Empty Places

[Transcript of "Buffy The Vampire Slayer" episode Empty Places at buffyology.com.]

Prologue

EXT. SUNNYDALE STREETS-- DAY

A man closes up his shop for good. The street is jammed with cars all moving at a snail's pace. Other people walk among the loaded down cars carrying suitcases and backpacks. BUFFY moves through the crowd, watching the mass exodus with curiosity and worry. She turns when she hears her name called. It's her loose-skinned demon friend CLEM, driving a small VW Beetle.

CLEM

Hey, you.

BUFFY

Hey.

CLEM

Can you believe this mishegaas?

BUFFY

Yeah. You'd think these people had never seen an apocalypse before. What about you? Just going for a quick spin to 7-Eleven... in Nebraska?

CLEM

It's getting bad here. Really bad. Hellmouth acting up again, people feeling it, getting crazier. You can't swing a cat without hitting some kind of demonic activity. Not that I swing cats... or eat. Nope. (nervous) Cuttin' way back. Cholesterol. Morals! I mean, morals.

BUFFY

Right.

CLEM

We've seen some bad stuff in this town before but, you know, this time it's like it just seems different, more powerful. I don't think anyone's going to be able to stop it. (off her look) I mean, I'm sure you'll do fine. Complete confidence in you. If anyone can do it, you can because you... rock! If you save the world, I'll come back, we'll have drinks. When! When, I mean. When you save the world. It's going to be great with all the... rocking. (beat) Maybe... maybe you should just get out of town this time.

BUFFY

Yeah. I probably should.

CLEM

You take care of yourself, okay? Bye.

He drives off, leaving Buffy staring thoughtfully after him.

Opening credit sequence.

Act I

EXT. SUNNYDALE POLICE STATION-- DAY

WILLOW and GILES talk to a COP outside the police station. The streets there are chaotic with honking traffic. Willow's staring intently at the officer while Giles talks to him.

GILES

Thank you, officer. We appreciate your help.

COP #1

Oh, no, thank you, Inspector. We don't get a lot of contact with Interpol so we're happy to help you with anything you need. Is there anything else we can help with?

WILLOW

No. Thank you. We're fine.

COP#1

Right, because... wait. Who are you?

Willow concentrates harder.

WILLOW

I'm with the Inspector.

COP #1

You're with the Inspector. Right. Well, we don't get a lot of contact with Interpol so--

He's interrupted by two other officers escorting a crazed MAN into the police station.

MAN

A single step!

COP#2

(to crowd)
Stay on the sidewalk, folks.

MAN

A single step and it is upon us. It is nigh! From beneath you it--

COP#2

Freakin' nutcase.

The two officers drag the man inside. Willow winces at their treatment of him.

WILLOW

Ow?

COP #1

People are acting up, getting nuts. Man, you just let us know if you need help with your guy 'cause we are itching to hand out some justice.

WILLOW

He doesn't seem like much of a threat.

COP#1

And you are?

GILES

I think it's time we were catching our flight to... Interpol.

He pulls Willow away and they head across the street.

COP#1

Right. Okay.

When they're far enough away, Willow turns to Giles.

WILLOW

Good idea. My control was fading. What's up with those cops?

GILES

Oh, same as everyone. The Hellmouth is active again.

WILLOW

Come on. I want to get back to Xander.

The two cops come back out of the building and walk up to the first one.

COP#2

Who was that?

COP#1

(shrugs)
I don't know.

COP#3

Did you get one of these yet?

He hands the other cop a flyer.

COP#1

No. What is that?

COP#2

Fugitive. Ran to ground right here in our own backyard.

COP #1 (eager)

Yeah? Sounds like a situation that needs some justice.

CUT TO:

INT. SUNNYDALE HOSPITAL-- XANDER'S ROOM-- DAY

Buffy and Willow talk with XANDER in his hospital room. His left eye is still covered with a thick bandage. Willow sits on the edge of his bed, holding his hand while Buffy updates him. She seems slightly nervous, her tone more businesslike than friendly.

BUFFY

...and that you should expect to see some bruising when you remove the bandages. Bruising around the... area. The bone structure and musculature was hit pretty hard.

XANDER

Okay.

BUFFY

Also they said that the meds may cause you some stomach discomfort so we're going to have to be careful with your diet.

XANDER

I can't taste anything right now anyway. I keep waiting for my other senses to improve 50%. Yeah, they should kick in any day now.

BUFFY

(smiles)
Well, we're looking at a possible release as early as tonight. We're just waiting for your labs to get back and Dr. Kallet said that should be a couple of hours.

XANDER

That's great.

BUFFY

(nods)
Okay. I think we're all caught up then.

She gives Willow back her file folder.

BUFFY

Thank you for this. This was really great work.

Willow nods but she's disappointed.

WILLOW

Oh. I thought we were going to... there were gonna be card games.

BUFFY

Oh, no, I just... I should really get back. I want to get everyone started on this. I think we're really close to something.

XANDER

It's okay. It's gotta be done. And I might see you tonight-- without depth perception, of course, but still.

Buffy nods uncomfortably and leaves. Willow watches her go, then turns to Xander, a false note of optimism in her voice.

WILLOW

So I guess you're stuck with me then, huh? Let's order some cherry-flavored off-brand gelatin and then I think we'll be up for a rousing game of--

XANDER

I might need a parrot.

WILLOW

Huh?

XANDER

Well, to go with the eye patch, to really complete the look. I think I still have that costume from Halloween.

WILLOW

Yeah, and don't underestimate the impact of a peg leg. Maybe the hospital can hook you up with a nice one. Maybe they have a "two body parts for the price of one" kind of deal.

XANDER

Oh, you know what the best part is? No one will ever make me watch Jaws 3D again.

Willow tries to smile but tears well up in her eyes and her chin trembles.

WILLOW

Yeah, and you'll never have to...

She squeezes Xander's hand tighter.

XANDER

Oh, Willow... please don't.

She nods but it's obvious she's right on the edge, unable to cope with seeing her best friend this way.

CUT TO:

4 INT. SUMMERS HOME-- BASEMENT-- DAY

4

ANYA stands before the assembled potentials, including KENNEDY, AMANDA, CHAO-AHN and RONA lecturing them while ANDREW stands to the side, writing key words from her speech on an easel-pad. He starts with

UBERVAMP

ANYA

... and so we know that a battle is coming. Übervamps galore. We also know that the übervamps are hard to kill.

Andrew writes

Hard to kill

ANYA

But I have been out talking to some of my old contacts and they've provided some surprising bits of news. Yay for them!

Andrew draws a cartoon picture of a Turok-han.

ANYA

Okay, for example, übervamps can be staked right through the heart. Zing, poof! Just like regular vamps.

Andrew writes steak then crosses it out and writes stake beside it.

ANYA

We didn't know this. Of course, these guys have incredibly strong sternums, so it's a lot like driving a wooden stake through solid steel. But you guys are all super strong, right?

KENNEDY

Well... no.

ANYA

Right. Okay. But heart information, still good to know since holy water seems to run off these guys like they've been Scotchguarded. And, well, sunlight would work but guess what? They're not coming out during the daytime. Also, beware of their teeth and the claws they use to shred flesh.

Andrew writes

teeth, claws

RONA

Okay, you know what? I used to be really afraid of these übervamp guys but then the scary preacher blew into town and now I'm mostly terrified of him.

ANYA

Right, well... we're working on getting info on that guy.

AMANDA

Why bother? Nothing works. Nothing will.

ANYA

Okay, I know you're all upset... and I myself would much rather be sitting at the bedside of my one-eyed ex-fiance than killing time here with you people in this over- crowded and, might I add, increasingly ripe-smelling basement. And I would be, too, if not for a certain awkward discussion he and I recently had right over there on that cot immediately following some exciting and unexpected breakup sex.

The girls on the cot freak out and quickly abandon it. Andrew writes

breakup sex

ANYA

But I need to give him some space... so I'm doing what I can do, contributing any way I can and so will all of you. You still need to know this information. We can't stop just because something else is trying to kill you, too.
CUT TO:

INT. SUMMERS HOME-- KITCHEN-- DAY

FAITH sits alone on the countertop munching potato chips from a bag when Kennedy appears from downstairs.

KENNEDY

You got enough to share?

FAITH

Trade you for a carton of cigarettes and some soap. (off her look) Sorry. Habit. Shouldn't you be down at Hogwarts?

KENNEDY

Probably.

FAITH

(approves)
All right. Playin' hooky. Score one for the boarding-school brat. Anya's technique is probably a little different than what you're used to.

Amanda joins them.

AMANDA

Do you think there are going to be questions about her sex life on the test? 'Cause I really hope I don't have to study all that.

FAITH

(smiles)
Yeah, whenever she starts talking about getting all sweaty with Xander like that I just remind her I had him first. Shuts her right the hell up.

KENNEDY

Thing is, what's the point? Studying demon hot zones and pressure points doesn't do a hell of a lot of good when preacher man's out there ready to finish the job he started.

FAITH

No one's come up with any info on Caleb yet?

AMANDA

No. Nothing is working. Not research, not Anya's contacts.

KENNEDY

We're lousy with dead ends around here. Everyone's feeling pretty pointless. We don't even have a place to start.

BUFFY

(o.s.)
Hey, who's here?
CUT TO:

INT. SUMMERS HOME-- DINING ROOM-- DAY

Buffy enters carrying the file Willow and Giles got from the police. DAWN meets her, concerned.

DAWN

Hey, Buffy. How's Xander?

Faith, Kennedy and Amanda join them.

BUFFY

He's doing really well. He's ready to come home, I think.

FAITH

What you got?

BUFFY

Info that Giles and Willow were able to pull off the police database. We figured with Caleb's, you know, overt religiosity thing, if we want to learn more about him, let's find out where he's been.

FAITH

(reads)

"Incidents of violence and vandalism connected to California religious institutions in the last 10 years." Looks like this gives us a place to start.

BUFFY

Yeah. I figure we start with California. If we don't find anything there, we'll expand the search. But a guy like Caleb didn't just get in the game. He's been playing for a while and I want to know where. Whatever it takes. (to Dawn) You good to help?

DAWN

Well, I was going to do lots and lots of homework but, darn the luck, they went and canceled school so looks like I got the time.

Buffy hands a file to her, not acknowledging her joke. Her tone in brusque, almost unfriendly.

BUFFY

Good.

Dawn frowns but lets it go.

DAWN

Hey, Buffy... how was Xander's mood, you know, exactly? And did you get a chance to talk to the doctor about the meds? Because it seemed like--

FAITH

Hey, pipsqueak, why don't you go get some of the stuff you've already gotten from Giles?

DAWN

(to Buffy)
Or we can talk about this later, maybe.

Buffy barely notices her.

BUFFY

Okay.

DAWN

(sullen)

Yeah. I'll be right back.

She leaves and Buffy turns to the others.

BUFFY

Try to find anything that looks like Caleb. His church, his ring--

KENNEDY

His ability to render a Slayer useless in just one punch. (off her look) I didn't... that was stupid. I don't know why I said that.

Buffy covers, not letting on how hurt she is. She stands and grabs her coat, heading for the door.

BUFFY

It's okay. I have to go to the school to pick up the rest of my stuff.

KENNEDY

I really didn't mean--

BUFFY

It's fine. Really, it's fine. Don't worry about it. Hey, isn't Anya doing that thing for you guys today?

KENNEDY

Yeah, we were. We probably should head down there now.

BUFFY

(smiles)
Okay. I'll be back soon.

After Kennedy and Amanda leave, she turns to Faith.

BUFFY

See that everyone else gets started on this.

FAITH

Yeah.

Buffy heads out and Faith starts flipping through the files.

CUT TO:

INT. SUNNYDALE HIGH-- CONTINUOUS-- DAY

Buffy walks through the deserted halls. The school looks like a post- apocalyptic landscape. Litter strewn everywhere, locker doors dangling from broken hinges, etc.

INT. SUNNYDALE HIGH-- ADMIN OFFICE-- DAY

Buffy enters the office and sits at her desk, looking wistfully at a picture of herself, Willow and Xander. The photo is from their own high school days: happy, smiling, hugging each other. Buffy touches Xander's face and sighs.

CALEB

(o.s.)
Oh, now, look...

Buffy's head jerks up to find CALEB standing there right in front of her on the other side of the desk.

CALEB

...things don't go exactly your way so here come the waterworks. Ain't that just like a woman?
FADE OUT

Act II

INT. SUNNYDALE HIGH-- ADMIN OFFICE-- DAY

Resume. Buffy stares at Caleb with seething hatred.

BUFFY

Get out of here.

CALEB

Now, now, little girl. Manners. I do imagine that firebrand tongue of yours has inflamed many a man, weak as they are.

He looks around with a boyish smile.

CALEB

This here's a public school, ain't it? Kind of deserted. Only just, I suppose. Folks work so hard at keepin' the Lord out and look what happens in return. He abandons you.

When Caleb's back is turned, Buffy reaches into a drawer in her desk.

CALEB

Not that He could do you much good now, anyway.

Caleb turns and catches Buffy with her hand in the drawer.

CALEB

Wouldn't do that were I you, sweet pea. Fightin' back didn't do you much good last time, did it? And how is poor, sweet Xander? Let him know he's in my prayers and any time he's willin', I'm ready to finish the job.

BUFFY

(venom)
Go near Xander again and I will end you.

Caleb reaches out and casually flips Buffy's entire desk across the room.

CALEB

Mind your manners. I do believe I did warn you once. You're angry, frustrated, scared... I like that in a girl. You really should relax a little. Look at where you are. History's going to look back at you, at me, at this place, and they're going to see the glory. Great things are happenin' now, right here. This school, the seal... it's all going to be a part of the great sweepin' tide of change and you're going to be a part of it. Now why would you want to miss that? More importantly, why would you want to get in its way?

BUFFY

I guess I'm just ornery.

She punches Caleb in the head. He staggers back, then straightens up, unharmed.

CALEB

(laughs)
Oh, I knew you'd be a wild one.

Buffy kicks him but he grabs her leg and pushes her down. She tries to leg-sweep him but he easily dodges her, then lifts her off the floor by her neck.

CALEB

I'm going to take such sweet pleasure in taming you.

He hurls her through the window and she slams into the far wall, landing unconscious among the shards of shattered glass.

CALEB

I'll see you soon, little lady.

He smiles at her and walks casually off down the hall.

CUT TO:

INT. SUMMERS HOME-- KITCHEN-- NIGHT

Andrew enters as Dawn and Giles sit at the counter reviewing the police files.

DAWN

Okay, well, here's the one that stood out. It's a mission up north in Gilroy.

She shows it to Giles.

ANDREW

Mr. Giles, Faith stole the last meatball-and-mozzarella- flavored Hot Pocket out of the freezer even though I had called dibs on it.

Giles ignores Andrew.

GILES

(to Dawn)
I don't see anything.

DAWN

Exactly. No vandalism at all.

GILES

Then why is it in the file?

Andrew goes over to the freezer in a huff.

DAWN

The place was abandoned. Locals started noticing after a few days that no one was going in or out. Six members of the order lived there but when the cops showed up... all gone. Unsolved.

Andrew opens the freezer and takes out an empty box with his name on it.

ANDREW

Yep. See, the Post-It's still here: "Andrew's. Please do not eat." But the box is empty now.

GILES

(to Dawn)
Oh.

DAWN

Oh? Oh, good?

GILES

I'm not sure. Here...

Giles and Dawn walk into the living room with Andrew trailing behind.

INT. SUMMERS HOME-- LIVING ROOM-- NIGHT

Giles goes to the desk and takes out a magnifying glass. Half a dozen potentials sitting around the room watch him curiously as he examines the photo with the glass.

ANDREW

See, it's not the Hot Pocket itself-- even though it did have that new-and-improved thicker tomato sauce-- it's just the fundamental lack of respect.

GILES

Shut up. Pay attention. Dawn, what do you see?

DAWN

What am I looking for?

GILES

On the back wall, A knothole.

Dawn peers through the magnifying glass and sees it: the symbol from Caleb's ring carved in the wall next to a statue of Mary.

DAWN

That's not a knothole.

GILES

Amanda, would you go down to the basement and get Spike?

DAWN

Maybe this'll help... if this does bring us closer to Caleb.

Faith enters, finishing the last of Andrew's Hot Pocket.

FAITH

Sounded like there was news.

Andrew glares at her as Spike enters.

SPIKE

What's up, Rupert?

GILES

Spike, I have a mission for you.

SPIKE

Oh, really? 'Cause, you know, sometimes our missions end up with you trying to kill me. I'm not fond of those.

GILES

This is bona fide with real ramifications. Take a look at this.

He hands Spike the photo and the magnifying glass.

SPIKE

Looks like our boy's been here. You want me to go check it out?

GILES

I need someone who can take care of themselves in case Caleb has... left some souvenirs.

Spike shrugs and heads for the door.

ANDREW

(whines)
Are we going to get to the food-stealing issue soon?

GILES

(to Spike)
Take Andrew.

ANDREW & SPIKE

(unison)

What?!

DAWN

(to Andrew)
Well, you are always saying you want to get out of the house more.

ANDREW

Yeah, but--

GILES

(to Spike)
There may be demons lurking about. You never know. He's a demon expert. He can help.

SPIKE

Oh, please.

GILES

Well, he can bring his pan flute thing along. Excellent. Off you go.

He pushes Andrew out of his chair and out the door after Spike.

DAWN

(to potentials)
So see? That's something, right? We'll have some news soon.

AMANDA

Sure. Maybe that'll get us somewhere.

FAITH

Maybe. (to Dawn) In the meantime, the troops here gotta sit and stew, feeling crappier by the minute.

DAWN

We should keep them occupied.

FAITH

Yeah. I know how to keep them occupied.
CUT TO:

INT. THE BRONZE-- NIGHT

Faith gyrates on the dance floor with four guys, oozing her trademark sexuality. The other girls dance, play pool, drink and generally just have fun all around her. Dawn and Kennedy smile and watch Faith while they dance together.

KENNEDY

What kind of band plays during an apocalypse?

DAWN

I think this band might actually be one of the signs.
CUT TO:

INT. SUMMERS HOME-- DINING ROOM-- NIGHT

Buffy enters to find the house empty.

BUFFY

Hey. Guys, how's it... going?

Giles looks up from his research. He notices the cuts on her face and the bruises on her body.

GILES

Buffy. Are you hurt?

She waves off his concern as if it's no big deal.

BUFFY

Oh, Caleb came back looking for seconds.

GILES

My god, is he--

BUFFY

Still able to make me see cartoon birdies all around my head? You betcha. The short lack of consciousness was nice. I feel rested. So how did those police files work out? Were they helpful?

GILES

Yes. Very much so, I think. There's evidence that Caleb may have established a foothold up north.

BUFFY

That's great. That's--

GILES

I sent Spike to look into it.

BUFFY

Spike? Is this a mission from which you intend Spike to return alive?

GILES

Yes. I sent Andrew with him.

BUFFY

Again, I ask the question.

GILES

Buffy, you weren't here. Decisions have to be made in your absence.

BUFFY

Yeah, well, those are the ones that have been scaring me.

GILES

I did what I thought was right.

BUFFY

You sent away the one person that's been watching my back... again.

GILES

(terse)

We're all watching your back.

BUFFY

Funny, that's not really what it feels like.

GILES

Buffy--

BUFFY

Where did everybody go?

GILES

What?

BUFFY

Faith. The girls. Where are they?

GILES

Faith thought that the girls could do with some time off their studies. I thought... (reluctant) She took them to the Bronze.

Buffy rolls her eyes and heads for the door.

CUT TO:

INT. SHADOW VALLEY VINEYARD-- WINE CELLAR-- NIGHT

Caleb descends the stairs where he finds THE FIRST waiting for him in the form of Buffy.

CALEB

You know what I figured out tonight? Every high school in this country from one end to the other smells exactly alike. Now why do you suppose that is?

THE FIRST/BUFFY

And how was our best girl?

CALEB

They always think they should put up a fight.

THE FIRST/BUFFY

Did you lay the proper groundwork?

CALEB

That I did. Reckon she got the message even if she doesn't know it yet. So now the big strong Slayer goes back to those girls... she's just so ready to walk them right into it. And all we have to do is give her that one final gentle nudge.

He pushes against The First but his hand meets no resistance and passes through her.

THE FIRST/BUFFY

Excellent.
CUT TO:

INT. THE BRONZE-- NIGHT

Amanda sips from a red fruity drink as Faith dances over to the table to drink from her beer.

AMANDA

(excited)
This is so cool. Buffy would never let us do this. You are so cool. (to her friends) This woman is so cool!

FAITH

Hey! How old are you?

AMANDA

Seventeen.

Faith takes Amanda's drink from her and drinks it herself.

FAITH

Yeah, we're going to get you a real nice 7-Up, okay?

As Faith heads back to the dance floor, three police officers push their way through the crowd and approach her. Faith seems unconcerned and smiles sweetly at them.

FAITH

Hey, I was wondering what was taking you boys so long. Where you been?

OFFICER

We're going to have to ask you to come with us, miss. Outstanding warrants.

FAITH

Yeah, or we could try this one on instead. How about you guys buy me another drink and we see where the evening takes us?

One of the cops seizes Faith's arm and wrenches it around behind her back, then pushes her toward the exit. Dawn sees what's happening and runs off the dance floor.

DAWN

Hey!

KENNEDY

What's going on?

FAITH

It's cool. I got it. It's nothin'. (to cop) Get off me.

COP

Shut up.

The police escort Faith through the crowd toward the back door as the potentials gather around and watch helplessly.

CUT TO:

EXT. THE BRONZE-- ALLEY-- NIGHT

The cops push Faith into the alley outside.

FAITH

I'll tell you right now, I'm not going back to jail.

She breaks free of the cop's grip and starts to head back inside the Bronze but one of the cops, MUNROE, pulls the door shut from the inside.

Faith turns back to the others, realizing now what's going down. The cop in charge, DUNCAN, sneers at her as his fellow officers draw their handguns and level them at her.

DUNCAN

Who said anything about jail?
FADE OUT

Act III

EXT. THE BRONZE-- ALLEY-- NIGHT

Resume. With lightning-quick reflexes, Faith knocks the guns from the cops' hands, then sends one reeling to the ground with a roundhouse kick to the head. She backhands a second as the rest swarm her.

CUT TO:

INT. THE BRONZE-- NIGHT

Dawn, Kennedy, Amanda, Rona and other potentials surround Munroe who blocks the back door, shotgun raised.

MUNROE

Stay back. This doesn't concern you.

DAWN

You can't keep us in here.

MUNROE

It'll be over before you know it.
CUT TO:

EXT. THE BRONZE-- ALLEY-- NIGHT

Faith lies on the ground as several cops beat her with nightsticks. She kicks one in the ankle, creating an opening, and springs to her feet. The cops come at her again and she takes them on en masse, fists and legs pistoning out like jackhammers.

CUT TO:

INT. THE BRONZE-- NIGHT

MUNROE

Trust me. The best thing you can do is wait here.

DAWN

(cocky)
Don't listen to him. He won't hurt us. You know what? I'm just going to go borrow the phone.

She starts to walk away and Munroe fires his shotgun at the ceiling. A light fixture crashes down as everyone in the club drops to the floor.

MUNROE

Best thing you can do is wait. Here.
CUT TO:

EXT. THE BRONZE-- ALLEY-- NIGHT

Two cops pull Faith off a third while she straddles him and lays into him with one blow after another..

CUT TO:

INT. THE BRONZE-- NIGHT

Kennedy gets right up in Munroe's face.

KENNEDY

You're going to have to shoot us all to stop us.

MUNROE

That doesn't really bother me.

RONA

These cops are really getting Hellmouthed.

MUNROE

Back up!

AMANDA

No!

Munroe looks at Amanda with a smirk.

MUNROE

What?

The moment he's distracted, Kennedy snatches the gun away from Munroe and slams the butt of the gun into the side of his head. He reels backward, then grabs for her, coming up short as she flips the gun around and cocks it, the barrel inches from his face.

Munroe hesitates a moment, as if uncertain, then knocks the gun out of Kennedy's hands. However, his victory is short-lived as Amanda cracks him in the head with a broom handle. He drops to the floor, stunned, and tries to crawl away but Rona and Chao-Ahn kick him and Dawn jumps on his back, punching him. It's not long before he's a battered mess, lying unconscious on the floor. The girls leave him and head for the door.

CUT TO:

EXT. THE BRONZE-- ALLEY-- NIGHT

The potentials rush outside to find Faith lying on her back, shielding herself from an onslaught of nightsticks and tazers. Kennedy and Amanda yank two of them away from Faith, giving her a chance to get to her feet and renew her attack. She kicks a man against the hood of his car and grabs a club from another, presses it against his throat, and slams him into a wall. He drops to the ground in a heap.

As the fight ends with the cops scattered unmoving about the alley, Buffy arrives. She takes in the scene, her anger building.

BUFFY

Faith! What are you doing?

FAITH

Just blowing off steam. Well, it started that way. Turned when the cops went evil on us.

Dawn, Chao-Ahn, Rona and the other girls exit the club and gather around Buffy and Faith.

BUFFY

(controlled anger)
Girls, go home. I need to talk to Faith for a minute.

DAWN

Buffy, we weren't--

BUFFY

Dawn, you, too. Go.

The girls sullenly walk off with Dawn. When they're gone, Buffy rounds on Faith.

BUFFY

What is this?

FAITH

They needed a break, all right? They've been running themselves into the ground. Things just got out of hand.

BUFFY

Taking a break is one thing-- I get blowing off steam-- but they were fighting. And those girls were drunk! What were you thinking?

FAITH

Seemed like a good idea at the time.

BUFFY

Yeah, what if someone had gotten hurt?

FAITH

They didn't.

BUFFY

Faith, I need to know that these girls are going to be safe when I'm not around.

FAITH

No one got hurt, B. Look, you don't even know these girls. Maybe you should have a little more confidence in them, let them mess up sometimes. You know, get down and dirty. How the hell else are they going to learn?

BUFFY

Learning from your mistakes is one thing. But you don't throw children into--

FAITH

They're not children.

BUFFY

That really isn't the point.

She turns and walks off.

FAITH

Yeah, what about the vineyard?

Buffy stops in her tracks.

BUFFY

What?

FAITH

How safe were they when you dragged them off to meet Caleb? How safe was Rona or Amanda or Molly?

Buffy decks Faith, knocking her to the ground, then walks away.

CUT TO:

EXT. CALIFORNIA HIGHWAY-- NIGHT

Andrew rides behind Spike on his motorcycle, his arms around Spike's waist and wearing a kid's football helmet.

ANDREW

You sure you don't want to stop and pick up some burgers or something? You know, road-trip food?

SPIKE

It's not a road trip. It's a covert operation.

ANDREW

Right. Right. Gotcha. (beat) I bet even covert operatives eat curly fries. They're really good.

SPIKE

Not as good as those onion blossom things.

ANDREW

Oh, I love those.

SPIKE

Yeah, me, too.

ANDREW

It's an onion and it's a flower. I don't understand how such a thing is possible.

SPIKE

See, the genius of it is you soak it in ice water for an hour so it holds its shape. Then you deep-fry it root-side up for about 5 minutes.

ANDREW

Masterful.

SPIKE

Yeah. (beat) Tell anyone we had this conversation, I'll bite you.

ANDREW

Right.
CUT TO:

EXT. SUMMERS HOME-- FRONT PORCH-- NIGHT

Faith sits on the porch railing smoking a cigarette. She looks up as ROBIN WOOD appears.

WOOD

The big meeting hasn't started yet, has it?

FAITH

God, I hope so.

WOOD

Faith?

FAITH

You must be Principal Wood. Heard a lot about you.

WOOD

It hasn't really started yet, has it? 'Cause I hate being late.

FAITH

Troops are still gathering. I think you're safe.

WOOD

Looks like someone banged you up pretty well.

FAITH

Yeah, cops. Mostly.

WOOD

Mostly?

FAITH

Yeah.

She points to a bruise on her cheek.

FAITH

This one's from someone who just thinks she's a cop. It's my favorite of all my current bruises.

WOOD

So someone who thinks she's a cop, huh? You going to have to like ice her now or something like that?

FAITH

(grins)
I'm not going to kill her. Wanted to but didn't. By the way, bully for me since no one else said it.

WOOD

For what? For not killing Buffy?

FAITH

It's this new thing I'm trying.

WOOD

(smiles)
She told me about you.

FAITH

Believe every word.

WOOD

So what changed? I mean, why didn't you fight back?

FAITH

(shrugs)
Other things matter more.

WOOD

I think you're worried about her.

FAITH

I think you need to brush up on your Buffy and Faith history.

WOOD

All right, if you say so, but I read people pretty well. It's a thing I do.

FAITH

You live around here, right?

WOOD

No, not exactly. Well, it's the center of town, really.

FAITH

This town, walking anywhere after dark is like an extreme sport. Someone who didn't know you very well might think you were out looking for a fight or something. Maybe you've got bigger issues than what's wrong with B. (beat) I read people, too.

She smiles, then looks up as a car pulls into the driveway.

FAITH

Xander's home.
CUT TO:

INT. FRANCISCAN MONASTERY-- NIGHT

Spike pushes open the creaky door to the mission with Andrew following nervously behind him.

ANDREW

No one's here. These kind of places make me feel funny inside.

SPIKE

I'll buy that. You and me got something else in common after all.

As they move down the hall, the door to a closet slams open and a MONK leaps out and drives Andrew against the opposite wall.

Spike drags the robed man off of Andrew and gets a punch for his trouble. A short fight ensues but the monk is clearly outmatched. Spike pulls the hood off the monk's face to reveal a burn mark on the man's cheek: Caleb's mark.

CUT TO:

INT. SUMMERS HOME-- LIVING ROOM-- NIGHT

A hastily made "Welcome Home" banner hangs over the fireplace. Giles, Dawn and the potentials are gathered in the living room as Buffy and Willow escort Xander in. Faith and Wood follow, closing the door behind them.

XANDER

(touched)
Oh, god...

KENNEDY

We didn't have time to do more. You have to pretend there's a big party here.

Dawn wraps her arms around Xander in a tight hug.

XANDER

That's fine. Parties in this house, I usually end up having to rebuild something.

BUFFY

Welcome home, Xander. I wanted you to be here for this. I think you'll be interested in what I found out.

WILLOW

What did you find out?

BUFFY

It's about the cellar. Look, I know that night wasn't fun for any of us... but I figured out some things about that place and I realize now what we have to do. We're going back in.
FADE OUT

Act IV

INT. FRANCISCAN MONASTERY-- NIGHT

Spike and Andrew recognize Caleb's mark.

SPIKE

Tell me about the mark.

The monk covers it self-consciously with his hand.

MONK

Oh...

SPIKE

Hey! Are you part of Caleb's faction?

MONK

No! No!

SPIKE

Then tell me what happened.

The monk is clearly terrified.

MONK

I can't.

Andrew gets right up in his face, trying to intimidate.

ANDREW

"Can't" is a four-letter word! I'm Andrew. I'll be your bad cop this evening. You don't start singing, my associate here--

SPIKE

(to monk)
We're trying to fight him. Caleb. We need your help.

MONK

You can't fight him. You can't stop him. You can only run.

ANDREW

"Run" is a four-letter word... a three-letter word.

SPIKE

(to monk)
Talk.

MONK

I'll do better. I'll show you.

Spike offers the man his hand, helping him to his feet.

MONK

One night, some time ago, a man arrived at our doors.

SPIKE

And you said, "Come in, do some damage."

MONK

We are a benevolent order and, yes, we welcomed him. We offered to feed him... but he had come for something else.

The monk approaches a statue of Mary set in an alcove, just as in the picture that Dawn and Giles had. He triggers a hidden catch and the statue swings outward, revealing a secret room within. The monk enters with Spike and Andrew.

MONK

Behind this, he revealed something even we didn't know was here. A secret room. He was excited, talking the whole time. Destiny, that sort of thing.

SPIKE

Yeah. We hear he's a real smooth talker.

The monk slips a tapestry off the wall, revealing an inscription carved into the stone.

MONK

He was going on about this ancient inscription.

ANDREW

Neat.

MONK

He read it and he didn't like what it said. His temper... he was the purest evil I've ever seen. He burned his mark upon me and then I ran and I hid... and I listened to the others die.

ANDREW

Running away... saved your life. (to Spike) What does it say?

Spike raises a candelabra to illuminate the inscription. It's Latin written in Greek:


SPIKE

(translates)
"It is not for thee. It is for her alone to wield."
CUT TO:

INT. SUMMERS HOME-- LIVING ROOM-- NIGHT

Stunned silence greets Buffy's declaration that she wants to attack the winery again.

BUFFY

Look, I know what you're thinking but I had a visit at the school today from Caleb.

DAWN

Buffy, why didn't you--

BUFFY

I'm fine. I mean, it wasn't fun but I'm fine. I'm better than fine. I figured something out. He kept making all this noise about the school.

WOOD

Is it that seal again?

WILLOW

Do we need to try shutting it again?

BUFFY

No, that's just it. We've spent all this time worrying about the seal and the Hellmouth. Why isn't Caleb guarding them? Why doesn't he have someone there protecting it? Why is he camped out at the vineyard? The bad guys always go where the power is. So if the seal was so

important to Caleb and The First, they would be there right now. They're protecting the vineyard or something at the vineyard. I say it's their power and I say it's time we go in and take it away from them.

FAITH

Or, in the alternative, how about we don't? I mean, it's a neat theory, B, but I'm not going back in that place, not without proof, and neither should you and neither should they.

BUFFY

I'm not saying it's going to be easy.

WOOD

(pointed)
I think Faith had the floor.

FAITH

Maybe it ends okay the way you want to play it but maybe it doesn't and right now, I don't think I want you playing the odds.

BUFFY

Did you come here to fight?

FAITH

Listen, we're fighters, all of us, but you gotta give me something to fight. Something real, not--

GILES

(sotto)

Windmills.

BUFFY

There is something there.

GILES

Maybe... but we can't be sure of that. This is a hell of a lot to ask.

WOOD

Too much.

Buffy is unused to people questioning her decisions. She looks around, confused, seeking support.

BUFFY

I don't understand this. For seven years I've kept us safe by doing this-- exactly this-- making the hard decisions. And now what? Suddenly you're all acting like you can't trust me?

GILES

Didn't you say to me today you can't trust us? Maybe there's something there that should be addressed.

BUFFY

Is that why you sent Spike away? To ambush me?

GILES

(sighs)
Oh, come on.

RONA

You know what? I am sick of your deal with this Spike guy. This isn't about him. This is about you. You're being reckless.

BUFFY

What?

RONA

You are. I don't even know you and I can tell. You are so obsessed with beating Caleb, you are willing to jump into any plan without thinking.

BUFFY

That's not what I'm doing.

Kennedy stands and faces off with Buffy.

KENNEDY

Well, that's how it feels to us. People are dying.

WILLOW

Kennedy...

KENNEDY

Why are you always standing up for her?

WILLOW

I'm not.

Willow looks away, the pain evident on her face.

BUFFY

What do you mean, you're not?

WILLOW

With everything that's happened... I'm worried about your judgment.

BUFFY

Look, I wish this could be a democracy. I really do. Democracies don't win battles. It's a hard truth but there has to be a single voice. You need someone to issue orders and be reckless sometimes and not take your feelings into account. You need someone to lead you.

ANYA

And it's automatically you. You really do think you're better than we are.

BUFFY

No, I--

ANYA

But we don't know. We don't know if you're actually better. I mean, you came into the world with certain advantages, sure. I mean, that's the legacy. But you didn't earn it. You didn't work for it. You've never had anybody come up to you and say you deserve these things more than anyone else. They were just handed to you. So that doesn't make you better than us. It makes you luckier than us.

BUFFY

I've gotten us this far.

XANDER

But not without a price.

BUFFY

Xander--

XANDER

I'm trying to see your point here, Buff... but I guess it must be a little bit to my left because I just don't.

BUFFY

Look, I'm willing to talk strategy, okay, I'll hear suggestions on how to break this down but this is the plan. We have to be together on this or we will fail again.

GILES

(angry)
We are clearly demonstrating that we are not together on this.

BUFFY

(terse)
Which is why you have to fall in line! I'm still in charge here.

RONA

Why is that, exactly?

BUFFY

Because I'm the Slayer.

RONA

And isn't Faith a Slayer, too?

Faith's head snaps up, caught off guard.

FAITH

What? Whoa... so not what I meant. I'm not "in charge" chick. I think B here just needs to chill out for a little bit, take a siesta or something. But I'm not the one you want.

KENNEDY

Maybe we need a vote... to see who wants Faith to have a turn in charge.

BUFFY

No.

KENNEDY

No what?

BUFFY

No. You don't get to vote until I've had my chance to pal around. You know, get everybody drunk. See, I didn't get that this was a popularity contest. I should have equal time to bake them cookies, braid their hair--

FAITH

Learn their names?

BUFFY

(sneers)
You're just loving this, aren't you?

FAITH

You have no idea what I'm feeling.

BUFFY

Come in here, take everything that I have. You did it before. Did you tell them that? Did you tell them how you used to kill people for fun? Hey, you guys think that's nifty?

GILES

Buffy, that's enough!

FAITH

I didn't come here to take anything away from you but I'm not going to be your little lapdog, either. I came here to beat the other guy, to do right, however it works. I don't know if I can lead but the real question is... can you follow?

WOOD

So we vote.

BUFFY

Wait. Guys...

Buffy looks around but finds no support from anywhere, from anyone.

BUFFY

I can't watch you just throw away everything. I know I'm right about this. I just need a little... I can't stay here and watch her lead you into some disaster.

Dawn stands and approaches her sister.

DAWN

Then you can't stay here. Buffy, I love you but you were right. We have to be together on this. You can't be a part of it... so I need you to leave. I'm sorry but this is my house, too.

Buffy is rocked by this last and ultimate betrayal. She stares at them all for a long beat, then turns and walks out the front door.

RONA

Ding dong, the witch is dead.

Dawn rounds on her with a murderous glare.

DAWN

(with venom)
Shut your mouth.
CUT TO:

EXT. SUMMERS HOME-- FRONT PORCH-- NIGHT

Faith follows Buffy outside.

FAITH

Hey. Look, I swear I didn't want it to go this way--

BUFFY

Don't.

FAITH

I mean it, I--

BUFFY

Don't be afraid to lead them.

She turns to Faith, her face streaked with tears.

BUFFY

Whether you wanted it or not, their lives are yours. It's only going to get harder. Protect them. Lead them.

Faith stares at Buffy for a moment, then nods and steps back inside the house, closing the door softly as Buffy walks off into the night alone.

FADE TO BLACK
END