CALEB

Oh, now is this the part where you offer to do anything? Because I tried to make it clear to you... you got nothin' I want to explore.

He reaches over and presses the sizzling-hot ring against Shannon's neck, branding her with it. She shrieks in pain.

CALEB

Oh, yeah! That's it! Now that's a cleansing fire. Hallelujah!

He releases her and she holds her burned neck, sobbing and gasping in pain.

CALEB

Now if I'm not mistaken, there's a car a little ways behind us and I do believe there's some folk in it going the same place you are. Now I want you to deliver a message for me but it's not for them. It's for the other one. The one and only, the original, accept-no-substitutes Slayer. Would you tell her something for me?

SHANNON

(wary)
Yes.

CALEB

(smiles)
Well, thank you, Shannon.

He takes out a hunting knife and rams it into Shannon's gut. The girl doubles over, gasping in pain and shock, as Caleb leans over and whispers in her ear. When he's done, he rips the knife back out of her and braces his foot against the passenger door.

CALEB

Now... let's see what we can't do about that door.

He kicks the door open and shoves Shannon out onto the pavement. She bounces and tumbles and lands in a broken heap directly in the path of the car behind them. Brakes squeal as the car comes to a halt mere feet from Shannon's crumpled body.

The car doors open to reveal WILLOW and the Vampire Slayer FAITH. Willow runs over to Shannon and turns her over. The girl's face is bloody and bruised.

WILLOW

Are you okay? Can you hear me? Can you talk? (to Faith) This girl's bleeding badly. We have to get her to the hospital.

Faith looks down at Shannon without emotion.

FAITH

(to herself)
Yep. Guess I'm back in Sunnydale.

Opening credit sequence.

Act I

INT. XANDER'S APARTMENT-- NIGHT

Potential Slayers fill Xander's apartment. They sleep on the couches, on the chairs and on the floor in sleeping bags. XANDER lies in his bed, talking with CARIDAD, one of the potentials, a beautiful South American girl, who sits on the edge of his bed, anxious.

XANDER

I know it's hard.

CARIDAD

I haven't been able to sleep the last few nights.

XANDER

Hey, listen, it's going to be okay. Buffy knows what she's doing. She's not going to send you into battle until she's sure you're ready for action.

CARIDAD

That's just it, though. How will I know I'm ready? For action.

XANDER

You have to trust us.

CARIDAD

I'm so scared, Xander. And I'm so young.

XANDER

Well, believe it or not, I was younger than you when I started all this.

CARIDAD

There's just so much I haven't done. So much I need to do. It's like... I never had a real boyfriend, you know?

XANDER

(surprised)
Yeah?

CARIDAD

I've never been with a man. I could die tomorrow... and I've never been with a man.

She looks at him meaningfully.

XANDER

(smiles)
Well...

Suddenly another potential, COLLEEN, sits up and moves into frame right next to Caridad.

COLLEEN

I've never been with a man before, either.

XANDER

(bigger smile)
Colleen...

COLLEEN

(re: Caridad)
I've never been with her in front of a man before.

CARIDAD

I've never been with her in front of a man, neither.

They both stare at Xander seductively, then move toward him.

XANDER

Um...

CARIDAD

Xander...

XANDER

We can't.

COLLEEN

We're so scared.

XANDER

The others might hear us.

COLLEEN

No, they won't.

CARIDAD

They're okay.

Colleen and Caridad climb on top of Xander and kiss him as the bedroom door clicks open on its own to reveal the rest of the potentials out in the living room in their lingerie hitting each other with pillows. Feather fly everywhere as the nubile young girls cavort and giggle.

RONA

(v.o.)
Xander. Xander!
SMASH CUT TO:

INT. XANDER'S APARTMENT-- NIGHT

Xander struggles awake, coming out of his dream, to find RONA standing in the doorway, annoyed.

XANDER

(groggy)
What?

RONA

Oh, damn it!

XANDER

What's going on? I was sleeping.

RONA

Dominique has the stomach flu and the toilet bowl is backed up.

XANDER

I'll be right out. (covers) I got a... leg cramp.

Rona shrugs and walks out, leaving Xander staring at the ceiling in frustration.

CUT TO:

INT. SUNYDALE HOSPITAL-- CORRIDOR-- NIGHT

Faith and Willow watch through a window as the doctors and nurses prep Shannon for surgery. The injured girl is draped in bandages and surgical sheets and hooked to an array of monitors.

FAITH

You sure she's one of us? She don't look like much now. Not a potential Slayer, I mean.

WILLOW

Don't know. It seems to fit, though. We'll know more when she regains consciousness.

FAITH

If she regains consciousness. Girl's been gutted like a catfish.

WILLOW

Yeah.

FAITH

Something's killing girls all over world, trying to end the Slayer line... thing like that, I figure I might get a heads-up.

WILLOW

Faith...

FAITH

I guess it doesn't really matter. As long as you got the true Slayer intact.

WILLOW

You were in prison. We figured you were safe there.

FAITH

Yeah, that's prison. Safe as a kitten.

WILLOW

Sorry, I don't know much about the big house. Was it... I mean, did something happen in there?

FAITH

Someone came at me with a nasty-looking knife. Didn't really know why. Not till now.

WILLOW

(guilty)
Faith, we didn't--

FAITH

Forget it. It's cool. I get by. What are we going to do about her?

WILLOW

I guess we should find Buffy, tell her what's going on. I tried calling home. Dawn said she's out patrolling.

FAITH

Hmm, let's go look for her. Cemetery's more fun anyway.

She heads for the door.

WILLOW

Wait. Somebody should wait here in case she wakes up.

FAITH

Fine. Sit tight. I'll be back.

WILLOW

(awkward)
Wait... maybe you meeting Buffy alone isn't the best idea.

FAITH

You told her the sitch, right? She knows I'm coming. Probably been up all night hanging streamers.

WILLOW

Yeah, but it's not like you're study-buddies exactly. And maybe it'd be better if I eased her into the whole thing.

FAITH

I can't stay here, Willow. Spent way too much time in hospitals. We don't click. Don't worry. I'm sure we'll all get along just fine.
CUT TO:

INT. SUNNYDALE CEMETERY-- NIGHT

A pretty young WOMAN runs full speed through the cemetery, fleeing something chasing her down. She stops, scared, and looks around, trying to find her bearings when she's suddenly grabbed from behind, spun around and a fist slams into her face, knocking her to the ground.

Her attacker looms over her, reaching for her throat, when he's suddenly seized from behind and hurled into a nearby grave marker. It's SPIKE. He lands in a heap, then leaps to his feet to confront Faith.

FAITH

Whatcha want to do to her, vamp? Huh? Something like this?

She punches him twice in the head and he falls to the ground, dazed. Faith flexes her fingers; she's just warming up.

SPIKE

Nice punch you got there. Let me guess. Leather pants, nice right cross, doe eyes, holier-than-thou glower... you must be Faith.

FAITH

Oh, goody. I'm famous.

SPIKE

Was told you were coming. Bit of a misunderstanding here. I'm--

FAITH

Spike. Yeah, we've met before.

SPIKE

We have? I don't think we--

Faith kicks him in the gut and he doubles over in pain.

SPIKE

Bloody hell! What are you doing? I'm on your side.

FAITH

Yeah? Maybe you haven't heard. I've reformed.

She throws another punch and he blocks it, then decks her.

SPIKE

So have I. I reformed way before you did.

They trade blows, Faith landing a vicious backhand to Spike's head.

SPIKE

Stop... hitting... me! We're on the same side.

He gut punches her and sends her reeling backward.

FAITH

Please. Do you think I'm stupid?

SPIKE

Well... yeah.

FAITH

You were attacking that girl.

She throws another roundhouse blow, sending Spike to the ground, then immediately is pounded to the ground herself. She looks up to find BUFFY standing over her, smiling.

BUFFY

(false sincerity)
Sorry, Faith. I didn't realize that was you.

Faith gets to her feet, rubbing her jaw.

FAITH

It's all right, B. Luckily, you still punch like you used to.

Buffy cocks an eyebrow at Faith, then turns to Spike.

BUFFY

You okay?

SPIKE

(surly)
Yeah, terrific.

FAITH

(amazed)
You're protecting vampires? Are you the bad Slayer now? (puzzled) Am I the good Slayer now?

BUFFY

He's with me. He has a soul.

FAITH

What? He's like Angel?

SPIKE

No!

BUFFY

Sort of.

SPIKE

(firm)
I'm nothing like Angel.

BUFFY

He fights on my side... which is more than I can say for some of us.

FAITH

Yeah, well, if he's so good, what's he doing chasing down defenseless--

The pretty blonde girl Spike was chasing suddenly tackles Faith to the ground with a snarl, her fangs reaching for Faith's neck. Faith kicks her off and rolls to her feet.

BUFFY

That's one of the bad guys.

FAITH

You should make 'em wear signs.

She doesn't wait for the vampire to attack; she launches herself at the creature and beats her mercilessly while Spike and Buffy calmly watch. The vampire kicks Faith backward toward Buffy and she reaches out and snags a stake from Buffy's belt.

FAITH

May I? Thanks.

Faith makes quick work of the vampire and within seconds, it's a fading cloud of dust.

SPIKE

(defensive)
Angel's dull as a table lamp and we have very different coloring.

FAITH

Okay. Catching up. Anything else I gotta know?

Buffy looks at Faith and smiles but the her eyes remain cold and wary.

BUFFY

Nice to have you back.
CUT TO:

INT. SUMMERS HOME-- FOYER/CONTINUOUS-- NIGHT

Buffy enters with Faith and Spike.

FAITH

Whoa... memory lane. Same old house.

BUFFY

Yeah, well, every piece of furniture's been destroyed and replaced since you left, so actually, new house.

DAWN

Buffy?

DAWN and GILES enter from the dining room and stare at Faith warily.

BUFFY

We have a new houseguest.

Faith notes the chilly reception she's getting from Dawn and Giles and tries to make light of it.

FAITH

Hey, got a spare bed for a wanted fugitive?

GILES

(flat)
Hello, Faith.

FAITH

Huh. I guess "wanted" wasn't really accurate.

DAWN

(to Buffy)
Does she have to stay here? Because there's some nice hotels that welcome tried-to-kill-your-sister types.

FAITH

Check it out. Brat's all woman-sized.

Dawn fixes Faith with an icy stare, never wavering, even when she talks to Buffy.

BUFFY

Look, I need to get to the hospital. Some girl was attacked on her way into town. We think she might be--

DAWN

We know. Willow's been calling.

GILES

She's still there. She's going to call if the girl wakes up.

Buffy looks over at Giles, no warmth for him in her gaze.

BUFFY

Fine.

She turns and walks upstairs. Giles watches her go, worried, then turns to Faith.

GILES

Well, Faith, we better see if we can find someplace to squeeze you in for the night.

Dawn continues to glare at Faith and Faith stares right back. Finally, Dawn gives up and walks off into the kitchen leaving Faith alone with Spike.

SPIKE

Not all that tension was about you. Giles was part of a plan to kill me... for Buffy's own good.

FAITH

Well, that makes me feel better about me... worse about Giles... kinda shaky about you.
CUT TO:

INT. SHADOW VALLEY VINEYARDS-- WINE CELLAR-- NIGHT

Caleb pours himself a glass of wine from one of the kegs and raises it.

CALEB

"Drink of this... for it is my blood."

He drinks deeply of the wine.

CALEB

You know, I always loved the story of the Last Supper. The body and blood of Christ becoming rich red wine. I recall as a boy, though, I couldn't help but think, what would happen if you were at the Last Supper and you ordered the white? A nice oaky Chardonnay or white Zin? I mean, would he make that out of his lymph or some all? Never did bring it up. I suppose there was a reason why I never spent too long in one parish. Just lookin' for answers. Just lookin' for the Lord in the wrong damn places... and then you showed me the light.

Reveal THE FIRST in the form of Buffy standing in the shadows, smiling.

THE FIRST/BUFFY

Do you think I'm god?

CALEB

I certainly do not. I am beyond concepts like that.

THE FIRST/BUFFY

But you still wear the outfit.

CALEB

Man can't turn his back on what he come from. Besides, black is slimming. Everyone knows that.

THE FIRST/BUFFY

How do you like what I'm wearing?

She spins around for him to get a good look.

CALEB

Just another dirty girl. And since you only dress up in dead folk, I'm guessin' one who's already been paid her wage.

THE FIRST/BUFFY

Look hard. What do you see?

Caleb does and then reacts, surprised.

CALEB

Strength. And the loneliness that comes with real strength.

THE FIRST/BUFFY

Nothing about my pert and bouncy hairdo?

CALEB

You're her...

THE FIRST/BUFFY

The Slayer.

Caleb smiles, excited, and reaches out to touch her but his hand passes right through her face.

CALEB

At long last. All this time, all the work I've done for you-- blowin' up the Council, organizing the Ray Charles brigade and stickin' all them splits-- you never showed me.

THE FIRST/BUFFY

Well, you've earned it. And you'll be meeting her soon, am I right?

CALEB

Oh, yeah. Yeah, she'll get the message.

THE FIRST/BUFFY

And what makes you so sure she'll come?

CALEB

Curiosity. Woman's first sin. I offer her an apple, what can she do but take it?

He raises his wine glass in a salute.

CALEB

I'll see you soon.
FADE OUT

Act II

8

FLASHBACK-- PREVIOUSLY ON "BUFFY THE VAMPIRE SLAYER"

8

Series of cuts from past episodes, all featuring Faith. Fighting Angel, Buffy, working for the Mayor, stabbing Allan Finch, holding a knife to Willow's throat, being stabbed by Buffy and falling from the roof of her

apartment building. ANDREW narrates this flashback sequence in voiceover.

ANDREW

(v.o.)
Faith, her name alone invokes awe. Faith: a set of principles or beliefs upon which you're willing to devote your life. The Dark Slayer. A lethal combination of beauty, power and death. For years and years-- or to be more accurate-- months, Faith fought on the side of good, terrorizing the evil community. But like so many tragic heroes, Faith was seduced by the lure of the dark side. She wrapped evil around her like a large evil Mexican serape. She became a cold-blooded killer. Nobody was immune to her trail of destruction. Not friends, not family, not even the most pacifist and logical of races.
CUT TO:

INT. CAVERN-- NIGHT

Faith wields her trademark assassin's knife and kicks Mr. Spock in the chest, sending him reeling. Spock recovers and charges her, seizing her knife arm before Faith can stab him. He punches and shoves her away, then reaches down to administer the Vulcan nerve pinch but Faith grabs his arm and pirouettes, wrapping his body up against hers, bringing her knife down from behind toward his chest.

CUT TO:

INT. SUMMERS HOME-- KITCHEN-- DAY

Andrew stands in the same position, holding Rona against him, a chopstick raised to strike like Faith's knife. AMANDA, KENNEDY, MOLLY, CHAO-AHN and the other potentials stare at him like he's crazy.

AMANDA

What the hell are you talking about? I thought Faith killed a volcanologist.

Andrew chuckles condescendingly.

ANDREW

Silly, silly Amanda. Why would Faith kill a person who studies Vulcans?

AMANDA

He studied volcanoes. He was a professor.

ANDREW

(covers)
Ah... yes. Well, regardless.

MOLLY

I thought you weren't supposed to be doing this any more... making up stories?

ANDREW

I'm not. This is true. Except for that... possible word misunderstanding. There are things you need to know about.

He looks out the kitchen window where Faith is going through her martial arts routine in the backyard.

ANDREW

Faith has a history not to be taken lightly. She's a killer. Never forget that. You must stay on guard around Faith at all times. Your very lives may depend on it.

A beat of silence from all the girls, then Chao-ahn looks around, exasperated.

CHAO-AHN

Yut goh nuey jhai hi how been wan dhong. [There is a girl in the backyard doing gymnastics.]

Andrew looks at her and nods knowingly.

CUT TO:

INT. SUNNYDALE HIGH-- ADMIN OFFICE-- DAY

ROBIN WOOD sits at his desk going over some paperwork when Buffy approaches and stands in the doorway.

BUFFY

You look better.

WOOD

No, I don't.

BUFFY

No, you don't.

WOOD

But I'll be okay. Unless, of course, you start beating up on me now.

BUFFY

I won't. Well, I thought about it. I made some doodles. As far as I'm concerned, we're on even ground. (beat) I meant what I said. I don't have time for your vendetta... but I need you in this fight. I want you on my side.

WOOD

Thanks. That means a lot.

BUFFY

So we're good?

WOOD

Absolutely. You're fired.

BUFFY

(shocked)
What?

WOOD

Effective immediately.

BUFFY

You're firing me? I just refrained from kicking your ass!

WOOD

Buffy, there's nothing here for you. I mean, people are leaving town, half the kids don't even bother showing up anymore. You've got things to deal with that are much worse than anything here. Look at the big picture.

BUFFY

Right. The big picture. The one with the big war and all the dead little girls.

WOOD

Not dead. Not dead if you get them ready.

BUFFY

I don't want to lead them into war. It can't be the right thing.

WOOD

Most wars aren't, you know.

BUFFY

Some of these girls haven't even been tested in battle.

WOOD

Then I guess maybe you should test them.

BUFFY

Couldn't I just come to work part-time? I could make flyers for encounter groups and post them up all over the school.

WOOD

And you're fired again. (beat) Remember, Buffy, the mission's what matters.
CUT TO:

INT. SUMMERS HOME-- BASEMENT-- DAY

The door opens and Faith ducks in and sits on the stairs. The sounds of a dozen girls arguing can be heard from above. She's found her quiet refuge and she quickly lights up a cigarette and relaxes.

SPIKE

(o.s.)
You craving a moment alone in the dank or can I bum one?

Faith looks over to find Spike lying on his cot in the corner, back propped against the wall.

She smiles and walks over to him.

FAITH

Well, I guess you can smoke all you want. The big C not really an issue.

She draws deep on her cigarette, then hands it to him.

SPIKE

Teeth get yellow after an eternity. You gotta watch that.

FAITH

Huh.

Faith sits down across from him and lights another one for herself. She looks at the manacles and chains on the wall behind him and smiles.

SPIKE

Right. It's not what it looks like.

FAITH

Hey, to each his own, man. This one guy I ran with, he liked me to dress up like a schoolgirl and take this friggin' bullwhip and I'd be like--

SPIKE

I got dangerous for a while.

FAITH

This before the soul or after?

SPIKE

After... but I got over it. In case you're feeling all dust- happy again after your long incarceration.

FAITH

Not if you're all repenty. Takes the fun out of it.

The sound of dishes shattering filters down from upstairs and Faith stretches. Spike's gaze travels appreciatively over her curves.

FAITH

No more Starbucks for the wanna-be's, man. They've been spazzing for like hours.

SPIKE

Yeah, it does get a bit much up there.

FAITH

They're good girls. Green is all.

SPIKE

So why aren't you up there imparting?

FAITH

That's Buffy's thing. Anyway, I just spent a good stretch of time locked away with a mess of female types. Kinda had my fill.

SPIKE

Hmm. But you waited till Angel needed your help to bust out of jail.

FAITH

Three squares, a nice weight room, a movie every third Sunday... it could've been worse.

SPIKE

What movie?

FAITH

The last one was Glitter. (off his look) I guess it couldn't have been worse.

SPIKE

You had the power to walk away anytime. Nothing to stop you.

FAITH

I stopped me. I got dangerous for a while.

She takes off her jacket and Spike's gaze lingers on her tight t-shirt and the swell of her breasts.

SPIKE

You over it?

FAITH

(smiles)
More or less. I pull for the good guys now.

SPIKE

What's the less?

FAITH

Usual stuff.

SPIKE

Such as?

FAITH

I was thinking about looking up the guy with the bullwhip. Long incarceration.

She gives Spike a wicked smile and locks eyes with him. After a beat, he smiles back and stubs out his cigarette.

SPIKE

You could do better. Schoolgirl thing's old hat.

FAITH

It's all old hat, man. Every guy's got some whack fantasy. Scratch the surface of any granola-type dude-- naughty nurses and horny cheerleaders. I figure if you can't beat 'em...

SPIKE

Join 'em.

FAITH

(smiles)
Just don't forget who's on top.

SPIKE

That, I suspect, would be you.

FAITH

You got that right.

She slides off the table and sits down on the cot and leans against the wall next to him.

FAITH

I've met you before, you know.

SPIKE

Yeah, you made a great impression on my chin.

FAITH

Not in the graveyard. Before that. I was kinda wearing a different body.

SPIKE

Pity.

FAITH

You seemed okay with it.

SPIKE

(realizes)
The body swap with Buffy.

FAITH

She fill you in on that whole deal?

SPIKE

She told me it went down. Failed to mention who was driving her skin around.

FAITH

I might have said a few things.

SPIKE

Like you could ride me at a gallop till my knees buckled. Squeeze me till I popped like warm champagne. That's not the kind of thing a man forgets.

FAITH

Should've known it wasn't blondie behind the wheel. She'd never throw down like that.

SPIKE

Oh, you have been away.

FAITH

Don't even tell me little miss tightly-wound's been getting her naughty on?

SPIKE

Not of late.

FAITH

Wow. Everybody's just full of surprises.

They both look up as Buffy descends the stairs. She stops when she sees Faith and Spike cozied up on the cot.

FAITH

Hey, B.

BUFFY

Well, it's nice to see you two getting along so well.

FAITH

(awkward)
Yeah, you just know all the cool vampires.

She sits up and moves away from Spike.

BUFFY

Yeah.

SPIKE

Hey, aren't you usually at work about now?

BUFFY

I kinda decided to cut back on my hours.

The doors opens and Dawn calls down.

DAWN

(o.s.)
Buffy? Is that you?

BUFFY

Down here. (to Faith) Figured I'd be better off focusing on what's going on around here.

DAWN

Buffy, Willow just called from the hospital. The girl's awake.
CUT TO:

INT. SUNNYDALE HOSPITAL-- SHANNON'S ROOM-- NIGHT

Shannon lies in her bed, her wounds bandaged but still weak. She stares at the ceiling while telling Buffy and Willow her story.

SHANNON

He was a minister or something. At least, he dressed like one. I thought he was trying to save me at first.

BUFFY

He picked you up on the side of the road?

SHANNON

(nods)
The Bringers were chasing me. He said they were his boys... right before he burned me.

She pulls back her bandage and shows Willow a heart-shaped burn mark on her neck. Willow takes out a digital camera and photographs it.

SHANNON

(to Buffy)
He wanted to tell you something. Before he cut me, he told me to give the Slayer a message.

Buffy and Willow exchange a startled glance.

BUFFY

What is it?

SHANNON

He said, "I have something of yours."
CUT TO:

INT. SUMMERS HOME-- LIVING ROOM-- NIGHT

Buffy has gathered everyone together-- all the potentials, Dawn, Xander, Andrew, Faith, Spike, Willow and Giles-- and briefs them on what she found out at the hospital.

BUFFY

We've got a new player in town. Dresses like a preacher, calls himself Caleb. Looks like he's working for The First. He's taunting us, calling us out. Says he's got something of mine. Could be another girl, could be something else. Don't know. Don't care. I'm tired of talking. I'm tired of training. He's got something of mine? Fine. I'm getting it back... and you guys are coming with me.
FADE OUT

Act III

INT. SHADOW VALLEY VINEYARDS-- WINE CELLAR-- NIGHT

BETTY, a pretty blonde woman, walks through the dark basement, moving hesitantly among the huge vats and kegs of stored wine. She stops when Caleb appears before her, smiling.

CALEB

You're searching for something, girl. What would that be now?

BETTY

(smiles)
You. I was looking for you.

CALEB

That right?

BETTY

I heard you speakin' tonight-- preachin'. I felt your words go straight to me.

CALEB

Well, the truth is like a sword, isn't it, girl? Cuts deep.

BETTY

Yeah.

CALEB

The words I use got a power to 'em. A power, now. They're not just words. They're truth.

BETTY

They brought me here.

CALEB

They called you. Know why? Because you're human. You got your urges. A woman's got hers. A man's got his. Our whole race can be so damnably weak... and that's why we seek the strength, the power.

Caleb moves back into the shadows. Betty hesitates a moment, then follows.

BETTY

It's not wrong to be drawn to the power... is it, preacher?

CALEB

Oh, no, child. It's not wrong...

Betty suddenly gasps and falls to the floor, dead, her abdomen ripped open. Caleb stares down at her, bloody knife in hand.

CALEB

...just human.

Suddenly Betty's body morphs and shifts and turns into Buffy. She springs to her feet and sighs at Caleb.

THE FIRST/BUFFY

Most people don't like visits from their dead, you know.

CALEB

Heathens. No appreciation for life's pleasures. Do it again.

THE FIRST/BUFFY

I take requests. One of those potentials you killed, perhaps?

CALEB

Nah, save them for later. I'm in more of an old memory lane kind of mood. Back before I met you, there was this choir girl in Knoxville I used to give singing lessons to. She even screamed on key. Show me her.

THE FIRST/BUFFY

All these girls... they followed you willingly. You tricked them.

CALEB

I only told them the truth. As for following, well... that seems to be what they do best.
CUT TO:

INT. SUMMERS HOME-- BUFFY'S ROOM-- NIGHT

Buffy paces before her core group: Giles, Faith, Xander, Willow and Spike.

BUFFY

We need to start arming the girls. I want to be ready to move when we find him.

WILLOW

We don't even know where we're going.

BUFFY

That's why I figured we'd do a little recon first. (to Faith) You up for it?

FAITH

(nods)
Point me where you want me.

Giles shakes his head in frustration.

GILES

And you're certain this is the best course of action? You don't even know what this man has of yours-- if he, in fact, has anything.

BUFFY

It could be a girl, a potential trying to get to us.

GILES

It could be a stapler.

BUFFY

I'm going in anyway.

GILES

With the girls? Most of whom have yet to be in the field, let alone in a life-or-death situation.

BUFFY

Then it's time we test them. Look, I'll just take the ones that have been here the longest. The rest can stay behind.

SPIKE

Could be that's just what he wants you to do: the old bait- and-switch.

WILLOW

Yeah, he lures us away and then kills the girls we leave behind.

BUFFY

I know. That's why I need you to stay here with them. You're my most powerful weapon, Will. I know you can keep them safe if anything happens.

XANDER

An unknown man breezes into town, says he has something of yours. Buffy, this thing's got trap written all over it.

BUFFY

He won't be expecting a full attack, not this soon. That's why we have to move.

GILES

We know nothing about this man. We cannot go into battle unprepared. We have to have more time.

BUFFY

Giles, we don't have time. And you're not going into battle. I need you to stay behind with the others. (pointed) Help the girls who still need a teacher.
CUT TO:

EXT. SUNNYDALE FOREST-- NIGHT

A Bringer moves through the trees, silent but sure. Buffy and Faith follow, tracking him from a safe distance.

FAITH

(sotto)
No eyes but look at him go. He got sonar or something?

BUFFY

Or something, I guess. They're pretty good when they attack.

FAITH

They just roam free around town?

BUFFY

Well, normally they show up out of nowhere and then either stab or get stabbed, and then they run off. It's like this guy wants to be found.

FAITH

Lends weight to the whole "it's a trap" theory.

BUFFY

(angry)

I am through waiting around for people to attack us.

FAITH

Hey, I'm with you. Drop me in the hornet's nest. What the hell.

Buffy stares at Faith for a moment, taking her measure, then moves on.

FAITH

You got a rough sitch here. Trying to turn a bunch of little girls into an army.

BUFFY

They're potential Slayers, just like we were.

FAITH

Right. Maybe they'll do as good as us.

BUFFY

They're getting better.

FAITH

I'll work with 'em. Some of them seem real eager. Fashion disasters, yeah, but they're ready to fight.

BUFFY

(abrupt)
Why did you come back?

FAITH

Willow said you needed me. Didn't give it a lot of thought. Do you-- am I getting you want me to be not here?

BUFFY

No, that's not what I meant. (sighs) I'm glad that you're here. It's good. Thank you.

FAITH

No problem. You know me-- all about the good deeds.

BUFFY

Willow said you helped out Angel.

FAITH

Yeah. He says hey.

BUFFY

Really?

FAITH

Sure.

BUFFY

How is he?

FAITH

Better. I had to do this whole magickal mind-walk with him.

BUFFY

You were in Angel's mind?

FAITH

Buffy...

She looks up and follows Faith's gaze. The Bringer has arrived at the vineyard.

FAITH

What is this place?

BUFFY

Look. There's more of them.

Bringers converge on the vineyard from all directions and enter the main building.

FAITH

I think we just found our hornet's nest.

BUFFY

Let's get the cavalry.

They both head back the way the came.

CUT TO:

INT. SUMMERS HOME-- LIVING ROOM-- NIGHT

Xander walks through the room distributing weapons to the potentials.

XANDER

Now remember, we're looking for killing blows only, people. So chest and throat if it's a vampire. Stomach, chest and face if it's a Bringer.

RONA

What if it's something else?

XANDER

Could happen. Something otherworldly. And here's a handy rule: don't go for the flashy tentacles just because they're waving them about trying to get attention. Go for the center. Brain, heart, eyes. Everything's got eyes.

DAWN

Except the Bringers.

XANDER

Except the Bringers.

MOLLY

I don't want there to be tentacles. I'm not good with squishy.

Kennedy hefts a large sword.

KENNEDY

I don't care if it's Godzilla. I want to get in this thing.

ANDREW

Godzilla is mostly Tokyo-based so he's probably a no- show.

AMANDA

Besides, Matthew Broderick can kill Godzilla. How tough is he?

ANDREW

(anxious)
Xander!

XANDER

Matthew Broderick did not kill Godzilla. He killed a big dumb lizard that was not the real Godzilla.

RONA

You people are even crazier than her.

XANDER

Than who?

RONA

Buffy, man! I mean, taking us right into the bad guys' lair?

XANDER

Well, that's where, generally speaking, you go to find the bad guy. And I don't think you came here to fight plaque.

RONA

No, I came here for protection.

XANDER

Well, you signed on to fight with--

RONA

Look, I know but... this plan is trouble. Buffy doesn't care how many of us she puts in danger.

XANDER

(angry)
Let me tell you something about Buffy. In fact, you should all listen to this.

KENNEDY

We kinda were.

XANDER

I've been through more battles with Buffy than you all can ever imagine. She's stopped everything that's ever come up against her.

The front door opens and Buffy and Faith enter. Buffy stops when she hears Xander talking in the living room and listens. As Xander talks, Buffy's eyes mist with tears.

XANDER

She's laid down her life, literally, to protect the people around her. This girl has died two times and she's still standing. You're scared, that's smart. You've got questions, you should. But if you doubt her motives-- you think Buffy's all about the kill-- and you take the little bus to battle. I've seen her heart-- and this time not literally-- and I'm telling you right now she cares more about your lives than you will ever know. You gotta trust her. She's earned it.

A silent beat, finally broken by Faith.

FAITH

(to Buffy)
Damn. I never knew you were that cool.

BUFFY

Well, you always were a little slow.

FAITH

(smiles)
I get that now.

Buffy composes herself and walks into the room with the others.

BUFFY

All right. Let's saddle up.
CUT TO:

EXT. SHADOW VALLEY VINEYARD-- NIGHT

Buffy and her crew emerge from the forest surrounding the vineyard and stop outside the main building.

BUFFY

Okay, set up a perimeter. Guard the door. I don't want anything getting in behind us. My team goes in first to check the place out. You guys are our safety net. This place is a trap, we give the signal, you guys come in guns-a- blazing.

XANDER

So what's the signal?

BUFFY

I'm thinking lots and lots of yelling.

XANDER

Got it.

Buffy looks to her group.

BUFFY

Shall we?

She heads up the steps and enters the main vineyard building followed by Spike, Molly, Kennedy and three other potentials. Xander, Faith, Amanda, Chao-ahn and the rest remain outside.

CUT TO:

INT. SHADOW VALLEY VINEYARD-- WINE CELLAR-- NIGHT

Buffy's group descends the stairs into the basement where all the wine is stored in massive kegs.

MOLLY

What is this place?

BUFFY

Looks like an old vineyard.

KENNEDY

An evil vineyard, huh?

SPIKE

Like Falcon Crest.

BUFFY

Stay alert, you guys. The Bringers are here somewhere. We just need to find out where.

Spike spots a Bringer lurking in the shadows.

SPIKE

Shouldn't be too hard.

The Bringer attacks and suddenly half a dozen more leap out of the darkness and attack the group. Buffy and Spike engage them immediately. The other girls hesitate momentarily, then join the fight as well. The girls falter at first but as their confidence builds, they hold their own against the Bringers quite well, driving them back with Buffy and Spike.

Suddenly, the all the Bringers stop fighting and melt back into the shadows. The wine cellar is eerily quiet once again, save for the winded breathing of the potentials. Then Caleb strides out into the center of the room and confronts Buffy and her crew.

CALEB

Well, now! You girls are just burnin' with righteousness, aren't you? Problem is you think you're blazin' like suns when really you're burnin' like matchsticks in the face of the darkness. You havin' fun? Now I hope my boys haven't worn you out too much. I need you fit for when I purify you.

BUFFY

Save the sermon, padre. I heard you have something of mine.

He grins and looks around at all the potentials.

CALEB

Well, I do now. You like my little message, did you? You know, I ruined a perfectly good knife on that girl. Got her soiled blood all over the place. I may need to get a new truck. So you're the Slayer. The Slayer. The strongest, the fastest, the most aflame with that most precious invention of all mankind: the notion of goodness. (beat) Well, the Slayer must indeed be powerful.

He smiles at Buffy, then hits her with a right cross, punching her in the head. The blow lifts her off her feet and hurls her a dozen feet across the room where she slams into the wall and lands dazed and barely conscious.

CALEB

So what else you got?
FADE OUT

Act IV

INT. SHADOW VALLEY VINEYARD-- WINE CELLAR-- NIGHT

Spike's face goes feral and he attacks Caleb.

The preacher casually bats him to the ground. Spike gets up and tries again, throwing a kick to Caleb's head. The blow connects but doesn't faze Caleb at all. He continues to block Spike's blows, then backhands the vampire to the ground, picks him up and hurls him at the far wall where he slams headfirst through the side of a huge wine storage tank. Thousands of gallons of wine erupt in a cascade, blowing Spike back out of the hole and leaving him a soggy mess on the floor.

KENNEDY

Let's go!

She charges Caleb as the Bringers return and attack the potentials again. Caleb backhands Kennedy through a standing wine rack. The bottles shatter around Kennedy, the glass cutting her in a dozen different places as the rack crashes down on top of her. She falls to floor and lies still.

RONA

Kennedy!

She rushes forward to attack Caleb with a club. He deflects the blows with ease and seizes Rona's arm, holding it in a position of hyper-extension.

CALEB

Miss, I do believe you have your own problems you should be worried about.

He twist Rona's arm down and around, snapping the bone clean in two. The girl screams in agony and drops to the floor in dazed shock. Caleb scoops up one of the Bringer's curved daggers from the floor and tosses it to a hooded acolyte. The Bringer stands over Rona, dagger raised. Her eyes go wide as the knife descends-- but suddenly an arrow slams through the Bringer's hand and he reels backward in pain.

Xander loads another arrow into his bow as Faith and the other potentials charge into the fray.

CALEB

Oh, good! There's more of you.

Faith heads straight for Caleb, launching a hammer-kick to his chest while Xander fights his way through the Bringers, trying to get to Buffy who lies across the room unconscious.

XANDER

Buffy!

Faith slashes at Caleb with a set of fighting daggers and he ducks and weaves, a pleased smile on his face.

CALEB

Why you're the other one, aren't you? The Cain to her Abel. No offense meant to Cain, of course.

Faith slashes again but Caleb moves with preternatural speed and her blade misses. He grabs one of her arms, then the other, wrenching them around and causing her drop the daggers. She struggles against him, then with a cry of rage, breaks his hold and slams Caleb in the head with an open-handed blow.

FAITH

Never was much for the good book.

She throws another punch but Caleb seizes her arm again and twists it around the same way he did to Rona. He drives Faith to her knees and circles her, holding her twisted arm as he moves.

CALEB

Oh, it has its moments. Paul has some good stuff, for instance, but overall I find it a tad complicated.

He backhands Faith to the floor and releases her arm.

CALEB

I like to keep things simple.

He kicks Faith in the chest and sends her flying across the room into a set of stacked wine kegs. The kegs shatter and Faith falls to the floor, dazed, amid a shower of red wine.

CALEB

Good folk, bad folk...

One of the potentials strikes from behind with her sword but Caleb reaches out and stops the blade with his hand, then seizes the girl by the throat.

CALEB

...clean folk, dirty folk.

He casually snaps the girl's neck and drops her lifeless body the ground. Molly watches in horror as her friend dies.

MOLLY

No!

CALEB

Yes.

He starts across the room toward Molly with a smile.

Xander makes it to Buffy and helps her to her feet as she regains consciousness.

BUFFY

Xander...

XANDER

Buffy.

BUFFY

Get them out of here. We have to retreat. Do it.

He nods and starts organizing their withdrawal as they continue to fight off the Bringers. Buffy gets up and tries to shake off the wooziness as she punches the Bringers out of her way and heads for the stairs.

Caleb stands before Molly. Terrified, she strikes with her knife but he seizes her arm and stops the blow, then picks her up by the throat. He stares into Molly's eyes with an amused smile on his face as he takes her knife from her.

CALEB

What can I say? I work in mysterious ways.

Caleb plunges the knife into Molly's chest and twists savagely.

CALEB

Also some fairly straightforward ones.

Buffy stares at Caleb in horror as he drops Molly's corpse to the floor and kicks her dismissively. Enraged, she flies at him, legs and fists a flurry of deadly blows. She delivers a crushing uppercut to his chin and Caleb shoots across the room and slams into an old wine vat, shattering it.

Before she can do more, Spike grabs her arm and drags her away.

SPIKE

We are leaving.

Xander kneels over Kennedy and turns her over. Her face is a mess of bleeding cuts from the glass, her expression one of stunned shock.

XANDER

Are you okay? (she nods) Let's go, come on.

He helps her up and sends her after the others, herding them all up the stairs.

XANDER

Let's go! Come on!

He turns to go himself, then suddenly finds Caleb right behind him. The preacher holds Xander in an iron grip and Xander stares up into his face, terrified.

CALEB

You're the one who sees everything, aren't you? Well, let's see what we can't do about that.

Caleb raises his hand and presses his thumb into Xander's left eye, gouging it out, leaving a bloody socket.

Xander screams in agony as Spike runs forward and kicks Caleb away. Xander drops to the floor in a haze of pain as Buffy runs to his side.

BUFFY

Xander!

Spike and Buffy help Xander up the stairs as Caleb gets to his feet and watches them go with a satisfied smile.

CUT TO:

INT. SUNNYDALE HOSPITAL-- NIGHT

Buffy stands in the ER and watches as doctors and nurses tend to the potentials and her friends. Rona's shattered arm is in a heavy cast. She glances at Buffy, then looks away. Buffy makes her way down the line of beds to the end where Willow kneels beside Xander. He lies unconscious, his head and eye bandaged with heavy gauze. Willow holds Xander's hand and looks up at Buffy, accusation in her eyes.

CALEB

(v.o.)
Now it's a simple story. Stop me if you've heard it. I have found and truly believe that there's nothing so bad it cannot be made better with a story. And this one's got a happy ending.
CUT TO:

INT. SUMMERS HOME-- LIVING ROOM-- NIGHT

Kennedy stares at the floor in stunned shock as the other potentials tend to her wounds, dabbing at the cuts on her face with a wet towel. They all turn and stare at Buffy as she walks in the front door. Buffy meets their gaze for a moment, then turns away.

CALEB

(v.o.)
There once was a woman and she was foul, like all women. For Adam's rib was dirty, just like Adam himself, for what was he but human?

Dawn watches as Buffy passes by her. She's worried for her sister but says nothing.

CUT TO:

EXT. SUNNYDALE STREETS-- NIGHT

Buffy walks down the deserted streets of her town, isolated and alone.

CALEB

(v.o.)
But this woman, she was filled with darkness, despair... and why? Because she did not know. She could not see.
CUT TO:

INT. SHADOW VALLEY VINEYARD-- WINE CELLAR-- NIGHT

Caleb stands in his cellar with The First. Buffy's face looks back at him, smiling.

CALEB

She didn't know the good news, the glory that was coming. That'd be you. For the Kingdom and the Power and the Glory are yours. Now and forever. You show up, they'll get in line... because they followed her and all they have to do is take one more step and I'll kill them all. See? I told you it had a happy ending.
FADE TO BLACK
END